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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE186A it is the complementary color #41E795. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE186A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE186A shade: #C31865, #D42A78, #E53C8B, #F64E9E and #FF60B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE186A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE186A shade: #BE186A, #AD0657, #9C0044, #8B0031 and #7A001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE186A shade: #BF186A, #BF183D and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE186A shade: #BF186A, #BF1897, #B918BF, #8C18BF and #5F18BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE186A shade matches the following richer shades: #BF186A and #D0066A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE186A shade: #BF186A, #AD296A, #9C3A6B, #8B4C6B and #795D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE186A shade: #B918BF, #BF1898, #BF186B, #BF183F and #BF1D18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE186A shade: #750E41, #9A1356, #BF186A, #E31C7F and #E84193

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE186A shade: #BE186A, #BF8D18 and #18AEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE186A shade: #BE186A, #6BBF18 and #186BBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE186A shade: #BE186A, #BF8D18, #18BF6B and #184ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE186A shade: #BE186A, #BFBF18, #18BF6B and #1818BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

Complementary color

CMYK 72 / 0 / 35 / 9

HEX #41E795

RGB 65 231 149

HSL 150.36, 0.78%, 0.58%

LAB 82.08, -60.39, 28.05

 

CMYK 0 / 88 / 48 / 24

HEX #C31865

RGB 195 24 101

HSL 332.98, 0.78%, 0.43%

LAB 43.06, 66.58, 2.01

 

CMYK 0 / 80 / 43 / 17

HEX #D42A78

RGB 212 42 120

HSL 332.47, 0.67%, 0.5%

LAB 48.27, 68.5, -1.73

 

CMYK 0 / 74 / 39 / 10

HEX #E53C8B

RGB 229 60 139

HSL 331.95, 0.76%, 0.57%

LAB 53.76, 69.53, -4.73

 

CMYK 0 / 68 / 36 / 4

HEX #F64E9E

RGB 246 78 158

HSL 331.43, 0.9%, 0.64%

LAB 59.44, 69.92, -7.17

 

CMYK 0 / 62 / 31 / 0

HEX #FF60B1

RGB 255 96 177

HSL 329.43, 1%, 0.69%

LAB 64, 67.65, -11.17

 

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

CMYK 0 / 97 / 50 / 32

HEX #AD0657

RGB 173 6 87

HSL 330.9, 0.93%, 0.35%

LAB 37.3, 62.7, 2.01

 

CMYK 0 / 100 / 56 / 39

HEX #9C0044

RGB 156 0 68

HSL 333.85, 1%, 0.31%

LAB 32.89, 57.99, 7.61

 

CMYK 0 / 100 / 65 / 45

HEX #8B0031

RGB 139 0 49

HSL 338.85, 1%, 0.27%

LAB 28.67, 52.6, 13.93

 

CMYK 0 / 100 / 75 / 52

HEX #7A001E

RGB 122 0 30

HSL 345.25, 1%, 0.24%

LAB 24.42, 47.24, 20.61

 

CMYK 0 / 87 / 45 / 25

HEX #BF186A

RGB 191 24 106

HSL 330.54, 0.78%, 0.42%

LAB 42.41, 66.05, -2.15

 

CMYK 0 / 87 / 68 / 25

HEX #BF183D

RGB 191 24 61

HSL 346.71, 0.78%, 0.42%

LAB 41.32, 62.93, 24.68

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 0 / 87 / 45 / 25

HEX #BF186A

RGB 191 24 106

HSL 330.54, 0.78%, 0.42%

LAB 42.41, 66.05, -2.15

 

CMYK 0 / 87 / 21 / 25

HEX #BF1897

RGB 191 24 151

HSL 314.37, 0.78%, 0.42%

LAB 44.18, 70.89, -27.14

 

CMYK 3 / 87 / 0 / 25

HEX #B918BF

RGB 185 24 191

HSL 297.84, 0.78%, 0.42%

LAB 45.26, 75.38, -49.26

 

CMYK 27 / 87 / 0 / 25

HEX #8C18BF

RGB 140 24 191

HSL 281.68, 0.78%, 0.42%

LAB 37.83, 68.07, -61.64

 

CMYK 50 / 87 / 0 / 25

HEX #5F18BF

RGB 95 24 191

HSL 265.51, 0.78%, 0.42%

LAB 31.46, 62.3, -72.32

 

CMYK 0 / 87 / 45 / 25

HEX #BF186A

RGB 191 24 106

HSL 330.54, 0.78%, 0.42%

LAB 42.41, 66.05, -2.15

 

CMYK 0 / 97 / 49 / 18

HEX #D0066A

RGB 208 6 106

HSL 330.3, 0.94%, 0.42%

LAB 45.05, 72.19, 2.11

 

CMYK 0 / 87 / 45 / 25

HEX #BF186A

RGB 191 24 106

HSL 330.54, 0.78%, 0.42%

LAB 42.41, 66.05, -2.15

 

