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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDFBFACE it is the complementary color #420405CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDFBFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDFBFACE shade: #C2FBF5CE, #D3FFFFCE, #E4FFFFCE, #F5FFFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDFBFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDFBFACE shade: #BDFBFACE, #ACE9E7CE, #9BD7D4CE, #8AC5C1CE and #79B3AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDFBFACE shade: #BCFBFA, #BCFBE9, #BCFBD8, #BCFBC7 and #C2FBBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDFBFACE shade: #BCFBFA, #BCEBFB, #BCDAFB, #BCC9FB and #BCBCFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDFBFACE shade matches the following richer shades: #BCFBFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDFBFACE shade: #BCFBFA, #C1F5F4, #C7F0EF, #CDEAE9 and #D3E4E4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDFBFACE shade: #BCFBD8, #BCFBE9, #BCFBFA, #BCEBFB and #BCDAFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDFBFACE shade: #6EF7F4, #95F9F7, #BCFBFA, #E3FDFD and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDFBFACE shade: #BDFBFA, #C7BCFB and #FBE1BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDFBFACE shade: #BDFBFA, #FABCFB and #FBFABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDFBFACE shade: #BDFBFA, #C7BCFB, #FBBCBD and #EFFBBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDFBFACE shade: #BDFBFA, #DABCFB, #FBBCBD and #DCFBBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 0 / 1

HEX #BDFBFACE

RGBA 189 251 250 0.81

HSLA 179.03, 0.89%, 0.86%, 0.81

LABA 94.62, -19.45, -5.83, 0.81

 

Complementary color

CMYK 0 / 76 / 75 / 60

HEX #420405CE

RGBA 66 4 5 0.81

HSLA 359.03, 0.89%, 0.14%, 0.81

LABA 10.96, 28.76, 15.13, 0.81

 

CMYK 18 / 0 / 2 / 1

HEX #C2FBF5CE

RGBA 194 251 245 0.81

HSLA 173.68, 0.88%, 0.87%, 0.81

LABA 94.76, -19.06, -3, 0.81

 

CMYK 14 / 0 / 0 / 0

HEX #D3FFFFCE

RGBA 211 255 255 0.81

HSLA 180, 1%, 0.91%, 0.81

LABA 97.06, -13.92, -4.67, 0.81

 

CMYK 9 / 0 / 0 / 0

HEX #E4FFFFCE

RGBA 228 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.13, -8.69, -2.97, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F5FFFFCE

RGBA 245 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.28, -3.26, -1.15, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 20 / 0 / 0 / 1

HEX #BDFBFACE

RGBA 189 251 250 0.81

HSLA 179.03, 0.89%, 0.86%, 0.81

LABA 94.62, -19.45, -5.83, 0.81

 

CMYK 21 / 0 / 1 / 7

HEX #ACE9E7CE

RGBA 172 233 231 0.81

HSLA 178.03, 0.58%, 0.79%, 0.81

LABA 88.36, -19.55, -5.27, 0.81

 

CMYK 23 / 0 / 1 / 13

HEX #9BD7D4CE

RGBA 155 215 212 0.81

HSLA 177, 0.43%, 0.73%, 0.81

LABA 82.01, -19.65, -4.7, 0.81

 

CMYK 24 / 0 / 2 / 18

HEX #8AC5C1CE

RGBA 138 197 193 0.81

HSLA 175.93, 0.34%, 0.66%, 0.81

LABA 75.57, -19.76, -4.1, 0.81

 

CMYK 26 / 0 / 2 / 24

HEX #79B3AECE

RGBA 121 179 174 0.81

HSLA 174.83, 0.28%, 0.59%, 0.81

LABA 69.01, -19.89, -3.47, 0.81

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 25 / 0 / 7 / 2

HEX #BCFBE9

RGB 188 251 233

HSL 162.86, 0.89%, 0.86%

LAB 94.13, -23.28, 2.23

 

CMYK 25 / 0 / 14 / 2

HEX #BCFBD8

RGB 188 251 216

HSL 146.67, 0.89%, 0.86%

LAB 93.73, -26.59, 10.43

 

CMYK 25 / 0 / 21 / 2

HEX #BCFBC7

RGB 188 251 199

HSL 130.48, 0.89%, 0.86%

LAB 93.37, -29.67, 18.66

 

CMYK 23 / 0 / 25 / 2

HEX #C2FBBC

RGB 194 251 188

HSL 114.29, 0.89%, 0.86%

LAB 93.49, -29.58, 24.5

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 25 / 6 / 0 / 2

HEX #BCEBFB

RGB 188 235 251

HSL 195.24, 0.89%, 0.86%

LAB 90.36, -11.54, -12.68

 

CMYK 25 / 13 / 0 / 2

HEX #BCDAFB

RGB 188 218 251

HSL 211.43, 0.89%, 0.86%

LAB 85.91, -2.79, -19.37

 

CMYK 25 / 20 / 0 / 2

HEX #BCC9FB

RGB 188 201 251

HSL 227.62, 0.89%, 0.86%

LAB 81.53, 6.24, -26.01

 

