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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE03A7 it is the complementary color #41FC58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE03A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE03A7 shade: #C303A2, #D415B5, #E527C8, #F639DB and #FF4BEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE03A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE03A7 shade: #BE03A7, #AD0094, #9C0081, #8B006E and #7A005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE03A7 shade: #BF03A8, #BF0375, #BF0342, #BF0310 and #BF0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE03A7 shade: #BF03A8, #A303BF, #7103BF, #3E03BF and #0B03BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE03A7 shade matches the following richer shades: #BF03A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE03A7 shade: #BF03A8, #AF139C, #A02290, #903284 and #804278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE03A7 shade: #7103BF, #A303BF, #BF03A9, #BF0377 and #BF0345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE03A7 shade: #6E0260, #960284, #BF03A8, #E804CB and #FB19E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE03A7 shade: #BE03A7, #BF3E03 and #03BF8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE03A7 shade: #BE03A7, #A9BF03 and #03A9BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE03A7 shade: #BE03A7, #BF3E03, #03BF19 and #0383BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE03A7 shade: #BE03A7, #BF7703, #03BF19 and #034BBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

Complementary color

CMYK 74 / 0 / 65 / 1

HEX #41FC58

RGB 65 252 88

HSL 127.38, 0.97%, 0.62%

LAB 87.7, -76.24, 63.28

 

CMYK 0 / 98 / 17 / 24

HEX #C303A2

RGB 195 3 162

HSL 310.31, 0.97%, 0.39%

LAB 44.63, 75.52, -33

 

CMYK 0 / 90 / 15 / 17

HEX #D415B5

RGB 212 21 181

HSL 309.74, 0.82%, 0.46%

LAB 49.34, 79.33, -36.63

 

CMYK 0 / 83 / 13 / 10

HEX #E527C8

RGB 229 39 200

HSL 309.16, 0.79%, 0.53%

LAB 54.32, 82.1, -39.62

 

CMYK 0 / 77 / 11 / 4

HEX #F639DB

RGB 246 57 219

HSL 308.57, 0.91%, 0.59%

LAB 59.56, 83.93, -42.01

 

CMYK 0 / 71 / 7 / 0

HEX #FF4BEE

RGB 255 75 238

HSL 305.67, 1%, 0.65%

LAB 63.73, 83.33, -46

 

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

CMYK 0 / 100 / 14 / 32

HEX #AD0094

RGB 173 0 148

HSL 308.67, 1%, 0.34%

LAB 39.62, 69.93, -32.72

 

CMYK 0 / 100 / 17 / 39

HEX #9C0081

RGB 156 0 129

HSL 310.38, 1%, 0.31%

LAB 35.31, 64.23, -28.02

 

CMYK 0 / 100 / 21 / 45

HEX #8B006E

RGB 139 0 110

HSL 312.52, 1%, 0.27%

LAB 30.91, 58.42, -23.14

 

CMYK 0 / 100 / 25 / 52

HEX #7A005B

RGB 122 0 91

HSL 315.25, 1%, 0.24%

LAB 26.43, 52.49, -18.04

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A8

RGB 191 3 168

HSL 307.34, 0.97%, 0.38%

LAB 44.19, 75.57, -37.33

 

CMYK 0 / 98 / 39 / 25

HEX #BF0375

RGB 191 3 117

HSL 323.62, 0.97%, 0.38%

LAB 41.89, 69.69, -9.81

 

CMYK 0 / 98 / 65 / 25

HEX #BF0342

RGB 191 3 66

HSL 339.89, 0.97%, 0.38%

LAB 40.47, 65.92, 20.43

 

CMYK 0 / 98 / 92 / 25

HEX #BF0310

RGB 191 3 16

HSL 355.85, 0.97%, 0.38%

LAB 39.88, 64.32, 48.31

 

CMYK 0 / 98 / 98 / 25

HEX #BF0303

RGB 191 3 3

HSL 0, 0.97%, 0.38%

LAB 39.83, 64.17, 52.98

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A8

RGB 191 3 168

HSL 307.34, 0.97%, 0.38%

LAB 44.19, 75.57, -37.33

 

CMYK 15 / 98 / 0 / 25

HEX #A303BF

RGB 163 3 191

HSL 291.06, 0.97%, 0.38%

LAB 40.59, 74.44, -56.97

 

CMYK 41 / 98 / 0 / 25

HEX #7103BF

RGB 113 3 191

HSL 275.11, 0.97%, 0.38%

LAB 32.56, 68.16, -70.42

 

CMYK 68 / 98 / 0 / 25

HEX #3E03BF

RGB 62 3 191

HSL 258.83, 0.97%, 0.38%

LAB 26.31, 64.4, -80.97

 

CMYK 94 / 98 / 0 / 25

HEX #0B03BF

RGB 11 3 191

HSL 242.55, 0.97%, 0.38%

LAB 23.33, 63.12, -86.01

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A8

RGB 191 3 168

HSL 307.34, 0.97%, 0.38%

LAB 44.19, 75.57, -37.33

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A8

RGB 191 3 168

HSL 307.34, 0.97%, 0.38%

LAB 44.19, 75.57, -37.33

 

