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Color name
HEX #BDE51B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE51B it is the complementary color #421AE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE51B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE51B shade: #C2E516, #D3F729, #E4FF3C, #F5FF4F and #FFFF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE51B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE51B shade: #BDE51B, #ACD308, #9BC100, #8AAF00 and #799D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE51B shade: #BDE61A, #E6D71A, #E6A01A, #E6691A and #E6321A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE51B shade: #BDE61A, #86E61A, #4FE61A, #1AE61B and #1AE652

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE51B shade matches the following richer shades: #BDE61A and #CAFA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE51B shade: #BDE61A, #B1D12E, #A4BC43, #98A857 and #8B936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE51B shade: #E69E1A, #E6D51A, #C0E61A, #8AE61A and #53E61A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE51B shade: #809B11, #9FC015, #BDE61A, #C8EA3F and #D2EE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE51B shade: #BDE51B, #1AE668 and #B91AE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE51B shade: #BDE51B, #1AC0E6 and #E61AC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE51B shade: #BDE51B, #1AE668, #3F1AE6 and #E61A97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE51B shade: #BDE51B, #1AE6A5, #3F1AE6 and #E61A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

Complementary color

CMYK 71 / 89 / 0 / 11

HEX #421AE4

RGB 66 26 228

HSL 251.88, 0.8%, 0.5%

LAB 32.92, 68.75, -91.48

 

CMYK 15 / 0 / 90 / 10

HEX #C2E516

RGB 194 229 22

HSL 70.14, 0.82%, 0.49%

LAB 85.79, -34.01, 81.95

 

CMYK 15 / 0 / 83 / 3

HEX #D3F729

RGB 211 247 41

HSL 70.49, 0.93%, 0.56%

LAB 91.92, -35.02, 84.05

 

CMYK 11 / 0 / 76 / 0

HEX #E4FF3C

RGB 228 255 60

HSL 68.31, 1%, 0.62%

LAB 95.3, -31.32, 82.73

 

CMYK 4 / 0 / 69 / 0

HEX #F5FF4F

RGB 245 255 79

HSL 63.41, 1%, 0.65%

LAB 96.61, -23.72, 78.4

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

CMYK 18 / 0 / 96 / 17

HEX #ACD308

RGB 172 211 8

HSL 71.53, 0.93%, 0.43%

LAB 79.26, -34.81, 77.79

 

CMYK 20 / 0 / 100 / 24

HEX #9BC100

RGB 155 193 0

HSL 71.81, 1%, 0.38%

LAB 72.96, -33.51, 73.31

 

CMYK 21 / 0 / 100 / 31

HEX #8AAF00

RGB 138 175 0

HSL 72.69, 1%, 0.34%

LAB 66.57, -32.11, 67.98

 

CMYK 23 / 0 / 100 / 38

HEX #799D00

RGB 121 157 0

HSL 73.76, 1%, 0.31%

LAB 60.05, -30.69, 62.55

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 0 / 7 / 89 / 10

HEX #E6D71A

RGB 230 215 26

HSL 55.59, 0.8%, 0.5%

LAB 84.74, -12.28, 81.66

 

CMYK 0 / 30 / 89 / 10

HEX #E6A01A

RGB 230 160 26

HSL 39.41, 0.8%, 0.5%

LAB 70.9, 16.26, 70.87

 

CMYK 0 / 54 / 89 / 10

HEX #E6691A

RGB 230 105 26

HSL 23.24, 0.8%, 0.5%

LAB 58.97, 44.76, 61.73

 

CMYK 0 / 78 / 89 / 10

HEX #E6321A

RGB 230 50 26

HSL 7.06, 0.8%, 0.5%

LAB 50.9, 66.45, 55.68

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 42 / 0 / 89 / 10

HEX #86E61A

RGB 134 230 26

HSL 88.24, 0.8%, 0.5%

LAB 82.77, -56.39, 77.51

 

CMYK 66 / 0 / 89 / 10

HEX #4FE61A

RGB 79 230 26

HSL 104.41, 0.8%, 0.5%

LAB 80.92, -70.99, 75.2

 

CMYK 89 / 0 / 88 / 10

HEX #1AE61B

RGB 26 230 27

HSL 120.29, 0.8%, 0.5%

LAB 80.12, -78.01, 74.03

 

CMYK 89 / 0 / 64 / 10

HEX #1AE652

RGB 26 230 82

HSL 136.47, 0.8%, 0.5%

LAB 80.42, -74.23, 57.55

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 19 / 0 / 98 / 2

HEX #CAFA05

RGB 202 250 5

HSL 71.76, 0.96%, 0.5%

LAB 92.1, -40.48, 88.72

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 15 / 0 / 78 / 18

HEX #B1D12E

RGB 177 209 46

HSL 71.78, 0.64%, 0.5%

LAB 79.12, -30.93, 70.73

 

