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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDFBC3CE it is the complementary color #42043CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDFBC3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDFBC3CE shade: #C2FBBECE, #D3FFD1CE, #E4FFE4CE, #F5FFF7CE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDFBC3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDFBC3CE shade: #BDFBC3CE, #ACE9B0CE, #9BD79DCE, #8AC58ACE and #79B377CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDFBC3CE shade: #BCFBC2, #C7FBBC, #D8FBBC, #E9FBBC and #FAFBBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDFBC3CE shade: #BCFBC2, #BCFBD3, #BCFBE4, #BCFBF5 and #BCF0FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDFBC3CE shade matches the following richer shades: #BCFBC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDFBC3CE shade: #BCFBC2, #C1F5C6, #C7F0CB, #CDEAD0 and #D3E4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDFBC3CE shade: #D8FBBC, #C7FBBC, #BCFBC1, #BCFBD2 and #BCFBE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDFBC3CE shade: #6EF77B, #95F99E, #BCFBC2, #E3FDE5 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDFBC3CE shade: #BDFBC3, #BCE9FB and #FBBCD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDFBC3CE shade: #BDFBC3, #C1BCFB and #FBC1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDFBC3CE shade: #BDFBC3, #BCE9FB, #FBBCF6 and #FBCEBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDFBC3CE shade: #BDFBC3, #BCD6FB, #FBBCF6 and #FBE1BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 18 / 1

HEX #BDFBC3CE

RGBA 189 251 195 0.81

HSLA 125.81, 0.89%, 0.86%, 0.81

LABA 93.34, -30.04, 20.68, 0.81

 

Complementary color

CMYK 0 / 76 / 7 / 60

HEX #42043CCE

RGBA 66 4 60 0.81

HSLA 305.81, 0.89%, 0.14%, 0.81

LABA 13.05, 34.62, -18.61, 0.81

 

CMYK 18 / 0 / 20 / 1

HEX #C2FBBECE

RGBA 194 251 190 0.81

HSLA 116.07, 0.88%, 0.86%, 0.81

LABA 93.53, -29.26, 23.53, 0.81

 

CMYK 14 / 0 / 15 / 0

HEX #D3FFD1CE

RGBA 211 255 209 0.81

HSLA 117.39, 1%, 0.91%, 0.81

LABA 95.99, -22.45, 17.41, 0.81

 

CMYK 9 / 0 / 9 / 0

HEX #E4FFE4CE

RGBA 228 255 228 0.81

HSLA 120, 1%, 0.95%, 0.81

LABA 97.48, -13.6, 9.95, 0.81

 

CMYK 3 / 0 / 3 / 0

HEX #F5FFF7CE

RGBA 245 255 247 0.81

HSLA 132, 1%, 0.98%, 0.81

LABA 99.08, -4.69, 2.67, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 20 / 0 / 18 / 1

HEX #BDFBC3CE

RGBA 189 251 195 0.81

HSLA 125.81, 0.89%, 0.86%, 0.81

LABA 93.34, -30.04, 20.68, 0.81

 

CMYK 21 / 0 / 20 / 7

HEX #ACE9B0CE

RGBA 172 233 176 0.81

HSLA 123.93, 0.58%, 0.79%, 0.81

LABA 87.09, -30.25, 21.63, 0.81

 

CMYK 23 / 0 / 22 / 13

HEX #9BD79DCE

RGBA 155 215 157 0.81

HSLA 122, 0.43%, 0.73%, 0.81

LABA 80.74, -30.48, 22.63, 0.81

 

CMYK 24 / 0 / 24 / 18

HEX #8AC58ACE

RGBA 138 197 138 0.81

HSLA 120, 0.34%, 0.66%, 0.81

LABA 74.3, -30.72, 23.69, 0.81

 

CMYK 26 / 0 / 27 / 24

HEX #79B377CE

RGBA 121 179 119 0.81

HSLA 118, 0.28%, 0.58%, 0.81

LABA 67.75, -30.96, 24.81, 0.81

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC2

RGB 188 251 194

HSL 125.71, 0.89%, 0.86%

LAB 93.27, -30.53, 21.08

 

CMYK 21 / 0 / 25 / 2

HEX #C7FBBC

RGB 199 251 188

HSL 109.52, 0.89%, 0.86%

LAB 93.78, -27.93, 24.95

 

CMYK 14 / 0 / 25 / 2

HEX #D8FBBC

RGB 216 251 188

HSL 93.33, 0.89%, 0.86%

LAB 94.83, -22.16, 26.56

 

CMYK 7 / 0 / 25 / 2

HEX #E9FBBC

RGB 233 251 188

HSL 77.14, 0.89%, 0.86%

LAB 95.98, -16.18, 28.3

 

CMYK 0 / 0 / 25 / 2

HEX #FAFBBC

RGB 250 251 188

HSL 60.95, 0.89%, 0.86%

LAB 97.21, -10.05, 30.18

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC2

RGB 188 251 194

HSL 125.71, 0.89%, 0.86%

LAB 93.27, -30.53, 21.08

 

CMYK 25 / 0 / 16 / 2

HEX #BCFBD3

RGB 188 251 211

HSL 141.9, 0.89%, 0.86%

LAB 93.62, -27.52, 12.85

 

CMYK 25 / 0 / 9 / 2

HEX #BCFBE4

RGB 188 251 228

HSL 158.1, 0.89%, 0.86%

LAB 94.01, -24.27, 4.64

 

CMYK 25 / 0 / 2 / 2

HEX #BCFBF5

RGB 188 251 245

HSL 174.29, 0.89%, 0.86%

LAB 94.43, -20.8, -3.53

 

