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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD118 it is the complementary color #422EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD118 shade: #C2D113, #D3E326, #E4F539, #F5FF4C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD118 shade: #BDD118, #ACBF05, #9BAD00, #8A9B00 and #798900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD118 shade: #BED219, #D2B419, #D28219, #D25019 and #D21E19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD118 shade: #BED219, #8CD219, #5AD219, #28D219 and #19D23B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD118 shade matches the following richer shades: #BED219 and #CDE506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD118 shade: #BED219, #AFBF2C, #A0AC3F, #919952 and #828665

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD118 shade: #D28219, #D2B319, #BFD219, #8ED219 and #5DD219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD118 shade: #7B8810, #9DAD14, #BED219, #D2E62D and #DAEB52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD118 shade: #BDD118, #19D250 and #9A19D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD118 shade: #BDD118, #19BFD2 and #D219BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD118 shade: #BDD118, #19D250, #2B19D2 and #D2199A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD118 shade: #BDD118, #19D288, #2B19D2 and #D21963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

Complementary color

CMYK 71 / 80 / 0 / 9

HEX #422EE7

RGB 66 46 231

HSL 246.49, 0.79%, 0.54%

LAB 35.76, 62.16, -88.48

 

CMYK 7 / 0 / 91 / 18

HEX #C2D113

RGB 194 209 19

HSL 64.74, 0.83%, 0.45%

LAB 80.25, -24.67, 77.99

 

CMYK 7 / 0 / 83 / 11

HEX #D3E326

RGB 211 227 38

HSL 65.08, 0.77%, 0.52%

LAB 86.47, -25.82, 80.1

 

CMYK 7 / 0 / 77 / 4

HEX #E4F539

RGB 228 245 57

HSL 65.43, 0.9%, 0.59%

LAB 92.62, -26.79, 81.14

 

CMYK 4 / 0 / 70 / 0

HEX #F5FF4C

RGB 245 255 76

HSL 63.35, 1%, 0.65%

LAB 96.6, -23.87, 79.41

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

CMYK 10 / 0 / 97 / 25

HEX #ACBF05

RGB 172 191 5

HSL 66.13, 0.95%, 0.38%

LAB 73.57, -25.43, 73.75

 

CMYK 10 / 0 / 100 / 32

HEX #9BAD00

RGB 155 173 0

HSL 66.24, 1%, 0.34%

LAB 67.17, -23.98, 68.96

 

CMYK 11 / 0 / 100 / 39

HEX #8A9B00

RGB 138 155 0

HSL 66.58, 1%, 0.3%

LAB 60.65, -22.43, 63.53

 

CMYK 12 / 0 / 100 / 46

HEX #798900

RGB 121 137 0

HSL 67.01, 1%, 0.27%

LAB 53.98, -20.87, 57.98

HEX #798900

CMYK 10 / 0 / 88 / 18

HEX #BED219

RGB 190 210 25

HSL 66.49, 0.79%, 0.46%

LAB 80.24, -26.71, 76.92

 

CMYK 0 / 14 / 88 / 18

HEX #D2B419

RGB 210 180 25

HSL 50.27, 0.79%, 0.46%

LAB 73.81, -3.07, 72.47

 

CMYK 0 / 38 / 88 / 18

HEX #D28219

RGB 210 130 25

HSL 34.05, 0.79%, 0.46%

LAB 61.43, 23.74, 62.7

 

CMYK 0 / 62 / 88 / 18

HEX #D25019

RGB 210 80 25

HSL 17.84, 0.79%, 0.46%

LAB 51.28, 49.01, 54.77

 

CMYK 0 / 86 / 88 / 18

HEX #D21E19

RGB 210 30 25

HSL 1.62, 0.79%, 0.46%

LAB 45.22, 65.68, 50.09

 

CMYK 10 / 0 / 88 / 18

HEX #BED219

RGB 190 210 25

HSL 66.49, 0.79%, 0.46%

LAB 80.24, -26.71, 76.92

 

CMYK 33 / 0 / 88 / 18

HEX #8CD219

RGB 140 210 25

HSL 82.7, 0.79%, 0.46%

LAB 77.12, -46.33, 73.08

 

CMYK 57 / 0 / 88 / 18

HEX #5AD219

RGB 90 210 25

HSL 98.92, 0.79%, 0.46%

LAB 75.04, -61.95, 70.48

 

CMYK 81 / 0 / 88 / 18

HEX #28D219

RGB 40 210 25

HSL 115.14, 0.79%, 0.46%

LAB 73.94, -71.23, 69.11

 

CMYK 88 / 0 / 72 / 18

HEX #19D23B

RGB 25 210 59

HSL 131.03, 0.79%, 0.46%

LAB 73.94, -70.62, 59.56

 

CMYK 10 / 0 / 88 / 18

HEX #BED219

RGB 190 210 25

HSL 66.49, 0.79%, 0.46%

LAB 80.24, -26.71, 76.92

 

CMYK 10 / 0 / 97 / 10

HEX #CDE506

RGB 205 229 6

HSL 66.46, 0.95%, 0.46%

LAB 86.52, -29.76, 84.49

 