CMYK 13 / 0 / 64 / 26

HEX #A4BC43

RGB 164 188 67

HSL 71.9, 0.47%, 0.5%

LAB 72.4, -25.06, 56.41

 

CMYK 10 / 0 / 48 / 34

HEX #98A857

RGB 152 168 87

HSL 71.85, 0.32%, 0.5%

LAB 66.03, -18.27, 39.7

 

CMYK 5 / 0 / 27 / 42

HEX #8B936C

RGB 139 147 108

HSL 72.31, 0.15%, 0.5%

LAB 59.38, -9.81, 19.73

 

CMYK 0 / 31 / 89 / 10

HEX #E69E1A

RGB 230 158 26

HSL 38.82, 0.8%, 0.5%

LAB 70.42, 17.33, 70.5

 

CMYK 0 / 7 / 89 / 10

HEX #E6D51A

RGB 230 213 26

HSL 55, 0.8%, 0.5%

LAB 84.22, -11.28, 81.25

 

CMYK 17 / 0 / 89 / 10

HEX #C0E61A

RGB 192 230 26

HSL 71.18, 0.8%, 0.5%

LAB 85.94, -35.19, 81.41

 

CMYK 40 / 0 / 89 / 10

HEX #8AE61A

RGB 138 230 26

HSL 87.06, 0.8%, 0.5%

LAB 82.95, -55.08, 77.73

 

CMYK 64 / 0 / 89 / 10

HEX #53E61A

RGB 83 230 26

HSL 103.24, 0.8%, 0.5%

LAB 81.02, -70.17, 75.33

 

CMYK 17 / 0 / 89 / 39

HEX #809B11

RGB 128 155 17

HSL 71.74, 0.8%, 0.34%

LAB 59.95, -26.44, 60.03

 

CMYK 17 / 0 / 89 / 25

HEX #9FC015

RGB 159 192 21

HSL 71.58, 0.8%, 0.42%

LAB 72.97, -31.08, 70.82

 

CMYK 18 / 0 / 89 / 10

HEX #BDE61A

RGB 189 230 26

HSL 72.06, 0.8%, 0.5%

LAB 85.75, -36.38, 81.18

 

CMYK 15 / 0 / 73 / 8

HEX #C8EA3F

RGB 200 234 63

HSL 71.93, 0.8%, 0.58%

LAB 87.72, -32.6, 74.07

 

CMYK 12 / 0 / 58 / 7

HEX #D2EE64

RGB 210 238 100

HSL 72.17, 0.8%, 0.66%

LAB 89.75, -28.22, 62.28

 

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

CMYK 89 / 0 / 55 / 10

HEX #1AE668

RGB 26 230 104

HSL 142.94, 0.8%, 0.5%

LAB 80.63, -71.54, 48.18

 

CMYK 20 / 89 / 0 / 10

HEX #B91AE6

RGB 185 26 230

HSL 286.76, 0.8%, 0.5%

LAB 47.96, 81.51, -67.34

 

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

CMYK 89 / 17 / 0 / 10

HEX #1AC0E6

RGB 26 192 230

HSL 191.18, 0.8%, 0.5%

LAB 71.98, -25.84, -29.91

 

CMYK 0 / 89 / 17 / 10

HEX #E61AC0

RGB 230 26 192

HSL 311.18, 0.8%, 0.5%

LAB 53.35, 83.47, -36.51

 

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

CMYK 89 / 0 / 55 / 10

HEX #1AE668

RGB 26 230 104

HSL 142.94, 0.8%, 0.5%

LAB 80.63, -71.54, 48.18

 

CMYK 73 / 89 / 0 / 10

HEX #3F1AE6

RGB 63 26 230

HSL 250.88, 0.8%, 0.5%

LAB 32.94, 69.12, -92.59

 

CMYK 0 / 89 / 34 / 10

HEX #E61A97

RGB 230 26 151

HSL 323.24, 0.8%, 0.5%

LAB 51.61, 78.83, -15.1

 

CMYK 17 / 0 / 88 / 10

HEX #BDE51B

RGB 189 229 27

HSL 71.88, 0.8%, 0.5%

LAB 85.47, -35.91, 80.79

 

CMYK 89 / 0 / 28 / 10

HEX #1AE6A5

RGB 26 230 165

HSL 160.88, 0.8%, 0.5%

LAB 81.58, -60.48, 19.03

 

CMYK 73 / 89 / 0 / 10

HEX #3F1AE6

RGB 63 26 230

HSL 250.88, 0.8%, 0.5%

LAB 32.94, 69.12, -92.59

 

CMYK 0 / 89 / 61 / 10

HEX #E61A5A

RGB 230 26 90

HSL 341.18, 0.8%, 0.5%

LAB 49.86, 73.99, 19.37

 

Description

Color code: HEX #BDE51B | qconv.com Color code: HEX #BDE51B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 229 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 229 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 88 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 88% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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