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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDFBEFCE it is the complementary color #420410CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDFBEFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDFBEFCE shade: #C2FBEACE, #D3FFFDCE, #E4FFFFCE, #F5FFFFCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDFBEFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDFBEFCE shade: #BDFBEFCE, #ACE9DCCE, #9BD7C9CE, #8AC5B6CE and #79B3A3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDFBEFCE shade: #BCFBEF, #BCFBDE, #BCFBCD, #BCFBBC and #CDFBBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDFBEFCE shade: #BCFBEF, #BCF6FB, #BCE5FB, #BCD4FB and #BCC3FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDFBEFCE shade matches the following richer shades: #BCFBEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDFBEFCE shade: #BCFBEF, #C1F5EB, #C7F0E8, #CDEAE4 and #D3E4E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDFBEFCE shade: #BCFBCC, #BCFBDD, #BCFBEE, #BCF7FB and #BCE6FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDFBEFCE shade: #6EF7DC, #95F9E5, #BCFBEF, #E3FDF8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDFBEFCE shade: #BDFBEF, #BCBCFB and #FBD5BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDFBEFCE shade: #BDFBEF, #EEBCFB and #FBEEBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDFBEFCE shade: #BDFBEF, #BCBCFB, #FBBCC8 and #FBFBBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDFBEFCE shade: #BDFBEF, #CFBCFB, #FBBCC8 and #E8FBBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 4 / 1

HEX #BDFBEFCE

RGBA 189 251 239 0.81

HSLA 168.39, 0.89%, 0.86%, 0.81

LABA 94.33, -21.76, -0.56, 0.81

 

Complementary color

CMYK 0 / 76 / 61 / 60

HEX #420410CE

RGBA 66 4 16 0.81

HSLA 348.39, 0.89%, 0.14%, 0.81

LABA 11.15, 29.32, 10.47, 0.81

 

CMYK 18 / 0 / 5 / 1

HEX #C2FBEACE

RGBA 194 251 234 0.81

HSLA 162.11, 0.88%, 0.87%, 0.81

LABA 94.48, -21.29, 2.28, 0.81

 

CMYK 14 / 0 / 1 / 0

HEX #D3FFFDCE

RGBA 211 255 253 0.81

HSLA 177.27, 1%, 0.91%, 0.81

LABA 97.01, -14.32, -3.71, 0.81

 

CMYK 9 / 0 / 0 / 0

HEX #E4FFFFCE

RGBA 228 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.13, -8.69, -2.97, 0.81

 

CMYK 3 / 0 / 0 / 0

HEX #F5FFFFCE

RGBA 245 255 255 0.81

HSLA 180, 1%, 0.98%, 0.81

LABA 99.28, -3.26, -1.15, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 20 / 0 / 4 / 1

HEX #BDFBEFCE

RGBA 189 251 239 0.81

HSLA 168.39, 0.89%, 0.86%, 0.81

LABA 94.33, -21.76, -0.56, 0.81

 

CMYK 21 / 0 / 5 / 7

HEX #ACE9DCCE

RGBA 172 233 220 0.81

HSLA 167.21, 0.58%, 0.79%, 0.81

LABA 88.07, -21.9, 0.07, 0.81

 

CMYK 23 / 0 / 5 / 13

HEX #9BD7C9CE

RGBA 155 215 201 0.81

HSLA 166, 0.43%, 0.73%, 0.81

LABA 81.72, -22.05, 0.73, 0.81

 

CMYK 24 / 0 / 6 / 18

HEX #8AC5B6CE

RGBA 138 197 182 0.81

HSLA 164.75, 0.34%, 0.66%, 0.81

LABA 75.27, -22.22, 1.43, 0.81

 

CMYK 26 / 0 / 7 / 24

HEX #79B3A3CE

RGBA 121 179 163 0.81

HSLA 163.45, 0.28%, 0.59%, 0.81

LABA 68.71, -22.4, 2.16, 0.81

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEF

RGB 188 251 239

HSL 168.57, 0.89%, 0.86%

LAB 94.28, -22.05, -0.65

 

CMYK 25 / 0 / 12 / 2

HEX #BCFBDE

RGB 188 251 222

HSL 152.38, 0.89%, 0.86%

LAB 93.87, -25.45, 7.54

 

CMYK 25 / 0 / 18 / 2

HEX #BCFBCD

RGB 188 251 205

HSL 136.19, 0.89%, 0.86%

LAB 93.49, -28.61, 15.76

 

CMYK 25 / 0 / 25 / 2

HEX #BCFBBC

RGB 188 251 188

HSL 120, 0.89%, 0.86%

LAB 93.15, -31.53, 23.98

 

CMYK 18 / 0 / 25 / 2

HEX #CDFBBC

RGB 205 251 188

HSL 103.81, 0.89%, 0.86%

LAB 94.14, -25.92, 25.5

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEF

RGB 188 251 239

HSL 168.57, 0.89%, 0.86%

LAB 94.28, -22.05, -0.65

 

CMYK 25 / 2 / 0 / 2

HEX #BCF6FB

RGB 188 246 251

HSL 184.76, 0.89%, 0.86%

LAB 93.26, -17.06, -8.36

 

CMYK 25 / 9 / 0 / 2

HEX #BCE5FB

RGB 188 229 251

HSL 200.95, 0.89%, 0.86%

LAB 88.78, -8.48, -15.04

 

CMYK 25 / 16 / 0 / 2

HEX #BCD4FB

RGB 188 212 251

HSL 217.14, 0.89%, 0.86%

LAB 84.35, 0.37, -21.72

 

