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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE0CDC it is the complementary color #41F323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE0CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE0CDC shade: #C30CD7, #D41EEA, #E530FD, #F642FF and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE0CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE0CDC shade: #BE0CDC, #AD00C9, #9C00B6, #8B00A3 and #7A0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE0CDC shade: #BC0BDA, #DA0BC0, #DA0B88, #DA0B51 and #DA0B19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE0CDC shade: #BC0BDA, #850BDA, #4D0BDA, #150BDA and #0B0BDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE0CDC shade matches the following richer shades: #BC0BDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE0CDC shade: #BC0BDA, #AF1EC7, #A231B5, #9543A2 and #875690

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE0CDC shade: #4D0BDA, #840BDA, #BB0BDA, #DA0BC2 and #DA0B8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE0CDC shade: #79078C, #9A09B3, #BC0BDA, #D41CF3 and #DB43F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE0CDC shade: #BE0CDC, #DA160B and #0BDA68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE0CDC shade: #BE0CDC, #DABB0B and #0BDABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE0CDC shade: #BE0CDC, #DA160B, #2ADA0B and #0BD0DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE0CDC shade: #BE0CDC, #DA540B, #2ADA0B and #0B92DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

Complementary color

CMYK 73 / 0 / 86 / 5

HEX #41F323

RGB 65 243 35

HSL 111.35, 0.9%, 0.55%

LAB 84.66, -77.1, 76.66

 

CMYK 9 / 94 / 0 / 16

HEX #C30CD7

RGB 195 12 215

HSL 294.09, 0.89%, 0.45%

LAB 47.97, 82.32, -58.7

 

CMYK 9 / 87 / 0 / 8

HEX #D41EEA

RGB 212 30 234

HSL 293.53, 0.83%, 0.52%

LAB 52.8, 85.68, -61.57

 

CMYK 9 / 81 / 0 / 1

HEX #E530FD

RGB 229 48 253

HSL 292.98, 0.98%, 0.59%

LAB 57.91, 88, -63.84

 

CMYK 4 / 74 / 0 / 0

HEX #F642FF

RGB 246 66 255

HSL 297.14, 1%, 0.63%

LAB 62.26, 86.77, -57.82

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

CMYK 14 / 100 / 0 / 21

HEX #AD00C9

RGB 173 0 201

HSL 291.64, 1%, 0.39%

LAB 42.92, 77.86, -58.97

 

CMYK 14 / 100 / 0 / 29

HEX #9C00B6

RGB 156 0 182

HSL 291.43, 1%, 0.36%

LAB 38.63, 72.23, -54.9

 

CMYK 15 / 100 / 0 / 36

HEX #8B00A3

RGB 139 0 163

HSL 291.17, 1%, 0.32%

LAB 34.26, 66.5, -50.75

 

CMYK 15 / 100 / 0 / 44

HEX #7A0090

RGB 122 0 144

HSL 290.83, 1%, 0.28%

LAB 29.79, 60.64, -46.52

 

CMYK 14 / 95 / 0 / 15

HEX #BC0BDA

RGB 188 11 218

HSL 291.3, 0.9%, 0.45%

LAB 46.96, 81.84, -62.1

 

CMYK 0 / 95 / 12 / 15

HEX #DA0BC0

RGB 218 11 192

HSL 307.54, 0.9%, 0.45%

LAB 50.63, 82.91, -40.95

 

CMYK 0 / 95 / 38 / 15

HEX #DA0B88

RGB 218 11 136

HSL 323.77, 0.9%, 0.45%

LAB 48.16, 76.55, -11.51

 

CMYK 0 / 95 / 63 / 15

HEX #DA0B51

RGB 218 11 81

HSL 339.71, 0.9%, 0.45%

LAB 46.63, 72.42, 20.18

 

CMYK 0 / 95 / 89 / 15

HEX #DA0B19

RGB 218 11 25

HSL 355.94, 0.9%, 0.45%

LAB 45.93, 70.48, 51.35

 

CMYK 14 / 95 / 0 / 15

HEX #BC0BDA

RGB 188 11 218

HSL 291.3, 0.9%, 0.45%

LAB 46.96, 81.84, -62.1

 

CMYK 39 / 95 / 0 / 15

HEX #850BDA

RGB 133 11 218

HSL 275.36, 0.9%, 0.45%

LAB 38.35, 74.78, -76.51

 

CMYK 65 / 95 / 0 / 15

HEX #4D0BDA

RGB 77 11 218

HSL 259.13, 0.9%, 0.45%

LAB 31.53, 70.25, -88.01

 

CMYK 90 / 95 / 0 / 15

HEX #150BDA

RGB 21 11 218

HSL 242.9, 0.9%, 0.45%

LAB 28.01, 68.47, -93.98

 

CMYK 95 / 95 / 0 / 15

HEX #0B0BDA

RGB 11 11 218

HSL 240, 0.9%, 0.45%

LAB 27.77, 68.37, -94.38

 

CMYK 14 / 95 / 0 / 15

HEX #BC0BDA

RGB 188 11 218

HSL 291.3, 0.9%, 0.45%

LAB 46.96, 81.84, -62.1

 

