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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE336F it is the complementary color #41CC90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE336F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE336F shade: #C3336A, #D4457D, #E55790, #F669A3 and #FF7BB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE336F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE336F shade: #BE336F, #AD215C, #9C0F49, #8B0036 and #7A0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE336F shade: #BD326E, #BD3249 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE336F shade: #BD326E, #BD3294, #BD32B9, #9C32BD and #7632BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE336F shade matches the following richer shades: #BD326E, #D11F6C and #E40C69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE336F shade: #BD326E, #AA4671, #975974, #836D76 and #708079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE336F shade: #BD32B9, #BD3294, #BD326F, #BD324A and #BD4032

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE336F shade: #7C2148, #9D2A5B, #BD326E, #CF4A83 and #D86B9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE336F shade: #BE336F, #BD9D32 and #32A6BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE336F shade: #BE336F, #6FBD32 and #326FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE336F shade: #BE336F, #BD9D32, #32BD81 and #3253BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE336F shade: #BE336F, #B4BD32, #32BD81 and #3C32BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

Complementary color

CMYK 68 / 0 / 29 / 20

HEX #41CC90

RGB 65 204 144

HSL 154.1, 0.58%, 0.53%

LAB 73.75, -51.02, 19.32

 

CMYK 0 / 74 / 46 / 24

HEX #C3336A

RGB 195 51 106

HSL 337.08, 0.59%, 0.48%

LAB 45.65, 60.06, 2.66

 

CMYK 0 / 67 / 41 / 17

HEX #D4457D

RGB 212 69 125

HSL 336.5, 0.62%, 0.55%

LAB 51.54, 60.26, 0.03

 

CMYK 0 / 62 / 37 / 10

HEX #E55790

RGB 229 87 144

HSL 335.92, 0.73%, 0.62%

LAB 57.55, 60.02, -2.1

 

CMYK 0 / 57 / 34 / 4

HEX #F669A3

RGB 246 105 163

HSL 335.32, 0.89%, 0.69%

LAB 63.62, 59.53, -3.87

 

CMYK 0 / 52 / 29 / 0

HEX #FF7BB6

RGB 255 123 182

HSL 333.18, 1%, 0.74%

LAB 68.61, 56.38, -7.13

 

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

CMYK 0 / 81 / 47 / 32

HEX #AD215C

RGB 173 33 92

HSL 334.71, 0.68%, 0.4%

LAB 39.15, 58.24, 1.48

 

CMYK 0 / 90 / 53 / 39

HEX #9C0F49

RGB 156 15 73

HSL 335.32, 0.82%, 0.34%

LAB 33.75, 56.25, 5.54

 

CMYK 0 / 100 / 61 / 45

HEX #8B0036

RGB 139 0 54

HSL 336.69, 1%, 0.27%

LAB 28.79, 52.91, 10.71

 

CMYK 0 / 100 / 71 / 52

HEX #7A0023

RGB 122 0 35

HSL 342.79, 1%, 0.24%

LAB 24.51, 47.48, 17.31

 

CMYK 0 / 74 / 42 / 26

HEX #BD326E

RGB 189 50 110

HSL 334.1, 0.58%, 0.47%

LAB 44.56, 59.1, -1.54

 

CMYK 0 / 74 / 61 / 26

HEX #BD3249

RGB 189 50 73

HSL 350.07, 0.58%, 0.47%

LAB 43.63, 56.05, 20.11

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 74 / 42 / 26

HEX #BD326E

RGB 189 50 110

HSL 334.1, 0.58%, 0.47%

LAB 44.56, 59.1, -1.54

 

CMYK 0 / 74 / 22 / 26

HEX #BD3294

RGB 189 50 148

HSL 317.7, 0.58%, 0.47%

LAB 45.96, 63.53, -22.6

 

CMYK 0 / 74 / 2 / 26

HEX #BD32B9

RGB 189 50 185

HSL 301.73, 0.58%, 0.47%

LAB 47.76, 68.93, -41.74

 

CMYK 17 / 74 / 0 / 26

HEX #9C32BD

RGB 156 50 189

HSL 285.76, 0.58%, 0.47%

LAB 42.8, 62.75, -52.29

 

CMYK 38 / 74 / 0 / 26

HEX #7632BD

RGB 118 50 189

HSL 269.35, 0.58%, 0.47%

LAB 37.49, 55.47, -61.14

 

CMYK 0 / 74 / 42 / 26

HEX #BD326E

RGB 189 50 110

HSL 334.1, 0.58%, 0.47%

LAB 44.56, 59.1, -1.54

 

CMYK 0 / 85 / 48 / 18

HEX #D11F6C

RGB 209 31 108

HSL 334.04, 0.74%, 0.47%

LAB 46.47, 69.23, 2.95

 

CMYK 0 / 95 / 54 / 11

HEX #E40C69

RGB 228 12 105

HSL 334.17, 0.9%, 0.47%

LAB 49.22, 76.13, 9.24

 

