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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD026 it is the complementary color #422FD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD026. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD026 shade: #C2D021, #D3E234, #E4F447, #F5FF5A and #FFFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD026. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD026 shade: #BDD026, #ACBE13, #9BAC00, #8A9A00 and #798800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD026 shade: #BCCF26, #CFB426, #CF8726, #CF5926 and #CF2C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD026 shade: #BCCF26, #8ECF26, #61CF26, #33CF26 and #26CF46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD026 shade matches the following richer shades: #BCCF26 and #CBE312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD026 shade: #BCCF26, #ADBB3A, #9DA74E, #8E9361 and #7E8075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD026 shade: #CF8626, #CFB326, #BECF26, #91CF26 and #64CF26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD026 shade: #7D8919, #9CAC20, #BCCF26, #CBDC42 and #D5E365

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD026 shade: #BDD026, #26CF59 and #9C26CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD026 shade: #BDD026, #26BECF and #CF26BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD026 shade: #BDD026, #26CF59, #3726CF and #CF269C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD026 shade: #BDD026, #26CF8B, #3726CF and #CF266A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

Complementary color

CMYK 70 / 78 / 0 / 15

HEX #422FD9

RGB 66 47 217

HSL 246.71, 0.69%, 0.52%

LAB 34.4, 57.62, -82.71

 

CMYK 7 / 0 / 84 / 18

HEX #C2D021

RGB 194 208 33

HSL 64.8, 0.73%, 0.47%

LAB 80.01, -23.89, 75.28

 

CMYK 7 / 0 / 77 / 11

HEX #D3E234

RGB 211 226 52

HSL 65.17, 0.75%, 0.55%

LAB 86.25, -24.89, 76.35

 

CMYK 7 / 0 / 71 / 4

HEX #E4F447

RGB 228 244 71

HSL 65.55, 0.89%, 0.62%

LAB 92.42, -25.72, 76.62

 

CMYK 4 / 0 / 65 / 0

HEX #F5FF5A

RGB 245 255 90

HSL 63.64, 1%, 0.68%

LAB 96.69, -23.14, 74.49

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

CMYK 9 / 0 / 90 / 25

HEX #ACBE13

RGB 172 190 19

HSL 66.32, 0.82%, 0.41%

LAB 73.31, -24.75, 71.81

 

CMYK 10 / 0 / 100 / 33

HEX #9BAC00

RGB 155 172 0

HSL 65.93, 1%, 0.34%

LAB 66.88, -23.48, 68.74

 

CMYK 10 / 0 / 100 / 40

HEX #8A9A00

RGB 138 154 0

HSL 66.23, 1%, 0.3%

LAB 60.35, -21.93, 63.31

 

CMYK 11 / 0 / 100 / 47

HEX #798800

RGB 121 136 0

HSL 66.62, 1%, 0.27%

LAB 53.68, -20.35, 57.76

 

CMYK 9 / 0 / 82 / 19

HEX #BCCF26

RGB 188 207 38

HSL 66.75, 0.69%, 0.48%

LAB 79.3, -25.76, 73.33

 

CMYK 0 / 13 / 82 / 19

HEX #CFB426

RGB 207 180 38

HSL 50.41, 0.69%, 0.48%

LAB 73.58, -4.05, 69.01

 

CMYK 0 / 35 / 82 / 19

HEX #CF8726

RGB 207 135 38

HSL 34.44, 0.69%, 0.48%

LAB 62.28, 20.09, 59.14

 

CMYK 0 / 57 / 82 / 19

HEX #CF5926

RGB 207 89 38

HSL 18.11, 0.69%, 0.48%

LAB 52.45, 44.06, 50.25

 

CMYK 0 / 79 / 82 / 19

HEX #CF2C26

RGB 207 44 38

HSL 2.13, 0.69%, 0.48%

LAB 45.92, 61.73, 44.1

 

CMYK 9 / 0 / 82 / 19

HEX #BCCF26

RGB 188 207 38

HSL 66.75, 0.69%, 0.48%

LAB 79.3, -25.76, 73.33

 

CMYK 31 / 0 / 82 / 19

HEX #8ECF26

RGB 142 207 38

HSL 83.08, 0.69%, 0.48%

LAB 76.39, -43.91, 69.65

 

CMYK 53 / 0 / 82 / 19

HEX #61CF26

RGB 97 207 38

HSL 99.05, 0.69%, 0.48%

LAB 74.39, -58.52, 67.1

 

CMYK 75 / 0 / 82 / 19

HEX #33CF26

RGB 51 207 38

HSL 115.38, 0.69%, 0.48%

LAB 73.2, -68.33, 65.58

 

CMYK 82 / 0 / 66 / 19

HEX #26CF46

RGB 38 207 70

HSL 131.36, 0.69%, 0.48%

LAB 73.21, -67.53, 54.58

 

CMYK 9 / 0 / 82 / 19

HEX #BCCF26

RGB 188 207 38

HSL 66.75, 0.69%, 0.48%

LAB 79.3, -25.76, 73.33

 

CMYK 11 / 0 / 92 / 11

HEX #CBE312

RGB 203 227 18

HSL 66.89, 0.85%, 0.48%

LAB 85.85, -29.51, 82.78

 