CMYK 0 / 89 / 11 / 31

HEX #AF139C

RGB 175 19 156

HSL 307.31, 0.8%, 0.38%

LAB 41.18, 69.16, -35.07

 

CMYK 0 / 79 / 10 / 37

HEX #A02290

RGB 160 34 144

HSL 307.62, 0.65%, 0.38%

LAB 38.95, 61.04, -31.49

 

CMYK 0 / 65 / 8 / 44

HEX #903284

RGB 144 50 132

HSL 307.66, 0.48%, 0.38%

LAB 37.62, 49.52, -26.4

 

CMYK 0 / 48 / 6 / 50

HEX #804278

RGB 128 66 120

HSL 307.74, 0.32%, 0.38%

LAB 37.56, 34.71, -19.26

 

CMYK 41 / 98 / 0 / 25

HEX #7103BF

RGB 113 3 191

HSL 275.11, 0.97%, 0.38%

LAB 32.56, 68.16, -70.42

 

CMYK 15 / 98 / 0 / 25

HEX #A303BF

RGB 163 3 191

HSL 291.06, 0.97%, 0.38%

LAB 40.59, 74.44, -56.97

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A9

RGB 191 3 169

HSL 307.02, 0.97%, 0.38%

LAB 44.24, 75.7, -37.84

 

CMYK 0 / 98 / 38 / 25

HEX #BF0377

RGB 191 3 119

HSL 322.98, 0.97%, 0.38%

LAB 41.96, 69.89, -10.95

 

CMYK 0 / 98 / 64 / 25

HEX #BF0345

RGB 191 3 69

HSL 338.94, 0.97%, 0.38%

LAB 40.53, 66.08, 18.61

 

CMYK 0 / 98 / 13 / 57

HEX #6E0260

RGB 110 2 96

HSL 307.78, 0.96%, 0.22%

LAB 24.33, 50.31, -24.8

 

CMYK 0 / 99 / 12 / 41

HEX #960284

RGB 150 2 132

HSL 307.3, 0.97%, 0.3%

LAB 34.38, 63.24, -31.42

 

CMYK 0 / 98 / 12 / 25

HEX #BF03A8

RGB 191 3 168

HSL 307.34, 0.97%, 0.38%

LAB 44.19, 75.57, -37.33

 

CMYK 0 / 98 / 13 / 9

HEX #E804CB

RGB 232 4 203

HSL 307.63, 0.97%, 0.46%

LAB 53.55, 87.3, -42.52

 

CMYK 0 / 90 / 11 / 2

HEX #FB19E0

RGB 251 25 224

HSL 307.17, 0.97%, 0.54%

LAB 58.59, 91.55, -46.31

 

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

CMYK 0 / 68 / 98 / 25

HEX #BF3E03

RGB 191 62 3

HSL 18.83, 0.97%, 0.38%

LAB 44.98, 49.74, 55.49

 

CMYK 98 / 0 / 28 / 25

HEX #03BF8A

RGB 3 191 138

HSL 163.09, 0.97%, 0.38%

LAB 68.84, -52.94, 15.59

 

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

CMYK 12 / 0 / 98 / 25

HEX #A9BF03

RGB 169 191 3

HSL 67.02, 0.97%, 0.38%

LAB 73.35, -26.73, 73.7

 

CMYK 98 / 12 / 0 / 25

HEX #03A9BF

RGB 3 169 191

HSL 187.02, 0.97%, 0.38%

LAB 63.47, -28.16, -21.53

 

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

CMYK 0 / 68 / 98 / 25

HEX #BF3E03

RGB 191 62 3

HSL 18.83, 0.97%, 0.38%

LAB 44.98, 49.74, 55.49

 

CMYK 98 / 0 / 87 / 25

HEX #03BF19

RGB 3 191 25

HSL 127.02, 0.97%, 0.38%

LAB 67.54, -68.53, 63.4

 

CMYK 98 / 31 / 0 / 25

HEX #0383BF

RGB 3 131 191

HSL 199.15, 0.97%, 0.38%

LAB 51.85, -7.71, -39.57

 

CMYK 0 / 98 / 12 / 25

HEX #BE03A7

RGB 190 3 167

HSL 307.38, 0.97%, 0.38%

LAB 43.95, 75.25, -37.12

 

CMYK 0 / 38 / 98 / 25

HEX #BF7703

RGB 191 119 3

HSL 37.02, 0.97%, 0.38%

LAB 56.36, 21.17, 62.47

 

CMYK 98 / 0 / 87 / 25

HEX #03BF19

RGB 3 191 25

HSL 127.02, 0.97%, 0.38%

LAB 67.54, -68.53, 63.4

 

CMYK 98 / 61 / 0 / 25

HEX #034BBF

RGB 3 75 191

HSL 217.02, 0.97%, 0.38%

LAB 35.62, 28.03, -65.67

 

Description

Color code: HEX #BE03A7 | qconv.com Color code: HEX #BE03A7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 3 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 3 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 12 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 12% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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