CMYK 25 / 4 / 0 / 2

HEX #BCF0FB

RGB 188 240 251

HSL 190.48, 0.89%, 0.86%

LAB 91.67, -14.06, -10.72

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC2

RGB 188 251 194

HSL 125.71, 0.89%, 0.86%

LAB 93.27, -30.53, 21.08

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC2

RGB 188 251 194

HSL 125.71, 0.89%, 0.86%

LAB 93.27, -30.53, 21.08

 

CMYK 21 / 0 / 19 / 4

HEX #C1F5C6

RGB 193 245 198

HSL 125.77, 0.72%, 0.86%

LAB 92.01, -25.4, 17.31

 

CMYK 17 / 0 / 15 / 6

HEX #C7F0CB

RGB 199 240 203

HSL 125.85, 0.58%, 0.86%

LAB 91.13, -20.15, 13.54

 

CMYK 12 / 0 / 11 / 8

HEX #CDEAD0

RGB 205 234 208

HSL 126.21, 0.41%, 0.86%

LAB 90.03, -14.32, 9.44

 

CMYK 7 / 0 / 7 / 11

HEX #D3E4D4

RGB 211 228 212

HSL 123.53, 0.24%, 0.86%

LAB 88.96, -8.57, 5.86

 

CMYK 14 / 0 / 25 / 2

HEX #D8FBBC

RGB 216 251 188

HSL 93.33, 0.89%, 0.86%

LAB 94.83, -22.16, 26.56

 

CMYK 21 / 0 / 25 / 2

HEX #C7FBBC

RGB 199 251 188

HSL 109.52, 0.89%, 0.86%

LAB 93.78, -27.93, 24.95

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC1

RGB 188 251 193

HSL 124.76, 0.89%, 0.86%

LAB 93.25, -30.7, 21.56

 

CMYK 25 / 0 / 16 / 2

HEX #BCFBD2

RGB 188 251 210

HSL 140.95, 0.89%, 0.86%

LAB 93.6, -27.7, 13.34

 

CMYK 25 / 0 / 10 / 2

HEX #BCFBE3

RGB 188 251 227

HSL 157.14, 0.89%, 0.86%

LAB 93.98, -24.47, 5.12

 

CMYK 55 / 0 / 50 / 3

HEX #6EF77B

RGB 110 247 123

HSL 125.69, 0.9%, 0.7%

LAB 87.61, -61.99, 48.19

 

CMYK 40 / 0 / 37 / 2

HEX #95F99E

RGB 149 249 158

HSL 125.4, 0.89%, 0.78%

LAB 90.14, -47.41, 34.72

 

CMYK 25 / 0 / 23 / 2

HEX #BCFBC2

RGB 188 251 194

HSL 125.71, 0.89%, 0.86%

LAB 93.27, -30.53, 21.08

 

CMYK 10 / 0 / 9 / 1

HEX #E3FDE5

RGB 227 253 229

HSL 124.62, 0.87%, 0.94%

LAB 96.92, -12.77, 8.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 22 / 2

HEX #BDFBC3

RGB 189 251 195

HSL 125.81, 0.89%, 0.86%

LAB 93.34, -30.04, 20.68

 

CMYK 25 / 7 / 0 / 2

HEX #BCE9FB

RGB 188 233 251

HSL 197.14, 0.89%, 0.86%

LAB 89.83, -10.53, -13.47

 

CMYK 0 / 25 / 17 / 2

HEX #FBBCD0

RGB 251 188 208

HSL 340.95, 0.89%, 0.86%

LAB 82.39, 25.59, -1.15

 

CMYK 25 / 0 / 22 / 2

HEX #BDFBC3

RGB 189 251 195

HSL 125.81, 0.89%, 0.86%

LAB 93.34, -30.04, 20.68

 

CMYK 23 / 25 / 0 / 2

HEX #C1BCFB

RGB 193 188 251

HSL 244.76, 0.89%, 0.86%

LAB 78.62, 14.76, -30.44

 

CMYK 0 / 23 / 25 / 2

HEX #FBC1BC

RGB 251 193 188

HSL 4.76, 0.89%, 0.86%

LAB 83.06, 20.05, 10.54

 

CMYK 25 / 0 / 22 / 2

HEX #BDFBC3

RGB 189 251 195

HSL 125.81, 0.89%, 0.86%

LAB 93.34, -30.04, 20.68

 

CMYK 25 / 7 / 0 / 2

HEX #BCE9FB

RGB 188 233 251

HSL 197.14, 0.89%, 0.86%

LAB 89.83, -10.53, -13.47

 

CMYK 0 / 25 / 2 / 2

HEX #FBBCF6

RGB 251 188 246

HSL 304.76, 0.89%, 0.86%

LAB 83.51, 31.88, -19.84

 

CMYK 0 / 18 / 25 / 2

HEX #FBCEBC

RGB 251 206 188

HSL 17.14, 0.89%, 0.86%

LAB 86.15, 13.24, 14.91

 

CMYK 25 / 0 / 22 / 2

HEX #BDFBC3

RGB 189 251 195

HSL 125.81, 0.89%, 0.86%

LAB 93.34, -30.04, 20.68

 

CMYK 25 / 15 / 0 / 2

HEX #BCD6FB

RGB 188 214 251

HSL 215.24, 0.89%, 0.86%

LAB 84.87, -0.68, -20.93

 

CMYK 0 / 25 / 2 / 2

HEX #FBBCF6

RGB 251 188 246

HSL 304.76, 0.89%, 0.86%

LAB 83.51, 31.88, -19.84

 

CMYK 0 / 10 / 25 / 2

HEX #FBE1BC

RGB 251 225 188

HSL 35.24, 0.89%, 0.86%

LAB 90.78, 3.41, 21.38

 

Description

Color code: HEX #BDFBC3CE | qconv.com Color code: HEX #BDFBC3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 251 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 251 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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