CMYK 25 / 25 / 0 / 2

HEX #BCBCFB

RGB 188 188 251

HSL 240, 0.89%, 0.86%

LAB 78.24, 13.29, -31.05

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 21 / 0 / 0 / 4

HEX #C1F5F4

RGB 193 245 244

HSL 178.85, 0.72%, 0.86%

LAB 93.09, -16.6, -4.95

 

CMYK 17 / 0 / 0 / 6

HEX #C7F0EF

RGB 199 240 239

HSL 178.54, 0.58%, 0.86%

LAB 92, -13.33, -3.92

 

CMYK 12 / 0 / 0 / 8

HEX #CDEAE9

RGB 205 234 233

HSL 177.93, 0.41%, 0.86%

LAB 90.65, -9.64, -2.73

 

CMYK 7 / 0 / 0 / 11

HEX #D3E4E4

RGB 211 228 228

HSL 180, 0.24%, 0.86%

LAB 89.36, -5.63, -1.95

 

CMYK 25 / 0 / 14 / 2

HEX #BCFBD8

RGB 188 251 216

HSL 146.67, 0.89%, 0.86%

LAB 93.73, -26.59, 10.43

 

CMYK 25 / 0 / 7 / 2

HEX #BCFBE9

RGB 188 251 233

HSL 162.86, 0.89%, 0.86%

LAB 94.13, -23.28, 2.23

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 25 / 6 / 0 / 2

HEX #BCEBFB

RGB 188 235 251

HSL 195.24, 0.89%, 0.86%

LAB 90.36, -11.54, -12.68

 

CMYK 25 / 13 / 0 / 2

HEX #BCDAFB

RGB 188 218 251

HSL 211.43, 0.89%, 0.86%

LAB 85.91, -2.79, -19.37

 

CMYK 55 / 0 / 1 / 3

HEX #6EF7F4

RGB 110 247 244

HSL 178.69, 0.9%, 0.7%

LAB 90.03, -37.81, -9.88

 

CMYK 40 / 0 / 1 / 2

HEX #95F9F7

RGB 149 249 247

HSL 178.8, 0.89%, 0.78%

LAB 92.07, -29.72, -8.26

 

CMYK 25 / 0 / 0 / 2

HEX #BCFBFA

RGB 188 251 250

HSL 179.05, 0.89%, 0.86%

LAB 94.56, -19.74, -5.92

 

CMYK 10 / 0 / 0 / 1

HEX #E3FDFD

RGB 227 253 253

HSL 180, 0.87%, 0.94%

LAB 97.5, -8.39, -2.87

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 0 / 2

HEX #BDFBFA

RGB 189 251 250

HSL 179.03, 0.89%, 0.86%

LAB 94.62, -19.45, -5.83

 

CMYK 21 / 25 / 0 / 2

HEX #C7BCFB

RGB 199 188 251

HSL 250.48, 0.89%, 0.86%

LAB 79.08, 16.56, -29.68

 

CMYK 0 / 10 / 25 / 2

HEX #FBE1BC

RGB 251 225 188

HSL 35.24, 0.89%, 0.86%

LAB 90.78, 3.41, 21.38

 

CMYK 25 / 0 / 0 / 2

HEX #BDFBFA

RGB 189 251 250

HSL 179.03, 0.89%, 0.86%

LAB 94.62, -19.45, -5.83

 

CMYK 0 / 25 / 0 / 2

HEX #FABCFB

RGB 250 188 251

HSL 299.05, 0.89%, 0.86%

LAB 83.58, 32.46, -22.42

 

CMYK 0 / 0 / 25 / 2

HEX #FBFABC

RGB 251 250 188

HSL 59.05, 0.89%, 0.86%

LAB 97.03, -9.19, 29.95

 

CMYK 25 / 0 / 0 / 2

HEX #BDFBFA

RGB 189 251 250

HSL 179.03, 0.89%, 0.86%

LAB 94.62, -19.45, -5.83

 

CMYK 21 / 25 / 0 / 2

HEX #C7BCFB

RGB 199 188 251

HSL 250.48, 0.89%, 0.86%

LAB 79.08, 16.56, -29.68

 

CMYK 0 / 25 / 25 / 2

HEX #FBBCBD

RGB 251 188 189

HSL 359.05, 0.89%, 0.86%

LAB 81.92, 22.82, 8.37

 

CMYK 5 / 0 / 25 / 2

HEX #EFFBBC

RGB 239 251 188

HSL 71.43, 0.89%, 0.86%

LAB 96.4, -14.03, 28.95

 

CMYK 25 / 0 / 0 / 2

HEX #BDFBFA

RGB 189 251 250

HSL 179.03, 0.89%, 0.86%

LAB 94.62, -19.45, -5.83

 

CMYK 13 / 25 / 0 / 2

HEX #DABCFB

RGB 218 188 251

HSL 268.57, 0.89%, 0.86%

LAB 80.65, 22.36, -27.15

 

CMYK 0 / 25 / 25 / 2

HEX #FBBCBD

RGB 251 188 189

HSL 359.05, 0.89%, 0.86%

LAB 81.92, 22.82, 8.37

 

CMYK 12 / 0 / 25 / 2

HEX #DCFBBC

RGB 220 251 188

HSL 89.52, 0.89%, 0.86%

LAB 95.09, -20.77, 26.96

 

Description

Color code: HEX #BDFBFACE | qconv.com Color code: HEX #BDFBFACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 251 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 251 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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