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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE15D9 it is the complementary color #41EA26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE15D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE15D9 shade: #C315D4, #D427E7, #E539FA, #F64BFF and #FF5DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE15D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE15D9 shade: #BE15D9, #AD03C6, #9C00B3, #8B00A0 and #7A008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE15D9 shade: #BF16DA, #DA16C0, #DA168B, #DA1656 and #DA1621

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE15D9 shade: #BF16DA, #8A16DA, #5516DA, #2016DA and #1616DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE15D9 shade matches the following richer shades: #BF16DA and #CD02EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE15D9 shade: #BF16DA, #B129C7, #A33CB3, #9550A0 and #87638D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE15D9 shade: #5416DA, #8816DA, #BD16DA, #DA16C3 and #DA168F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE15D9 shade: #7D0E8F, #9E12B5, #BF16DA, #D02FEA and #D954EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE15D9 shade: #BE15D9, #DA1F16 and #16DA6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE15D9 shade: #BE15D9, #DABD16 and #16DABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE15D9 shade: #BE15D9, #DA1F16, #33DA16 and #16D0DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE15D9 shade: #BE15D9, #DA5A16, #33DA16 and #1695DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

Complementary color

CMYK 72 / 0 / 84 / 8

HEX #41EA26

RGB 65 234 38

HSL 111.73, 0.82%, 0.53%

LAB 81.9, -74.31, 73.57

 

CMYK 8 / 90 / 0 / 17

HEX #C315D4

RGB 195 21 212

HSL 294.66, 0.82%, 0.46%

LAB 48.12, 80.81, -56.73

 

CMYK 8 / 83 / 0 / 9

HEX #D427E7

RGB 212 39 231

HSL 294.06, 0.8%, 0.53%

LAB 53.19, 83.53, -59.26

 

CMYK 8 / 77 / 0 / 2

HEX #E539FA

RGB 229 57 250

HSL 293.47, 0.95%, 0.6%

LAB 58.5, 85.28, -61.23

 

CMYK 4 / 71 / 0 / 0

HEX #F64BFF

RGB 246 75 255

HSL 297, 1%, 0.65%

LAB 63.21, 84.05, -56.31

 

CMYK 0 / 64 / 0 / 0

HEX #FF5DFF

RGB 255 93 255

HSL 300, 1%, 0.68%

LAB 66.76, 79.72, -50.61

 

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

CMYK 13 / 98 / 0 / 22

HEX #AD03C6

RGB 173 3 198

HSL 292.31, 0.97%, 0.39%

LAB 42.8, 77.07, -57.41

 

CMYK 13 / 100 / 0 / 30

HEX #9C00B3

RGB 156 0 179

HSL 292.29, 1%, 0.35%

LAB 38.42, 71.73, -53.47

 

CMYK 13 / 100 / 0 / 37

HEX #8B00A0

RGB 139 0 160

HSL 292.13, 1%, 0.31%

LAB 34.04, 65.99, -49.29

 

CMYK 13 / 100 / 0 / 45

HEX #7A008D

RGB 122 0 141

HSL 291.91, 1%, 0.28%

LAB 29.56, 60.11, -45.03

 

CMYK 12 / 90 / 0 / 15

HEX #BF16DA

RGB 191 22 218

HSL 291.73, 0.82%, 0.47%

LAB 47.9, 81.01, -60.57

 

CMYK 0 / 90 / 12 / 15

HEX #DA16C0

RGB 218 22 192

HSL 307.96, 0.82%, 0.47%

LAB 51.02, 81.76, -40.33

 

CMYK 0 / 90 / 36 / 15

HEX #DA168B

RGB 218 22 139

HSL 324.18, 0.82%, 0.47%

LAB 48.69, 75.62, -12.53

 

CMYK 0 / 90 / 61 / 15

HEX #DA1656

RGB 218 22 86

HSL 340.41, 0.82%, 0.47%

LAB 47.17, 71.44, 17.81

 

CMYK 0 / 90 / 85 / 15

HEX #DA1621

RGB 218 22 33

HSL 356.63, 0.82%, 0.47%

LAB 46.43, 69.34, 47.95

 

CMYK 12 / 90 / 0 / 15

HEX #BF16DA

RGB 191 22 218

HSL 291.73, 0.82%, 0.47%

LAB 47.9, 81.01, -60.57

 

CMYK 37 / 90 / 0 / 15

HEX #8A16DA

RGB 138 22 218

HSL 275.51, 0.82%, 0.47%

LAB 39.65, 73.62, -74.36

 

CMYK 61 / 90 / 0 / 15

HEX #5516DA

RGB 85 22 218

HSL 259.29, 0.82%, 0.47%

LAB 33.06, 68.49, -85.44

 

CMYK 85 / 90 / 0 / 15

HEX #2016DA

RGB 32 22 218

HSL 243.06, 0.82%, 0.47%

LAB 29.27, 66, -91.86

 

CMYK 90 / 90 / 0 / 15

HEX #1616DA

RGB 22 22 218

HSL 240, 0.82%, 0.47%

LAB 28.92, 65.79, -92.46

 

CMYK 12 / 90 / 0 / 15

HEX #BF16DA

RGB 191 22 218

HSL 291.73, 0.82%, 0.47%

LAB 47.9, 81.01, -60.57

 

