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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDEE6F it is the complementary color #421190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDEE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDEE6F shade: #C2EE6A, #D3FF7D, #E4FF90, #F5FFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDEE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDEE6F shade: #BDEE6F, #ACDC5C, #9BCA49, #8AB836 and #79A623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDEE6F shade: #BCEE6D, #DFEE6D, #EEDA6D, #EEB76D and #EE956D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDEE6F shade: #BCEE6D, #99EE6D, #77EE6D, #6DEE86 and #6DEEA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDEE6F shade matches the following richer shades: #BCEE6D and #BFFB60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDEE6F shade: #BCEE6D, #B9E17A, #B6D387, #B3C695 and #B0B9A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDEE6F shade: #EEDB6D, #DFEE6D, #BCEE6D, #9AEE6D and #78EE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDEE6F shade: #9AE523, #ABEA48, #BCEE6D, #CDF292 and #DEF7B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDEE6F shade: #BDEE6F, #6DEEB8 and #EC6DEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDEE6F shade: #BDEE6F, #6DBCEE and #EE6DBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDEE6F shade: #BDEE6F, #6DEEB8, #9E6DEE and #EE6DA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDEE6F shade: #BDEE6F, #6DEEDF, #9E6DEE and #EE6D7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

Complementary color

CMYK 54 / 88 / 0 / 44

HEX #421190

RGB 66 17 144

HSL 263.15, 0.79%, 0.32%

LAB 22.21, 49.6, -59.28

 

CMYK 18 / 0 / 55 / 7

HEX #C2EE6A

RGB 194 238 106

HSL 80, 0.8%, 0.67%

LAB 88.76, -33.83, 58.27

 

CMYK 17 / 0 / 51 / 0

HEX #D3FF7D

RGB 211 255 125

HSL 80.31, 1%, 0.75%

LAB 94.67, -33.55, 56.92

 

CMYK 11 / 0 / 44 / 0

HEX #E4FF90

RGB 228 255 144

HSL 74.59, 1%, 0.78%

LAB 96.01, -25.34, 49.97

 

CMYK 4 / 0 / 36 / 0

HEX #F5FFA3

RGB 245 255 163

HSL 66.52, 1%, 0.82%

LAB 97.46, -16.92, 42.89

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

CMYK 22 / 0 / 58 / 14

HEX #ACDC5C

RGB 172 220 92

HSL 82.5, 0.65%, 0.61%

LAB 82.23, -35.06, 56.63

 

CMYK 23 / 0 / 64 / 21

HEX #9BCA49

RGB 155 202 73

HSL 81.86, 0.55%, 0.54%

LAB 75.88, -34.8, 57.45

 

CMYK 25 / 0 / 71 / 28

HEX #8AB836

RGB 138 184 54

HSL 81.23, 0.55%, 0.47%

LAB 69.43, -34.42, 57.94

 

CMYK 27 / 0 / 79 / 35

HEX #79A623

RGB 121 166 35

HSL 80.61, 0.65%, 0.39%

LAB 62.89, -33.88, 57.81

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 6 / 0 / 54 / 7

HEX #DFEE6D

RGB 223 238 109

HSL 66.98, 0.79%, 0.68%

LAB 90.75, -22.43, 59.74

 

CMYK 0 / 8 / 54 / 7

HEX #EEDA6D

RGB 238 218 109

HSL 50.7, 0.79%, 0.68%

LAB 86.71, -6.57, 55.38

 

CMYK 0 / 23 / 54 / 7

HEX #EEB76D

RGB 238 183 109

HSL 34.42, 0.79%, 0.68%

LAB 77.96, 11.53, 44.95

 

CMYK 0 / 37 / 54 / 7

HEX #EE956D

RGB 238 149 109

HSL 18.6, 0.79%, 0.68%

LAB 70.02, 29.51, 35.06

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 36 / 0 / 54 / 7

HEX #99EE6D

RGB 153 238 109

HSL 99.53, 0.79%, 0.68%

LAB 86.52, -47.98, 53.73

 

CMYK 50 / 0 / 54 / 7

HEX #77EE6D

RGB 119 238 109

HSL 115.35, 0.79%, 0.68%

LAB 85.09, -58.1, 51.68

 

CMYK 54 / 0 / 44 / 7

HEX #6DEE86

RGB 109 238 134

HSL 131.63, 0.79%, 0.68%

LAB 85.06, -57.24, 39.7

 

CMYK 54 / 0 / 29 / 7

HEX #6DEEA9

RGB 109 238 169

HSL 147.91, 0.79%, 0.68%

LAB 85.64, -51.18, 22.81

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 24 / 0 / 62 / 2

HEX #BFFB60

RGB 191 251 96

HSL 83.23, 0.95%, 0.68%

LAB 92.09, -41.59, 66.19

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 18 / 0 / 46 / 12

HEX #B9E17A

RGB 185 225 122

HSL 83.3, 0.63%, 0.68%

LAB 84.78, -29.56, 45.95

 