CMYK 0 / 74 / 42 / 26

HEX #BD326E

RGB 189 50 110

HSL 334.1, 0.58%, 0.47%

LAB 44.56, 59.1, -1.54

 

CMYK 0 / 59 / 34 / 33

HEX #AA4671

RGB 170 70 113

HSL 334.2, 0.42%, 0.47%

LAB 44.4, 45.46, -3.98

 

CMYK 0 / 41 / 23 / 41

HEX #975974

RGB 151 89 116

HSL 333.87, 0.26%, 0.47%

LAB 45.61, 29.26, -4.32

 

CMYK 0 / 17 / 10 / 49

HEX #836D76

RGB 131 109 118

HSL 335.45, 0.09%, 0.47%

LAB 48.35, 10.29, -1.75

 

CMYK 13 / 0 / 5 / 50

HEX #708079

RGB 112 128 121

HSL 153.75, 0.07%, 0.47%

LAB 52.13, -7.34, 1.81

 

CMYK 0 / 74 / 2 / 26

HEX #BD32B9

RGB 189 50 185

HSL 301.73, 0.58%, 0.47%

LAB 47.76, 68.93, -41.74

 

CMYK 0 / 74 / 22 / 26

HEX #BD3294

RGB 189 50 148

HSL 317.7, 0.58%, 0.47%

LAB 45.96, 63.53, -22.6

 

CMYK 0 / 74 / 41 / 26

HEX #BD326F

RGB 189 50 111

HSL 333.67, 0.58%, 0.47%

LAB 44.59, 59.2, -2.11

 

CMYK 0 / 74 / 61 / 26

HEX #BD324A

RGB 189 50 74

HSL 349.64, 0.58%, 0.47%

LAB 43.65, 56.11, 19.52

 

CMYK 0 / 66 / 74 / 26

HEX #BD4032

RGB 189 64 50

HSL 6.04, 0.58%, 0.47%

LAB 45.24, 49.38, 35.81

 

CMYK 0 / 73 / 42 / 51

HEX #7C2148

RGB 124 33 72

HSL 334.29, 0.58%, 0.31%

LAB 29.01, 42.25, -1.48

 

CMYK 0 / 73 / 42 / 38

HEX #9D2A5B

RGB 157 42 91

HSL 334.43, 0.58%, 0.39%

LAB 37.08, 50.82, -1.27

 

CMYK 0 / 74 / 42 / 26

HEX #BD326E

RGB 189 50 110

HSL 334.1, 0.58%, 0.47%

LAB 44.56, 59.1, -1.54

 

CMYK 0 / 64 / 37 / 19

HEX #CF4A83

RGB 207 74 131

HSL 334.29, 0.58%, 0.55%

LAB 51.61, 57.41, -3.55

 

CMYK 0 / 50 / 29 / 15

HEX #D86B9A

RGB 216 107 154

HSL 334.13, 0.58%, 0.63%

LAB 59.39, 47.9, -5.43

 

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 74 / 12 / 0 / 26

HEX #32A6BD

RGB 50 166 189

HSL 189.93, 0.58%, 0.47%

LAB 63.03, -24.02, -21.04

 

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

CMYK 41 / 0 / 74 / 26

HEX #6FBD32

RGB 111 189 50

HSL 93.67, 0.58%, 0.47%

LAB 69.47, -46.66, 58.96

 

CMYK 74 / 41 / 0 / 26

HEX #326FBD

RGB 50 111 189

HSL 213.67, 0.58%, 0.47%

LAB 46.61, 7.28, -46.69

 

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

CMYK 0 / 17 / 74 / 26

HEX #BD9D32

RGB 189 157 50

HSL 46.19, 0.58%, 0.47%

LAB 65.88, 0.69, 57.28

 

CMYK 74 / 0 / 32 / 26

HEX #32BD81

RGB 50 189 129

HSL 154.1, 0.58%, 0.47%

LAB 68.5, -50.53, 20.05

 

CMYK 74 / 56 / 0 / 26

HEX #3253BD

RGB 50 83 189

HSL 225.76, 0.58%, 0.47%

LAB 38.79, 25.31, -59.27

 

CMYK 0 / 73 / 42 / 25

HEX #BE336F

RGB 190 51 111

HSL 334.1, 0.58%, 0.47%

LAB 44.89, 59.13, -1.64

 

CMYK 5 / 0 / 74 / 26

HEX #B4BD32

RGB 180 189 50

HSL 63.88, 0.58%, 0.47%

LAB 73.76, -19.86, 64.59

 

CMYK 74 / 0 / 32 / 26

HEX #32BD81

RGB 50 189 129

HSL 154.1, 0.58%, 0.47%

LAB 68.5, -50.53, 20.05

 

CMYK 68 / 74 / 0 / 26

HEX #3C32BD

RGB 60 50 189

HSL 244.32, 0.58%, 0.47%

LAB 31.61, 46.91, -71

 

Description

Color code: HEX #BE336F | qconv.com Color code: HEX #BE336F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 51 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 51 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 42 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 42% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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