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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDCCC5 it is the complementary color #42333A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDCCC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDCCC5 shade: #C2CCC0, #D3DED3, #E4F0E6, #F5FFF9 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDCCC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDCCC5 shade: #BDCCC5, #ACBAB2, #9BA89F, #8A968C and #798479

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDCCC5 shade: #BDCCC5, #BDCCC1, #BDCCBD, #C1CCBD and #C5CCBD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDCCC5 shade: #BDCCC5, #BDCCC9, #BDCBCC, #BDC7CC and #BDC3CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDCCC5 shade matches the following richer shades: #BDCCC5, #B3D5C5, #AADFC6, #A0E8C7 and #97F2C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDCCC5 shade: #BDCCC5, #C6C2C4, #D0B9C4, #D9B0C3 and #E3A6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDCCC5 shade: #BDCCBD, #BDCCC1, #BDCCC5, #BDCCC9 and #BDCBCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDCCC5 shade: #8EA89C, #A5BAB0, #BDCCC5, #D4DED9 and #EBF0EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDCCC5 shade: #BDCCC5, #BDC1CC and #CCBFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDCCC5 shade: #BDCCC5, #C5BDCC and #CCC5BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDCCC5 shade: #BDCCC5, #BDC1CC, #CCBDC4 and #CCC8BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDCCC5 shade: #BDCCC5, #BDBDCC, #CCBDC4 and #CBCCBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

Complementary color

CMYK 0 / 23 / 12 / 74

HEX #42333A

RGB 66 51 58

HSL 332, 0.13%, 0.23%

LAB 23.11, 8.13, -1.83

 

CMYK 5 / 0 / 6 / 20

HEX #C2CCC0

RGB 194 204 192

HSL 110, 0.11%, 0.78%

LAB 80.99, -5.62, 4.79

 

CMYK 5 / 0 / 5 / 13

HEX #D3DED3

RGB 211 222 211

HSL 120, 0.14%, 0.85%

LAB 87.39, -5.69, 4.1

 

CMYK 5 / 0 / 4 / 6

HEX #E4F0E6

RGB 228 240 230

HSL 130, 0.29%, 0.92%

LAB 93.68, -5.76, 3.45

 

CMYK 4 / 0 / 2 / 0

HEX #F5FFF9

RGB 245 255 249

HSL 144, 1%, 0.98%

LAB 99.13, -4.34, 1.71

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 8 / 0 / 4 / 27

HEX #ACBAB2

RGB 172 186 178

HSL 145.71, 0.09%, 0.7%

LAB 74.26, -6.37, 2.38

 

CMYK 8 / 0 / 5 / 34

HEX #9BA89F

RGB 155 168 159

HSL 138.46, 0.07%, 0.63%

LAB 67.63, -6.33, 3.07

 

CMYK 8 / 0 / 7 / 41

HEX #8A968C

RGB 138 150 140

HSL 130, 0.05%, 0.56%

LAB 60.88, -6.29, 3.79

 

CMYK 8 / 0 / 8 / 48

HEX #798479

RGB 121 132 121

HSL 120, 0.04%, 0.5%

LAB 53.97, -6.27, 4.55

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 0 / 5 / 20

HEX #BDCCC1

RGB 189 204 193

HSL 136, 0.13%, 0.77%

LAB 80.66, -7.15, 3.72

 

CMYK 7 / 0 / 7 / 20

HEX #BDCCBD

RGB 189 204 189

HSL 120, 0.13%, 0.77%

LAB 80.56, -7.89, 5.72

 

CMYK 5 / 0 / 7 / 20

HEX #C1CCBD

RGB 193 204 189

HSL 104, 0.13%, 0.77%

LAB 80.85, -6.5, 6.17

 

CMYK 3 / 0 / 7 / 20

HEX #C5CCBD

RGB 197 204 189

HSL 88, 0.13%, 0.77%

LAB 81.14, -5.11, 6.64

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 0 / 1 / 20

HEX #BDCCC9

RGB 189 204 201

HSL 168, 0.13%, 0.77%

LAB 80.86, -5.65, -0.27

 

CMYK 7 / 0 / 0 / 20

HEX #BDCBCC

RGB 189 203 204

HSL 184, 0.13%, 0.77%

LAB 80.68, -4.55, -2.14

 

CMYK 7 / 2 / 0 / 20

HEX #BDC7CC

RGB 189 199 204

HSL 200, 0.13%, 0.77%

LAB 79.63, -2.44, -3.68

 

CMYK 7 / 4 / 0 / 20

HEX #BDC3CC

RGB 189 195 204

HSL 216, 0.13%, 0.77%

LAB 78.58, -0.33, -5.22

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 16 / 0 / 8 / 16

HEX #B3D5C5

RGB 179 213 197

HSL 151.76, 0.29%, 0.77%

LAB 82.49, -14.37, 4.15

 

CMYK 24 / 0 / 11 / 13

HEX #AADFC6

RGB 170 223 198

HSL 151.7, 0.45%, 0.77%

LAB 84.69, -22.05, 6.73

 

