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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF7CF it is the complementary color #420830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF7CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF7CF shade: #C2F7CA, #D3FFDD, #E4FFF0, #F5FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF7CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF7CF shade: #BDF7CF, #ACE5BC, #9BD3A9, #8AC196 and #79AF83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF7CF shade: #BBF7CD, #BBF7BD, #C9F7BB, #D9F7BB and #E9F7BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF7CF shade: #BBF7CD, #BBF7DE, #BBF7EE, #BBEFF7 and #BBDFF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF7CF shade matches the following richer shades: #BBF7CD and #B5FDCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF7CF shade: #BBF7CD, #C1F0D0, #C7EAD2, #CDE4D4 and #D4DED7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF7CF shade: #C9F7BB, #BBF7BD, #BBF7CD, #BBF7DD and #BBF7ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF7CF shade: #71EE98, #96F2B3, #BBF7CD, #E0FBE8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF7CF shade: #BDF7CF, #BBD9F7 and #F7BBC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF7CF shade: #BDF7CF, #CDBBF7 and #F7CDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF7CF shade: #BDF7CF, #BBD9F7, #F7BBE5 and #F7D9BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF7CF shade: #BDF7CF, #BBC7F7, #F7BBE5 and #F7EBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

Complementary color

CMYK 0 / 88 / 27 / 74

HEX #420830

RGB 66 8 48

HSL 318.62, 0.78%, 0.15%

LAB 12.89, 31.11, -10.21

 

CMYK 21 / 0 / 18 / 3

HEX #C2F7CA

RGB 194 247 202

HSL 129.06, 0.77%, 0.86%

LAB 92.69, -25.34, 16.21

 

CMYK 17 / 0 / 13 / 0

HEX #D3FFDD

RGB 211 255 221

HSL 133.64, 1%, 0.91%

LAB 96.24, -20.38, 11.63

 

CMYK 11 / 0 / 6 / 0

HEX #E4FFF0

RGB 228 255 240

HSL 146.67, 1%, 0.95%

LAB 97.75, -11.48, 4.19

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

CMYK 25 / 0 / 18 / 10

HEX #ACE5BC

RGB 172 229 188

HSL 136.84, 0.52%, 0.79%

LAB 86.23, -26.23, 14.19

 

CMYK 27 / 0 / 20 / 17

HEX #9BD3A9

RGB 155 211 169

HSL 135, 0.39%, 0.72%

LAB 79.85, -26.45, 15.08

 

CMYK 28 / 0 / 22 / 24

HEX #8AC196

RGB 138 193 150

HSL 133.09, 0.31%, 0.65%

LAB 73.38, -26.68, 16.02

 

CMYK 31 / 0 / 25 / 31

HEX #79AF83

RGB 121 175 131

HSL 131.11, 0.25%, 0.58%

LAB 66.8, -26.94, 17.02

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 24 / 0 / 23 / 3

HEX #BBF7BD

RGB 187 247 189

HSL 122, 0.79%, 0.85%

LAB 92.02, -29.81, 21.9

 

CMYK 19 / 0 / 24 / 3

HEX #C9F7BB

RGB 201 247 187

HSL 106, 0.79%, 0.85%

LAB 92.81, -25.52, 24.13

 

CMYK 12 / 0 / 24 / 3

HEX #D9F7BB

RGB 217 247 187

HSL 90, 0.79%, 0.85%

LAB 93.82, -20.03, 25.69

 

CMYK 6 / 0 / 24 / 3

HEX #E9F7BB

RGB 233 247 187

HSL 74, 0.79%, 0.85%

LAB 94.92, -14.37, 27.37

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 24 / 0 / 10 / 3

HEX #BBF7DE

RGB 187 247 222

HSL 155, 0.79%, 0.85%

LAB 92.73, -23.83, 5.9

 

CMYK 24 / 0 / 4 / 3

HEX #BBF7EE

RGB 187 247 238

HSL 171, 0.79%, 0.85%

LAB 93.13, -20.6, -1.82

 

CMYK 24 / 3 / 0 / 3

HEX #BBEFF7

RGB 187 239 247

HSL 188, 0.79%, 0.85%

LAB 91.24, -14.73, -9.29

 

CMYK 24 / 10 / 0 / 3

HEX #BBDFF7

RGB 187 223 247

HSL 204, 0.79%, 0.85%

LAB 87.02, -6.58, -15.58

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 28 / 0 / 20 / 1

HEX #B5FDCB

RGB 181 253 203

HSL 138.33, 0.95%, 0.85%

LAB 93.62, -32.06, 16.91

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 20 / 0 / 13 / 6

HEX #C1F0D0

RGB 193 240 208

HSL 139.15, 0.61%, 0.85%

LAB 90.88, -21.21, 10.54

 

