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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDDF60 it is the complementary color #42209F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDDF60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDDF60 shade: #C2DF5B, #D3F16E, #E4FF81, #F5FF94 and #FFFFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDDF60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDDF60 shade: #BDDF60, #ACCD4D, #9BBB3A, #8AA927 and #799714

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDDF60 shade: #BEDF62, #DFDF62, #DFBD62, #DF9C62 and #DF7A62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDDF60 shade: #BEDF62, #9CDF62, #7ADF62, #62DF6C and #62DF8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDDF60 shade matches the following richer shades: #BEDF62, #C5EE53 and #CCFD44

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDDF60 shade: #BEDF62, #B6D072, #AFC081, #A8B190 and #A1A29F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDDF60 shade: #DFBE62, #DFDF62, #BEDF62, #9CDF62 and #7BDF62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDDF60 shade: #9CC629, #AFD840, #BEDF62, #CCE685 and #DAEDA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDDF60 shade: #BDDF60, #62DF9C and #CE62DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDDF60 shade: #BDDF60, #62BEDF and #DF62BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDDF60 shade: #BDDF60, #62DF9C, #8462DF and #DF62A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDDF60 shade: #BDDF60, #62DFC2, #8462DF and #DF627F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

Complementary color

CMYK 58 / 80 / 0 / 38

HEX #42209F

RGB 66 32 159

HSL 256.06, 0.66%, 0.37%

LAB 25.85, 47.71, -62.51

 

CMYK 13 / 0 / 59 / 13

HEX #C2DF5B

RGB 194 223 91

HSL 73.18, 0.67%, 0.62%

LAB 84.48, -28.09, 59.98

 

CMYK 12 / 0 / 54 / 5

HEX #D3F16E

RGB 211 241 110

HSL 73.74, 0.82%, 0.69%

LAB 90.73, -28.43, 59.04

 

CMYK 11 / 0 / 49 / 0

HEX #E4FF81

RGB 228 255 129

HSL 72.86, 1%, 0.75%

LAB 95.83, -26.83, 56.75

 

CMYK 4 / 0 / 42 / 0

HEX #F5FF94

RGB 245 255 148

HSL 65.61, 1%, 0.79%

LAB 97.26, -18.54, 49.88

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA7

RGB 255 255 167

HSL 60, 1%, 0.83%

LAB 98.26, -12.73, 42.11

 

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

CMYK 16 / 0 / 62 / 20

HEX #ACCD4D

RGB 172 205 77

HSL 75.47, 0.56%, 0.55%

LAB 77.86, -29.29, 58.24

 

CMYK 17 / 0 / 69 / 27

HEX #9BBB3A

RGB 155 187 58

HSL 74.88, 0.53%, 0.48%

LAB 71.43, -28.83, 58.8

 

CMYK 18 / 0 / 77 / 34

HEX #8AA927

RGB 138 169 39

HSL 74.31, 0.63%, 0.41%

LAB 64.9, -28.21, 58.81

 

CMYK 20 / 0 / 87 / 41

HEX #799714

RGB 121 151 20

HSL 73.74, 0.77%, 0.34%

LAB 58.27, -27.39, 57.78

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 0 / 0 / 56 / 13

HEX #DFDF62

RGB 223 223 98

HSL 60, 0.66%, 0.63%

LAB 86.67, -15.98, 59.97

 

CMYK 0 / 15 / 56 / 13

HEX #DFBD62

RGB 223 189 98

HSL 43.68, 0.66%, 0.63%

LAB 77.85, 1.31, 49.86

 

CMYK 0 / 30 / 56 / 13

HEX #DF9C62

RGB 223 156 98

HSL 27.84, 0.66%, 0.63%

LAB 69.72, 18.86, 40.1

 

CMYK 0 / 45 / 56 / 13

HEX #DF7A62

RGB 223 122 98

HSL 11.52, 0.66%, 0.63%

LAB 62.07, 36.9, 30.51

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 45 / 0 / 56 / 13

HEX #7ADF62

RGB 122 223 98

HSL 108.48, 0.66%, 0.63%

LAB 80.62, -52.66, 51.44

 

CMYK 56 / 0 / 52 / 13

HEX #62DF6C

RGB 98 223 108

HSL 124.8, 0.66%, 0.63%

LAB 79.87, -57.85, 45.69

 

CMYK 56 / 0 / 36 / 13

HEX #62DF8E

RGB 98 223 142

HSL 141.12, 0.66%, 0.63%

LAB 80.36, -52.56, 29.47

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 17 / 0 / 65 / 7

HEX #C5EE53

RGB 197 238 83

HSL 75.87, 0.82%, 0.63%

LAB 88.75, -34.46, 67.89

 

