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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE0BA3 it is the complementary color #41F45C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE0BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE0BA3 shade: #C30B9E, #D41DB1, #E52FC4, #F641D7 and #FF53EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE0BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE0BA3 shade: #BE0BA3, #AD0090, #9C007D, #8B006A and #7A0057

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE0BA3 shade: #BC0BA1, #BC0B72, #BC0B42, #BC0B12 and #BC0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE0BA3 shade: #BC0BA1, #A70BBC, #770BBC, #470BBC and #180BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE0BA3 shade matches the following richer shades: #BC0BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE0BA3 shade: #BC0BA1, #AC1B96, #9C2B8B, #8C3B80 and #7C4B74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE0BA3 shade: #780BBC, #A70BBC, #BC0BA1, #BC0B72 and #BC0B43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE0BA3 shade: #6E065E, #950980, #BC0BA1, #E30DC3 and #F227D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE0BA3 shade: #BE0BA3, #BC490B and #0BBC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE0BA3 shade: #BE0BA3, #A1BC0B and #0BA1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE0BA3 shade: #BE0BA3, #BC490B, #0BBC25 and #0B7EBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE0BA3 shade: #BE0BA3, #BC7E0B, #0BBC25 and #0B49BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

Complementary color

CMYK 73 / 0 / 62 / 4

HEX #41F45C

RGB 65 244 92

HSL 129.05, 0.89%, 0.61%

LAB 85.3, -73.33, 59

 

CMYK 0 / 94 / 19 / 24

HEX #C30B9E

RGB 195 11 158

HSL 312.07, 0.89%, 0.4%

LAB 44.67, 74.29, -30.53

 

CMYK 0 / 86 / 17 / 17

HEX #D41DB1

RGB 212 29 177

HSL 311.48, 0.76%, 0.47%

LAB 49.56, 77.6, -33.94

 

CMYK 0 / 79 / 14 / 10

HEX #E52FC4

RGB 229 47 196

HSL 310.88, 0.78%, 0.54%

LAB 54.74, 79.8, -36.66

 

CMYK 0 / 74 / 13 / 4

HEX #F641D7

RGB 246 65 215

HSL 310.28, 0.91%, 0.61%

LAB 60.14, 81.17, -38.83

 

CMYK 0 / 67 / 8 / 0

HEX #FF53EA

RGB 255 83 234

HSL 307.33, 1%, 0.66%

LAB 64.47, 80.1, -42.6

 

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

CMYK 0 / 100 / 17 / 32

HEX #AD0090

RGB 173 0 144

HSL 310.06, 1%, 0.34%

LAB 39.41, 69.41, -30.61

 

CMYK 0 / 100 / 20 / 39

HEX #9C007D

RGB 156 0 125

HSL 311.92, 1%, 0.31%

LAB 35.1, 63.71, -25.84

 

CMYK 0 / 100 / 24 / 45

HEX #8B006A

RGB 139 0 106

HSL 314.24, 1%, 0.27%

LAB 30.71, 57.91, -20.88

 

CMYK 0 / 100 / 29 / 52

HEX #7A0057

RGB 122 0 87

HSL 317.21, 1%, 0.24%

LAB 26.23, 51.99, -15.69

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 0 / 94 / 39 / 26

HEX #BC0B72

RGB 188 11 114

HSL 325.08, 0.89%, 0.39%

LAB 41.45, 67.96, -8.66

 

CMYK 0 / 94 / 65 / 26

HEX #BC0B42

RGB 188 11 66

HSL 341.36, 0.89%, 0.39%

LAB 40.12, 64.36, 19.86

 

CMYK 0 / 94 / 90 / 26

HEX #BC0B12

RGB 188 11 18

HSL 357.63, 0.89%, 0.39%

LAB 39.54, 62.73, 46.92

 

CMYK 0 / 94 / 94 / 26

HEX #BC0B0B

RGB 188 11 11

HSL 0, 0.89%, 0.39%

LAB 39.5, 62.64, 49.65

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 11 / 94 / 0 / 26

HEX #A70BBC

RGB 167 11 188

HSL 292.88, 0.89%, 0.39%

LAB 41.35, 73.72, -53.95

 

CMYK 37 / 94 / 0 / 26

HEX #770BBC

RGB 119 11 188

HSL 276.61, 0.89%, 0.39%

LAB 33.55, 67.07, -67

 

CMYK 62 / 94 / 0 / 26

HEX #470BBC

RGB 71 11 188

HSL 260.34, 0.89%, 0.39%

LAB 27.32, 62.66, -77.48

 

CMYK 87 / 94 / 0 / 26

HEX #180BBC

RGB 24 11 188

HSL 244.41, 0.89%, 0.39%

LAB 23.88, 60.73, -83.3

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 0 / 84 / 13 / 33

HEX #AC1B96

RGB 172 27 150

HSL 309.1, 0.73%, 0.39%

LAB 40.83, 66.23, -32.04

 

