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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDCE5E it is the complementary color #4231A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDCE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDCE5E shade: #C2CE59, #D3E06C, #E4F27F, #F5FF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDCE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDCE5E shade: #BDCE5E, #ACBC4B, #9BAA38, #8A9825 and #798612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDCE5E shade: #BDCD5F, #CDC05F, #CDA25F, #CD855F and #CD675F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDCE5E shade: #BDCD5F, #9FCD5F, #81CD5F, #63CD5F and #5FCD78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDCE5E shade matches the following richer shades: #BDCD5F, #C8DE4E and #D4EF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDCE5E shade: #BDCD5F, #B1BC6F, #A5AC80, #999B91 and #8D8AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDCE5E shade: #CDA35F, #CDC05F, #BDCD5F, #9FCD5F and #82CD5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDCE5E shade: #95A733, #B0C43F, #BDCD5F, #CAD77E and #D7E19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDCE5E shade: #BDCE5E, #5FCD85 and #B25FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDCE5E shade: #BDCE5E, #5FBDCD and #CD5FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDCE5E shade: #BDCE5E, #5FCD85, #6F5FCD and #CD5FA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDCE5E shade: #BDCE5E, #5FCDA7, #6F5FCD and #CD5F85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

Complementary color

CMYK 59 / 70 / 0 / 37

HEX #4231A1

RGB 66 49 161

HSL 249.11, 0.53%, 0.41%

LAB 29.23, 39.33, -58.16

 

CMYK 6 / 0 / 57 / 19

HEX #C2CE59

RGB 194 206 89

HSL 66.15, 0.54%, 0.58%

LAB 79.8, -20.03, 55.63

 

CMYK 6 / 0 / 52 / 12

HEX #D3E06C

RGB 211 224 108

HSL 66.72, 0.65%, 0.65%

LAB 86.13, -20.48, 54.61

 

CMYK 6 / 0 / 48 / 5

HEX #E4F27F

RGB 228 242 127

HSL 67.3, 0.82%, 0.72%

LAB 92.37, -20.84, 53.52

 

CMYK 4 / 0 / 43 / 0

HEX #F5FF92

RGB 245 255 146

HSL 65.5, 1%, 0.79%

LAB 97.23, -18.74, 50.8

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

CMYK 9 / 0 / 60 / 26

HEX #ACBC4B

RGB 172 188 75

HSL 68.5, 0.46%, 0.52%

LAB 73.05, -21.2, 53.86

 

CMYK 9 / 0 / 67 / 33

HEX #9BAA38

RGB 155 170 56

HSL 67.89, 0.5%, 0.44%

LAB 66.52, -20.62, 54.57

 

CMYK 9 / 0 / 76 / 40

HEX #8A9825

RGB 138 152 37

HSL 67.3, 0.61%, 0.37%

LAB 59.88, -19.88, 54.76

 

CMYK 10 / 0 / 87 / 47

HEX #798612

RGB 121 134 18

HSL 66.72, 0.76%, 0.3%

LAB 53.12, -18.91, 53.9

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 0 / 6 / 54 / 20

HEX #CDC05F

RGB 205 192 95

HSL 52.91, 0.52%, 0.59%

LAB 76.98, -7.97, 49.87

 

CMYK 0 / 21 / 54 / 20

HEX #CDA25F

RGB 205 162 95

HSL 36.55, 0.52%, 0.59%

LAB 69.22, 7.89, 40.6

 

CMYK 0 / 35 / 54 / 20

HEX #CD855F

RGB 205 133 95

HSL 20.73, 0.52%, 0.59%

LAB 62.15, 23.66, 31.79

 

CMYK 0 / 50 / 54 / 20

HEX #CD675F

RGB 205 103 95

HSL 4.36, 0.52%, 0.59%

LAB 55.59, 39.59, 23.28

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 22 / 0 / 54 / 20

HEX #9FCD5F

RGB 159 205 95

HSL 85.09, 0.52%, 0.59%

LAB 77.2, -32.74, 49.27

 

CMYK 37 / 0 / 54 / 20

HEX #81CD5F

RGB 129 205 95

HSL 101.45, 0.52%, 0.59%

LAB 75.55, -43.36, 46.91

 

CMYK 52 / 0 / 54 / 20

HEX #63CD5F

RGB 99 205 95

HSL 117.82, 0.52%, 0.59%

LAB 74.28, -52.37, 45.09

 

CMYK 54 / 0 / 41 / 20

HEX #5FCD78

RGB 95 205 120

HSL 133.64, 0.52%, 0.59%

LAB 74.48, -49.78, 32.96

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 10 / 0 / 65 / 13

HEX #C8DE4E

RGB 200 222 78

HSL 69.17, 0.69%, 0.59%

LAB 84.52, -26.14, 65.48

 

