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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDFAF34C it is the complementary color #42050C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDFAF34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDFAF34C shade: #C2FAEE4C, #D3FFFF4C, #E4FFFF4C, #F5FFFF4C and #FFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDFAF34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDFAF34C shade: #BDFAF34C, #ACE8E04C, #9BD6CD4C, #8AC4BA4C and #79B2A74C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDFAF34C shade: #BDFAF3, #BDFAE2, #BDFAD2, #BDFAC1 and #C8FABD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDFAF34C shade: #BDFAF3, #BDF0FA, #BDE0FA, #BDCFFA and #BDBFFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDFAF34C shade matches the following richer shades: #BDFAF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDFAF34C shade: #BDFAF3, #C2F4EF, #C8EEEA, #CEE9E6 and #D4E3E1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDFAF34C shade: #BDFAD2, #BDFAE2, #BDFAF3, #BDF1FA and #BDE0FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDFAF34C shade: #70F4E5, #96F7EC, #BDFAF3, #E3FDFA and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDFAF34C shade: #BDFAF3, #C2BDFA and #FADABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDFAF34C shade: #BDFAF3, #F3BDFA and #FAF3BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDFAF34C shade: #BDFAF3, #C2BDFA, #FABDC4 and #F5FABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDFAF34C shade: #BDFAF3, #D4BDFA, #FABDC4 and #E2FABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 1 / 1

HEX #BDFAF34C

RGBA 189 250 243 0.3

HSLA 173.11, 0.86%, 0.86%, 0.3

LABA 94.17, -20.44, -2.87, 0.3

 

Complementary color

CMYK 0 / 28 / 25 / 22

HEX #42050C4C

RGBA 66 5 12 0.3

HSLA 353.11, 0.86%, 0.14%, 0.3

LABA 11.23, 28.66, 12.6, 0.3

 

CMYK 7 / 0 / 1 / 1

HEX #C2FAEE4C

RGBA 194 250 238 0.3

HSLA 167.14, 0.85%, 0.87%, 0.3

LABA 94.32, -20, -0.03, 0.3

 

CMYK 5 / 0 / 0 / 0

HEX #D3FFFF4C

RGBA 211 255 255 0.3

HSLA 180, 1%, 0.91%, 0.3

LABA 97.06, -13.92, -4.67, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E4FFFF4C

RGBA 228 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.13, -8.69, -2.97, 0.3

 

CMYK 1 / 0 / 0 / 0

HEX #F5FFFF4C

RGBA 245 255 255 0.3

HSLA 180, 1%, 0.98%, 0.3

LABA 99.28, -3.26, -1.15, 0.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF4C

RGBA 255 255 255 0.3

HSLA 0, 0%, 1%, 0.3

LABA 100, 0.01, -0.01, 0.3

 

CMYK 7 / 0 / 1 / 1

HEX #BDFAF34C

RGBA 189 250 243 0.3

HSLA 173.11, 0.86%, 0.86%, 0.3

LABA 94.17, -20.44, -2.87, 0.3

 

CMYK 8 / 0 / 1 / 3

HEX #ACE8E04C

RGBA 172 232 224 0.3

HSLA 172, 0.57%, 0.79%, 0.3

LABA 87.9, -20.56, -2.27, 0.3

 

CMYK 8 / 0 / 1 / 5

HEX #9BD6CD4C

RGBA 155 214 205 0.3

HSLA 170.85, 0.42%, 0.72%, 0.3

LABA 81.55, -20.69, -1.65, 0.3

 

CMYK 9 / 0 / 2 / 7

HEX #8AC4BA4C

RGBA 138 196 186 0.3

HSLA 169.66, 0.33%, 0.65%, 0.3

LABA 75.09, -20.84, -1, 0.3

 

CMYK 10 / 0 / 2 / 9

HEX #79B2A74C

RGBA 121 178 167 0.3

HSLA 168.42, 0.27%, 0.59%, 0.3

LABA 68.53, -20.99, -0.31, 0.3

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 24 / 0 / 10 / 2

HEX #BDFAE2

RGB 189 250 226

HSL 156.39, 0.86%, 0.86%

LAB 93.75, -23.89, 5.3

 

CMYK 24 / 0 / 16 / 2

HEX #BDFAD2

RGB 189 250 210

HSL 140.66, 0.86%, 0.86%

LAB 93.38, -26.92, 13.04

 

CMYK 24 / 0 / 23 / 2

HEX #BDFAC1

RGB 189 250 193

HSL 123.93, 0.86%, 0.86%

LAB 93.03, -29.91, 21.27

 

CMYK 20 / 0 / 24 / 2

HEX #C8FABD

RGB 200 250 189

HSL 109.18, 0.86%, 0.86%

LAB 93.59, -26.97, 24.19

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 24 / 4 / 0 / 2

HEX #BDF0FA

RGB 189 240 250

HSL 189.84, 0.86%, 0.86%

LAB 91.7, -14, -10.15

 

