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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDCD30 it is the complementary color #4232CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDCD30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDCD30 shade: #C2CD2B, #D3DF3E, #E4F151, #F5FF64 and #FFFF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDCD30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDCD30 shade: #BDCD30, #ACBB1D, #9BA90A, #8A9700 and #798500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDCD30 shade: #BECF30, #CFB430, #CF8930, #CF5F30 and #CF3430

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDCD30 shade: #BECF30, #94CF30, #69CF30, #3FCF30 and #30CF4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDCD30 shade matches the following richer shades: #BECF30, #CFE31C and #DFF807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDCD30 shade: #BECF30, #AEBA45, #9EA55A, #8D916E and #7D7C83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDCD30 shade: #CF8A30, #CFB430, #BFCF30, #95CF30 and #6ACF30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDCD30 shade: #818C21, #A0AD29, #BECF30, #C9D652 and #D3DE73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDCD30 shade: #BDCD30, #30CF60 and #9F30CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDCD30 shade: #BDCD30, #30BFCF and #CF30BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDCD30 shade: #BDCD30, #30CF60, #4030CF and #CF309F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDCD30 shade: #BDCD30, #30CF8F, #4030CF and #CF3070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

Complementary color

CMYK 68 / 76 / 0 / 19

HEX #4232CF

RGB 66 50 207

HSL 246.11, 0.62%, 0.5%

LAB 33.87, 53.14, -77.8

 

CMYK 5 / 0 / 79 / 20

HEX #C2CD2B

RGB 194 205 43

HSL 64.07, 0.65%, 0.49%

LAB 79.22, -22.13, 72.12

 

CMYK 5 / 0 / 72 / 13

HEX #D3DF3E

RGB 211 223 62

HSL 64.47, 0.72%, 0.56%

LAB 85.49, -23.03, 72.54

 

CMYK 5 / 0 / 66 / 5

HEX #E4F151

RGB 228 241 81

HSL 64.88, 0.85%, 0.63%

LAB 91.68, -23.79, 72.35

 

CMYK 4 / 0 / 61 / 0

HEX #F5FF64

RGB 245 255 100

HSL 63.87, 1%, 0.7%

LAB 96.76, -22.53, 70.66

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

CMYK 8 / 0 / 84 / 27

HEX #ACBB1D

RGB 172 187 29

HSL 65.7, 0.73%, 0.42%

LAB 72.5, -23.04, 69.21

 

CMYK 8 / 0 / 94 / 34

HEX #9BA90A

RGB 155 169 10

HSL 65.28, 0.89%, 0.35%

LAB 66.03, -21.85, 66.84

 

CMYK 9 / 0 / 100 / 41

HEX #8A9700

RGB 138 151 0

HSL 65.17, 1%, 0.3%

LAB 59.47, -20.41, 62.65

 

CMYK 9 / 0 / 100 / 48

HEX #798500

RGB 121 133 0

HSL 65.41, 1%, 0.26%

LAB 52.77, -18.8, 57.08

 

CMYK 8 / 0 / 77 / 19

HEX #BECF30

RGB 190 207 48

HSL 66.42, 0.62%, 0.5%

LAB 79.49, -24.58, 70.82

 

CMYK 0 / 13 / 77 / 19

HEX #CFB430

RGB 207 180 48

HSL 49.81, 0.62%, 0.5%

LAB 73.62, -3.71, 65.96

 

CMYK 0 / 34 / 77 / 19

HEX #CF8930

RGB 207 137 48

HSL 33.58, 0.62%, 0.5%

LAB 62.82, 19.37, 55.79

 

CMYK 0 / 54 / 77 / 19

HEX #CF5F30

RGB 207 95 48

HSL 17.74, 0.62%, 0.5%

LAB 53.67, 41.49, 46.74

 

CMYK 0 / 75 / 77 / 19

HEX #CF3430

RGB 207 52 48

HSL 1.51, 0.62%, 0.5%

LAB 46.89, 59.6, 39.68

 

CMYK 8 / 0 / 77 / 19

HEX #BECF30

RGB 190 207 48

HSL 66.42, 0.62%, 0.5%

LAB 79.49, -24.58, 70.82

 

CMYK 29 / 0 / 77 / 19

HEX #94CF30

RGB 148 207 48

HSL 82.26, 0.62%, 0.5%

LAB 76.76, -41.25, 67.3

 

CMYK 49 / 0 / 77 / 19

HEX #69CF30

RGB 105 207 48

HSL 98.49, 0.62%, 0.5%

LAB 74.73, -55.72, 64.65

 

CMYK 70 / 0 / 77 / 19

HEX #3FCF30

RGB 63 207 48

HSL 114.34, 0.62%, 0.5%

LAB 73.48, -65.77, 63.02

 

CMYK 77 / 0 / 63 / 19

HEX #30CF4D

RGB 48 207 77

HSL 130.94, 0.62%, 0.5%

LAB 73.41, -65.57, 51.91

 

CMYK 8 / 0 / 77 / 19

HEX #BECF30

RGB 190 207 48

HSL 66.42, 0.62%, 0.5%

LAB 79.49, -24.58, 70.82

 

CMYK 9 / 0 / 88 / 11

HEX #CFE31C

RGB 207 227 28

HSL 66.03, 0.78%, 0.5%

LAB 86.15, -27.7, 81.68

 

