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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC713 it is the complementary color #4238EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC713. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC713 shade: #C2C70E, #D3D921, #E4EB34, #F5FD47 and #FFFF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC713. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC713 shade: #BDC713, #ACB500, #9BA300, #8A9100 and #797F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC713 shade: #BFC913, #C9A213, #C97113, #C94013 and #C91313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC713 shade: #BFC913, #8DC913, #5CC913, #2BC913 and #13C92B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC713 shade matches the following richer shades: #BFC913 and #CEDA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC713 shade: #BFC913, #AFB724, #9FA536, #8F9348 and #7F825A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC713 shade: #C97113, #C9A113, #C0C913, #8FC913 and #5EC913

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC713 shade: #777D0C, #9BA30F, #BFC913, #DEEA1B and #E4ED41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC713 shade: #BDC713, #13C940 and #8913C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC713 shade: #BDC713, #13C0C9 and #C913C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC713 shade: #BDC713, #13C940, #1C13C9 and #C9139B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC713 shade: #BDC713, #13C977, #1C13C9 and #C91365

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

Complementary color

CMYK 72 / 76 / 0 / 7

HEX #4238EC

RGB 66 56 236

HSL 243.33, 0.83%, 0.57%

LAB 37.92, 58.92, -87.74

 

CMYK 3 / 0 / 93 / 22

HEX #C2C70E

RGB 194 199 14

HSL 61.62, 0.87%, 0.42%

LAB 77.49, -19.87, 76.5

 

CMYK 3 / 0 / 85 / 15

HEX #D3D921

RGB 211 217 33

HSL 61.96, 0.74%, 0.49%

LAB 83.75, -21.14, 78.91

 

CMYK 3 / 0 / 78 / 8

HEX #E4EB34

RGB 228 235 52

HSL 62.3, 0.82%, 0.56%

LAB 89.93, -22.22, 80.13

 

CMYK 3 / 0 / 72 / 1

HEX #F5FD47

RGB 245 253 71

HSL 62.64, 0.98%, 0.64%

LAB 96.05, -23.15, 80.53

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF5A

RGB 255 255 90

HSL 60, 1%, 0.68%

LAB 97.44, -19.15, 75.5

 

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

CMYK 5 / 0 / 100 / 29

HEX #ACB500

RGB 172 181 0

HSL 62.98, 1%, 0.35%

LAB 70.75, -20.59, 72.19

 

CMYK 5 / 0 / 100 / 36

HEX #9BA300

RGB 155 163 0

HSL 62.94, 1%, 0.32%

LAB 64.29, -18.98, 66.82

 

CMYK 5 / 0 / 100 / 43

HEX #8A9100

RGB 138 145 0

HSL 62.9, 1%, 0.28%

LAB 57.71, -17.33, 61.35

 

CMYK 5 / 0 / 100 / 50

HEX #797F00

RGB 121 127 0

HSL 62.83, 1%, 0.25%

LAB 50.97, -15.65, 55.75

 

CMYK 5 / 0 / 91 / 21

HEX #BFC913

RGB 191 201 19

HSL 63.3, 0.83%, 0.43%

LAB 77.81, -22.06, 75.98

 

CMYK 0 / 19 / 91 / 21

HEX #C9A213

RGB 201 162 19

HSL 47.14, 0.83%, 0.43%

LAB 68.24, 2.37, 68.92

 

CMYK 0 / 44 / 91 / 21

HEX #C97113

RGB 201 113 19

HSL 30.99, 0.83%, 0.43%

LAB 56.36, 28.94, 59.9

 

CMYK 0 / 68 / 91 / 21

HEX #C94013

RGB 201 64 19

HSL 14.84, 0.83%, 0.43%

LAB 47.15, 52.55, 53.13

 

CMYK 0 / 91 / 91 / 21

HEX #C91313

RGB 201 19 19

HSL 0, 0.83%, 0.43%

LAB 42.66, 65.1, 49.96

 

CMYK 5 / 0 / 91 / 21

HEX #BFC913

RGB 191 201 19

HSL 63.3, 0.83%, 0.43%

LAB 77.81, -22.06, 75.98

 

CMYK 30 / 0 / 91 / 21

HEX #8DC913

RGB 141 201 19

HSL 79.78, 0.83%, 0.43%

LAB 74.5, -42.28, 71.93

 

CMYK 54 / 0 / 91 / 21

HEX #5CC913

RGB 92 201 19

HSL 95.93, 0.83%, 0.43%

LAB 72.29, -58.44, 69.21

 

CMYK 79 / 0 / 91 / 21

HEX #2BC913

RGB 43 201 19

HSL 112.09, 0.83%, 0.43%

LAB 71.1, -68.44, 67.73

 

CMYK 91 / 0 / 79 / 21

HEX #13C92B

RGB 19 201 43

HSL 127.91, 0.83%, 0.43%

LAB 70.93, -69.62, 61.89

 

CMYK 5 / 0 / 91 / 21

HEX #BFC913

RGB 191 201 19

HSL 63.3, 0.83%, 0.43%

LAB 77.81, -22.06, 75.98

 

CMYK 6 / 0 / 100 / 15

HEX #CEDA01

RGB 206 218 1

HSL 63.32, 0.99%, 0.43%

LAB 83.58, -24.19, 82.75

 