CMYK 14 / 0 / 36 / 17

HEX #B6D387

RGB 182 211 135

HSL 82.89, 0.46%, 0.68%

LAB 80.9, -22.38, 34.51

 

CMYK 10 / 0 / 25 / 22

HEX #B3C695

RGB 179 198 149

HSL 83.27, 0.3%, 0.68%

LAB 77.37, -15.04, 22.46

 

CMYK 5 / 0 / 12 / 27

HEX #B0B9A2

RGB 176 185 162

HSL 83.48, 0.14%, 0.68%

LAB 73.89, -7.31, 10.61

 

CMYK 0 / 8 / 54 / 7

HEX #EEDB6D

RGB 238 219 109

HSL 51.16, 0.79%, 0.68%

LAB 86.97, -7.07, 55.67

 

CMYK 6 / 0 / 54 / 7

HEX #DFEE6D

RGB 223 238 109

HSL 66.98, 0.79%, 0.68%

LAB 90.75, -22.43, 59.74

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 35 / 0 / 54 / 7

HEX #9AEE6D

RGB 154 238 109

HSL 99.07, 0.79%, 0.68%

LAB 86.57, -47.66, 53.8

 

CMYK 50 / 0 / 54 / 7

HEX #78EE6D

RGB 120 238 109

HSL 114.88, 0.79%, 0.68%

LAB 85.12, -57.83, 51.73

 

CMYK 33 / 0 / 85 / 10

HEX #9AE523

RGB 154 229 35

HSL 83.2, 0.79%, 0.52%

LAB 83.46, -48.92, 76.77

 

CMYK 27 / 0 / 69 / 8

HEX #ABEA48

RGB 171 234 72

HSL 83.33, 0.79%, 0.6%

LAB 85.99, -43.15, 68.68

 

CMYK 21 / 0 / 54 / 7

HEX #BCEE6D

RGB 188 238 109

HSL 83.26, 0.79%, 0.68%

LAB 88.42, -35.79, 56.44

 

CMYK 15 / 0 / 40 / 5

HEX #CDF292

RGB 205 242 146

HSL 83.13, 0.79%, 0.76%

LAB 91.03, -27.45, 42.4

 

CMYK 10 / 0 / 26 / 3

HEX #DEF7B7

RGB 222 247 183

HSL 83.44, 0.8%, 0.84%

LAB 94.09, -18.86, 28.14

 

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

CMYK 54 / 0 / 23 / 7

HEX #6DEEB8

RGB 109 238 184

HSL 154.88, 0.79%, 0.68%

LAB 85.94, -48.15, 15.47

 

CMYK 1 / 54 / 0 / 7

HEX #EC6DEE

RGB 236 109 238

HSL 299.07, 0.79%, 0.68%

LAB 65.7, 65.72, -43.07

 

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

CMYK 54 / 21 / 0 / 7

HEX #6DBCEE

RGB 109 188 238

HSL 203.26, 0.79%, 0.68%

LAB 73.15, -10.43, -32.28

 

CMYK 0 / 54 / 21 / 7

HEX #EE6DBC

RGB 238 109 188

HSL 323.26, 0.79%, 0.68%

LAB 63.95, 58.47, -17.75

 

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

CMYK 54 / 0 / 23 / 7

HEX #6DEEB8

RGB 109 238 184

HSL 154.88, 0.79%, 0.68%

LAB 85.94, -48.15, 15.47

 

CMYK 34 / 54 / 0 / 7

HEX #9E6DEE

RGB 158 109 238

HSL 262.79, 0.79%, 0.68%

LAB 56.47, 46.04, -58.31

 

CMYK 0 / 54 / 32 / 7

HEX #EE6DA3

RGB 238 109 163

HSL 334.88, 0.79%, 0.68%

LAB 63.14, 55.2, -4.71

 

CMYK 21 / 0 / 53 / 7

HEX #BDEE6F

RGB 189 238 111

HSL 83.15, 0.79%, 0.68%

LAB 88.5, -35.23, 55.65

 

CMYK 54 / 0 / 6 / 7

HEX #6DEEDF

RGB 109 238 223

HSL 173.02, 0.79%, 0.68%

LAB 86.86, -39.21, -3.59

 

CMYK 34 / 54 / 0 / 7

HEX #9E6DEE

RGB 158 109 238

HSL 262.79, 0.79%, 0.68%

LAB 56.47, 46.04, -58.31

 

CMYK 0 / 54 / 48 / 7

HEX #EE6D7C

RGB 238 109 124

HSL 353.02, 0.79%, 0.68%

LAB 62.14, 51.04, 16.26

 

Description

Color code: HEX #BDEE6F | qconv.com Color code: HEX #BDEE6F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 238 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 238 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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