CMYK 10 / 0 / 97 / 3

HEX #DFF807

RGB 223 248 7

HSL 66.22, 0.95%, 0.5%

LAB 92.94, -31.25, 89.82

 

CMYK 8 / 0 / 77 / 19

HEX #BECF30

RGB 190 207 48

HSL 66.42, 0.62%, 0.5%

LAB 79.49, -24.58, 70.82

 

CMYK 6 / 0 / 63 / 27

HEX #AEBA45

RGB 174 186 69

HSL 66.15, 0.46%, 0.5%

LAB 72.59, -19.8, 55.99

 

CMYK 4 / 0 / 45 / 35

HEX #9EA55A

RGB 158 165 90

HSL 65.6, 0.29%, 0.5%

LAB 65.68, -13.94, 37.86

 

CMYK 3 / 0 / 24 / 43

HEX #8D916E

RGB 141 145 110

HSL 66.86, 0.14%, 0.5%

LAB 59.01, -7.62, 18.14

 

CMYK 5 / 5 / 0 / 49

HEX #7D7C83

RGB 125 124 131

HSL 248.57, 0.03%, 0.5%

LAB 52.3, 1.8, -3.67

 

CMYK 0 / 33 / 77 / 19

HEX #CF8A30

RGB 207 138 48

HSL 33.96, 0.62%, 0.5%

LAB 63.06, 18.82, 56.02

 

CMYK 0 / 13 / 77 / 19

HEX #CFB430

RGB 207 180 48

HSL 49.81, 0.62%, 0.5%

LAB 73.62, -3.71, 65.96

 

CMYK 8 / 0 / 77 / 19

HEX #BFCF30

RGB 191 207 48

HSL 66.04, 0.62%, 0.5%

LAB 79.57, -24.16, 70.91

 

CMYK 28 / 0 / 77 / 19

HEX #95CF30

RGB 149 207 48

HSL 81.89, 0.62%, 0.5%

LAB 76.82, -40.87, 67.37

 

CMYK 49 / 0 / 77 / 19

HEX #6ACF30

RGB 106 207 48

HSL 98.11, 0.62%, 0.5%

LAB 74.76, -55.43, 64.7

 

CMYK 8 / 0 / 76 / 45

HEX #818C21

RGB 129 140 33

HSL 66.17, 0.62%, 0.34%

LAB 55.62, -17.86, 51.88

 

CMYK 8 / 0 / 76 / 32

HEX #A0AD29

RGB 160 173 41

HSL 65.91, 0.62%, 0.42%

LAB 67.67, -20.8, 61.3

 

CMYK 8 / 0 / 77 / 19

HEX #BECF30

RGB 190 207 48

HSL 66.42, 0.62%, 0.5%

LAB 79.49, -24.58, 70.82

 

CMYK 6 / 0 / 62 / 16

HEX #C9D652

RGB 201 214 82

HSL 65.91, 0.62%, 0.58%

LAB 82.44, -21.62, 61.69

 

CMYK 5 / 0 / 48 / 13

HEX #D3DE73

RGB 211 222 115

HSL 66.17, 0.62%, 0.66%

LAB 85.67, -18.87, 50.8

 

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

CMYK 77 / 0 / 54 / 19

HEX #30CF60

RGB 48 207 96

HSL 138.11, 0.62%, 0.5%

LAB 73.61, -63.16, 43.5

 

CMYK 23 / 77 / 0 / 19

HEX #9F30CF

RGB 159 48 207

HSL 281.89, 0.62%, 0.5%

LAB 44.22, 67.56, -60.44

 

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

CMYK 77 / 8 / 0 / 19

HEX #30BFCF

RGB 48 191 207

HSL 186.04, 0.62%, 0.5%

LAB 71.14, -31.03, -18.65

 

CMYK 0 / 77 / 8 / 19

HEX #CF30BF

RGB 207 48 191

HSL 306.04, 0.62%, 0.5%

LAB 50.85, 74.26, -40.14

 

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

CMYK 77 / 0 / 54 / 19

HEX #30CF60

RGB 48 207 96

HSL 138.11, 0.62%, 0.5%

LAB 73.61, -63.16, 43.5

 

CMYK 69 / 77 / 0 / 19

HEX #4030CF

RGB 64 48 207

HSL 246.04, 0.62%, 0.5%

LAB 33.37, 53.96, -78.63

 

CMYK 0 / 77 / 23 / 19

HEX #CF309F

RGB 207 48 159

HSL 318.11, 0.62%, 0.5%

LAB 49.35, 69.89, -23.68

 

CMYK 8 / 0 / 77 / 20

HEX #BDCD30

RGB 189 205 48

HSL 66.11, 0.62%, 0.5%

LAB 78.87, -24.02, 70.22

 

CMYK 77 / 0 / 31 / 19

HEX #30CF8F

RGB 48 207 143

HSL 155.85, 0.62%, 0.5%

LAB 74.34, -54.78, 20.6

 

CMYK 69 / 77 / 0 / 19

HEX #4030CF

RGB 64 48 207

HSL 246.04, 0.62%, 0.5%

LAB 33.37, 53.96, -78.63

 

CMYK 0 / 77 / 46 / 19

HEX #CF3070

RGB 207 48 112

HSL 335.85, 0.62%, 0.5%

LAB 47.69, 64.83, 2.2

 

Description

Color code: HEX #BDCD30 | qconv.com Color code: HEX #BDCD30 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 205 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 205 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 77 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 77% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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