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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE3991 it is the complementary color #41C66E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE3991. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BE3991: #C3398C, #D44B9F, #E55DB2, #F66FC5 and #FF81D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE3991. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BE3991: #BE3991, #AD277E, #9C156B, #8B0358 and #7A0045

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

Complementary color

CMYK 67 / 0 / 44 / 22

HEX #41C66E

RGB 65 198 110

HSL 140.3, 0.54%, 0.52%

LAB 71.31, -55.17, 33.79

 

CMYK 0 / 71 / 28 / 24

HEX #C3398C

RGB 195 57 140

HSL 323.91, 0.55%, 0.49%

LAB 47.52, 61.65, -15.3

 

CMYK 0 / 65 / 25 / 17

HEX #D44B9F

RGB 212 75 159

HSL 323.21, 0.61%, 0.56%

LAB 53.53, 61.83, -17.21

 

CMYK 0 / 59 / 22 / 10

HEX #E55DB2

RGB 229 93 178

HSL 322.5, 0.72%, 0.63%

LAB 59.62, 61.62, -18.75

 

CMYK 0 / 55 / 20 / 4

HEX #F66FC5

RGB 246 111 197

HSL 321.78, 0.88%, 0.7%

LAB 65.74, 61.18, -20.01

 

CMYK 0 / 49 / 15 / 0

HEX #FF81D8

RGB 255 129 216

HSL 318.57, 1%, 0.75%

LAB 70.81, 58.23, -22.78

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 77 / 27 / 32

HEX #AD277E

RGB 173 39 126

HSL 321.04, 0.63%, 0.42%

LAB 40.96, 60.18, -17.12

 

CMYK 0 / 87 / 31 / 39

HEX #9C156B

RGB 156 21 107

HSL 321.78, 0.76%, 0.35%

LAB 35.33, 58.41, -14.11

 

CMYK 0 / 98 / 37 / 45

HEX #8B0358

RGB 139 3 88

HSL 322.5, 0.96%, 0.28%

LAB 30.06, 55.35, -10.18

 

CMYK 0 / 100 / 43 / 52

HEX #7A0045

RGB 122 0 69

HSL 326.07, 1%, 0.24%

LAB 25.46, 50.01, -4.75

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 70 / 35 / 26

HEX #BC387A

RGB 188 56 122

HSL 330, 0.54%, 0.48%

LAB 45.53, 57.96, -7.49

 

CMYK 0 / 70 / 47 / 26

HEX #BC3864

RGB 188 56 100

HSL 340, 0.54%, 0.48%

LAB 44.86, 55.69, 5.06

 

CMYK 0 / 70 / 59 / 26

HEX #BC384E

RGB 188 56 78

HSL 350, 0.54%, 0.48%

LAB 44.33, 53.89, 17.93

 

CMYK 0 / 70 / 70 / 26

HEX #BC3838

RGB 188 56 56

HSL 0, 0.54%, 0.48%

LAB 43.95, 52.56, 30.8

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 70 / 24 / 5

HEX #F148B8

RGB 241 72 184

HSL 320.24, 0.86%, 0.61%

LAB 58.79, 73.72, -23.31

 

CMYK 0 / 70 / 24 / 85

HEX #250B1C

RGB 37 11 28

HSL 320.77, 0.54%, 0.09%

LAB 6.47, 15.97, -5.51

 

CMYK 0 / 70 / 24 / 65

HEX #581A43

RGB 88 26 67

HSL 320.32, 0.54%, 0.22%

LAB 20.9, 33.25, -10.96

 

CMYK 0 / 70 / 24 / 45

HEX #8B2A6A

RGB 139 42 106

HSL 320.41, 0.54%, 0.35%

LAB 34.37, 47.45, -15.23

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 33 / 70 / 26

HEX #BC7E38

RGB 188 126 56

HSL 31.82, 0.54%, 0.48%

LAB 57.94, 17.56, 46.55

 

CMYK 70 / 0 / 5 / 26

HEX #38BCB3

RGB 56 188 179

HSL 175.91, 0.54%, 0.48%

LAB 69.51, -36.89, -5.74

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 23 / 0 / 70 / 26

HEX #90BC38

RGB 144 188 56

HSL 80, 0.54%, 0.48%

LAB 71, -33.8, 58.89

 

CMYK 70 / 23 / 0 / 26

HEX #3890BC

RGB 56 144 188

HSL 200, 0.54%, 0.48%

LAB 56.5, -11.78, -30.52

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 33 / 70 / 26

HEX #BC7E38

RGB 188 126 56

HSL 31.82, 0.54%, 0.48%

LAB 57.94, 17.56, 46.55

 

CMYK 70 / 0 / 47 / 26

HEX #38BC64

RGB 56 188 100

HSL 140, 0.54%, 0.48%

LAB 67.82, -54.69, 34.38

 

CMYK 70 / 38 / 0 / 26

HEX #3875BC

RGB 56 117 188

HSL 212.27, 0.54%, 0.48%

LAB 48.5, 4.06, -43.08

 

CMYK 0 / 70 / 24 / 25

HEX #BE3991

RGB 190 57 145

HSL 320.3, 0.54%, 0.48%

LAB 46.87, 60.96, -19.39

 

CMYK 0 / 12 / 70 / 26

HEX #BCA638

RGB 188 166 56

HSL 50, 0.54%, 0.48%

LAB 68.2, -4.26, 57.18

 

CMYK 70 / 0 / 47 / 26

HEX #38BC64

RGB 56 188 100

HSL 140, 0.54%, 0.48%

LAB 67.82, -54.69, 34.38

 

CMYK 70 / 59 / 0 / 26

HEX #384EBC

RGB 56 78 188

HSL 230, 0.54%, 0.48%

LAB 37.7, 28.98, -60.45

 

Description

Color code: HEX #BE3991 | qconv.com Color code: HEX #BE3991 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 57 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 57 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 24 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 24% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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