CMYK 19 / 0 / 73 / 1

HEX #CCFD44

RGB 204 253 68

HSL 75.89, 0.98%, 0.63%

LAB 93.24, -39.39, 77.83

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 13 / 0 / 45 / 18

HEX #B6D072

RGB 182 208 114

HSL 76.6, 0.5%, 0.63%

LAB 79.77, -23.43, 43.61

 

CMYK 9 / 0 / 33 / 25

HEX #AFC081

RGB 175 192 129

HSL 76.19, 0.33%, 0.63%

LAB 75.08, -16.34, 29.88

 

CMYK 5 / 0 / 19 / 31

HEX #A8B190

RGB 168 177 144

HSL 76.36, 0.17%, 0.63%

LAB 70.72, -9.03, 15.85

 

CMYK 1 / 0 / 2 / 36

HEX #A1A29F

RGB 161 162 159

HSL 80, 0.02%, 0.63%

LAB 66.46, -0.92, 1.42

 

CMYK 0 / 15 / 56 / 13

HEX #DFBE62

RGB 223 190 98

HSL 44.16, 0.66%, 0.63%

LAB 78.11, 0.79, 50.16

 

CMYK 0 / 0 / 56 / 13

HEX #DFDF62

RGB 223 223 98

HSL 60, 0.66%, 0.63%

LAB 86.67, -15.98, 59.97

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 30 / 0 / 56 / 13

HEX #9CDF62

RGB 156 223 98

HSL 92.16, 0.66%, 0.63%

LAB 82.23, -41.66, 53.72

 

CMYK 45 / 0 / 56 / 13

HEX #7BDF62

RGB 123 223 98

HSL 108, 0.66%, 0.63%

LAB 80.67, -52.37, 51.5

 

CMYK 21 / 0 / 79 / 22

HEX #9CC629

RGB 156 198 41

HSL 76.05, 0.66%, 0.47%

LAB 74.58, -34.45, 67.53

 

CMYK 19 / 0 / 70 / 15

HEX #AFD840

RGB 175 216 64

HSL 76.18, 0.66%, 0.55%

LAB 81.07, -34.09, 66.69

 

CMYK 15 / 0 / 56 / 13

HEX #BEDF62

RGB 190 223 98

HSL 75.84, 0.66%, 0.63%

LAB 84.28, -29.08, 56.61

 

CMYK 11 / 0 / 42 / 10

HEX #CCE685

RGB 204 230 133

HSL 76.08, 0.66%, 0.71%

LAB 87.55, -23.61, 44.33

 

CMYK 8 / 0 / 30 / 7

HEX #DAEDA7

RGB 218 237 167

HSL 76.29, 0.66%, 0.79%

LAB 90.9, -17.63, 31.91

 

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

CMYK 56 / 0 / 30 / 13

HEX #62DF9C

RGB 98 223 156

HSL 147.84, 0.66%, 0.63%

LAB 80.61, -49.95, 22.58

 

CMYK 8 / 56 / 0 / 13

HEX #CE62DF

RGB 206 98 223

HSL 291.84, 0.66%, 0.63%

LAB 59.15, 60.35, -45.31

 

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

CMYK 56 / 15 / 0 / 13

HEX #62BEDF

RGB 98 190 223

HSL 195.84, 0.66%, 0.63%

LAB 72.73, -18.12, -24.83

 

CMYK 0 / 56 / 15 / 13

HEX #DF62BE

RGB 223 98 190

HSL 315.84, 0.66%, 0.63%

LAB 60.02, 59.41, -25.09

 

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

CMYK 56 / 0 / 30 / 13

HEX #62DF9C

RGB 98 223 156

HSL 147.84, 0.66%, 0.63%

LAB 80.61, -49.95, 22.58

 

CMYK 41 / 56 / 0 / 13

HEX #8462DF

RGB 132 98 223

HSL 256.32, 0.66%, 0.63%

LAB 50.65, 42.22, -59.36

 

CMYK 0 / 56 / 26 / 13

HEX #DF62A5

RGB 223 98 165

HSL 327.84, 0.66%, 0.63%

LAB 59.1, 55.87, -12.11

 

CMYK 15 / 0 / 57 / 13

HEX #BDDF60

RGB 189 223 96

HSL 76.06, 0.66%, 0.63%

LAB 84.19, -29.63, 57.39

 

CMYK 56 / 0 / 13 / 13

HEX #62DFC2

RGB 98 223 194

HSL 166.08, 0.66%, 0.63%

LAB 81.44, -41.7, 3.75

 

CMYK 41 / 56 / 0 / 13

HEX #8462DF

RGB 132 98 223

HSL 256.32, 0.66%, 0.63%

LAB 50.65, 42.22, -59.36

 

CMYK 0 / 56 / 43 / 13

HEX #DF627F

RGB 223 98 127

HSL 346.08, 0.66%, 0.63%

LAB 57.99, 51.42, 8.38

 

Description

Color code: HEX #BDDF60 | qconv.com Color code: HEX #BDDF60 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 223 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 223 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 57 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 57% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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