CMYK 11 / 0 / 74 / 6

HEX #D4EF3D

RGB 212 239 61

HSL 69.1, 0.85%, 0.59%

LAB 89.89, -30.24, 77.04

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 6 / 0 / 41 / 26

HEX #B1BC6F

RGB 177 188 111

HSL 68.57, 0.36%, 0.59%

LAB 73.84, -15.76, 37.63

 

CMYK 4 / 0 / 26 / 33

HEX #A5AC80

RGB 165 172 128

HSL 69.55, 0.21%, 0.59%

LAB 68.8, -9.99, 21.87

 

CMYK 1 / 0 / 6 / 39

HEX #999B91

RGB 153 155 145

HSL 72, 0.05%, 0.59%

LAB 63.56, -2.6, 4.98

 

CMYK 13 / 15 / 0 / 36

HEX #8D8AA2

RGB 141 138 162

HSL 247.5, 0.11%, 0.59%

LAB 58.46, 6.08, -12.29

 

CMYK 0 / 20 / 54 / 20

HEX #CDA35F

RGB 205 163 95

HSL 37.09, 0.52%, 0.59%

LAB 69.47, 7.35, 40.9

 

CMYK 0 / 6 / 54 / 20

HEX #CDC05F

RGB 205 192 95

HSL 52.91, 0.52%, 0.59%

LAB 76.98, -7.97, 49.87

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 22 / 0 / 54 / 20

HEX #9FCD5F

RGB 159 205 95

HSL 85.09, 0.52%, 0.59%

LAB 77.2, -32.74, 49.27

 

CMYK 37 / 0 / 54 / 20

HEX #82CD5F

RGB 130 205 95

HSL 100.91, 0.52%, 0.59%

LAB 75.6, -43.03, 46.98

 

CMYK 11 / 0 / 69 / 35

HEX #95A733

RGB 149 167 51

HSL 69.31, 0.53%, 0.43%

LAB 65.17, -21.97, 55.04

 

CMYK 10 / 0 / 68 / 23

HEX #B0C43F

RGB 176 196 63

HSL 69.02, 0.53%, 0.51%

LAB 75.49, -24.29, 61.48

 

CMYK 8 / 0 / 54 / 20

HEX #BDCD5F

RGB 189 205 95

HSL 68.73, 0.52%, 0.59%

LAB 79.22, -21.06, 52.14

 

CMYK 6 / 0 / 41 / 16

HEX #CAD77E

RGB 202 215 126

HSL 68.76, 0.53%, 0.67%

LAB 83.27, -17.82, 42.36

 

CMYK 4 / 0 / 30 / 12

HEX #D7E19E

RGB 215 225 158

HSL 68.96, 0.53%, 0.75%

LAB 87.37, -13.99, 31.74

 

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

CMYK 54 / 0 / 35 / 20

HEX #5FCD85

RGB 95 205 133

HSL 140.73, 0.52%, 0.59%

LAB 74.69, -47.54, 26.52

 

CMYK 13 / 54 / 0 / 20

HEX #B25FCD

RGB 178 95 205

HSL 285.27, 0.52%, 0.59%

LAB 54.09, 50.99, -43.36

 

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

CMYK 54 / 8 / 0 / 20

HEX #5FBDCD

RGB 95 189 205

HSL 188.73, 0.52%, 0.59%

LAB 71.71, -23.37, -16.58

 

CMYK 0 / 54 / 8 / 20

HEX #CD5FBD

RGB 205 95 189

HSL 308.73, 0.52%, 0.59%

LAB 56.92, 55.51, -29.51

 

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

CMYK 54 / 0 / 35 / 20

HEX #5FCD85

RGB 95 205 133

HSL 140.73, 0.52%, 0.59%

LAB 74.69, -47.54, 26.52

 

CMYK 46 / 54 / 0 / 20

HEX #6F5FCD

RGB 111 95 205

HSL 248.73, 0.52%, 0.59%

LAB 46.94, 34.16, -55.18

 

CMYK 0 / 54 / 19 / 20

HEX #CD5FA7

RGB 205 95 167

HSL 320.73, 0.52%, 0.59%

LAB 56.04, 52.06, -18.16

 

CMYK 8 / 0 / 54 / 19

HEX #BDCE5E

RGB 189 206 94

HSL 69.11, 0.53%, 0.59%

LAB 79.48, -21.64, 52.91

 

CMYK 54 / 0 / 19 / 20

HEX #5FCDA7

RGB 95 205 167

HSL 159.27, 0.52%, 0.59%

LAB 75.38, -40.6, 9.43

 

CMYK 46 / 54 / 0 / 20

HEX #6F5FCD

RGB 111 95 205

HSL 248.73, 0.52%, 0.59%

LAB 46.94, 34.16, -55.18

 

CMYK 0 / 54 / 35 / 20

HEX #CD5F85

RGB 205 95 133

HSL 339.27, 0.52%, 0.59%

LAB 54.92, 47.49, 0.08

 

Description

Color code: HEX #BDCE5E | qconv.com Color code: HEX #BDCE5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 206 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 206 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 54 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 54% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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