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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDCE5C it is the complementary color #4231A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDCE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDCE5C shade: #C2CE57, #D3E06A, #E4F27D, #F5FF90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDCE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDCE5C shade: #BDCE5C, #ACBC49, #9BAA36, #8A9823 and #798610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDCE5C shade: #BCCE5A, #CEC05A, #CEA15A, #CE815A and #CE625A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDCE5C shade: #BCCE5A, #9DCE5A, #7ECE5A, #5FCE5A and #5ACE74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDCE5C shade matches the following richer shades: #BCCE5A, #C9DF49 and #D5F037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDCE5C shade: #BCCE5A, #B0BC6B, #A4AB7D, #989A8E and #8C889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDCE5C shade: #CE9F5A, #CEBE5A, #BECE5A, #9FCE5A and #81CE5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDCE5C shade: #93A431, #AFC43B, #BCCE5A, #C9D77A and #D6E19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDCE5C shade: #BDCE5C, #5ACE81 and #AF5ACE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDCE5C shade: #BDCE5C, #5ABECE and #CE5ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDCE5C shade: #BDCE5C, #5ACE81, #695ACE and #CE5AA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDCE5C shade: #BDCE5C, #5ACEA3, #695ACE and #CE5A84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

Complementary color

CMYK 60 / 70 / 0 / 36

HEX #4231A3

RGB 66 49 163

HSL 248.95, 0.54%, 0.42%

LAB 29.41, 39.96, -59.08

 

CMYK 6 / 0 / 58 / 19

HEX #C2CE57

RGB 194 206 87

HSL 66.05, 0.55%, 0.57%

LAB 79.78, -20.19, 56.49

 

CMYK 6 / 0 / 53 / 12

HEX #D3E06A

RGB 211 224 106

HSL 66.61, 0.66%, 0.65%

LAB 86.11, -20.65, 55.5

 

CMYK 6 / 0 / 48 / 5

HEX #E4F27D

RGB 228 242 125

HSL 67.18, 0.82%, 0.72%

LAB 92.34, -21.02, 54.42

 

CMYK 4 / 0 / 44 / 0

HEX #F5FF90

RGB 245 255 144

HSL 65.41, 1%, 0.78%

LAB 97.21, -18.94, 51.71

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

CMYK 9 / 0 / 61 / 26

HEX #ACBC49

RGB 172 188 73

HSL 68.35, 0.46%, 0.51%

LAB 73.04, -21.34, 54.72

 

CMYK 9 / 0 / 68 / 33

HEX #9BAA36

RGB 155 170 54

HSL 67.76, 0.52%, 0.44%

LAB 66.51, -20.75, 55.36

 

CMYK 9 / 0 / 77 / 40

HEX #8A9823

RGB 138 152 35

HSL 67.18, 0.63%, 0.37%

LAB 59.87, -19.98, 55.43

 

CMYK 10 / 0 / 88 / 47

HEX #798610

RGB 121 134 16

HSL 66.61, 0.79%, 0.29%

LAB 53.12, -18.97, 54.37

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 0 / 7 / 56 / 19

HEX #CEC05A

RGB 206 192 90

HSL 52.76, 0.54%, 0.58%

LAB 77.02, -7.95, 52.27

 

CMYK 0 / 22 / 56 / 19

HEX #CEA15A

RGB 206 161 90

HSL 36.72, 0.54%, 0.58%

LAB 69, 8.44, 42.9

 

CMYK 0 / 37 / 56 / 19

HEX #CE815A

RGB 206 129 90

HSL 20.17, 0.54%, 0.58%

LAB 61.27, 25.82, 33.44

 

CMYK 0 / 52 / 56 / 19

HEX #CE625A

RGB 206 98 90

HSL 4.14, 0.54%, 0.58%

LAB 54.65, 42.08, 24.96

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 24 / 0 / 56 / 19

HEX #9DCE5A

RGB 157 206 90

HSL 85.34, 0.54%, 0.58%

LAB 77.31, -34.43, 51.67

 

CMYK 39 / 0 / 56 / 19

HEX #7ECE5A

RGB 126 206 90

HSL 101.38, 0.54%, 0.58%

LAB 75.65, -45.32, 49.32

 

CMYK 54 / 0 / 56 / 19

HEX #5FCE5A

RGB 95 206 90

HSL 117.41, 0.54%, 0.58%

LAB 74.39, -54.42, 47.53

 

CMYK 56 / 0 / 44 / 19

HEX #5ACE74

RGB 90 206 116

HSL 133.45, 0.54%, 0.58%

LAB 74.56, -52.03, 35.06

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 10 / 0 / 67 / 13

HEX #C9DF49

RGB 201 223 73

HSL 68.8, 0.7%, 0.58%

LAB 84.83, -26.52, 67.74

 

CMYK 11 / 0 / 77 / 6

HEX #D5F037

RGB 213 240 55

HSL 68.76, 0.86%, 0.58%

LAB 90.2, -30.55, 79.13

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 6 / 0 / 43 / 26

HEX #B0BC6B

RGB 176 188 107

HSL 68.89, 0.38%, 0.58%

LAB 73.71, -16.61, 39.48

 

