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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF45F it is the complementary color #420BA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF45F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF45F shade: #C2F45A, #D3FF6D, #E4FF80, #F5FF93 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF45F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF45F shade: #BDF45F, #ACE24C, #9BD039, #8ABE26 and #79AC13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF45F shade: #BCF45D, #E5F45D, #F4DA5D, #F4B15D and #F4895D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF45F shade: #BCF45D, #93F45D, #6BF45D, #5DF478 and #5DF4A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF45F shade matches the following richer shades: #BCF45D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF45F shade: #BCF45D, #B8E66B, #B5D879, #B1CA87 and #ADBC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF45F shade: #F4DB5D, #E5F45D, #BCF45D, #94F45D and #6CF45D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF45F shade: #9CEE11, #ACF136, #BCF45D, #CCF683 and #DCF9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF45F shade: #BDF45F, #5DF4B2 and #EF5DF4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF45F shade: #BDF45F, #5DBCF4 and #F45DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF45F shade: #BDF45F, #5DF4B2, #945DF4 and #F45D9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF45F shade: #BDF45F, #5DF4E0, #945DF4 and #F45D71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

Complementary color

CMYK 59 / 93 / 0 / 37

HEX #420BA0

RGB 66 11 160

HSL 262.15, 0.87%, 0.34%

LAB 23.46, 55.36, -67.07

 

CMYK 20 / 0 / 63 / 4

HEX #C2F45A

RGB 194 244 90

HSL 79.48, 0.88%, 0.65%

LAB 90.28, -37.83, 66.7

 

CMYK 17 / 0 / 57 / 0

HEX #D3FF6D

RGB 211 255 109

HSL 78.08, 1%, 0.71%

LAB 94.51, -34.97, 63.79

 

CMYK 11 / 0 / 50 / 0

HEX #E4FF80

RGB 228 255 128

HSL 72.76, 1%, 0.75%

LAB 95.82, -26.92, 57.19

 

CMYK 4 / 0 / 42 / 0

HEX #F5FF93

RGB 245 255 147

HSL 65.56, 1%, 0.79%

LAB 97.24, -18.64, 50.34

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

CMYK 24 / 0 / 66 / 11

HEX #ACE24C

RGB 172 226 76

HSL 81.6, 0.72%, 0.59%

LAB 83.8, -39, 64.95

 

CMYK 25 / 0 / 73 / 18

HEX #9BD039

RGB 155 208 57

HSL 81.06, 0.62%, 0.52%

LAB 77.5, -38.58, 65.22

 

CMYK 27 / 0 / 80 / 25

HEX #8ABE26

RGB 138 190 38

HSL 80.53, 0.67%, 0.45%

LAB 71.13, -37.99, 64.84

 

CMYK 30 / 0 / 89 / 33

HEX #79AC13

RGB 121 172 19

HSL 80, 0.8%, 0.37%

LAB 64.66, -37.19, 63.36

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 6 / 0 / 62 / 4

HEX #E5F45D

RGB 229 244 93

HSL 65.96, 0.87%, 0.66%

LAB 92.64, -24.09, 68.72

 

CMYK 0 / 11 / 62 / 4

HEX #F4DA5D

RGB 244 218 93

HSL 49.67, 0.87%, 0.66%

LAB 87.08, -5.25, 63.08

 

CMYK 0 / 27 / 62 / 4

HEX #F4B15D

RGB 244 177 93

HSL 33.38, 0.87%, 0.66%

LAB 76.96, 15.98, 51.76

 

CMYK 0 / 44 / 62 / 4

HEX #F4895D

RGB 244 137 93

HSL 17.48, 0.87%, 0.66%

LAB 67.96, 36.92, 41.16

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 40 / 0 / 62 / 4

HEX #93F45D

RGB 147 244 93

HSL 98.54, 0.87%, 0.66%

LAB 87.82, -53.92, 62.09

 

CMYK 56 / 0 / 62 / 4

HEX #6BF45D

RGB 107 244 93

HSL 114.44, 0.87%, 0.66%

LAB 86.31, -65.1, 59.99

 

CMYK 62 / 0 / 51 / 4

HEX #5DF478

RGB 93 244 120

HSL 130.73, 0.87%, 0.66%

LAB 86.2, -65.02, 47.75

 

CMYK 62 / 0 / 34 / 4

HEX #5DF4A0

RGB 93 244 160

HSL 146.62, 0.87%, 0.66%

LAB 86.78, -58.57, 28.89

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 20 / 0 / 53 / 10

HEX #B8E66B

RGB 184 230 107

HSL 82.44, 0.71%, 0.66%

LAB 85.93, -33.8, 54.37

 