CMYK 15 / 0 / 10 / 8

HEX #C7EAD2

RGB 199 234 210

HSL 138.86, 0.45%, 0.85%

LAB 89.69, -15.94, 7.85

 

CMYK 10 / 0 / 7 / 11

HEX #CDE4D4

RGB 205 228 212

HSL 138.26, 0.3%, 0.85%

LAB 88.55, -10.58, 5.21

 

CMYK 5 / 0 / 3 / 13

HEX #D4DED7

RGB 212 222 215

HSL 138, 0.13%, 0.85%

LAB 87.56, -4.63, 2.25

 

CMYK 19 / 0 / 24 / 3

HEX #C9F7BB

RGB 201 247 187

HSL 106, 0.79%, 0.85%

LAB 92.81, -25.52, 24.13

 

CMYK 24 / 0 / 23 / 3

HEX #BBF7BD

RGB 187 247 189

HSL 122, 0.79%, 0.85%

LAB 92.02, -29.81, 21.9

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 24 / 0 / 11 / 3

HEX #BBF7DD

RGB 187 247 221

HSL 154, 0.79%, 0.85%

LAB 92.71, -24.02, 6.38

 

CMYK 24 / 0 / 4 / 3

HEX #BBF7ED

RGB 187 247 237

HSL 170, 0.79%, 0.85%

LAB 93.1, -20.81, -1.34

 

CMYK 53 / 0 / 36 / 7

HEX #71EE98

RGB 113 238 152

HSL 138.72, 0.79%, 0.69%

LAB 85.47, -53.37, 31.28

 

CMYK 38 / 0 / 26 / 5

HEX #96F2B3

RGB 150 242 179

HSL 138.91, 0.78%, 0.77%

LAB 88.56, -40.55, 21.95

 

CMYK 24 / 0 / 17 / 3

HEX #BBF7CD

RGB 187 247 205

HSL 138, 0.79%, 0.85%

LAB 92.35, -27.03, 14.14

 

CMYK 11 / 0 / 8 / 2

HEX #E0FBE8

RGB 224 251 232

HSL 137.78, 0.77%, 0.93%

LAB 96.27, -12.24, 6.13

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

CMYK 24 / 12 / 0 / 3

HEX #BBD9F7

RGB 187 217 247

HSL 210, 0.79%, 0.85%

LAB 85.46, -3.46, -17.94

 

CMYK 0 / 24 / 22 / 3

HEX #F7BBC1

RGB 247 187 193

HSL 354, 0.79%, 0.85%

LAB 81.38, 22.46, 5.4

 

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

CMYK 17 / 24 / 0 / 3

HEX #CDBBF7

RGB 205 187 247

HSL 258, 0.79%, 0.85%

LAB 79.18, 18.04, -27.35

 

CMYK 0 / 17 / 24 / 3

HEX #F7CDBB

RGB 247 205 187

HSL 18, 0.79%, 0.85%

LAB 85.52, 12.15, 14.5

 

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

CMYK 24 / 12 / 0 / 3

HEX #BBD9F7

RGB 187 217 247

HSL 210, 0.79%, 0.85%

LAB 85.46, -3.46, -17.94

 

CMYK 0 / 24 / 7 / 3

HEX #F7BBE5

RGB 247 187 229

HSL 318, 0.79%, 0.85%

LAB 82.36, 28.13, -12.51

 

CMYK 0 / 12 / 24 / 3

HEX #F7D9BB

RGB 247 217 187

HSL 30, 0.79%, 0.85%

LAB 88.44, 5.91, 18.6

 

CMYK 23 / 0 / 16 / 3

HEX #BDF7CF

RGB 189 247 207

HSL 138.62, 0.78%, 0.85%

LAB 92.51, -26.04, 13.34

 

CMYK 24 / 19 / 0 / 3

HEX #BBC7F7

RGB 187 199 247

HSL 228, 0.79%, 0.85%

LAB 80.81, 6.1, -24.98

 

CMYK 0 / 24 / 7 / 3

HEX #F7BBE5

RGB 247 187 229

HSL 318, 0.79%, 0.85%

LAB 82.36, 28.13, -12.51

 

CMYK 0 / 5 / 24 / 3

HEX #F7EBBB

RGB 247 235 187

HSL 48, 0.79%, 0.85%

LAB 92.92, -3.29, 24.8

 

Description

Color code: HEX #BDF7CF | qconv.com Color code: HEX #BDF7CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 247 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 247 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 16 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 16% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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