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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDFBF4 it is the complementary color #42040B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDFBF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDFBF4 shade: #C2FBEF, #D3FFFF, #E4FFFF, #F5FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDFBF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDFBF4 shade: #BDFBF4, #ACE9E1, #9BD7CE, #8AC5BB and #79B3A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDFBF4 shade: #BCFBF4, #BCFBE3, #BCFBD2, #BCFBC0 and #C8FBBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDFBF4 shade: #BCFBF4, #BCF1FB, #BCE0FB, #BCCFFB and #BCBEFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDFBF4 shade matches the following richer shades: #BCFBF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDFBF4 shade: #BCFBF4, #C1F5EF, #C7F0EB, #CDEAE6 and #D3E4E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDFBF4 shade: #BCFBD2, #BCFBE3, #BCFBF4, #BCF2FB and #BCE1FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDFBF4 shade: #6EF7E7, #95F9ED, #BCFBF4, #E3FDFA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDFBF4 shade: #BDFBF4, #C1BCFB and #FBDABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDFBF4 shade: #BDFBF4, #F4BCFB and #FBF4BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDFBF4 shade: #BDFBF4, #C1BCFB, #FBBCC3 and #F6FBBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDFBF4 shade: #BDFBF4, #D4BCFB, #FBBCC3 and #E3FBBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

Complementary color

CMYK 0 / 94 / 83 / 74

HEX #42040B

RGB 66 4 11

HSL 353.23, 0.89%, 0.14%

LAB 11.06, 29.04, 12.81

 

CMYK 23 / 0 / 5 / 2

HEX #C2FBEF

RGB 194 251 239

HSL 167.37, 0.88%, 0.87%

LAB 94.61, -20.28, -0.13

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

CMYK 26 / 0 / 3 / 9

HEX #ACE9E1

RGB 172 233 225

HSL 172.13, 0.58%, 0.79%

LAB 88.2, -20.84, -2.36

 

CMYK 28 / 0 / 4 / 16

HEX #9BD7CE

RGB 155 215 206

HSL 171, 0.43%, 0.73%

LAB 81.85, -20.97, -1.74

 

CMYK 30 / 0 / 5 / 23

HEX #8AC5BB

RGB 138 197 187

HSL 169.83, 0.34%, 0.66%

LAB 75.4, -21.12, -1.09

 

CMYK 32 / 0 / 6 / 30

HEX #79B3A8

RGB 121 179 168

HSL 168.62, 0.28%, 0.59%

LAB 68.85, -21.28, -0.4

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 25 / 0 / 10 / 2

HEX #BCFBE3

RGB 188 251 227

HSL 157.14, 0.89%, 0.86%

LAB 93.98, -24.47, 5.12

 

CMYK 25 / 0 / 16 / 2

HEX #BCFBD2

RGB 188 251 210

HSL 140.95, 0.89%, 0.86%

LAB 93.6, -27.7, 13.34

 

CMYK 25 / 0 / 24 / 2

HEX #BCFBC0

RGB 188 251 192

HSL 123.81, 0.89%, 0.86%

LAB 93.23, -30.86, 22.05

 

CMYK 20 / 0 / 25 / 2

HEX #C8FBBC

RGB 200 251 188

HSL 108.57, 0.89%, 0.86%

LAB 93.84, -27.6, 25.04

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 25 / 4 / 0 / 2

HEX #BCF1FB

RGB 188 241 251

HSL 189.52, 0.89%, 0.86%

LAB 91.94, -14.57, -10.32

 

CMYK 25 / 11 / 0 / 2

HEX #BCE0FB

RGB 188 224 251

HSL 205.71, 0.89%, 0.86%

LAB 87.47, -5.91, -17.01

 

CMYK 25 / 18 / 0 / 2

HEX #BCCFFB

RGB 188 207 251

HSL 221.9, 0.89%, 0.86%

LAB 83.06, 3.03, -23.67

 

CMYK 25 / 24 / 0 / 2

HEX #BCBEFB

RGB 188 190 251

HSL 238.1, 0.89%, 0.86%

LAB 78.74, 12.2, -30.28

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 21 / 0 / 2 / 4

HEX #C1F5EF

RGB 193 245 239

HSL 173.08, 0.72%, 0.86%

LAB 92.96, -17.64, -2.55

 

CMYK 17 / 0 / 2 / 6

HEX #C7F0EB

RGB 199 240 235

HSL 172.68, 0.58%, 0.86%

LAB 91.89, -14.14, -1.99

 

