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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF95F it is the complementary color #4206A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF95F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF95F shade: #C2F95A, #D3FF6D, #E4FF80, #F5FF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF95F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF95F shade: #BDF95F, #ACE74C, #9BD539, #8AC326 and #79B113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF95F shade: #BCF95D, #E6F95D, #F9E25D, #F9B75D and #F98D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF95F shade: #BCF95D, #92F95D, #68F95D, #5DF97C and #5DF9A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF95F shade matches the following richer shades: #BCF95D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF95F shade: #BCF95D, #B9EB6A, #B6DE78, #B3D085 and #B0C393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF95F shade: #F9E25D, #E7F95D, #BDF95D, #93F95D and #6AF95D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF95F shade: #9BF60D, #ACF835, #BCF95D, #CDFB84 and #DDFCAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF95F shade: #BDF95F, #5DF9B8 and #F75DF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF95F shade: #BDF95F, #5DBDF9 and #F95DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF95F shade: #BDF95F, #5DF9B8, #995DF9 and #F95D9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF95F shade: #BDF95F, #5DF9E7, #995DF9 and #F95D6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

Complementary color

CMYK 59 / 96 / 0 / 37

HEX #4206A0

RGB 66 6 160

HSL 263.38, 0.93%, 0.33%

LAB 23.09, 56.47, -67.68

 

CMYK 22 / 0 / 64 / 2

HEX #C2F95A

RGB 194 249 90

HSL 80.75, 0.93%, 0.66%

LAB 91.67, -40.06, 68.18

 

CMYK 17 / 0 / 57 / 0

HEX #D3FF6D

RGB 211 255 109

HSL 78.08, 1%, 0.71%

LAB 94.51, -34.97, 63.79

 

CMYK 11 / 0 / 50 / 0

HEX #E4FF80

RGB 228 255 128

HSL 72.76, 1%, 0.75%

LAB 95.82, -26.92, 57.19

 

CMYK 4 / 0 / 42 / 0

HEX #F5FF93

RGB 245 255 147

HSL 65.56, 1%, 0.79%

LAB 97.24, -18.64, 50.34

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

CMYK 26 / 0 / 67 / 9

HEX #ACE74C

RGB 172 231 76

HSL 82.84, 0.76%, 0.6%

LAB 85.22, -41.21, 66.43

 

CMYK 27 / 0 / 73 / 16

HEX #9BD539

RGB 155 213 57

HSL 82.31, 0.65%, 0.53%

LAB 78.96, -40.79, 66.64

 

CMYK 29 / 0 / 81 / 24

HEX #8AC326

RGB 138 195 38

HSL 81.78, 0.67%, 0.46%

LAB 72.61, -40.2, 66.18

 

CMYK 32 / 0 / 89 / 31

HEX #79B113

RGB 121 177 19

HSL 81.27, 0.81%, 0.38%

LAB 66.18, -39.4, 64.63

 

CMYK 24 / 0 / 63 / 2

HEX #BCF95D

RGB 188 249 93

HSL 83.46, 0.93%, 0.67%

LAB 91.34, -42.04, 66.54

 

CMYK 8 / 0 / 63 / 2

HEX #E6F95D

RGB 230 249 93

HSL 67.31, 0.93%, 0.67%

LAB 94.04, -26.06, 70.23

 

CMYK 0 / 9 / 63 / 2

HEX #F9E25D

RGB 249 226 93

HSL 51.15, 0.93%, 0.67%

LAB 89.54, -7.22, 65.87

 

CMYK 0 / 27 / 63 / 2

HEX #F9B75D

RGB 249 183 93

HSL 34.62, 0.93%, 0.67%

LAB 78.92, 14.88, 54.15

 

CMYK 0 / 43 / 63 / 2

HEX #F98D5D

RGB 249 141 93

HSL 18.46, 0.93%, 0.67%

LAB 69.46, 36.81, 43.12

 

CMYK 24 / 0 / 63 / 2

HEX #BCF95D

RGB 188 249 93

HSL 83.46, 0.93%, 0.67%

LAB 91.34, -42.04, 66.54

 

CMYK 41 / 0 / 63 / 2

HEX #92F95D

RGB 146 249 93

HSL 99.62, 0.93%, 0.67%

LAB 89.23, -56.22, 63.63

 

CMYK 58 / 0 / 63 / 2

HEX #68F95D

RGB 104 249 93

HSL 115.77, 0.93%, 0.67%

LAB 87.72, -67.56, 61.53

 

CMYK 63 / 0 / 50 / 2

HEX #5DF97C

RGB 93 249 124

HSL 131.92, 0.93%, 0.67%

LAB 87.74, -66.25, 47.78

 

CMYK 63 / 0 / 33 / 2

HEX #5DF9A6

RGB 93 249 166

HSL 148.08, 0.93%, 0.67%

LAB 88.37, -59.38, 28

 

CMYK 24 / 0 / 63 / 2

HEX #BCF95D

RGB 188 249 93

HSL 83.46, 0.93%, 0.67%

LAB 91.34, -42.04, 66.54

 

CMYK 24 / 0 / 63 / 2

HEX #BCF95D

RGB 188 249 93

HSL 83.46, 0.93%, 0.67%

LAB 91.34, -42.04, 66.54

 

