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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE1A1 it is the complementary color #421E5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE1A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE1A1 shade: #C2E19C, #D3F3AF, #E4FFC2, #F5FFD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE1A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE1A1 shade: #BDE1A1, #ACCF8E, #9BBD7B, #8AAB68 and #799955

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE1A1 shade: #BEE2A2, #CFE2A2, #E0E2A2, #E2D2A2 and #E2C1A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE1A1 shade: #BEE2A2, #ADE2A2, #A2E2A8, #A2E2BA and #A2E2CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE1A1 shade matches the following richer shades: #BEE2A2, #BDEC98 and #BBF58E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE1A1 shade: #BEE2A2, #BFD8AC, #C0CEB6, #C2C4C0 and #C3BACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE1A1 shade: #E1E2A2, #D0E2A2, #BFE2A2, #AEE2A2 and #A2E2A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE1A1 shade: #92CE63, #A8D883, #BEE2A2, #D4ECC1 and #EAF5E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE1A1 shade: #BDE1A1, #A2E2D2 and #E2A2D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE1A1 shade: #BDE1A1, #A2BFE2 and #E2A2BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE1A1 shade: #BDE1A1, #A2E2D2, #C5A2E2 and #E2A2B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE1A1 shade: #BDE1A1, #A2DEE2, #C5A2E2 and #E2A5A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

Complementary color

CMYK 30 / 68 / 0 / 63

HEX #421E5E

RGB 66 30 94

HSL 273.75, 0.52%, 0.24%

LAB 19.62, 30.4, -31.45

 

CMYK 14 / 0 / 31 / 12

HEX #C2E19C

RGB 194 225 156

HSL 86.96, 0.53%, 0.75%

LAB 85.87, -21.98, 30.49

 

CMYK 13 / 0 / 28 / 5

HEX #D3F3AF

RGB 211 243 175

HSL 88.24, 0.74%, 0.82%

LAB 92.15, -21.95, 29.45

 

CMYK 11 / 0 / 24 / 0

HEX #E4FFC2

RGB 228 255 194

HSL 86.56, 1%, 0.88%

LAB 96.78, -19.03, 26.32

 

CMYK 4 / 0 / 16 / 0

HEX #F5FFD5

RGB 245 255 213

HSL 74.29, 1%, 0.92%

LAB 98.33, -10.26, 18.99

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 17 / 0 / 31 / 19

HEX #ACCF8E

RGB 172 207 142

HSL 92.31, 0.4%, 0.68%

LAB 79.24, -23.13, 28.6

 

CMYK 18 / 0 / 35 / 26

HEX #9BBD7B

RGB 155 189 123

HSL 90.91, 0.33%, 0.61%

LAB 72.76, -23.2, 29.71

 

CMYK 19 / 0 / 39 / 33

HEX #8AAB68

RGB 138 171 104

HSL 89.55, 0.29%, 0.54%

LAB 66.16, -23.26, 30.87

 

CMYK 21 / 0 / 44 / 40

HEX #799955

RGB 121 153 85

HSL 88.24, 0.29%, 0.47%

LAB 59.44, -23.29, 32.09

 

CMYK 16 / 0 / 28 / 11

HEX #BEE2A2

RGB 190 226 162

HSL 93.75, 0.52%, 0.76%

LAB 85.98, -23.03, 27.52

 

CMYK 8 / 0 / 28 / 11

HEX #CFE2A2

RGB 207 226 162

HSL 77.81, 0.52%, 0.76%

LAB 87.13, -16.91, 29.26

 

CMYK 1 / 0 / 28 / 11

HEX #E0E2A2

RGB 224 226 162

HSL 61.88, 0.52%, 0.76%

LAB 88.38, -10.61, 31.15

 

CMYK 0 / 7 / 28 / 11

HEX #E2D2A2

RGB 226 210 162

HSL 45, 0.52%, 0.76%

LAB 84.42, -1.7, 25.84

 

CMYK 0 / 15 / 28 / 11

HEX #E2C1A2

RGB 226 193 162

HSL 29.06, 0.52%, 0.76%

LAB 80.13, 7.17, 19.97

 

CMYK 16 / 0 / 28 / 11

HEX #BEE2A2

RGB 190 226 162

HSL 93.75, 0.52%, 0.76%

LAB 85.98, -23.03, 27.52

 

CMYK 23 / 0 / 28 / 11

HEX #ADE2A2

RGB 173 226 162

HSL 109.69, 0.52%, 0.76%

LAB 84.94, -28.91, 25.93

 

CMYK 28 / 0 / 26 / 11

HEX #A2E2A8

RGB 162 226 168

HSL 125.63, 0.52%, 0.76%

LAB 84.43, -31.53, 22.03

 

CMYK 28 / 0 / 18 / 11

HEX #A2E2BA

RGB 162 226 186

HSL 142.5, 0.52%, 0.76%

LAB 84.8, -28.3, 13.14

 

CMYK 28 / 0 / 10 / 11

HEX #A2E2CB

RGB 162 226 203

HSL 158.44, 0.52%, 0.76%

LAB 85.19, -24.95, 4.76

 

CMYK 16 / 0 / 28 / 11

HEX #BEE2A2

RGB 190 226 162

HSL 93.75, 0.52%, 0.76%

LAB 85.98, -23.03, 27.52

 

CMYK 20 / 0 / 36 / 7

HEX #BDEC98

RGB 189 236 152

HSL 93.57, 0.69%, 0.76%

LAB 88.48, -29.58, 35.93

 

