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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE5E72 it is the complementary color #41A18D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE5E72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE5E72 shade: #C35E6D, #D47080, #E58293, #F694A6 and #FFA6B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE5E72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE5E72 shade: #BE5E72, #AD4C5F, #9C3A4C, #8B2839 and #7A1626

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE5E72 shade: #BD5F73 and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE5E72 shade: #BD5F73, #BD5F8C, #BD5FA6, #BC5FBD and #A25FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE5E72 shade matches the following richer shades: #BD5F73, #D04D68, #E23B5E and #F42953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE5E72 shade: #BD5F73, #AB717D, #998388, #879693 and #75A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE5E72 shade: #BD5FA6, #BD5F8D, #BD5F74, #BD645F and #BD7D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE5E72 shade: #903A4C, #AD465C, #BD5F73, #C97C8C and #D59AA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE5E72 shade: #BE5E72, #BDBC5F and #5F99BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE5E72 shade: #BE5E72, #74BD5F and #5F74BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE5E72 shade: #BE5E72, #BDBC5F, #5FBDA9 and #5F61BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE5E72 shade: #BE5E72, #A3BD5F, #5FBDA9 and #7A5FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

Complementary color

CMYK 60 / 0 / 12 / 37

HEX #41A18D

RGB 65 161 141

HSL 167.5, 0.42%, 0.44%

LAB 60.37, -33.12, 2.01

 

CMYK 0 / 52 / 44 / 24

HEX #C35E6D

RGB 195 94 109

HSL 351.09, 0.46%, 0.57%

LAB 52.63, 41.81, 10.8

 

CMYK 0 / 47 / 40 / 17

HEX #D47080

RGB 212 112 128

HSL 350.4, 0.54%, 0.64%

LAB 59.11, 40.82, 9.15

 

CMYK 0 / 43 / 36 / 10

HEX #E58293

RGB 229 130 147

HSL 349.7, 0.66%, 0.7%

LAB 65.54, 39.86, 7.74

 

CMYK 0 / 40 / 33 / 4

HEX #F694A6

RGB 246 148 166

HSL 348.98, 0.84%, 0.77%

LAB 71.91, 38.94, 6.5

 

CMYK 0 / 35 / 27 / 0

HEX #FFA6B9

RGB 255 166 185

HSL 347.19, 1%, 0.83%

LAB 77.3, 35.24, 3.95

 

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

CMYK 0 / 56 / 45 / 32

HEX #AD4C5F

RGB 173 76 95

HSL 348.25, 0.39%, 0.49%

LAB 45.47, 41.5, 8.66

 

CMYK 0 / 63 / 51 / 39

HEX #9C3A4C

RGB 156 58 76

HSL 348.98, 0.46%, 0.42%

LAB 38.93, 42.33, 10.88

 

CMYK 0 / 71 / 59 / 45

HEX #8B2839

RGB 139 40 57

HSL 349.7, 0.55%, 0.35%

LAB 32.48, 42.85, 13.74

 

CMYK 0 / 82 / 69 / 52

HEX #7A1626

RGB 122 22 38

HSL 350.4, 0.69%, 0.28%

LAB 26.31, 42.66, 17.55

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F73

RGB 189 95 115

HSL 347.23, 0.42%, 0.56%

LAB 52.11, 39.8, 6.37

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F73

RGB 189 95 115

HSL 347.23, 0.42%, 0.56%

LAB 52.11, 39.8, 6.37

 

CMYK 0 / 50 / 26 / 26

HEX #BD5F8C

RGB 189 95 140

HSL 331.28, 0.42%, 0.56%

LAB 52.84, 43.01, -7.39

 

CMYK 0 / 50 / 12 / 26

HEX #BD5FA6

RGB 189 95 166

HSL 314.68, 0.42%, 0.56%

LAB 53.77, 46.97, -21.25

 

CMYK 1 / 50 / 0 / 26

HEX #BC5FBD

RGB 188 95 189

HSL 299.36, 0.42%, 0.56%

LAB 54.61, 50.66, -33.29

 

CMYK 14 / 50 / 0 / 26

HEX #A25FBD

RGB 162 95 189

HSL 282.77, 0.42%, 0.56%

LAB 51.31, 43.25, -38.68

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F73

RGB 189 95 115

HSL 347.23, 0.42%, 0.56%

LAB 52.11, 39.8, 6.37

 

CMYK 0 / 63 / 50 / 18

HEX #D04D68

RGB 208 77 104

HSL 347.63, 0.58%, 0.56%

LAB 51.52, 53.77, 12.52

 

CMYK 0 / 74 / 58 / 11

HEX #E23B5E

RGB 226 59 94

HSL 347.43, 0.74%, 0.56%

LAB 51.96, 65.29, 19.63

 

CMYK 0 / 83 / 66 / 4

HEX #F42953

RGB 244 41 83

HSL 347.59, 0.9%, 0.56%

LAB 53.43, 74.36, 28.78

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F73

RGB 189 95 115

HSL 347.23, 0.42%, 0.56%

LAB 52.11, 39.8, 6.37

 