CMYK 0 / 72 / 11 / 39

HEX #9C2B8B

RGB 156 43 139

HSL 309.03, 0.57%, 0.39%

LAB 39, 56.48, -28.4

 

CMYK 0 / 58 / 9 / 45

HEX #8C3B80

RGB 140 59 128

HSL 308.89, 0.41%, 0.39%

LAB 38.31, 43.56, -22.91

 

CMYK 0 / 40 / 6 / 51

HEX #7C4B74

RGB 124 75 116

HSL 309.8, 0.25%, 0.39%

LAB 38.86, 27.47, -14.83

 

CMYK 36 / 94 / 0 / 26

HEX #780BBC

RGB 120 11 188

HSL 276.95, 0.89%, 0.39%

LAB 33.7, 67.19, -66.74

 

CMYK 11 / 94 / 0 / 26

HEX #A70BBC

RGB 167 11 188

HSL 292.88, 0.89%, 0.39%

LAB 41.35, 73.72, -53.95

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 0 / 94 / 39 / 26

HEX #BC0B72

RGB 188 11 114

HSL 325.08, 0.89%, 0.39%

LAB 41.45, 67.96, -8.66

 

CMYK 0 / 94 / 64 / 26

HEX #BC0B43

RGB 188 11 67

HSL 341.02, 0.89%, 0.39%

LAB 40.14, 64.41, 19.25

 

CMYK 0 / 95 / 15 / 57

HEX #6E065E

RGB 110 6 94

HSL 309.23, 0.9%, 0.23%

LAB 24.49, 49.2, -23.23

 

CMYK 0 / 94 / 14 / 42

HEX #950980

RGB 149 9 128

HSL 309, 0.89%, 0.31%

LAB 34.28, 61.57, -29.1

 

CMYK 0 / 94 / 14 / 26

HEX #BC0BA1

RGB 188 11 161

HSL 309.15, 0.89%, 0.39%

LAB 43.51, 73.34, -34.25

 

CMYK 0 / 94 / 14 / 11

HEX #E30DC3

RGB 227 13 195

HSL 308.97, 0.89%, 0.47%

LAB 52.46, 84.75, -39.68

 

CMYK 0 / 84 / 12 / 5

HEX #F227D4

RGB 242 39 212

HSL 308.87, 0.89%, 0.55%

LAB 57.15, 86.21, -41.87

 

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

CMYK 0 / 61 / 94 / 26

HEX #BC490B

RGB 188 73 11

HSL 21.02, 0.89%, 0.39%

LAB 46.29, 43.93, 53.9

 

CMYK 94 / 0 / 23 / 26

HEX #0BBC90

RGB 11 188 144

HSL 165.08, 0.89%, 0.39%

LAB 68.06, -50.04, 11.25

 

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

CMYK 14 / 0 / 94 / 26

HEX #A1BC0B

RGB 161 188 11

HSL 69.15, 0.89%, 0.39%

LAB 71.94, -28.54, 71.5

 

CMYK 94 / 14 / 0 / 26

HEX #0BA1BC

RGB 11 161 188

HSL 189.15, 0.89%, 0.39%

LAB 60.95, -24.87, -23.71

 

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

CMYK 0 / 61 / 94 / 26

HEX #BC490B

RGB 188 73 11

HSL 21.02, 0.89%, 0.39%

LAB 46.29, 43.93, 53.9

 

CMYK 94 / 0 / 80 / 26

HEX #0BBC25

RGB 11 188 37

HSL 128.81, 0.89%, 0.39%

LAB 66.65, -66.72, 59.58

 

CMYK 94 / 33 / 0 / 26

HEX #0B7EBC

RGB 11 126 188

HSL 201.02, 0.89%, 0.39%

LAB 50.24, -5.62, -40.39

 

CMYK 0 / 94 / 14 / 25

HEX #BE0BA3

RGB 190 11 163

HSL 309.05, 0.89%, 0.39%

LAB 43.99, 73.98, -34.67

 

CMYK 0 / 33 / 94 / 26

HEX #BC7E0B

RGB 188 126 11

HSL 38.98, 0.89%, 0.39%

LAB 57.69, 16.09, 61.83

 

CMYK 94 / 0 / 80 / 26

HEX #0BBC25

RGB 11 188 37

HSL 128.81, 0.89%, 0.39%

LAB 66.65, -66.72, 59.58

 

CMYK 94 / 61 / 0 / 26

HEX #0B49BC

RGB 11 73 188

HSL 218.98, 0.89%, 0.39%

LAB 34.94, 28.44, -65.02

 

Description

Color code: HEX #BE0BA3 | qconv.com Color code: HEX #BE0BA3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 11 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 11 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 14 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 14% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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