CMYK 10 / 0 / 88 / 18

HEX #BED219

RGB 190 210 25

HSL 66.49, 0.79%, 0.46%

LAB 80.24, -26.71, 76.92

 

CMYK 8 / 0 / 77 / 25

HEX #AFBF2C

RGB 175 191 44

HSL 66.53, 0.63%, 0.46%

LAB 73.91, -23.22, 66.52

 

CMYK 7 / 0 / 63 / 33

HEX #A0AC3F

RGB 160 172 63

HSL 66.61, 0.46%, 0.46%

LAB 67.53, -19.05, 52.83

 

CMYK 5 / 0 / 46 / 40

HEX #919952

RGB 145 153 82

HSL 66.76, 0.3%, 0.46%

LAB 61.14, -13.91, 36.16

 

CMYK 3 / 0 / 25 / 47

HEX #828665

RGB 130 134 101

HSL 67.27, 0.14%, 0.46%

LAB 54.8, -7.38, 17.32

 

CMYK 0 / 38 / 88 / 18

HEX #D28219

RGB 210 130 25

HSL 34.05, 0.79%, 0.46%

LAB 61.43, 23.74, 62.7

 

CMYK 0 / 15 / 88 / 18

HEX #D2B319

RGB 210 179 25

HSL 49.95, 0.79%, 0.46%

LAB 73.55, -2.54, 72.27

 

CMYK 9 / 0 / 88 / 18

HEX #BFD219

RGB 191 210 25

HSL 66.16, 0.79%, 0.46%

LAB 80.31, -26.29, 77.01

 

CMYK 32 / 0 / 88 / 18

HEX #8ED219

RGB 142 210 25

HSL 82.05, 0.79%, 0.46%

LAB 77.23, -45.61, 73.21

 

CMYK 56 / 0 / 88 / 18

HEX #5DD219

RGB 93 210 25

HSL 97.95, 0.79%, 0.46%

LAB 75.13, -61.17, 70.6

 

CMYK 10 / 0 / 88 / 47

HEX #7B8810

RGB 123 136 16

HSL 66.5, 0.79%, 0.3%

LAB 53.87, -19.11, 55.06

 

CMYK 9 / 0 / 88 / 32

HEX #9DAD14

RGB 157 173 20

HSL 66.27, 0.79%, 0.38%

LAB 67.36, -22.79, 66.38

 

CMYK 10 / 0 / 88 / 18

HEX #BED219

RGB 190 210 25

HSL 66.49, 0.79%, 0.46%

LAB 80.24, -26.71, 76.92

 

CMYK 9 / 0 / 80 / 10

HEX #D2E62D

RGB 210 230 45

HSL 66.49, 0.79%, 0.54%

LAB 87.23, -27.44, 79.08

 

CMYK 7 / 0 / 65 / 8

HEX #DAEB52

RGB 218 235 82

HSL 66.67, 0.79%, 0.62%

LAB 89.36, -24.88, 69.36

 

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

CMYK 88 / 0 / 62 / 18

HEX #19D250

RGB 25 210 80

HSL 137.84, 0.79%, 0.46%

LAB 74.11, -68.5, 51.33

 

CMYK 27 / 88 / 0 / 18

HEX #9A19D2

RGB 154 25 210

HSL 281.84, 0.79%, 0.46%

LAB 41.56, 73.56, -66.52

 

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

CMYK 88 / 9 / 0 / 18

HEX #19BFD2

RGB 25 191 210

HSL 186.16, 0.79%, 0.46%

LAB 70.95, -31.88, -20.6

 

CMYK 0 / 88 / 9 / 18

HEX #D219BF

RGB 210 25 191

HSL 306.16, 0.79%, 0.46%

LAB 49.69, 79.73, -41.95

 

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

CMYK 88 / 0 / 62 / 18

HEX #19D250

RGB 25 210 80

HSL 137.84, 0.79%, 0.46%

LAB 74.11, -68.5, 51.33

 

CMYK 80 / 88 / 0 / 18

HEX #2B19D2

RGB 43 25 210

HSL 245.84, 0.79%, 0.46%

LAB 29.06, 63.23, -87.56

 

CMYK 0 / 88 / 27 / 18

HEX #D2199A

RGB 210 25 154

HSL 318.16, 0.79%, 0.46%

LAB 47.92, 75.05, -22.87

 

CMYK 10 / 0 / 89 / 18

HEX #BDD118

RGB 189 209 24

HSL 66.49, 0.79%, 0.46%

LAB 79.89, -26.67, 76.78

 

CMYK 88 / 0 / 35 / 18

HEX #19D288

RGB 25 210 136

HSL 156, 0.79%, 0.46%

LAB 74.87, -59.44, 24.96

 

CMYK 80 / 88 / 0 / 18

HEX #2B19D2

RGB 43 25 210

HSL 245.84, 0.79%, 0.46%

LAB 29.06, 63.23, -87.56

 

CMYK 0 / 88 / 53 / 18

HEX #D21963

RGB 210 25 99

HSL 336, 0.79%, 0.46%

LAB 46.04, 69.88, 7.93

 

Description

Color code: HEX #BDD118 | qconv.com Color code: HEX #BDD118 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 209 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 209 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 89% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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