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Color name
HEX #BE433F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE433F it is the complementary color #41BCC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE433F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE433F shade: #C3433A, #D4554D, #E56760, #F67973 and #FF8B86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE433F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE433F shade: #BE433F, #AD312C, #9C1F19, #8B0D06 and #7A0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE433F shade: #BF4440 and #BF4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE433F shade: #BF4440, #BF6640, #BF8940, #BFAB40 and #B1BF40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE433F shade matches the following richer shades: #BF4440, #D4302B, #E91D16 and #FD0A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE433F shade: #BF4440, #AB5754, #966A69, #817E7E and #6D9192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE433F shade: #BF4082, #BF4060, #BF4240, #BF6440 and #BF8640

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE433F shade: #812E2B, #A03935, #BF4440, #CA625F and #D4807E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE433F shade: #BE433F, #A4BF40 and #4071BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE433F shade: #BE433F, #40BF42 and #4240BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE433F shade: #BE433F, #A4BF40, #40BDBF and #5B40BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE433F shade: #BE433F, #7DBF40, #40BDBF and #8240BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

Complementary color

CMYK 66 / 2 / 0 / 25

HEX #41BCC0

RGB 65 188 192

HSL 181.89, 0.5%, 0.5%

LAB 70.1, -31.93, -11.98

 

CMYK 0 / 66 / 70 / 24

HEX #C3433A

RGB 195 67 58

HSL 3.94, 0.54%, 0.5%

LAB 46.87, 50.54, 33.39

 

CMYK 0 / 60 / 64 / 17

HEX #D4554D

RGB 212 85 77

HSL 3.56, 0.61%, 0.57%

LAB 52.98, 49.55, 30.52

 

CMYK 0 / 55 / 58 / 10

HEX #E56760

RGB 229 103 96

HSL 3.16, 0.72%, 0.64%

LAB 59.16, 48.44, 28.05

 

CMYK 0 / 51 / 53 / 4

HEX #F67973

RGB 246 121 115

HSL 2.75, 0.88%, 0.71%

LAB 65.36, 47.3, 25.92

 

CMYK 0 / 45 / 47 / 0

HEX #FF8B86

RGB 255 139 134

HSL 2.48, 1%, 0.76%

LAB 70.49, 43.3, 22.44

 

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

CMYK 0 / 72 / 75 / 32

HEX #AD312C

RGB 173 49 44

HSL 2.33, 0.59%, 0.43%

LAB 40.02, 49.79, 32.59

 

CMYK 0 / 80 / 84 / 39

HEX #9C1F19

RGB 156 31 25

HSL 2.75, 0.72%, 0.35%

LAB 34.23, 49.9, 36.33

 

CMYK 0 / 91 / 96 / 45

HEX #8B0D06

RGB 139 13 6

HSL 3.16, 0.92%, 0.28%

LAB 28.88, 48.93, 39.5

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 0 / 66 / 66 / 25

HEX #BF4040

RGB 191 64 64

HSL 0, 0.5%, 0.5%

LAB 45.79, 50.77, 28.41

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 0 / 47 / 66 / 25

HEX #BF6640

RGB 191 102 64

HSL 17.95, 0.5%, 0.5%

LAB 52.89, 32.39, 36.94

 

CMYK 0 / 28 / 66 / 25

HEX #BF8940

RGB 191 137 64

HSL 34.49, 0.5%, 0.5%

LAB 61.08, 13.25, 46.23

 

CMYK 0 / 10 / 66 / 25

HEX #BFAB40

RGB 191 171 64

HSL 50.55, 0.5%, 0.5%

LAB 69.88, -5.15, 55.67

 

CMYK 7 / 0 / 66 / 25

HEX #B1BF40

RGB 177 191 64

HSL 66.61, 0.5%, 0.5%

LAB 74.18, -21.36, 59.77

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 0 / 77 / 80 / 17

HEX #D4302B

RGB 212 48 43

HSL 1.78, 0.66%, 0.5%

LAB 47.35, 62.18, 43.18

 

CMYK 0 / 88 / 91 / 9

HEX #E91D16

RGB 233 29 22

HSL 1.99, 0.83%, 0.5%

LAB 49.81, 71.93, 56.76

 

CMYK 0 / 96 / 99 / 1

HEX #FD0A02

RGB 253 10 2

HSL 1.91, 0.98%, 0.5%

LAB 53.06, 78.96, 66.4

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 0 / 49 / 51 / 33

HEX #AB5754

RGB 171 87 84

HSL 2.07, 0.34%, 0.5%

LAB 47.12, 33.99, 17.56

 

CMYK 0 / 29 / 30 / 41

HEX #966A69

RGB 150 106 105

HSL 1.33, 0.18%, 0.5%

LAB 49.27, 17.46, 7.58

 

