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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF672 it is the complementary color #42098D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF672 shade: #C2F66D, #D3FF80, #E4FF93, #F5FFA6 and #FFFFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF672 shade: #BDF672, #ACE45F, #9BD24C, #8AC039 and #79AE26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF672 shade: #BEF674, #E1F674, #F6E874, #F6C574 and #F6A274

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF672 shade: #BEF674, #9BF674, #78F674, #74F693 and #74F6B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF672 shade matches the following richer shades: #BEF674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF672 shade: #BEF674, #BCEA80, #BBDE8C, #B9D298 and #B7C6A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF672 shade: #F6E774, #E3F674, #C0F674, #9DF674 and #7AF674

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF672 shade: #9AF126, #ACF44D, #BEF674, #D0F99B and #E2FBC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF672 shade: #BDF672, #74F6C4 and #F674F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF672 shade: #BDF672, #74C0F6 and #F674C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF672 shade: #BDF672, #74F6C4, #AA74F6 and #F674A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF672 shade: #BDF672, #74F6EB, #AA74F6 and #F6747F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

Complementary color

CMYK 53 / 94 / 0 / 45

HEX #42098D

RGB 66 9 141

HSL 265.91, 0.88%, 0.29%

LAB 21.12, 51.09, -59.21

 

CMYK 21 / 0 / 56 / 4

HEX #C2F66D

RGB 194 246 109

HSL 82.77, 0.88%, 0.7%

LAB 91, -37.2, 59.52

 

CMYK 17 / 0 / 50 / 0

HEX #D3FF80

RGB 211 255 128

HSL 80.79, 1%, 0.75%

LAB 94.71, -33.26, 55.6

 

CMYK 11 / 0 / 42 / 0

HEX #E4FF93

RGB 228 255 147

HSL 75, 1%, 0.79%

LAB 96.05, -25.02, 48.58

 

CMYK 4 / 0 / 35 / 0

HEX #F5FFA6

RGB 245 255 166

HSL 66.74, 1%, 0.83%

LAB 97.51, -16.57, 41.47

 

CMYK 0 / 0 / 27 / 0

HEX #FFFFB9

RGB 255 255 185

HSL 60, 1%, 0.86%

LAB 98.54, -10.58, 33.56

 

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

CMYK 25 / 0 / 58 / 11

HEX #ACE45F

RGB 172 228 95

HSL 85.26, 0.71%, 0.63%

LAB 84.53, -38.42, 57.91

 

CMYK 26 / 0 / 64 / 18

HEX #9BD24C

RGB 155 210 76

HSL 84.63, 0.6%, 0.56%

LAB 78.22, -38.2, 58.73

 

CMYK 28 / 0 / 70 / 25

HEX #8AC039

RGB 138 192 57

HSL 84, 0.54%, 0.49%

LAB 71.82, -37.86, 59.23

 

CMYK 30 / 0 / 78 / 32

HEX #79AE26

RGB 121 174 38

HSL 83.38, 0.64%, 0.42%

LAB 65.34, -37.36, 59.15

 

CMYK 23 / 0 / 53 / 4

HEX #BEF674

RGB 190 246 116

HSL 85.85, 0.88%, 0.71%

LAB 90.83, -38, 56.14

 

CMYK 9 / 0 / 53 / 4

HEX #E1F674

RGB 225 246 116

HSL 69.69, 0.88%, 0.71%

LAB 93.09, -24.89, 59.36

 

CMYK 0 / 6 / 53 / 4

HEX #F6E874

RGB 246 232 116

HSL 53.54, 0.88%, 0.71%

LAB 91.04, -9.81, 57.37

 

CMYK 0 / 20 / 53 / 4

HEX #F6C574

RGB 246 197 116

HSL 37.38, 0.88%, 0.71%

LAB 82.26, 8.03, 46.9

 

CMYK 0 / 34 / 53 / 4

HEX #F6A274

RGB 246 162 116

HSL 21.23, 0.88%, 0.71%

LAB 73.99, 26.41, 36.6

 

CMYK 23 / 0 / 53 / 4

HEX #BEF674

RGB 190 246 116

HSL 85.85, 0.88%, 0.71%

LAB 90.83, -38, 56.14

 

CMYK 37 / 0 / 53 / 4

HEX #9BF674

RGB 155 246 116

HSL 102, 0.88%, 0.71%

LAB 88.99, -49.92, 53.5

 

CMYK 51 / 0 / 53 / 4

HEX #78F674

RGB 120 246 116

HSL 118.15, 0.88%, 0.71%

LAB 87.57, -60.04, 51.46

 

CMYK 53 / 0 / 40 / 4

HEX #74F693

RGB 116 246 147

HSL 134.31, 0.88%, 0.71%

LAB 87.84, -56.66, 36.93

 

CMYK 53 / 0 / 26 / 4

HEX #74F6B6

RGB 116 246 182

HSL 150.46, 0.88%, 0.71%

LAB 88.45, -50.38, 20.05

 

CMYK 23 / 0 / 53 / 4

HEX #BEF674

RGB 190 246 116

HSL 85.85, 0.88%, 0.71%

LAB 90.83, -38, 56.14

 