CMYK 24 / 10 / 0 / 2

HEX #BDE0FA

RGB 189 224 250

HSL 205.57, 0.86%, 0.86%

LAB 87.5, -5.84, -16.43

 

CMYK 24 / 17 / 0 / 2

HEX #BDCFFA

RGB 189 207 250

HSL 222.3, 0.86%, 0.86%

LAB 83.1, 3.09, -23.08

 

CMYK 24 / 24 / 0 / 2

HEX #BDBFFA

RGB 189 191 250

HSL 238.03, 0.86%, 0.86%

LAB 79.03, 11.71, -29.29

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 20 / 0 / 2 / 4

HEX #C2F4EF

RGB 194 244 239

HSL 174, 0.69%, 0.86%

LAB 92.75, -16.84, -2.84

 

CMYK 16 / 0 / 2 / 7

HEX #C8EEEA

RGB 200 238 234

HSL 173.68, 0.53%, 0.86%

LAB 91.4, -13.03, -2.18

 

CMYK 12 / 0 / 1 / 9

HEX #CEE9E6

RGB 206 233 230

HSL 173.33, 0.38%, 0.86%

LAB 90.37, -9.4, -1.56

 

CMYK 7 / 0 / 1 / 11

HEX #D4E3E1

RGB 212 227 225

HSL 172, 0.21%, 0.86%

LAB 89.1, -5.35, -0.75

 

CMYK 24 / 0 / 16 / 2

HEX #BDFAD2

RGB 189 250 210

HSL 140.66, 0.86%, 0.86%

LAB 93.38, -26.92, 13.04

 

CMYK 24 / 0 / 10 / 2

HEX #BDFAE2

RGB 189 250 226

HSL 156.39, 0.86%, 0.86%

LAB 93.75, -23.89, 5.3

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 24 / 4 / 0 / 2

HEX #BDF1FA

RGB 189 241 250

HSL 188.85, 0.86%, 0.86%

LAB 91.97, -14.5, -9.76

 

CMYK 24 / 10 / 0 / 2

HEX #BDE0FA

RGB 189 224 250

HSL 205.57, 0.86%, 0.86%

LAB 87.5, -5.84, -16.43

 

CMYK 54 / 0 / 6 / 4

HEX #70F4E5

RGB 112 244 229

HSL 173.18, 0.86%, 0.7%

LAB 88.83, -39.85, -3.83

 

CMYK 39 / 0 / 4 / 3

HEX #96F7EC

RGB 150 247 236

HSL 173.2, 0.86%, 0.78%

LAB 91.26, -31.1, -3.73

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 10 / 0 / 1 / 1

HEX #E3FDFA

RGB 227 253 250

HSL 173.08, 0.87%, 0.94%

LAB 97.42, -8.96, -1.44

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 22 / 24 / 0 / 2

HEX #C2BDFA

RGB 194 189 250

HSL 244.92, 0.86%, 0.86%

LAB 78.91, 14.29, -29.45

 

CMYK 0 / 13 / 24 / 2

HEX #FADABD

RGB 250 218 189

HSL 28.52, 0.86%, 0.86%

LAB 88.99, 6.77, 18.36

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 3 / 24 / 0 / 2

HEX #F3BDFA

RGB 243 189 250

HSL 293.11, 0.86%, 0.86%

LAB 83.1, 29.51, -22.67

 

CMYK 0 / 3 / 24 / 2

HEX #FAF3BD

RGB 250 243 189

HSL 53.11, 0.86%, 0.86%

LAB 95.2, -5.94, 26.95

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 22 / 24 / 0 / 2

HEX #C2BDFA

RGB 194 189 250

HSL 244.92, 0.86%, 0.86%

LAB 78.91, 14.29, -29.45

 

CMYK 0 / 24 / 22 / 2

HEX #FABDC4

RGB 250 189 196

HSL 353.11, 0.86%, 0.86%

LAB 82.22, 22.92, 5.03

 

CMYK 2 / 0 / 24 / 2

HEX #F5FABD

RGB 245 250 189

HSL 64.92, 0.86%, 0.86%

LAB 96.6, -11.24, 28.79

 

CMYK 24 / 0 / 3 / 2

HEX #BDFAF3

RGB 189 250 243

HSL 173.11, 0.86%, 0.86%

LAB 94.17, -20.44, -2.87

 

CMYK 15 / 24 / 0 / 2

HEX #D4BDFA

RGB 212 189 250

HSL 262.62, 0.86%, 0.86%

LAB 80.34, 19.76, -27.12

 

CMYK 0 / 24 / 22 / 2

HEX #FABDC4

RGB 250 189 196

HSL 353.11, 0.86%, 0.86%

LAB 82.22, 22.92, 5.03

 

CMYK 10 / 0 / 24 / 2

HEX #E2FABD

RGB 226 250 189

HSL 83.61, 0.86%, 0.86%

LAB 95.25, -18.04, 26.73

 

Description

Color code: HEX #BDFAF34C | qconv.com Color code: HEX #BDFAF34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 250 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 250 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 1 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 1% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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