CMYK 14 / 99 / 0 / 7

HEX #CD02EE

RGB 205 2 238

HSL 291.61, 0.98%, 0.47%

LAB 50.92, 88.23, -66.93

 

CMYK 12 / 90 / 0 / 15

HEX #BF16DA

RGB 191 22 218

HSL 291.73, 0.82%, 0.47%

LAB 47.9, 81.01, -60.57

 

CMYK 11 / 79 / 0 / 22

HEX #B129C7

RGB 177 41 199

HSL 291.65, 0.66%, 0.47%

LAB 45.71, 71.51, -53.27

 

CMYK 9 / 66 / 0 / 30

HEX #A33CB3

RGB 163 60 179

HSL 291.93, 0.5%, 0.47%

LAB 44.62, 58.45, -43.45

 

CMYK 7 / 50 / 0 / 37

HEX #9550A0

RGB 149 80 160

HSL 291.75, 0.33%, 0.47%

LAB 45.17, 41.49, -31.47

 

CMYK 4 / 30 / 0 / 45

HEX #87638D

RGB 135 99 141

HSL 291.43, 0.18%, 0.47%

LAB 46.97, 22.26, -17.5

 

CMYK 61 / 90 / 0 / 15

HEX #5416DA

RGB 84 22 218

HSL 258.98, 0.82%, 0.47%

LAB 32.96, 68.42, -85.61

 

CMYK 38 / 90 / 0 / 15

HEX #8816DA

RGB 136 22 218

HSL 274.9, 0.82%, 0.47%

LAB 39.36, 73.38, -74.84

 

CMYK 13 / 90 / 0 / 15

HEX #BD16DA

RGB 189 22 218

HSL 291.12, 0.82%, 0.47%

LAB 47.57, 80.7, -61.12

 

CMYK 0 / 90 / 11 / 15

HEX #DA16C3

RGB 218 22 195

HSL 307.04, 0.82%, 0.47%

LAB 51.17, 82.16, -41.82

 

CMYK 0 / 90 / 34 / 15

HEX #DA168F

RGB 218 22 143

HSL 322.96, 0.82%, 0.47%

LAB 48.84, 76.01, -14.72

 

CMYK 13 / 90 / 0 / 44

HEX #7D0E8F

RGB 125 14 143

HSL 291.63, 0.82%, 0.31%

LAB 31.01, 58.7, -43.9

 

CMYK 13 / 90 / 0 / 29

HEX #9E12B5

RGB 158 18 181

HSL 291.53, 0.82%, 0.39%

LAB 39.64, 70.18, -52.65

 

CMYK 12 / 90 / 0 / 15

HEX #BF16DA

RGB 191 22 218

HSL 291.73, 0.82%, 0.47%

LAB 47.9, 81.01, -60.57

 

CMYK 11 / 80 / 0 / 8

HEX #D02FEA

RGB 208 47 234

HSL 291.66, 0.82%, 0.55%

LAB 53.37, 81.48, -60.69

 

CMYK 9 / 65 / 0 / 7

HEX #D954EE

RGB 217 84 238

HSL 291.82, 0.82%, 0.63%

LAB 59.22, 71.78, -53.5

 

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

CMYK 0 / 86 / 90 / 15

HEX #DA1F16

RGB 218 31 22

HSL 2.76, 0.82%, 0.47%

LAB 46.9, 67.59, 53.33

 

CMYK 90 / 0 / 50 / 15

HEX #16DA6E

RGB 22 218 110

HSL 146.94, 0.82%, 0.47%

LAB 76.94, -67.07, 40.8

 

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

CMYK 0 / 13 / 90 / 15

HEX #DABD16

RGB 218 189 22

HSL 51.12, 0.82%, 0.47%

LAB 76.9, -4.31, 75.77

 

CMYK 90 / 0 / 13 / 15

HEX #16DABD

RGB 22 218 189

HSL 171.12, 0.82%, 0.47%

LAB 78.45, -50.16, 1.91

 

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

CMYK 0 / 86 / 90 / 15

HEX #DA1F16

RGB 218 31 22

HSL 2.76, 0.82%, 0.47%

LAB 46.9, 67.59, 53.33

 

CMYK 77 / 0 / 90 / 15

HEX #33DA16

RGB 51 218 22

HSL 111.12, 0.82%, 0.47%

LAB 76.62, -72.25, 71.98

 

CMYK 90 / 5 / 0 / 15

HEX #16D0DA

RGB 22 208 218

HSL 183.06, 0.82%, 0.47%

LAB 76.28, -37.54, -16.88

 

CMYK 12 / 90 / 0 / 15

HEX #BE15D9

RGB 190 21 217

HSL 291.73, 0.82%, 0.47%

LAB 47.62, 80.83, -60.46

 

CMYK 0 / 59 / 90 / 15

HEX #DA5A16

RGB 218 90 22

HSL 20.82, 0.82%, 0.47%

LAB 54.32, 47.31, 58.67

 

CMYK 77 / 0 / 90 / 15

HEX #33DA16

RGB 51 218 22

HSL 111.12, 0.82%, 0.47%

LAB 76.62, -72.25, 71.98

 

CMYK 90 / 32 / 0 / 15

HEX #1695DA

RGB 22 149 218

HSL 201.12, 0.82%, 0.47%

LAB 58.72, -7.22, -43.98

 

Description

Color code: HEX #BE15D9 | qconv.com Color code: HEX #BE15D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 21 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 21 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 90 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 90% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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