CMYK 23 / 0 / 53 / 4

HEX #BEF674

RGB 190 246 116

HSL 85.85, 0.88%, 0.71%

LAB 90.83, -38, 56.14

 

CMYK 20 / 0 / 45 / 8

HEX #BCEA80

RGB 188 234 128

HSL 86.04, 0.72%, 0.71%

LAB 87.53, -31.99, 46.51

 

CMYK 16 / 0 / 37 / 13

HEX #BBDE8C

RGB 187 222 140

HSL 85.61, 0.55%, 0.71%

LAB 84.33, -25.23, 36.51

 

CMYK 12 / 0 / 28 / 18

HEX #B9D298

RGB 185 210 152

HSL 85.86, 0.39%, 0.71%

LAB 81.11, -18.43, 26.05

 

CMYK 8 / 0 / 17 / 22

HEX #B7C6A4

RGB 183 198 164

HSL 86.47, 0.23%, 0.71%

LAB 77.96, -11.21, 15.33

 

CMYK 0 / 6 / 53 / 4

HEX #F6E774

RGB 246 231 116

HSL 53.08, 0.88%, 0.71%

LAB 90.78, -9.31, 57.07

 

CMYK 8 / 0 / 53 / 4

HEX #E3F674

RGB 227 246 116

HSL 68.77, 0.88%, 0.71%

LAB 93.23, -24.11, 59.56

 

CMYK 22 / 0 / 53 / 4

HEX #C0F674

RGB 192 246 116

HSL 84.92, 0.88%, 0.71%

LAB 90.95, -37.28, 56.31

 

CMYK 36 / 0 / 53 / 4

HEX #9DF674

RGB 157 246 116

HSL 101.08, 0.88%, 0.71%

LAB 89.08, -49.28, 53.64

 

CMYK 50 / 0 / 53 / 4

HEX #7AF674

RGB 122 246 116

HSL 117.23, 0.88%, 0.71%

LAB 87.64, -59.52, 51.56

 

CMYK 36 / 0 / 84 / 5

HEX #9AF126

RGB 154 241 38

HSL 85.71, 0.88%, 0.55%

LAB 86.96, -53.71, 79.16

 

CMYK 30 / 0 / 68 / 4

HEX #ACF44D

RGB 172 244 77

HSL 85.87, 0.88%, 0.63%

LAB 88.93, -46.76, 69.87

 

CMYK 23 / 0 / 53 / 4

HEX #BEF674

RGB 190 246 116

HSL 85.85, 0.88%, 0.71%

LAB 90.83, -38, 56.14

 

CMYK 16 / 0 / 38 / 2

HEX #D0F99B

RGB 208 249 155

HSL 86.17, 0.89%, 0.79%

LAB 93.25, -28.56, 40.87

 

CMYK 10 / 0 / 23 / 2

HEX #E2FBC2

RGB 226 251 194

HSL 86.32, 0.88%, 0.87%

LAB 95.6, -17.79, 24.67

 

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

CMYK 53 / 0 / 20 / 4

HEX #74F6C4

RGB 116 246 196

HSL 156.92, 0.88%, 0.71%

LAB 88.74, -47.5, 13.23

 

CMYK 0 / 53 / 1 / 4

HEX #F674F4

RGB 246 116 244

HSL 300.92, 0.88%, 0.71%

LAB 68.47, 66.2, -41.95

 

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

CMYK 53 / 22 / 0 / 4

HEX #74C0F6

RGB 116 192 246

HSL 204.92, 0.88%, 0.71%

LAB 74.87, -8.76, -33.92

 

CMYK 0 / 53 / 22 / 4

HEX #F674C0

RGB 246 116 192

HSL 324.92, 0.88%, 0.71%

LAB 66.44, 58.19, -16.14

 

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

CMYK 53 / 0 / 20 / 4

HEX #74F6C4

RGB 116 246 196

HSL 156.92, 0.88%, 0.71%

LAB 88.74, -47.5, 13.23

 

CMYK 31 / 53 / 0 / 4

HEX #AA74F6

RGB 170 116 246

HSL 264.92, 0.88%, 0.71%

LAB 59.61, 47.1, -57.65

 

CMYK 0 / 53 / 33 / 4

HEX #F674A6

RGB 246 116 166

HSL 336.92, 0.88%, 0.71%

LAB 65.62, 54.84, -2.64

 

CMYK 23 / 0 / 54 / 4

HEX #BDF672

RGB 189 246 114

HSL 85.91, 0.88%, 0.71%

LAB 90.75, -38.55, 56.94

 

CMYK 53 / 0 / 4 / 4

HEX #74F6EB

RGB 116 246 235

HSL 174.92, 0.88%, 0.71%

LAB 89.68, -38.49, -5.68

 

CMYK 31 / 53 / 0 / 4

HEX #AA74F6

RGB 170 116 246

HSL 264.92, 0.88%, 0.71%

LAB 59.61, 47.1, -57.65

 

CMYK 0 / 53 / 48 / 4

HEX #F6747F

RGB 246 116 127

HSL 354.92, 0.88%, 0.71%

LAB 64.66, 50.74, 18.19

 

Description

Color code: HEX #BDF672 | qconv.com Color code: HEX #BDF672 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 246 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 246 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 54 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 54% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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