CMYK 31 / 0 / 14 / 9

HEX #A0E8C7

RGB 160 232 199

HSL 152.5, 0.61%, 0.77%

LAB 86.66, -29.24, 8.95

 

CMYK 38 / 0 / 18 / 5

HEX #97F2C7

RGB 151 242 199

HSL 151.65, 0.78%, 0.77%

LAB 89.02, -36.46, 12.27

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 0 / 2 / 1 / 22

HEX #C6C2C4

RGB 198 194 196

HSL 330, 0.03%, 0.77%

LAB 78.8, 1.76, -0.52

 

CMYK 0 / 11 / 6 / 18

HEX #D0B9C4

RGB 208 185 196

HSL 331.3, 0.2%, 0.77%

LAB 77.34, 10.07, -2.56

 

CMYK 0 / 19 / 10 / 15

HEX #D9B0C3

RGB 217 176 195

HSL 332.2, 0.35%, 0.77%

LAB 75.91, 17.92, -4.02

 

CMYK 0 / 27 / 15 / 11

HEX #E3A6C2

RGB 227 166 194

HSL 332.46, 0.52%, 0.77%

LAB 74.51, 26.67, -5.43

 

CMYK 7 / 0 / 7 / 20

HEX #BDCCBD

RGB 189 204 189

HSL 120, 0.13%, 0.77%

LAB 80.56, -7.89, 5.72

 

CMYK 7 / 0 / 5 / 20

HEX #BDCCC1

RGB 189 204 193

HSL 136, 0.13%, 0.77%

LAB 80.66, -7.15, 3.72

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 0 / 1 / 20

HEX #BDCCC9

RGB 189 204 201

HSL 168, 0.13%, 0.77%

LAB 80.86, -5.65, -0.27

 

CMYK 7 / 0 / 0 / 20

HEX #BDCBCC

RGB 189 203 204

HSL 184, 0.13%, 0.77%

LAB 80.68, -4.55, -2.14

 

CMYK 15 / 0 / 7 / 34

HEX #8EA89C

RGB 142 168 156

HSL 152.31, 0.13%, 0.61%

LAB 66.64, -11.44, 3.18

 

CMYK 11 / 0 / 5 / 27

HEX #A5BAB0

RGB 165 186 176

HSL 151.43, 0.13%, 0.69%

LAB 73.71, -9.15, 2.62

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 5 / 0 / 2 / 13

HEX #D4DED9

RGB 212 222 217

HSL 150, 0.13%, 0.85%

LAB 87.61, -4.27, 1.27

 

CMYK 2 / 0 / 1 / 6

HEX #EBF0EE

RGB 235 240 238

HSL 156, 0.14%, 0.93%

LAB 94.38, -2.01, 0.37

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CC

RGB 189 193 204

HSL 224, 0.13%, 0.77%

LAB 78.06, 0.74, -5.99

 

CMYK 0 / 6 / 7 / 20

HEX #CCBFBD

RGB 204 191 189

HSL 8, 0.13%, 0.77%

LAB 78.33, 4.22, 2.64

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 3 / 7 / 0 / 20

HEX #C5BDCC

RGB 197 189 204

HSL 272, 0.13%, 0.77%

LAB 77.65, 5.58, -6.53

 

CMYK 0 / 3 / 7 / 20

HEX #CCC5BD

RGB 204 197 189

HSL 32, 0.13%, 0.77%

LAB 79.87, 1.04, 4.86

HEX #CCC5BD

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 5 / 0 / 20

HEX #BDC1CC

RGB 189 193 204

HSL 224, 0.13%, 0.77%

LAB 78.06, 0.74, -5.99

 

CMYK 0 / 7 / 4 / 20

HEX #CCBDC4

RGB 204 189 196

HSL 332, 0.13%, 0.77%

LAB 78, 6.52, -1.62

 

CMYK 0 / 2 / 7 / 20

HEX #CCC8BD

RGB 204 200 189

HSL 44, 0.13%, 0.77%

LAB 80.64, -0.54, 5.98

 

CMYK 7 / 0 / 3 / 20

HEX #BDCCC5

RGB 189 204 197

HSL 152, 0.13%, 0.77%

LAB 80.76, -6.41, 1.73

 

CMYK 7 / 7 / 0 / 20

HEX #BDBDCC

RGB 189 189 204

HSL 240, 0.13%, 0.77%

LAB 77.03, 2.88, -7.53

 

CMYK 0 / 7 / 4 / 20

HEX #CCBDC4

RGB 204 189 196

HSL 332, 0.13%, 0.77%

LAB 78, 6.52, -1.62

 

CMYK 0 / 0 / 7 / 20

HEX #CBCCBD

RGB 203 204 189

HSL 64, 0.13%, 0.77%

LAB 81.6, -2.99, 7.35

 

Description

Color code: HEX #BDCCC5 | qconv.com Color code: HEX #BDCCC5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 204 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 204 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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