CMYK 25 / 22 / 0 / 2

HEX #BCC3FB

RGB 188 195 251

HSL 233.33, 0.89%, 0.86%

LAB 80, 9.48, -28.34

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEF

RGB 188 251 239

HSL 168.57, 0.89%, 0.86%

LAB 94.28, -22.05, -0.65

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEF

RGB 188 251 239

HSL 168.57, 0.89%, 0.86%

LAB 94.28, -22.05, -0.65

 

CMYK 21 / 0 / 4 / 4

HEX #C1F5EB

RGB 193 245 235

HSL 168.46, 0.72%, 0.86%

LAB 92.86, -18.45, -0.62

 

CMYK 17 / 0 / 3 / 6

HEX #C7F0E8

RGB 199 240 232

HSL 168.29, 0.58%, 0.86%

LAB 91.81, -14.74, -0.54

 

CMYK 12 / 0 / 3 / 8

HEX #CDEAE4

RGB 205 234 228

HSL 167.59, 0.41%, 0.86%

LAB 90.52, -10.62, -0.31

 

CMYK 7 / 0 / 1 / 11

HEX #D3E4E1

RGB 211 228 225

HSL 169.41, 0.24%, 0.86%

LAB 89.29, -6.19, -0.49

 

CMYK 25 / 0 / 19 / 2

HEX #BCFBCC

RGB 188 251 204

HSL 135.24, 0.89%, 0.86%

LAB 93.47, -28.79, 16.24

 

CMYK 25 / 0 / 12 / 2

HEX #BCFBDD

RGB 188 251 221

HSL 151.43, 0.89%, 0.86%

LAB 93.84, -25.64, 8.02

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEE

RGB 188 251 238

HSL 167.62, 0.89%, 0.86%

LAB 94.25, -22.26, -0.17

 

CMYK 25 / 2 / 0 / 2

HEX #BCF7FB

RGB 188 247 251

HSL 183.81, 0.89%, 0.86%

LAB 93.53, -17.55, -7.97

 

CMYK 25 / 8 / 0 / 2

HEX #BCE6FB

RGB 188 230 251

HSL 200, 0.89%, 0.86%

LAB 89.04, -9, -14.65

 

CMYK 55 / 0 / 11 / 3

HEX #6EF7DC

RGB 110 247 220

HSL 168.18, 0.9%, 0.7%

LAB 89.39, -43.76, 1.69

 

CMYK 40 / 0 / 8 / 2

HEX #95F9E5

RGB 149 249 229

HSL 168, 0.89%, 0.78%

LAB 91.59, -33.87, 0.38

 

CMYK 25 / 0 / 5 / 2

HEX #BCFBEF

RGB 188 251 239

HSL 168.57, 0.89%, 0.86%

LAB 94.28, -22.05, -0.65

 

CMYK 10 / 0 / 2 / 1

HEX #E3FDF8

RGB 227 253 248

HSL 168.46, 0.87%, 0.94%

LAB 97.37, -9.33, -0.49

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 5 / 2

HEX #BDFBEF

RGB 189 251 239

HSL 168.39, 0.89%, 0.86%

LAB 94.33, -21.76, -0.56

 

CMYK 25 / 25 / 0 / 2

HEX #BCBCFB

RGB 188 188 251

HSL 240, 0.89%, 0.86%

LAB 78.24, 13.29, -31.05

 

CMYK 0 / 15 / 25 / 2

HEX #FBD5BC

RGB 251 213 188

HSL 23.81, 0.89%, 0.86%

LAB 87.84, 9.59, 17.29

 

CMYK 25 / 0 / 5 / 2

HEX #BDFBEF

RGB 189 251 239

HSL 168.39, 0.89%, 0.86%

LAB 94.33, -21.76, -0.56

 

CMYK 5 / 25 / 0 / 2

HEX #EEBCFB

RGB 238 188 251

HSL 287.62, 0.89%, 0.86%

LAB 82.44, 28.64, -24.26

 

CMYK 0 / 5 / 25 / 2

HEX #FBEEBC

RGB 251 238 188

HSL 47.62, 0.89%, 0.86%

LAB 94.01, -3.2, 25.83

 

CMYK 25 / 0 / 5 / 2

HEX #BDFBEF

RGB 189 251 239

HSL 168.39, 0.89%, 0.86%

LAB 94.33, -21.76, -0.56

 

CMYK 25 / 25 / 0 / 2

HEX #BCBCFB

RGB 188 188 251

HSL 240, 0.89%, 0.86%

LAB 78.24, 13.29, -31.05

 

CMYK 0 / 25 / 20 / 2

HEX #FBBCC8

RGB 251 188 200

HSL 348.57, 0.89%, 0.86%

LAB 82.19, 24.39, 2.85

 

CMYK 0 / 0 / 25 / 2

HEX #FBFBBC

RGB 251 251 188

HSL 60, 0.89%, 0.86%

LAB 97.28, -9.68, 30.3

 

CMYK 25 / 0 / 5 / 2

HEX #BDFBEF

RGB 189 251 239

HSL 168.39, 0.89%, 0.86%

LAB 94.33, -21.76, -0.56

 

CMYK 18 / 25 / 0 / 2

HEX #CFBCFB

RGB 207 188 251

HSL 258.1, 0.89%, 0.86%

LAB 79.73, 18.98, -28.64

 

CMYK 0 / 25 / 20 / 2

HEX #FBBCC8

RGB 251 188 200

HSL 348.57, 0.89%, 0.86%

LAB 82.19, 24.39, 2.85

 

CMYK 8 / 0 / 25 / 2

HEX #E8FBBC

RGB 232 251 188

HSL 78.1, 0.89%, 0.86%

LAB 95.91, -16.54, 28.2

 

Description

Color code: HEX #BDFBEFCE | qconv.com Color code: HEX #BDFBEFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 251 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 251 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 4 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 4% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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