CMYK 0 / 2 / 2 / 49

HEX #817E7E

RGB 129 126 126

HSL 0, 0.01%, 0.5%

LAB 53.05, 1.13, 0.39

 

CMYK 25 / 1 / 0 / 43

HEX #6D9192

RGB 109 145 146

HSL 181.62, 0.15%, 0.5%

LAB 57.63, -12.17, -4.61

 

CMYK 0 / 66 / 32 / 25

HEX #BF4082

RGB 191 64 130

HSL 328.82, 0.5%, 0.5%

LAB 47.44, 56.66, -9.45

 

CMYK 0 / 66 / 50 / 25

HEX #BF4060

RGB 191 64 96

HSL 344.88, 0.5%, 0.5%

LAB 46.43, 53.1, 9.83

 

CMYK 0 / 65 / 66 / 25

HEX #BF4240

RGB 191 66 64

HSL 0.94, 0.5%, 0.5%

LAB 46.1, 49.93, 28.79

 

CMYK 0 / 48 / 66 / 25

HEX #BF6440

RGB 191 100 64

HSL 17.01, 0.5%, 0.5%

LAB 52.47, 33.45, 36.43

 

CMYK 0 / 30 / 66 / 25

HEX #BF8640

RGB 191 134 64

HSL 33.07, 0.5%, 0.5%

LAB 60.33, 14.91, 45.4

 

CMYK 0 / 64 / 67 / 49

HEX #812E2B

RGB 129 46 43

HSL 2.09, 0.5%, 0.34%

LAB 31.34, 35.62, 20.9

 

CMYK 0 / 64 / 67 / 37

HEX #A03935

RGB 160 57 53

HSL 2.24, 0.5%, 0.42%

LAB 39, 42.45, 25.42

 

CMYK 0 / 64 / 66 / 25

HEX #BF4440

RGB 191 68 64

HSL 1.89, 0.5%, 0.5%

LAB 46.42, 49.07, 29.18

 

CMYK 0 / 51 / 53 / 21

HEX #CA625F

RGB 202 98 95

HSL 1.68, 0.5%, 0.58%

LAB 54.15, 41.02, 21.29

 

CMYK 0 / 40 / 41 / 17

HEX #D4807E

RGB 212 128 126

HSL 1.4, 0.5%, 0.66%

LAB 62.46, 32.2, 15.01

 

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

CMYK 14 / 0 / 66 / 25

HEX #A4BF40

RGB 164 191 64

HSL 72.76, 0.5%, 0.5%

LAB 73.24, -26.71, 58.5

 

CMYK 66 / 41 / 0 / 25

HEX #4071BF

RGB 64 113 191

HSL 216.85, 0.5%, 0.5%

LAB 47.83, 8.9, -45.86

 

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

CMYK 66 / 0 / 65 / 25

HEX #40BF42

RGB 64 191 66

HSL 120.94, 0.5%, 0.5%

LAB 68.57, -58.78, 51.3

 

CMYK 65 / 66 / 0 / 25

HEX #4240BF

RGB 66 64 191

HSL 240.94, 0.5%, 0.5%

LAB 35.18, 40.19, -66.31

 

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

CMYK 14 / 0 / 66 / 25

HEX #A4BF40

RGB 164 191 64

HSL 72.76, 0.5%, 0.5%

LAB 73.24, -26.71, 58.5

 

CMYK 66 / 1 / 0 / 25

HEX #40BDBF

RGB 64 189 191

HSL 180.94, 0.5%, 0.5%

LAB 70.35, -32.84, -11.06

 

CMYK 52 / 66 / 0 / 25

HEX #5B40BF

RGB 91 64 191

HSL 252.76, 0.5%, 0.5%

LAB 37.21, 44.11, -62.9

 

CMYK 0 / 65 / 67 / 25

HEX #BE433F

RGB 190 67 63

HSL 1.89, 0.5%, 0.5%

LAB 46.07, 49.1, 29.31

 

CMYK 35 / 0 / 66 / 25

HEX #7DBF40

RGB 125 191 64

HSL 91.18, 0.5%, 0.5%

LAB 70.87, -41.67, 55.29

 

CMYK 66 / 1 / 0 / 25

HEX #40BDBF

RGB 64 189 191

HSL 180.94, 0.5%, 0.5%

LAB 70.35, -32.84, -11.06

 

CMYK 32 / 66 / 0 / 25

HEX #8240BF

RGB 130 64 191

HSL 271.18, 0.5%, 0.5%

LAB 41.49, 51.77, -55.75

 

Description

Color code: HEX #BE433F | qconv.com Color code: HEX #BE433F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 67 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 67 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 67 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 67% 25% C M Y K

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Provide designers and agencies with accurate color values.

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