CMYK 5 / 0 / 91 / 21

HEX #BFC913

RGB 191 201 19

HSL 63.3, 0.83%, 0.43%

LAB 77.81, -22.06, 75.98

 

CMYK 4 / 0 / 80 / 28

HEX #AFB724

RGB 175 183 36

HSL 63.27, 0.67%, 0.43%

LAB 71.63, -19.56, 66.8

 

CMYK 4 / 0 / 67 / 35

HEX #9FA536

RGB 159 165 54

HSL 63.24, 0.51%, 0.43%

LAB 65.39, -16.5, 54.32

 

CMYK 3 / 0 / 51 / 42

HEX #8F9348

RGB 143 147 72

HSL 63.2, 0.34%, 0.43%

LAB 59.14, -12.6, 38.81

 

CMYK 2 / 0 / 31 / 49

HEX #7F825A

RGB 127 130 90

HSL 64.5, 0.18%, 0.43%

LAB 53.18, -8.02, 21.34

 

CMYK 0 / 44 / 91 / 21

HEX #C97113

RGB 201 113 19

HSL 30.99, 0.83%, 0.43%

LAB 56.36, 28.94, 59.9

 

CMYK 0 / 20 / 91 / 21

HEX #C9A113

RGB 201 161 19

HSL 46.81, 0.83%, 0.43%

LAB 67.99, 2.9, 68.72

 

CMYK 4 / 0 / 91 / 21

HEX #C0C913

RGB 192 201 19

HSL 62.97, 0.83%, 0.43%

LAB 77.89, -21.63, 76.07

 

CMYK 29 / 0 / 91 / 21

HEX #8FC913

RGB 143 201 19

HSL 79.12, 0.83%, 0.43%

LAB 74.61, -41.53, 72.07

 

CMYK 53 / 0 / 91 / 21

HEX #5EC913

RGB 94 201 19

HSL 95.27, 0.83%, 0.43%

LAB 72.36, -57.88, 69.29

 

CMYK 5 / 0 / 90 / 51

HEX #777D0C

RGB 119 125 12

HSL 63.19, 0.82%, 0.27%

LAB 50.23, -15.25, 52.8

 

CMYK 5 / 0 / 91 / 36

HEX #9BA30F

RGB 155 163 15

HSL 63.24, 0.83%, 0.35%

LAB 64.32, -18.74, 64.77

 

CMYK 5 / 0 / 91 / 21

HEX #BFC913

RGB 191 201 19

HSL 63.3, 0.83%, 0.43%

LAB 77.81, -22.06, 75.98

 

CMYK 5 / 0 / 88 / 8

HEX #DEEA1B

RGB 222 234 27

HSL 63.48, 0.83%, 0.51%

LAB 89.14, -24.87, 84.7

 

CMYK 4 / 0 / 73 / 7

HEX #E4ED41

RGB 228 237 65

HSL 63.14, 0.83%, 0.59%

LAB 90.53, -22.67, 76.79

 

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

CMYK 91 / 0 / 68 / 21

HEX #13C940

RGB 19 201 64

HSL 134.84, 0.83%, 0.43%

LAB 71.06, -67.91, 54.63

 

CMYK 32 / 91 / 0 / 21

HEX #8913C9

RGB 137 19 201

HSL 278.9, 0.83%, 0.43%

LAB 37.84, 70.62, -67.48

 

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

CMYK 91 / 4 / 0 / 21

HEX #13C0C9

RGB 19 192 201

HSL 182.97, 0.83%, 0.43%

LAB 70.91, -35.46, -15.76

 

CMYK 0 / 91 / 4 / 21

HEX #C913C0

RGB 201 19 192

HSL 302.97, 0.83%, 0.43%

LAB 47.87, 79.08, -45.52

 

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

CMYK 91 / 0 / 68 / 21

HEX #13C940

RGB 19 201 64

HSL 134.84, 0.83%, 0.43%

LAB 71.06, -67.91, 54.63

 

CMYK 86 / 91 / 0 / 21

HEX #1C13C9

RGB 28 19 201

HSL 242.97, 0.83%, 0.43%

LAB 26.53, 62.19, -86.54

 

CMYK 0 / 91 / 23 / 21

HEX #C9139B

RGB 201 19 155

HSL 315.16, 0.83%, 0.43%

LAB 45.97, 74.19, -26.62

 

CMYK 5 / 0 / 90 / 22

HEX #BDC713

RGB 189 199 19

HSL 63.33, 0.83%, 0.43%

LAB 77.11, -21.93, 75.36

 

CMYK 91 / 0 / 41 / 21

HEX #13C977

RGB 19 201 119

HSL 152.97, 0.83%, 0.43%

LAB 71.72, -59.96, 29.58

 

CMYK 86 / 91 / 0 / 21

HEX #1C13C9

RGB 28 19 201

HSL 242.97, 0.83%, 0.43%

LAB 26.53, 62.19, -86.54

 

CMYK 0 / 91 / 50 / 21

HEX #C91365

RGB 201 19 101

HSL 332.97, 0.83%, 0.43%

LAB 43.98, 68.81, 3.5

 

Description

Color code: HEX #BDC713 | qconv.com Color code: HEX #BDC713 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 199 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 199 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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