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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE13F4 it is the complementary color #41EC0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE13F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE13F4 shade: #C313EF, #D425FF, #E537FF, #F649FF and #FF5BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE13F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE13F4 shade: #BE13F4, #AD01E1, #9C00CE, #8B00BB and #7A00A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE13F4 shade: #BF15F4, #F415ED, #F415B1, #F41575 and #F41539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE13F4 shade: #BF15F4, #8215F4, #4615F4 and #1515F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE13F4 shade matches the following richer shades: #BF15F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE13F4 shade: #BF15F4, #B429E0, #AA3DCC, #A051B9 and #9564A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE13F4 shade: #4515F4, #8115F4, #BC15F4, #F415F0 and #F415B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE13F4 shade: #8708AE, #A50AD6, #BF15F4, #C93DF6 and #D464F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE13F4 shade: #BE13F4, #F41520 and #15F463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE13F4 shade: #BE13F4, #F4BC15 and #15F4BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE13F4 shade: #BE13F4, #F41520, #4DF415 and #15F4E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE13F4 shade: #BE13F4, #F44D15, #4DF415 and #15BCF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

Complementary color

CMYK 72 / 0 / 95 / 7

HEX #41EC0B

RGB 65 236 11

HSL 105.6, 0.91%, 0.48%

LAB 82.45, -75.68, 78.27

 

CMYK 18 / 92 / 0 / 6

HEX #C313EF

RGB 195 19 239

HSL 288, 0.87%, 0.51%

LAB 49.86, 85.5, -69.28

 

CMYK 17 / 85 / 0 / 0

HEX #D425FF

RGB 212 37 255

HSL 288.17, 1%, 0.57%

LAB 54.6, 87.88, -70.42

 

CMYK 10 / 78 / 0 / 0

HEX #E537FF

RGB 229 55 255

HSL 292.2, 1%, 0.61%

LAB 58.61, 86.62, -63.81

 

CMYK 4 / 71 / 0 / 0

HEX #F649FF

RGB 246 73 255

HSL 297.03, 1%, 0.64%

LAB 62.99, 84.68, -56.66

 

CMYK 0 / 64 / 0 / 0

HEX #FF5BFF

RGB 255 91 255

HSL 300, 1%, 0.68%

LAB 66.49, 80.46, -51.02

 

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

CMYK 23 / 100 / 0 / 12

HEX #AD01E1

RGB 173 1 225

HSL 286.07, 0.99%, 0.44%

LAB 44.72, 81.84, -69.86

 

CMYK 24 / 100 / 0 / 19

HEX #9C00CE

RGB 156 0 206

HSL 285.44, 1%, 0.4%

LAB 40.45, 76.4, -66.01

 

CMYK 26 / 100 / 0 / 27

HEX #8B00BB

RGB 139 0 187

HSL 284.6, 1%, 0.37%

LAB 36.13, 70.78, -62.05

 

CMYK 27 / 100 / 0 / 34

HEX #7A00A8

RGB 122 0 168

HSL 283.57, 1%, 0.33%

LAB 31.73, 65.05, -58.02

 

CMYK 22 / 91 / 0 / 4

HEX #BF15F4

RGB 191 21 244

HSL 285.74, 0.91%, 0.52%

LAB 49.67, 85.55, -72.42

 

CMYK 0 / 91 / 3 / 4

HEX #F415ED

RGB 244 21 237

HSL 301.88, 0.91%, 0.52%

LAB 57.93, 92.54, -54.75

 

CMYK 0 / 91 / 27 / 4

HEX #F415B1

RGB 244 21 177

HSL 318.03, 0.91%, 0.52%

LAB 55.01, 85.07, -25

 

CMYK 0 / 91 / 52 / 4

HEX #F41575

RGB 244 21 117

HSL 334.17, 0.91%, 0.52%

LAB 53.01, 79.69, 7.72

 

CMYK 0 / 91 / 77 / 4

HEX #F41539

RGB 244 21 57

HSL 350.31, 0.91%, 0.52%

LAB 51.91, 76.64, 42.16

 

CMYK 22 / 91 / 0 / 4

HEX #BF15F4

RGB 191 21 244

HSL 285.74, 0.91%, 0.52%

LAB 49.67, 85.55, -72.42

 

CMYK 47 / 91 / 0 / 4

HEX #8215F4

RGB 130 21 244

HSL 269.33, 0.91%, 0.52%

LAB 40.92, 78.41, -87.1

 

CMYK 71 / 91 / 0 / 4

HEX #4615F4

RGB 70 21 244

HSL 253.18, 0.91%, 0.52%

LAB 34.74, 74.27, -97.53

 

CMYK 91 / 91 / 0 / 4

HEX #1515F4

RGB 21 21 244

HSL 240, 0.91%, 0.52%

LAB 32.32, 72.92, -101.63

 

CMYK 22 / 91 / 0 / 4

HEX #BF15F4

RGB 191 21 244

HSL 285.74, 0.91%, 0.52%

LAB 49.67, 85.55, -72.42

 

CMYK 22 / 91 / 0 / 4

HEX #BF15F4

RGB 191 21 244

HSL 285.74, 0.91%, 0.52%

LAB 49.67, 85.55, -72.42

 