CMYK 9 / 0 / 82 / 19

HEX #BCCF26

RGB 188 207 38

HSL 66.75, 0.69%, 0.48%

LAB 79.3, -25.76, 73.33

 

CMYK 7 / 0 / 69 / 27

HEX #ADBB3A

RGB 173 187 58

HSL 66.51, 0.53%, 0.48%

LAB 72.71, -21.4, 60.51

 

CMYK 6 / 0 / 53 / 35

HEX #9DA74E

RGB 157 167 78

HSL 66.74, 0.36%, 0.48%

LAB 66.02, -16.57, 44.22

 

CMYK 3 / 0 / 34 / 42

HEX #8E9361

RGB 142 147 97

HSL 66, 0.2%, 0.48%

LAB 59.42, -10.16, 25.91

 

CMYK 2 / 0 / 9 / 50

HEX #7E8075

RGB 126 128 117

HSL 70.91, 0.04%, 0.48%

LAB 53.12, -2.87, 5.71

 

CMYK 0 / 35 / 82 / 19

HEX #CF8626

RGB 207 134 38

HSL 34.08, 0.69%, 0.48%

LAB 62.05, 20.63, 58.93

 

CMYK 0 / 14 / 82 / 19

HEX #CFB326

RGB 207 179 38

HSL 50.06, 0.69%, 0.48%

LAB 73.31, -3.53, 68.78

 

CMYK 8 / 0 / 82 / 19

HEX #BECF26

RGB 190 207 38

HSL 66.04, 0.69%, 0.48%

LAB 79.45, -24.93, 73.52

 

CMYK 30 / 0 / 82 / 19

HEX #91CF26

RGB 145 207 38

HSL 82.01, 0.69%, 0.48%

LAB 76.55, -42.8, 69.86

 

CMYK 52 / 0 / 82 / 19

HEX #64CF26

RGB 100 207 38

HSL 97.99, 0.69%, 0.48%

LAB 74.49, -57.69, 67.24

 

CMYK 9 / 0 / 82 / 46

HEX #7D8919

RGB 125 137 25

HSL 66.43, 0.69%, 0.32%

LAB 54.37, -18.43, 53.2

 

CMYK 9 / 0 / 81 / 33

HEX #9CAC20

RGB 156 172 32

HSL 66.86, 0.69%, 0.4%

LAB 67.03, -22.37, 63.3

 

CMYK 9 / 0 / 82 / 19

HEX #BCCF26

RGB 188 207 38

HSL 66.75, 0.69%, 0.48%

LAB 79.3, -25.76, 73.33

 

CMYK 8 / 0 / 70 / 14

HEX #CBDC42

RGB 203 220 66

HSL 66.62, 0.69%, 0.56%

LAB 84.11, -24.66, 69.63

 

CMYK 6 / 0 / 56 / 11

HEX #D5E365

RGB 213 227 101

HSL 66.67, 0.69%, 0.64%

LAB 87.01, -21.72, 58.82

 

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

CMYK 82 / 0 / 57 / 19

HEX #26CF59

RGB 38 207 89

HSL 138.11, 0.69%, 0.48%

LAB 73.39, -65.3, 46.49

 

CMYK 25 / 82 / 0 / 19

HEX #9C26CF

RGB 156 38 207

HSL 281.89, 0.69%, 0.48%

LAB 42.7, 70.15, -62.92

 

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

CMYK 82 / 8 / 0 / 19

HEX #26BECF

RGB 38 190 207

HSL 186.04, 0.69%, 0.48%

LAB 70.69, -31.46, -19.35

 

CMYK 0 / 82 / 8 / 19

HEX #CF26BE

RGB 207 38 190

HSL 306.04, 0.69%, 0.48%

LAB 49.94, 76.59, -41

 

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

CMYK 82 / 0 / 57 / 19

HEX #26CF59

RGB 38 207 89

HSL 138.11, 0.69%, 0.48%

LAB 73.39, -65.3, 46.49

 

CMYK 73 / 82 / 0 / 19

HEX #3726CF

RGB 55 38 207

HSL 246.04, 0.69%, 0.48%

LAB 31.12, 57.96, -82.37

 

CMYK 0 / 82 / 25 / 19

HEX #CF269C

RGB 207 38 156

HSL 318.11, 0.69%, 0.48%

LAB 48.33, 72.11, -23.48

 

CMYK 9 / 0 / 82 / 18

HEX #BDD026

RGB 189 208 38

HSL 66.71, 0.69%, 0.48%

LAB 79.65, -25.83, 73.66

 

CMYK 82 / 0 / 33 / 19

HEX #26CF8B

RGB 38 207 139

HSL 155.86, 0.69%, 0.48%

LAB 74.13, -56.69, 22.4

 

CMYK 73 / 82 / 0 / 19

HEX #3726CF

RGB 55 38 207

HSL 246.04, 0.69%, 0.48%

LAB 31.12, 57.96, -82.37

 

CMYK 0 / 82 / 49 / 19

HEX #CF266A

RGB 207 38 106

HSL 335.86, 0.69%, 0.48%

LAB 46.57, 67.02, 4.27

 

Description

Color code: HEX #BDD026 | qconv.com Color code: HEX #BDD026 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 208 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 208 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 82 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 82% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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