CMYK 21 / 0 / 55 / 8

HEX #B9EB6A

RGB 185 235 106

HSL 83.26, 0.76%, 0.67%

LAB 87.37, -35.81, 56.52

 

CMYK 18 / 0 / 46 / 13

HEX #B6DE78

RGB 182 222 120

HSL 83.53, 0.61%, 0.67%

LAB 83.73, -29.48, 45.58

 

CMYK 14 / 0 / 36 / 18

HEX #B3D085

RGB 179 208 133

HSL 83.2, 0.44%, 0.67%

LAB 79.83, -22.29, 34.11

 

CMYK 10 / 0 / 25 / 24

HEX #B0C393

RGB 176 195 147

HSL 83.75, 0.29%, 0.67%

LAB 76.29, -14.92, 22.02

 

CMYK 0 / 9 / 63 / 2

HEX #F9E25D

RGB 249 226 93

HSL 51.15, 0.93%, 0.67%

LAB 89.54, -7.22, 65.87

 

CMYK 7 / 0 / 63 / 2

HEX #E7F95D

RGB 231 249 93

HSL 66.92, 0.93%, 0.67%

LAB 94.11, -25.67, 70.33

 

CMYK 24 / 0 / 63 / 2

HEX #BDF95D

RGB 189 249 93

HSL 83.08, 0.93%, 0.67%

LAB 91.4, -41.67, 66.61

 

CMYK 41 / 0 / 63 / 2

HEX #93F95D

RGB 147 249 93

HSL 99.23, 0.93%, 0.67%

LAB 89.27, -55.91, 63.69

 

CMYK 57 / 0 / 63 / 2

HEX #6AF95D

RGB 106 249 93

HSL 115, 0.93%, 0.67%

LAB 87.78, -67.1, 61.61

 

CMYK 37 / 0 / 95 / 4

HEX #9BF60D

RGB 155 246 13

HSL 83.43, 0.93%, 0.51%

LAB 88.4, -55.91, 84.12

 

CMYK 31 / 0 / 79 / 3

HEX #ACF835

RGB 172 248 53

HSL 83.38, 0.93%, 0.59%

LAB 89.93, -49.72, 78.51

 

CMYK 24 / 0 / 63 / 2

HEX #BCF95D

RGB 188 249 93

HSL 83.46, 0.93%, 0.67%

LAB 91.34, -42.04, 66.54

 

CMYK 18 / 0 / 47 / 2

HEX #CDFB84

RGB 205 251 132

HSL 83.19, 0.94%, 0.75%

LAB 93.29, -33.22, 51.95

 

CMYK 12 / 0 / 32 / 1

HEX #DDFCAC

RGB 221 252 172

HSL 83.25, 0.93%, 0.83%

LAB 95.15, -23.14, 35.09

 

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

CMYK 63 / 0 / 26 / 2

HEX #5DF9B8

RGB 93 249 184

HSL 155, 0.93%, 0.67%

LAB 88.7, -55.81, 19.28

 

CMYK 1 / 63 / 0 / 2

HEX #F75DF9

RGB 247 93 249

HSL 299.23, 0.93%, 0.67%

LAB 65.31, 76.93, -49.66

 

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

CMYK 63 / 24 / 0 / 2

HEX #5DBDF9

RGB 93 189 249

HSL 203.08, 0.93%, 0.67%

LAB 73.26, -10.64, -38.09

 

CMYK 0 / 63 / 24 / 2

HEX #F95DBD

RGB 249 93 189

HSL 323.08, 0.93%, 0.67%

LAB 63.05, 68.66, -19.54

 

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

CMYK 63 / 0 / 26 / 2

HEX #5DF9B8

RGB 93 249 184

HSL 155, 0.93%, 0.67%

LAB 88.7, -55.81, 19.28

 

CMYK 39 / 63 / 0 / 2

HEX #995DF9

RGB 153 93 249

HSL 263.08, 0.93%, 0.67%

LAB 53.43, 56.2, -69.35

 

CMYK 0 / 63 / 37 / 2

HEX #F95D9E

RGB 249 93 158

HSL 335, 0.93%, 0.67%

LAB 62.03, 65, -3.29

 

CMYK 24 / 0 / 62 / 2

HEX #BDF95F

RGB 189 249 95

HSL 83.38, 0.93%, 0.67%

LAB 91.41, -41.52, 65.82

 

CMYK 63 / 0 / 7 / 2

HEX #5DF9E7

RGB 93 249 231

HSL 173.08, 0.93%, 0.67%

LAB 89.79, -44.93, -3.52

 

CMYK 39 / 63 / 0 / 2

HEX #995DF9

RGB 153 93 249

HSL 263.08, 0.93%, 0.67%

LAB 53.43, 56.2, -69.35

 

CMYK 0 / 63 / 55 / 2

HEX #F95D6F

RGB 249 93 111

HSL 353.08, 0.93%, 0.67%

LAB 60.88, 60.74, 22.3

 

Description

Color code: HEX #BDF95F | qconv.com Color code: HEX #BDF95F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 249 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 249 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 62 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 62% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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