CMYK 0 / 34 / 27 / 33

HEX #AB717D

RGB 171 113 125

HSL 347.59, 0.26%, 0.56%

LAB 53.97, 24.63, 2.85

 

CMYK 0 / 14 / 11 / 40

HEX #998388

RGB 153 131 136

HSL 346.36, 0.1%, 0.56%

LAB 56.86, 9.25, 0.41

 

CMYK 10 / 0 / 2 / 41

HEX #879693

RGB 135 150 147

HSL 168, 0.07%, 0.56%

LAB 60.84, -5.96, -0.26

 

CMYK 30 / 0 / 7 / 34

HEX #75A89D

RGB 117 168 157

HSL 167.06, 0.23%, 0.56%

LAB 65.14, -19.34, 0.25

 

CMYK 0 / 50 / 12 / 26

HEX #BD5FA6

RGB 189 95 166

HSL 314.68, 0.42%, 0.56%

LAB 53.77, 46.97, -21.25

 

CMYK 0 / 50 / 25 / 26

HEX #BD5F8D

RGB 189 95 141

HSL 330.64, 0.42%, 0.56%

LAB 52.87, 43.15, -7.93

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F74

RGB 189 95 116

HSL 346.6, 0.42%, 0.56%

LAB 52.13, 39.92, 5.82

 

CMYK 0 / 47 / 50 / 26

HEX #BD645F

RGB 189 100 95

HSL 3.19, 0.42%, 0.56%

LAB 52.69, 35.08, 18.99

 

CMYK 0 / 34 / 50 / 26

HEX #BD7D5F

RGB 189 125 95

HSL 19.15, 0.42%, 0.56%

LAB 58.33, 21.49, 26.49

 

CMYK 0 / 60 / 47 / 44

HEX #903A4C

RGB 144 58 76

HSL 347.44, 0.43%, 0.4%

LAB 36.89, 38.09, 7.73

 

CMYK 0 / 60 / 47 / 32

HEX #AD465C

RGB 173 70 92

HSL 347.18, 0.42%, 0.48%

LAB 44.29, 44.11, 8.83

 

CMYK 0 / 50 / 39 / 26

HEX #BD5F73

RGB 189 95 115

HSL 347.23, 0.42%, 0.56%

LAB 52.11, 39.8, 6.37

 

CMYK 0 / 38 / 30 / 21

HEX #C97C8C

RGB 201 124 140

HSL 347.53, 0.42%, 0.64%

LAB 60.54, 31.95, 4.09

 

CMYK 0 / 28 / 22 / 16

HEX #D59AA6

RGB 213 154 166

HSL 347.8, 0.41%, 0.72%

LAB 69.48, 23.78, 2.5

 

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

CMYK 0 / 1 / 50 / 26

HEX #BDBC5F

RGB 189 188 95

HSL 59.36, 0.42%, 0.56%

LAB 74.58, -12.53, 46.7

 

CMYK 50 / 19 / 0 / 26

HEX #5F99BD

RGB 95 153 189

HSL 202.98, 0.42%, 0.56%

LAB 60.68, -8.92, -24.5

 

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

CMYK 39 / 0 / 50 / 26

HEX #74BD5F

RGB 116 189 95

HSL 106.6, 0.42%, 0.56%

LAB 70.13, -40.69, 40.22

 

CMYK 50 / 39 / 0 / 26

HEX #5F74BD

RGB 95 116 189

HSL 226.6, 0.42%, 0.56%

LAB 50.21, 12.73, -40.83

 

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

CMYK 0 / 1 / 50 / 26

HEX #BDBC5F

RGB 189 188 95

HSL 59.36, 0.42%, 0.56%

LAB 74.58, -12.53, 46.7

 

CMYK 50 / 0 / 11 / 26

HEX #5FBDA9

RGB 95 189 169

HSL 167.23, 0.42%, 0.56%

LAB 70.66, -32.8, 1.55

 

CMYK 50 / 49 / 0 / 26

HEX #5F61BD

RGB 95 97 189

HSL 238.72, 0.42%, 0.56%

LAB 45.16, 24.46, -48.87

 

CMYK 0 / 51 / 40 / 25

HEX #BE5E72

RGB 190 94 114

HSL 347.5, 0.42%, 0.56%

LAB 52.03, 40.56, 6.87

 

CMYK 14 / 0 / 50 / 26

HEX #A3BD5F

RGB 163 189 95

HSL 76.6, 0.42%, 0.56%

LAB 72.9, -23.55, 44.22

 

CMYK 50 / 0 / 11 / 26

HEX #5FBDA9

RGB 95 189 169

HSL 167.23, 0.42%, 0.56%

LAB 70.66, -32.8, 1.55

 

CMYK 35 / 50 / 0 / 26

HEX #7A5FBD

RGB 122 95 189

HSL 257.23, 0.42%, 0.56%

LAB 46.97, 32.3, -45.84

 

Description

Color code: HEX #BE5E72 | qconv.com Color code: HEX #BE5E72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 94 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 94 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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