CMYK 0 / 76 / 39 / 32

HEX #AD296A

RGB 173 41 106

HSL 330.45, 0.62%, 0.42%

LAB 40.43, 57.25, -5.47

 

CMYK 0 / 63 / 31 / 39

HEX #9C3A6B

RGB 156 58 107

HSL 330, 0.46%, 0.42%

LAB 39.84, 45.78, -7.29

 

CMYK 0 / 45 / 23 / 45

HEX #8B4C6B

RGB 139 76 107

HSL 330.48, 0.29%, 0.42%

LAB 40.77, 30.73, -6.18

 

CMYK 0 / 23 / 12 / 53

HEX #795D6B

RGB 121 93 107

HSL 330, 0.13%, 0.42%

LAB 42.7, 13.88, -3.56

 

CMYK 3 / 87 / 0 / 25

HEX #B918BF

RGB 185 24 191

HSL 297.84, 0.78%, 0.42%

LAB 45.26, 75.38, -49.26

 

CMYK 0 / 87 / 20 / 25

HEX #BF1898

RGB 191 24 152

HSL 314.01, 0.78%, 0.42%

LAB 44.23, 71.02, -27.67

 

CMYK 0 / 87 / 44 / 25

HEX #BF186B

RGB 191 24 107

HSL 330.18, 0.78%, 0.42%

LAB 42.45, 66.14, -2.73

 

CMYK 0 / 87 / 67 / 25

HEX #BF183F

RGB 191 24 63

HSL 345.99, 0.78%, 0.42%

LAB 41.36, 63.04, 23.47

 

CMYK 0 / 85 / 87 / 25

HEX #BF1D18

RGB 191 29 24

HSL 1.8, 0.78%, 0.42%

LAB 41.25, 60.65, 45.76

 

CMYK 0 / 88 / 44 / 54

HEX #750E41

RGB 117 14 65

HSL 330.29, 0.79%, 0.26%

LAB 25.19, 45.58, -2.55

 

CMYK 0 / 88 / 44 / 40

HEX #9A1356

RGB 154 19 86

HSL 330.22, 0.78%, 0.34%

LAB 34, 56.12, -2.65

 

CMYK 0 / 87 / 45 / 25

HEX #BF186A

RGB 191 24 106

HSL 330.54, 0.78%, 0.42%

LAB 42.41, 66.05, -2.15

 

CMYK 0 / 88 / 44 / 11

HEX #E31C7F

RGB 227 28 127

HSL 330.15, 0.78%, 0.5%

LAB 50.33, 75.62, -2.63

 

CMYK 0 / 72 / 37 / 9

HEX #E84193

RGB 232 65 147

HSL 330.54, 0.78%, 0.58%

LAB 55.12, 69.51, -7.41

 

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

CMYK 0 / 26 / 87 / 25

HEX #BF8D18

RGB 191 141 24

HSL 42.04, 0.78%, 0.42%

LAB 61.82, 9.39, 62.32

 

CMYK 87 / 9 / 0 / 25

HEX #18AEBF

RGB 24 174 191

HSL 186.11, 0.78%, 0.42%

LAB 65.14, -29.75, -18.98

 

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

CMYK 44 / 0 / 87 / 25

HEX #6BBF18

RGB 107 191 24

HSL 90.18, 0.78%, 0.42%

LAB 69.79, -50.03, 66.44

 

CMYK 87 / 44 / 0 / 25

HEX #186BBF

RGB 24 107 191

HSL 210.18, 0.78%, 0.42%

LAB 44.9, 7.93, -50.61

 

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

CMYK 0 / 26 / 87 / 25

HEX #BF8D18

RGB 191 141 24

HSL 42.04, 0.78%, 0.42%

LAB 61.82, 9.39, 62.32

 

CMYK 87 / 0 / 44 / 25

HEX #18BF6B

RGB 24 191 107

HSL 149.82, 0.78%, 0.42%

LAB 68.4, -58.38, 31.45

 

CMYK 87 / 61 / 0 / 25

HEX #184ABF

RGB 24 74 191

HSL 222.04, 0.78%, 0.42%

LAB 35.7, 29.57, -65.53

 

CMYK 0 / 87 / 44 / 25

HEX #BE186A

RGB 190 24 106

HSL 330.36, 0.78%, 0.42%

LAB 42.22, 65.81, -2.46

 

CMYK 0 / 0 / 87 / 25

HEX #BFBF18

RGB 191 191 24

HSL 60, 0.78%, 0.42%

LAB 75.08, -17.01, 72.97

 

CMYK 87 / 0 / 44 / 25

HEX #18BF6B

RGB 24 191 107

HSL 149.82, 0.78%, 0.42%

LAB 68.4, -58.38, 31.45

 

CMYK 87 / 87 / 0 / 25

HEX #1818BF

RGB 24 24 191

HSL 240, 0.78%, 0.42%

LAB 25.59, 57.61, -82.23

 

Description

Color code: HEX #BE186A | qconv.com Color code: HEX #BE186A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 24 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 24 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 44 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 44% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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