CMYK 20 / 82 / 0 / 12

HEX #B429E0

RGB 180 41 224

HSL 285.57, 0.75%, 0.52%

LAB 47.84, 76.49, -64.17

 

CMYK 17 / 70 / 0 / 20

HEX #AA3DCC

RGB 170 61 204

HSL 285.73, 0.58%, 0.52%

LAB 47.29, 64.36, -53.68

 

CMYK 14 / 56 / 0 / 27

HEX #A051B9

RGB 160 81 185

HSL 285.58, 0.43%, 0.52%

LAB 48.08, 49.16, -41.48

 

CMYK 10 / 39 / 0 / 35

HEX #9564A5

RGB 149 100 165

HSL 285.23, 0.27%, 0.52%

LAB 49.76, 31.44, -27.26

 

CMYK 72 / 91 / 0 / 4

HEX #4515F4

RGB 69 21 244

HSL 252.91, 0.91%, 0.52%

LAB 34.67, 74.22, -97.65

 

CMYK 47 / 91 / 0 / 4

HEX #8115F4

RGB 129 21 244

HSL 269.06, 0.91%, 0.52%

LAB 40.79, 78.32, -87.32

 

CMYK 23 / 91 / 0 / 4

HEX #BC15F4

RGB 188 21 244

HSL 284.93, 0.91%, 0.52%

LAB 49.2, 85.14, -73.2

 

CMYK 0 / 91 / 2 / 4

HEX #F415F0

RGB 244 21 240

HSL 301.08, 0.91%, 0.52%

LAB 58.09, 92.96, -56.16

 

CMYK 0 / 91 / 26 / 4

HEX #F415B5

RGB 244 21 181

HSL 316.95, 0.91%, 0.52%

LAB 55.18, 85.51, -27.08

 

CMYK 22 / 95 / 0 / 32

HEX #8708AE

RGB 135 8 174

HSL 285.9, 0.91%, 0.36%

LAB 34.76, 66.82, -56.58

 

CMYK 23 / 95 / 0 / 16

HEX #A50AD6

RGB 165 10 214

HSL 285.59, 0.91%, 0.44%

LAB 42.87, 78, -66.62

 

CMYK 22 / 91 / 0 / 4

HEX #BF15F4

RGB 191 21 244

HSL 285.74, 0.91%, 0.52%

LAB 49.67, 85.55, -72.42

 

CMYK 18 / 75 / 0 / 4

HEX #C93DF6

RGB 201 61 246

HSL 285.41, 0.91%, 0.6%

LAB 54.46, 78.32, -65.72

 

CMYK 15 / 60 / 0 / 3

HEX #D464F8

RGB 212 100 248

HSL 285.41, 0.91%, 0.68%

LAB 61.56, 65.66, -55.36

 

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

CMYK 0 / 91 / 87 / 4

HEX #F41520

RGB 244 21 32

HSL 357.04, 0.91%, 0.52%

LAB 51.69, 76.03, 54.94

 

CMYK 91 / 0 / 59 / 4

HEX #15F463

RGB 21 244 99

HSL 140.99, 0.91%, 0.52%

LAB 84.87, -76.72, 55.4

 

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

CMYK 0 / 23 / 91 / 4

HEX #F4BC15

RGB 244 188 21

HSL 44.93, 0.91%, 0.52%

LAB 79.19, 7.44, 78.8

 

CMYK 91 / 0 / 23 / 4

HEX #15F4BC

RGB 21 244 188

HSL 164.93, 0.91%, 0.52%

LAB 86.25, -60.7, 13.62

 

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

CMYK 0 / 91 / 87 / 4

HEX #F41520

RGB 244 21 32

HSL 357.04, 0.91%, 0.52%

LAB 51.69, 76.03, 54.94

 

CMYK 68 / 0 / 91 / 4

HEX #4DF415

RGB 77 244 21

HSL 104.93, 0.91%, 0.52%

LAB 85.17, -75.82, 79.5

 

CMYK 91 / 0 / 5 / 4

HEX #15F4E9

RGB 21 244 233

HSL 177.04, 0.91%, 0.52%

LAB 87.36, -49.1, -8.26

 

CMYK 22 / 92 / 0 / 4

HEX #BE13F4

RGB 190 19 244

HSL 285.6, 0.91%, 0.52%

LAB 49.43, 85.67, -72.82

 

CMYK 0 / 68 / 91 / 4

HEX #F44D15

RGB 244 77 21

HSL 15.07, 0.91%, 0.52%

LAB 56.68, 61.73, 62.68

 

CMYK 68 / 0 / 91 / 4

HEX #4DF415

RGB 77 244 21

HSL 104.93, 0.91%, 0.52%

LAB 85.17, -75.82, 79.5

 

CMYK 91 / 23 / 0 / 4

HEX #15BCF4

RGB 21 188 244

HSL 195.07, 0.91%, 0.52%

LAB 71.32, -19.3, -38.52

 

Description

Color code: HEX #BE13F4 | qconv.com Color code: HEX #BE13F4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 19 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 19 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 92 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 92% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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