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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE45F8 it is the complementary color #41BA07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE45F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE45F8 shade: #C345F3, #D457FF, #E569FF, #F67BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE45F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE45F8 shade: #BE45F8, #AD33E5, #9C21D2, #8B0FBF and #7A00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE45F8 shade: #BE44F8, #EE44F8, #F844D1, #F844A1 and #F84470

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE45F8 shade: #BE44F8, #8D44F8, #5D44F8 and #4444F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE45F8 shade matches the following richer shades: #BE44F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE45F8 shade: #BE44F8, #B854E9, #B363D9, #AD73C9 and #A883BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE45F8 shade: #5C44F8, #8C44F8, #BC44F8, #EC44F8 and #F844D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE45F8 shade: #9B08E2, #B01CF7, #BE44F8, #CC6CFA and #DA94FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE45F8 shade: #BE45F8, #F8445C and #44F874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE45F8 shade: #BE45F8, #F8BC44 and #44F8BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE45F8 shade: #BE45F8, #F8445C, #80F844 and #44F8E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE45F8 shade: #BE45F8, #F86244, #80F844 and #44DAF8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

Complementary color

CMYK 65 / 0 / 96 / 27

HEX #41BA07

RGB 65 186 7

HSL 100.56, 0.93%, 0.38%

LAB 66.72, -60.25, 65.85

 

CMYK 20 / 72 / 0 / 5

HEX #C345F3

RGB 195 69 243

HSL 283.45, 0.88%, 0.61%

LAB 54.37, 73.87, -64.22

 

CMYK 17 / 66 / 0 / 0

HEX #D457FF

RGB 212 87 255

HSL 284.64, 1%, 0.67%

LAB 59.92, 72.61, -61.85

 

CMYK 10 / 59 / 0 / 0

HEX #E569FF

RGB 229 105 255

HSL 289.6, 1%, 0.71%

LAB 64.95, 68.79, -53.7

 

CMYK 4 / 52 / 0 / 0

HEX #F67BFF

RGB 246 123 255

HSL 295.91, 1%, 0.74%

LAB 70.16, 64.89, -45.33

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

CMYK 24 / 78 / 0 / 10

HEX #AD33E5

RGB 173 51 229

HSL 281.12, 0.77%, 0.55%

LAB 48.15, 73.37, -66.56

 

CMYK 26 / 84 / 0 / 18

HEX #9C21D2

RGB 156 33 210

HSL 281.69, 0.73%, 0.48%

LAB 42.47, 72.06, -65.03

 

CMYK 27 / 92 / 0 / 25

HEX #8B0FBF

RGB 139 15 191

HSL 282.27, 0.85%, 0.4%

LAB 37.1, 69.61, -62.83

 

CMYK 29 / 100 / 0 / 33

HEX #7A00AC

RGB 122 0 172

HSL 282.56, 1%, 0.34%

LAB 32.07, 65.81, -59.87

 

CMYK 23 / 73 / 0 / 3

HEX #BE44F8

RGB 190 68 248

HSL 280.67, 0.93%, 0.62%

LAB 53.88, 74.27, -67.85

 

CMYK 4 / 73 / 0 / 3

HEX #EE44F8

RGB 238 68 248

HSL 296.67, 0.93%, 0.62%

LAB 60.86, 83.51, -56.26

 

CMYK 0 / 73 / 16 / 3

HEX #F844D1

RGB 248 68 209

HSL 313, 0.93%, 0.62%

LAB 60.51, 79.9, -34.83

 

CMYK 0 / 73 / 35 / 3

HEX #F844A1

RGB 248 68 161

HSL 329, 0.93%, 0.62%

LAB 58.66, 74.16, -10.05

 

CMYK 0 / 73 / 55 / 3

HEX #F84470

RGB 248 68 112

HSL 345.33, 0.93%, 0.62%

LAB 57.33, 69.85, 16.86

 

CMYK 23 / 73 / 0 / 3

HEX #BE44F8

RGB 190 68 248

HSL 280.67, 0.93%, 0.62%

LAB 53.88, 74.27, -67.85

 

CMYK 43 / 73 / 0 / 3

HEX #8D44F8

RGB 141 68 248

HSL 264.33, 0.93%, 0.62%

LAB 47.72, 65.76, -78.13

 

CMYK 63 / 73 / 0 / 3

HEX #5D44F8

RGB 93 68 248

HSL 248.33, 0.93%, 0.62%

LAB 43.12, 59.1, -85.85

 

CMYK 73 / 73 / 0 / 3

HEX #4444F8

RGB 68 68 248

HSL 240, 0.93%, 0.62%

LAB 41.44, 56.57, -88.68

 

CMYK 23 / 73 / 0 / 3

HEX #BE44F8

RGB 190 68 248

HSL 280.67, 0.93%, 0.62%

LAB 53.88, 74.27, -67.85

 

CMYK 23 / 73 / 0 / 3

HEX #BE44F8

RGB 190 68 248

HSL 280.67, 0.93%, 0.62%

LAB 53.88, 74.27, -67.85

 

