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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD29A it is the complementary color #422D65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD29A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD29A shade: #C2D295, #D3E4A8, #E4F6BB, #F5FFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD29A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD29A shade: #BDD29A, #ACC087, #9BAE74, #8A9C61 and #798A4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD29A shade: #BCD199, #CBD199, #D1C899, #D1B999 and #D1AA99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD29A shade: #BCD199, #ADD199, #9ED199, #99D1A3 and #99D1B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD29A shade matches the following richer shades: #BCD199, #BFDD8D, #C2E981 and #C5F575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD29A shade: #BCD199, #B9C5A5, #B6B9B1, #B3ADBD and #B0A1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD29A shade: #D1C899, #CCD199, #BDD199, #AED199 and #9FD199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD29A shade: #97B860, #A9C47C, #BCD199, #CFDEB5 and #E1EBD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD29A shade: #BDD29A, #99D1B9 and #CF99D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD29A shade: #BDD29A, #99BDD1 and #D199BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD29A shade: #BDD29A, #99D1B9, #AE99D1 and #D199B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD29A shade: #BDD29A, #99D1CA, #AE99D1 and #D199A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

Complementary color

CMYK 35 / 55 / 0 / 60

HEX #422D65

RGB 66 45 101

HSL 262.5, 0.38%, 0.29%

LAB 23.59, 23.16, -29.69

 

CMYK 8 / 0 / 29 / 18

HEX #C2D295

RGB 194 210 149

HSL 75.74, 0.4%, 0.7%

LAB 81.69, -15.53, 28.51

 

CMYK 7 / 0 / 26 / 11

HEX #D3E4A8

RGB 211 228 168

HSL 77, 0.53%, 0.78%

LAB 88.05, -15.6, 27.47

 

CMYK 7 / 0 / 24 / 4

HEX #E4F6BB

RGB 228 246 187

HSL 78.31, 0.77%, 0.85%

LAB 94.31, -15.66, 26.48

 

CMYK 4 / 0 / 19 / 0

HEX #F5FFCE

RGB 245 255 206

HSL 72.24, 1%, 0.9%

LAB 98.19, -11.31, 22.35

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

CMYK 10 / 0 / 30 / 25

HEX #ACC087

RGB 172 192 135

HSL 81.05, 0.31%, 0.64%

LAB 74.96, -16.65, 26.53

 

CMYK 11 / 0 / 33 / 32

HEX #9BAE74

RGB 155 174 116

HSL 79.66, 0.26%, 0.57%

LAB 68.39, -16.61, 27.65

 

CMYK 12 / 0 / 38 / 39

HEX #8A9C61

RGB 138 156 97

HSL 78.31, 0.23%, 0.5%

LAB 61.69, -16.55, 28.82

 

CMYK 12 / 0 / 43 / 46

HEX #798A4E

RGB 121 138 78

HSL 77, 0.28%, 0.42%

LAB 54.86, -16.45, 30.05

 

CMYK 10 / 0 / 27 / 18

HEX #BCD199

RGB 188 209 153

HSL 82.5, 0.38%, 0.71%

LAB 81.07, -16.69, 25.5

 

CMYK 3 / 0 / 27 / 18

HEX #CBD199

RGB 203 209 153

HSL 66.43, 0.38%, 0.71%

LAB 82.16, -11.11, 27.17

 

CMYK 0 / 4 / 27 / 18

HEX #D1C899

RGB 209 200 153

HSL 50.36, 0.38%, 0.71%

LAB 80.27, -4.2, 24.69

 

CMYK 0 / 11 / 27 / 18

HEX #D1B999

RGB 209 185 153

HSL 34.29, 0.38%, 0.71%

LAB 76.41, 3.68, 19.39

 

CMYK 0 / 19 / 27 / 18

HEX #D1AA99

RGB 209 170 153

HSL 18.21, 0.38%, 0.71%

LAB 72.63, 11.72, 14.13

 

CMYK 10 / 0 / 27 / 18

HEX #BCD199

RGB 188 209 153

HSL 82.5, 0.38%, 0.71%

LAB 81.07, -16.69, 25.5

 

CMYK 17 / 0 / 27 / 18

HEX #ADD199

RGB 173 209 153

HSL 98.57, 0.38%, 0.71%

LAB 80.06, -22.1, 23.97

 

CMYK 24 / 0 / 27 / 18

HEX #9ED199

RGB 158 209 153

HSL 114.64, 0.38%, 0.71%

LAB 79.14, -27.29, 22.56

 

CMYK 27 / 0 / 22 / 18

HEX #99D1A3

RGB 153 209 163

HSL 130.71, 0.38%, 0.71%

LAB 79.05, -27.22, 17.12

 

CMYK 27 / 0 / 15 / 18

HEX #99D1B2

RGB 153 209 178

HSL 146.79, 0.38%, 0.71%

LAB 79.38, -24.4, 9.6

 

CMYK 10 / 0 / 27 / 18

HEX #BCD199

RGB 188 209 153

HSL 82.5, 0.38%, 0.71%

LAB 81.07, -16.69, 25.5

 

CMYK 14 / 0 / 36 / 13

HEX #BFDD8D

RGB 191 221 141

HSL 82.5, 0.54%, 0.71%

LAB 84.34, -23.15, 36.06

 

CMYK 17 / 0 / 45 / 9

HEX #C2E981

RGB 194 233 129

HSL 82.5, 0.7%, 0.71%

LAB 87.65, -29.21, 46.26

 