CMYK 16 / 0 / 44 / 15

HEX #B5D879

RGB 181 216 121

HSL 82.11, 0.55%, 0.66%

LAB 82.01, -26.89, 42.94

 

CMYK 12 / 0 / 33 / 21

HEX #B1CA87

RGB 177 202 135

HSL 82.39, 0.39%, 0.66%

LAB 78.07, -19.8, 30.74

 

CMYK 8 / 0 / 21 / 26

HEX #ADBC95

RGB 173 188 149

HSL 83.08, 0.23%, 0.66%

LAB 74.2, -12.12, 18.04

 

CMYK 0 / 10 / 62 / 4

HEX #F4DB5D

RGB 244 219 93

HSL 50.07, 0.87%, 0.66%

LAB 87.33, -5.75, 63.36

 

CMYK 6 / 0 / 62 / 4

HEX #E5F45D

RGB 229 244 93

HSL 65.96, 0.87%, 0.66%

LAB 92.64, -24.09, 68.72

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 39 / 0 / 62 / 4

HEX #94F45D

RGB 148 244 93

HSL 98.15, 0.87%, 0.66%

LAB 87.87, -53.61, 62.15

 

CMYK 56 / 0 / 62 / 4

HEX #6CF45D

RGB 108 244 93

HSL 114.04, 0.87%, 0.66%

LAB 86.35, -64.86, 60.03

 

CMYK 34 / 0 / 93 / 7

HEX #9CEE11

RGB 156 238 17

HSL 82.26, 0.87%, 0.5%

LAB 86.14, -52.32, 81.93

 

CMYK 29 / 0 / 78 / 5

HEX #ACF136

RGB 172 241 54

HSL 82.14, 0.87%, 0.58%

LAB 87.94, -46.75, 76.41

 

CMYK 23 / 0 / 62 / 4

HEX #BCF45D

RGB 188 244 93

HSL 82.25, 0.87%, 0.66%

LAB 89.94, -39.83, 65.02

 

CMYK 17 / 0 / 47 / 4

HEX #CCF683

RGB 204 246 131

HSL 81.91, 0.86%, 0.74%

LAB 91.86, -31.38, 50.65

 

CMYK 12 / 0 / 32 / 2

HEX #DCF9AA

RGB 220 249 170

HSL 82.03, 0.87%, 0.82%

LAB 94.26, -22.32, 34.9

 

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

CMYK 62 / 0 / 27 / 4

HEX #5DF4B2

RGB 93 244 178

HSL 153.77, 0.87%, 0.66%

LAB 87.12, -55.05, 20.15

 

CMYK 2 / 62 / 0 / 4

HEX #EF5DF4

RGB 239 93 244

HSL 298.01, 0.87%, 0.66%

LAB 63.93, 74.26, -49.17

 

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

CMYK 62 / 23 / 0 / 4

HEX #5DBCF4

RGB 93 188 244

HSL 202.25, 0.87%, 0.66%

LAB 72.78, -11.66, -36.15

 

CMYK 0 / 62 / 23 / 4

HEX #F45DBC

RGB 244 93 188

HSL 322.25, 0.87%, 0.66%

LAB 62.25, 67.16, -20.26

 

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

CMYK 62 / 0 / 27 / 4

HEX #5DF4B2

RGB 93 244 178

HSL 153.77, 0.87%, 0.66%

LAB 87.12, -55.05, 20.15

 

CMYK 39 / 62 / 0 / 4

HEX #945DF4

RGB 148 93 244

HSL 261.85, 0.87%, 0.66%

LAB 52.57, 53.92, -67.97

 

CMYK 0 / 62 / 35 / 4

HEX #F45D9E

RGB 244 93 158

HSL 334.17, 0.87%, 0.66%

LAB 61.25, 63.53, -4.53

 

CMYK 23 / 0 / 61 / 4

HEX #BDF45F

RGB 189 244 95

HSL 82.15, 0.87%, 0.66%

LAB 90.02, -39.31, 64.3

 

CMYK 62 / 0 / 8 / 4

HEX #5DF4E0

RGB 93 244 224

HSL 172.05, 0.87%, 0.66%

LAB 88.17, -44.51, -2.25

 

CMYK 39 / 62 / 0 / 4

HEX #945DF4

RGB 148 93 244

HSL 261.85, 0.87%, 0.66%

LAB 52.57, 53.92, -67.97

 

CMYK 0 / 62 / 54 / 4

HEX #F45D71

RGB 244 93 113

HSL 352.05, 0.87%, 0.66%

LAB 60.12, 59.29, 19.97

 

Description

Color code: HEX #BDF45F | qconv.com Color code: HEX #BDF45F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 244 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 244 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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