CMYK 24 / 0 / 42 / 4

HEX #BBF58E

RGB 187 245 142

HSL 93.79, 0.84%, 0.76%

LAB 90.7, -35.74, 43.71

 

CMYK 16 / 0 / 28 / 11

HEX #BEE2A2

RGB 190 226 162

HSL 93.75, 0.52%, 0.76%

LAB 85.98, -23.03, 27.52

 

CMYK 12 / 0 / 20 / 15

HEX #BFD8AC

RGB 191 216 172

HSL 94.09, 0.36%, 0.76%

LAB 83.53, -16.21, 18.96

 

CMYK 7 / 0 / 12 / 19

HEX #C0CEB6

RGB 192 206 182

HSL 95, 0.2%, 0.76%

LAB 81.14, -9.11, 10.32

 

CMYK 1 / 0 / 2 / 23

HEX #C2C4C0

RGB 194 196 192

HSL 90, 0.03%, 0.76%

LAB 78.9, -1.42, 1.75

 

CMYK 3 / 8 / 0 / 21

HEX #C3BACA

RGB 195 186 202

HSL 273.75, 0.13%, 0.76%

LAB 76.67, 6.13, -6.92

 

CMYK 0 / 0 / 28 / 11

HEX #E1E2A2

RGB 225 226 162

HSL 60.94, 0.52%, 0.76%

LAB 88.45, -10.23, 31.27

 

CMYK 8 / 0 / 28 / 11

HEX #D0E2A2

RGB 208 226 162

HSL 76.88, 0.52%, 0.76%

LAB 87.2, -16.55, 29.37

 

CMYK 15 / 0 / 28 / 11

HEX #BFE2A2

RGB 191 226 162

HSL 92.81, 0.52%, 0.76%

LAB 86.05, -22.68, 27.62

 

CMYK 23 / 0 / 28 / 11

HEX #AEE2A2

RGB 174 226 162

HSL 108.75, 0.52%, 0.76%

LAB 85, -28.57, 26.02

 

CMYK 28 / 0 / 26 / 11

HEX #A2E2A7

RGB 162 226 167

HSL 124.69, 0.52%, 0.76%

LAB 84.41, -31.7, 22.52

 

CMYK 29 / 0 / 52 / 19

HEX #92CE63

RGB 146 206 99

HSL 93.64, 0.52%, 0.6%

LAB 76.77, -37.52, 46.7

 

CMYK 22 / 0 / 39 / 15

HEX #A8D883

RGB 168 216 131

HSL 93.88, 0.52%, 0.68%

LAB 81.33, -30.42, 36.93

 

CMYK 16 / 0 / 28 / 11

HEX #BEE2A2

RGB 190 226 162

HSL 93.75, 0.52%, 0.76%

LAB 85.98, -23.03, 27.52

 

CMYK 10 / 0 / 18 / 7

HEX #D4ECC1

RGB 212 236 193

HSL 93.49, 0.53%, 0.84%

LAB 90.71, -15.46, 18.24

 

CMYK 4 / 0 / 8 / 4

HEX #EAF5E1

RGB 234 245 225

HSL 93, 0.5%, 0.92%

LAB 95.26, -7.14, 8.37

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 28 / 0 / 7 / 11

HEX #A2E2D2

RGB 162 226 210

HSL 165, 0.52%, 0.76%

LAB 85.37, -23.5, 1.32

 

CMYK 0 / 28 / 4 / 11

HEX #E2A2D8

RGB 226 162 216

HSL 309.38, 0.52%, 0.76%

LAB 74.17, 32.2, -18

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 28 / 15 / 0 / 11

HEX #A2BFE2

RGB 162 191 226

HSL 212.81, 0.52%, 0.76%

LAB 76.33, -1.88, -20.67

 

CMYK 0 / 28 / 15 / 11

HEX #E2A2BF

RGB 226 162 191

HSL 332.81, 0.52%, 0.76%

LAB 73.4, 27.99, -5.43

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 28 / 0 / 7 / 11

HEX #A2E2D2

RGB 162 226 210

HSL 165, 0.52%, 0.76%

LAB 85.37, -23.5, 1.32

 

CMYK 13 / 28 / 0 / 11

HEX #C5A2E2

RGB 197 162 226

HSL 272.81, 0.52%, 0.76%

LAB 71.69, 24.77, -27.51

 

CMYK 0 / 28 / 21 / 11

HEX #E2A2B2

RGB 226 162 178

HSL 345, 0.52%, 0.76%

LAB 73.04, 25.99, 1.2

 

CMYK 16 / 0 / 28 / 12

HEX #BDE1A1

RGB 189 225 161

HSL 93.75, 0.52%, 0.76%

LAB 85.63, -23.05, 27.54

 

CMYK 28 / 2 / 0 / 11

HEX #A2DEE2

RGB 162 222 226

HSL 183.75, 0.52%, 0.76%

LAB 84.7, -18.02, -8.12

 

CMYK 13 / 28 / 0 / 11

HEX #C5A2E2

RGB 197 162 226

HSL 272.81, 0.52%, 0.76%

LAB 71.69, 24.77, -27.51

 

CMYK 0 / 27 / 28 / 11

HEX #E2A5A2

RGB 226 165 162

HSL 2.81, 0.52%, 0.76%

LAB 73.34, 22.11, 10.45

 

Description

Color code: HEX #BDE1A1 | qconv.com Color code: HEX #BDE1A1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 225 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 225 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 28 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 28% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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