CMYK 14 / 95 / 0 / 15

HEX #BC0BDA

RGB 188 11 218

HSL 291.3, 0.9%, 0.45%

LAB 46.96, 81.84, -62.1

 

CMYK 12 / 85 / 0 / 22

HEX #AF1EC7

RGB 175 30 199

HSL 291.48, 0.74%, 0.45%

LAB 44.47, 73.83, -55.28

 

CMYK 10 / 73 / 0 / 29

HEX #A231B5

RGB 162 49 181

HSL 291.36, 0.57%, 0.45%

LAB 43.08, 62.84, -47.09

 

CMYK 8 / 59 / 0 / 36

HEX #9543A2

RGB 149 67 162

HSL 291.79, 0.41%, 0.45%

LAB 42.78, 48.53, -36.42

 

CMYK 6 / 40 / 0 / 44

HEX #875690

RGB 135 86 144

HSL 290.69, 0.25%, 0.45%

LAB 43.97, 30.49, -23.91

 

CMYK 65 / 95 / 0 / 15

HEX #4D0BDA

RGB 77 11 218

HSL 259.13, 0.9%, 0.45%

LAB 31.53, 70.25, -88.01

 

CMYK 39 / 95 / 0 / 15

HEX #840BDA

RGB 132 11 218

HSL 275.07, 0.9%, 0.45%

LAB 38.21, 74.67, -76.75

 

CMYK 14 / 95 / 0 / 15

HEX #BB0BDA

RGB 187 11 218

HSL 291.01, 0.9%, 0.45%

LAB 46.8, 81.69, -62.38

 

CMYK 0 / 95 / 11 / 15

HEX #DA0BC2

RGB 218 11 194

HSL 306.96, 0.9%, 0.45%

LAB 50.73, 83.17, -41.94

 

CMYK 0 / 95 / 36 / 15

HEX #DA0B8B

RGB 218 11 139

HSL 322.9, 0.9%, 0.45%

LAB 48.27, 76.83, -13.16

 

CMYK 14 / 95 / 0 / 45

HEX #79078C

RGB 121 7 140

HSL 291.43, 0.9%, 0.29%

LAB 29.69, 58.65, -44.22

 

CMYK 14 / 95 / 0 / 30

HEX #9A09B3

RGB 154 9 179

HSL 291.18, 0.9%, 0.37%

LAB 38.41, 70.41, -53.49

 

CMYK 14 / 95 / 0 / 15

HEX #BC0BDA

RGB 188 11 218

HSL 291.3, 0.9%, 0.45%

LAB 46.96, 81.84, -62.1

 

CMYK 13 / 88 / 0 / 5

HEX #D41CF3

RGB 212 28 243

HSL 291.35, 0.9%, 0.53%

LAB 53.27, 87.44, -65.86

 

CMYK 11 / 73 / 0 / 4

HEX #DB43F5

RGB 219 67 245

HSL 291.24, 0.9%, 0.61%

LAB 57.72, 79.59, -59.77

 

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

CMYK 0 / 90 / 95 / 15

HEX #DA160B

RGB 218 22 11

HSL 3.19, 0.9%, 0.45%

LAB 46.32, 69.01, 56.81

 

CMYK 95 / 0 / 52 / 15

HEX #0BDA68

RGB 11 218 104

HSL 146.96, 0.9%, 0.45%

LAB 76.81, -68.5, 43.51

 

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

CMYK 0 / 14 / 95 / 15

HEX #DABB0B

RGB 218 187 11

HSL 51.01, 0.9%, 0.45%

LAB 76.36, -3.42, 76.91

 

CMYK 95 / 0 / 14 / 15

HEX #0BDABB

RGB 11 218 187

HSL 171.01, 0.9%, 0.45%

LAB 78.35, -51.11, 2.81

 

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

CMYK 0 / 90 / 95 / 15

HEX #DA160B

RGB 218 22 11

HSL 3.19, 0.9%, 0.45%

LAB 46.32, 69.01, 56.81

 

CMYK 81 / 0 / 95 / 15

HEX #2ADA0B

RGB 42 218 11

HSL 111.01, 0.9%, 0.45%

LAB 76.47, -73.65, 73.23

 

CMYK 95 / 5 / 0 / 15

HEX #0BD0DA

RGB 11 208 218

HSL 182.9, 0.9%, 0.45%

LAB 76.22, -37.93, -16.97

 

CMYK 14 / 95 / 0 / 14

HEX #BE0CDC

RGB 190 12 220

HSL 291.35, 0.9%, 0.45%

LAB 47.47, 82.37, -62.42

 

CMYK 0 / 61 / 95 / 15

HEX #DA540B

RGB 218 84 11

HSL 21.16, 0.9%, 0.45%

LAB 53.24, 49.89, 60.86

 

CMYK 81 / 0 / 95 / 15

HEX #2ADA0B

RGB 42 218 11

HSL 111.01, 0.9%, 0.45%

LAB 76.47, -73.65, 73.23

 

CMYK 95 / 33 / 0 / 15

HEX #0B92DA

RGB 11 146 218

HSL 200.87, 0.9%, 0.45%

LAB 57.74, -5.95, -45.53

 

Description

Color code: HEX #BE0CDC | qconv.com Color code: HEX #BE0CDC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 12 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 12 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 95 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 95% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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