CMYK 20 / 0 / 52 / 4

HEX #C5F575

RGB 197 245 117

HSL 82.5, 0.86%, 0.71%

LAB 90.99, -34.91, 55.98

 

CMYK 10 / 0 / 27 / 18

HEX #BCD199

RGB 188 209 153

HSL 82.5, 0.38%, 0.71%

LAB 81.07, -16.69, 25.5

 

CMYK 6 / 0 / 16 / 23

HEX #B9C5A5

RGB 185 197 165

HSL 82.5, 0.22%, 0.71%

LAB 77.85, -9.81, 14.68

 

CMYK 2 / 0 / 4 / 27

HEX #B6B9B1

RGB 182 185 177

HSL 82.5, 0.05%, 0.71%

LAB 74.71, -2.52, 3.68

 

CMYK 5 / 8 / 0 / 26

HEX #B3ADBD

RGB 179 173 189

HSL 262.5, 0.11%, 0.71%

LAB 71.65, 5.18, -7.4

 

CMYK 12 / 20 / 0 / 21

HEX #B0A1C9

RGB 176 161 201

HSL 262.5, 0.27%, 0.71%

LAB 68.71, 13.27, -18.47

 

CMYK 0 / 4 / 27 / 18

HEX #D1C899

RGB 209 200 153

HSL 50.36, 0.38%, 0.71%

LAB 80.27, -4.2, 24.69

 

CMYK 2 / 0 / 27 / 18

HEX #CCD199

RGB 204 209 153

HSL 65.36, 0.38%, 0.71%

LAB 82.24, -10.73, 27.29

 

CMYK 10 / 0 / 27 / 18

HEX #BDD199

RGB 189 209 153

HSL 81.43, 0.38%, 0.71%

LAB 81.14, -16.32, 25.61

 

CMYK 17 / 0 / 27 / 18

HEX #AED199

RGB 174 209 153

HSL 97.5, 0.38%, 0.71%

LAB 80.12, -21.74, 24.06

 

CMYK 24 / 0 / 27 / 18

HEX #9FD199

RGB 159 209 153

HSL 113.57, 0.38%, 0.71%

LAB 79.2, -26.95, 22.65

 

CMYK 18 / 0 / 48 / 28

HEX #97B860

RGB 151 184 96

HSL 82.5, 0.38%, 0.55%

LAB 70.67, -25.68, 40.83

 

CMYK 14 / 0 / 37 / 23

HEX #A9C47C

RGB 169 196 124

HSL 82.5, 0.38%, 0.63%

LAB 75.68, -21.3, 33.19

 

CMYK 10 / 0 / 27 / 18

HEX #BCD199

RGB 188 209 153

HSL 82.5, 0.38%, 0.71%

LAB 81.07, -16.69, 25.5

 

CMYK 7 / 0 / 18 / 13

HEX #CFDEB5

RGB 207 222 181

HSL 81.95, 0.38%, 0.79%

LAB 86.43, -12.12, 18.45

 

CMYK 4 / 0 / 11 / 8

HEX #E1EBD2

RGB 225 235 210

HSL 84, 0.38%, 0.87%

LAB 91.72, -7.69, 10.99

 

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

CMYK 27 / 0 / 11 / 18

HEX #99D1B9

RGB 153 209 185

HSL 154.29, 0.38%, 0.71%

LAB 79.54, -23.01, 6.1

 

CMYK 1 / 27 / 0 / 18

HEX #CF99D1

RGB 207 153 209

HSL 297.86, 0.38%, 0.71%

LAB 69.93, 29.52, -20.77

 

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

CMYK 27 / 10 / 0 / 18

HEX #99BDD1

RGB 153 189 209

HSL 201.43, 0.38%, 0.71%

LAB 74.68, -7.49, -14.01

 

CMYK 0 / 27 / 10 / 18

HEX #D199BD

RGB 209 153 189

HSL 321.43, 0.38%, 0.71%

LAB 69.48, 26.59, -10.34

 

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

CMYK 27 / 0 / 11 / 18

HEX #99D1B9

RGB 153 209 185

HSL 154.29, 0.38%, 0.71%

LAB 79.54, -23.01, 6.1

 

CMYK 17 / 27 / 0 / 18

HEX #AE99D1

RGB 174 153 209

HSL 262.5, 0.38%, 0.71%

LAB 66.81, 18.85, -25.81

 

CMYK 0 / 27 / 15 / 18

HEX #D199B1

RGB 209 153 177

HSL 334.29, 0.38%, 0.71%

LAB 69.12, 24.58, -4.19

 

CMYK 10 / 0 / 27 / 18

HEX #BDD29A

RGB 189 210 154

HSL 82.5, 0.38%, 0.71%

LAB 81.43, -16.67, 25.48

 

CMYK 27 / 0 / 3 / 18

HEX #99D1CA

RGB 153 209 202

HSL 172.5, 0.38%, 0.71%

LAB 79.98, -19.43, -2.37

 

CMYK 17 / 27 / 0 / 18

HEX #AE99D1

RGB 174 153 209

HSL 262.5, 0.38%, 0.71%

LAB 66.81, 18.85, -25.81

 

CMYK 0 / 27 / 23 / 18

HEX #D199A0

RGB 209 153 160

HSL 352.5, 0.38%, 0.71%

LAB 68.66, 21.96, 4.61

 

Description

Color code: HEX #BDD29A | qconv.com Color code: HEX #BDD29A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 210 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 210 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 27% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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