CMYK 12 / 0 / 2 / 8

HEX #CDEAE6

RGB 205 234 230

HSL 171.72, 0.41%, 0.86%

LAB 90.57, -10.23, -1.28

 

CMYK 7 / 0 / 1 / 11

HEX #D3E4E2

RGB 211 228 226

HSL 172.94, 0.24%, 0.86%

LAB 89.31, -6.01, -0.97

 

CMYK 25 / 0 / 16 / 2

HEX #BCFBD2

RGB 188 251 210

HSL 140.95, 0.89%, 0.86%

LAB 93.6, -27.7, 13.34

 

CMYK 25 / 0 / 10 / 2

HEX #BCFBE3

RGB 188 251 227

HSL 157.14, 0.89%, 0.86%

LAB 93.98, -24.47, 5.12

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 25 / 4 / 0 / 2

HEX #BCF2FB

RGB 188 242 251

HSL 188.57, 0.89%, 0.86%

LAB 92.2, -15.07, -9.93

 

CMYK 25 / 10 / 0 / 2

HEX #BCE1FB

RGB 188 225 251

HSL 204.76, 0.89%, 0.86%

LAB 87.73, -6.43, -16.62

 

CMYK 55 / 0 / 6 / 3

HEX #6EF7E7

RGB 110 247 231

HSL 172.99, 0.9%, 0.7%

LAB 89.68, -41.09, -3.63

 

CMYK 40 / 0 / 5 / 2

HEX #95F9ED

RGB 149 249 237

HSL 172.8, 0.89%, 0.78%

LAB 91.8, -32.06, -3.47

 

CMYK 25 / 0 / 3 / 2

HEX #BCFBF4

RGB 188 251 244

HSL 173.33, 0.89%, 0.86%

LAB 94.41, -21.01, -3.05

 

CMYK 10 / 0 / 1 / 1

HEX #E3FDFA

RGB 227 253 250

HSL 173.08, 0.87%, 0.94%

LAB 97.42, -8.96, -1.44

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

CMYK 23 / 25 / 0 / 2

HEX #C1BCFB

RGB 193 188 251

HSL 244.76, 0.89%, 0.86%

LAB 78.62, 14.76, -30.44

 

CMYK 0 / 13 / 25 / 2

HEX #FBDABC

RGB 251 218 188

HSL 28.57, 0.89%, 0.86%

LAB 89.06, 7.01, 18.99

 

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

CMYK 3 / 25 / 0 / 2

HEX #F4BCFB

RGB 244 188 251

HSL 293.33, 0.89%, 0.86%

LAB 83, 30.55, -23.35

 

CMYK 0 / 3 / 25 / 2

HEX #FBF4BC

RGB 251 244 188

HSL 53.33, 0.89%, 0.86%

LAB 95.51, -6.21, 27.89

 

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

CMYK 23 / 25 / 0 / 2

HEX #C1BCFB

RGB 193 188 251

HSL 244.76, 0.89%, 0.86%

LAB 78.62, 14.76, -30.44

 

CMYK 0 / 25 / 22 / 2

HEX #FBBCC3

RGB 251 188 195

HSL 353.33, 0.89%, 0.86%

LAB 82.06, 23.66, 5.36

 

CMYK 2 / 0 / 25 / 2

HEX #F6FBBC

RGB 246 251 188

HSL 64.76, 0.89%, 0.86%

LAB 96.91, -11.5, 29.73

 

CMYK 25 / 0 / 3 / 2

HEX #BDFBF4

RGB 189 251 244

HSL 173.23, 0.89%, 0.86%

LAB 94.46, -20.72, -2.96

 

CMYK 16 / 25 / 0 / 2

HEX #D4BCFB

RGB 212 188 251

HSL 262.86, 0.89%, 0.86%

LAB 80.14, 20.51, -27.97

 

CMYK 0 / 25 / 22 / 2

HEX #FBBCC3

RGB 251 188 195

HSL 353.33, 0.89%, 0.86%

LAB 82.06, 23.66, 5.36

 

CMYK 10 / 0 / 25 / 2

HEX #E3FBBC

RGB 227 251 188

HSL 82.86, 0.89%, 0.86%

LAB 95.56, -18.31, 27.67

 

Description

Color code: HEX #BDFBF4 | qconv.com Color code: HEX #BDFBF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 251 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 251 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 3 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 3% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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