CMYK 21 / 64 / 0 / 9

HEX #B854E9

RGB 184 84 233

HSL 280.27, 0.77%, 0.62%

LAB 54.46, 63.47, -58.55

 

CMYK 18 / 54 / 0 / 15

HEX #B363D9

RGB 179 99 217

HSL 280.68, 0.61%, 0.62%

LAB 55.6, 51.71, -47.76

 

CMYK 14 / 43 / 0 / 21

HEX #AD73C9

RGB 173 115 201

HSL 280.47, 0.44%, 0.62%

LAB 57.43, 38.12, -35.87

 

CMYK 10 / 30 / 0 / 27

HEX #A883BA

RGB 168 131 186

HSL 280.36, 0.28%, 0.62%

LAB 59.98, 24.37, -23.43

 

CMYK 63 / 73 / 0 / 3

HEX #5C44F8

RGB 92 68 248

HSL 248, 0.93%, 0.62%

LAB 43.04, 58.98, -85.98

 

CMYK 44 / 73 / 0 / 3

HEX #8C44F8

RGB 140 68 248

HSL 264, 0.93%, 0.62%

LAB 47.61, 65.6, -78.32

 

CMYK 24 / 73 / 0 / 3

HEX #BC44F8

RGB 188 68 248

HSL 280, 0.93%, 0.62%

LAB 53.6, 73.9, -68.3

 

CMYK 5 / 73 / 0 / 3

HEX #EC44F8

RGB 236 68 248

HSL 296, 0.93%, 0.62%

LAB 60.56, 83.12, -56.76

 

CMYK 0 / 73 / 15 / 3

HEX #F844D4

RGB 248 68 212

HSL 312, 0.93%, 0.62%

LAB 60.64, 80.31, -36.33

 

CMYK 31 / 96 / 0 / 11

HEX #9B08E2

RGB 155 8 226

HSL 280.46, 0.93%, 0.46%

LAB 42.21, 79.14, -74.65

 

CMYK 29 / 89 / 0 / 3

HEX #B01CF7

RGB 176 28 247

HSL 280.55, 0.93%, 0.54%

LAB 47.98, 82.99, -76.96

 

CMYK 23 / 73 / 0 / 3

HEX #BE44F8

RGB 190 68 248

HSL 280.67, 0.93%, 0.62%

LAB 53.88, 74.27, -67.85

 

CMYK 18 / 57 / 0 / 2

HEX #CC6CFA

RGB 204 108 250

HSL 280.56, 0.93%, 0.7%

LAB 62.05, 60.4, -55.74

 

CMYK 13 / 41 / 0 / 2

HEX #DA94FB

RGB 218 148 251

HSL 280.78, 0.93%, 0.78%

LAB 71.59, 43.9, -41.15

 

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

CMYK 0 / 73 / 63 / 3

HEX #F8445C

RGB 248 68 92

HSL 352, 0.93%, 0.62%

LAB 56.94, 68.57, 28.11

 

CMYK 73 / 0 / 53 / 3

HEX #44F874

RGB 68 248 116

HSL 136, 0.93%, 0.62%

LAB 86.81, -71.28, 50.23

 

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

CMYK 0 / 24 / 73 / 3

HEX #F8BC44

RGB 248 188 68

HSL 40, 0.93%, 0.62%

LAB 79.81, 10.5, 65.95

 

CMYK 73 / 0 / 24 / 3

HEX #44F8BC

RGB 68 248 188

HSL 160, 0.93%, 0.62%

LAB 87.97, -58.35, 16.11

 

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

CMYK 0 / 73 / 63 / 3

HEX #F8445C

RGB 248 68 92

HSL 352, 0.93%, 0.62%

LAB 56.94, 68.57, 28.11

 

CMYK 48 / 0 / 73 / 3

HEX #80F844

RGB 128 248 68

HSL 100, 0.93%, 0.62%

LAB 88.04, -63.08, 71.47

 

CMYK 73 / 0 / 10 / 3

HEX #44F8E0

RGB 68 248 224

HSL 172, 0.93%, 0.62%

LAB 88.8, -49.71, -1.38

 

CMYK 23 / 72 / 0 / 3

HEX #BE45F8

RGB 190 69 248

HSL 280.56, 0.93%, 0.62%

LAB 54.01, 73.9, -67.64

 

CMYK 0 / 60 / 73 / 3

HEX #F86244

RGB 248 98 68

HSL 10, 0.93%, 0.62%

LAB 60.88, 55.78, 46.2

 

CMYK 48 / 0 / 73 / 3

HEX #80F844

RGB 128 248 68

HSL 100, 0.93%, 0.62%

LAB 88.04, -63.08, 71.47

 

CMYK 73 / 12 / 0 / 3

HEX #44DAF8

RGB 68 218 248

HSL 190, 0.93%, 0.62%

LAB 80.82, -29.38, -25.96

 

Description

Color code: HEX #BE45F8 | qconv.com Color code: HEX #BE45F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 69 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 69 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 72 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 72% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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