CMYK 4 / 0 / 27 / 33

HEX #A4AB7D

RGB 164 171 125

HSL 69.13, 0.21%, 0.58%

LAB 68.39, -10.29, 22.92

 

CMYK 1 / 0 / 8 / 40

HEX #989A8E

RGB 152 154 142

HSL 70, 0.06%, 0.58%

LAB 63.13, -2.97, 6.04

 

CMYK 12 / 14 / 0 / 38

HEX #8C889F

RGB 140 136 159

HSL 250.43, 0.11%, 0.58%

LAB 57.74, 6.22, -11.66

 

CMYK 0 / 23 / 56 / 19

HEX #CE9F5A

RGB 206 159 90

HSL 35.69, 0.54%, 0.58%

LAB 68.5, 9.52, 42.3

 

CMYK 0 / 8 / 56 / 19

HEX #CEBE5A

RGB 206 190 90

HSL 51.72, 0.54%, 0.58%

LAB 76.49, -6.92, 51.67

 

CMYK 8 / 0 / 56 / 19

HEX #BECE5A

RGB 190 206 90

HSL 68.28, 0.54%, 0.58%

LAB 79.52, -21.57, 54.78

 

CMYK 23 / 0 / 56 / 19

HEX #9FCE5A

RGB 159 206 90

HSL 84.31, 0.54%, 0.58%

LAB 77.43, -33.69, 51.84

 

CMYK 37 / 0 / 56 / 19

HEX #81CE5A

RGB 129 206 90

HSL 99.83, 0.54%, 0.58%

LAB 75.79, -44.34, 49.52

 

CMYK 10 / 0 / 70 / 36

HEX #93A431

RGB 147 164 49

HSL 68.87, 0.54%, 0.42%

LAB 64.14, -21.43, 54.73

 

CMYK 11 / 0 / 70 / 23

HEX #AFC43B

RGB 175 196 59

HSL 69.2, 0.54%, 0.5%

LAB 75.4, -24.93, 62.86

 

CMYK 9 / 0 / 56 / 19

HEX #BCCE5A

RGB 188 206 90

HSL 69.31, 0.54%, 0.58%

LAB 79.37, -22.37, 54.57

 

CMYK 7 / 0 / 43 / 16

HEX #C9D77A

RGB 201 215 122

HSL 69.03, 0.54%, 0.66%

LAB 83.14, -18.64, 44.16

 

CMYK 5 / 0 / 32 / 12

HEX #D6E19A

RGB 214 225 154

HSL 69.3, 0.54%, 0.74%

LAB 87.23, -14.88, 33.58

 

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

CMYK 56 / 0 / 37 / 19

HEX #5ACE81

RGB 90 206 129

HSL 140.17, 0.54%, 0.58%

LAB 74.76, -49.84, 28.67

 

CMYK 15 / 56 / 0 / 19

HEX #AF5ACE

RGB 175 90 206

HSL 283.97, 0.54%, 0.58%

LAB 52.82, 52.91, -45.96

 

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

CMYK 56 / 8 / 0 / 19

HEX #5ABECE

RGB 90 190 206

HSL 188.28, 0.54%, 0.58%

LAB 71.86, -24.59, -16.91

 

CMYK 0 / 56 / 8 / 19

HEX #CE5ABE

RGB 206 90 190

HSL 308.28, 0.54%, 0.58%

LAB 56.24, 58.27, -31.13

 

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

CMYK 56 / 0 / 37 / 19

HEX #5ACE81

RGB 90 206 129

HSL 140.17, 0.54%, 0.58%

LAB 74.76, -49.84, 28.67

 

CMYK 49 / 56 / 0 / 19

HEX #695ACE

RGB 105 90 206

HSL 247.76, 0.54%, 0.58%

LAB 45.32, 36.14, -58.39

 

CMYK 0 / 56 / 19 / 19

HEX #CE5AA7

RGB 206 90 167

HSL 320.17, 0.54%, 0.58%

LAB 55.3, 54.71, -19.27

 

CMYK 8 / 0 / 55 / 19

HEX #BDCE5C

RGB 189 206 92

HSL 68.95, 0.54%, 0.58%

LAB 79.46, -21.81, 53.79

 

CMYK 56 / 0 / 21 / 19

HEX #5ACEA3

RGB 90 206 163

HSL 157.76, 0.54%, 0.58%

LAB 75.43, -43.02, 11.62

 

CMYK 49 / 56 / 0 / 19

HEX #695ACE

RGB 105 90 206

HSL 247.76, 0.54%, 0.58%

LAB 45.32, 36.14, -58.39

 

CMYK 0 / 56 / 36 / 19

HEX #CE5A84

RGB 206 90 132

HSL 338.28, 0.54%, 0.58%

LAB 54.13, 50.1, -0.46

 

Description

Color code: HEX #BDCE5C | qconv.com Color code: HEX #BDCE5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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