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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC2E0 it is the complementary color #423D1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC2E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC2E0 shade: #C2C2DB, #D3D4EE, #E4E6FF, #F5F8FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC2E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC2E0 shade: #BDC2E0, #ACB0CD, #9B9EBA, #8A8CA7 and #797A94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC2E0 shade: #BDC2E0, #C2BDE0, #CBBDE0, #D4BDE0 and #DEBDE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC2E0 shade: #BDC2E0 and #BDBDE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC2E0 shade matches the following richer shades: #BDC2E0, #B5BCE8, #ADB7F0 and #A6B1F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC2E0 shade: #BDC2E0, #C5C8D8, #CDCDD0, #D5D3C8 and #DCD8C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC2E0 shade: #BDD5E0, #BDCCE0, #BDC2E0, #C1BDE0 and #CABDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC2E0 shade: #858EC6, #A1A8D3, #BDC2E0, #D9DCED and #F5F6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC2E0 shade: #BDC2E0, #E0BDDE and #D0E0BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC2E0 shade: #BDC2E0, #E0BDC2 and #C2E0BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC2E0 shade: #BDC2E0, #E0BDDE, #E0DBBD and #BDE0BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC2E0 shade: #BDC2E0, #E0BDD4, #E0DBBD and #BDE0C9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

Complementary color

CMYK 0 / 8 / 53 / 74

HEX #423D1F

RGB 66 61 31

HSL 51.43, 0.36%, 0.19%

LAB 25.55, -2.84, 19.18

 

CMYK 11 / 11 / 0 / 14

HEX #C2C2DB

RGB 194 194 219

HSL 240, 0.26%, 0.81%

LAB 79.14, 4.87, -12.44

 

CMYK 11 / 11 / 0 / 7

HEX #D3D4EE

RGB 211 212 238

HSL 237.78, 0.44%, 0.88%

LAB 85.56, 4.65, -12.85

 

CMYK 11 / 10 / 0 / 0

HEX #E4E6FF

RGB 228 230 255

HSL 235.56, 1%, 0.95%

LAB 91.82, 4.05, -12.31

 

CMYK 4 / 3 / 0 / 0

HEX #F5F8FF

RGB 245 248 255

HSL 222, 1%, 0.98%

LAB 97.54, 0.28, -3.7

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 16 / 14 / 0 / 20

HEX #ACB0CD

RGB 172 176 205

HSL 232.73, 0.25%, 0.74%

LAB 72.38, 4.54, -15.15

 

CMYK 17 / 15 / 0 / 27

HEX #9B9EBA

RGB 155 158 186

HSL 234.19, 0.18%, 0.67%

LAB 65.72, 4.78, -14.8

 

CMYK 17 / 16 / 0 / 35

HEX #8A8CA7

RGB 138 140 167

HSL 235.86, 0.14%, 0.6%

LAB 58.93, 5.05, -14.47

 

CMYK 18 / 18 / 0 / 42

HEX #797A94

RGB 121 122 148

HSL 237.78, 0.11%, 0.53%

LAB 51.98, 5.34, -14.14

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 13 / 16 / 0 / 12

HEX #C2BDE0

RGB 194 189 224

HSL 248.57, 0.36%, 0.81%

LAB 78.02, 8.6, -16.82

 

CMYK 9 / 16 / 0 / 12

HEX #CBBDE0

RGB 203 189 224

HSL 264, 0.36%, 0.81%

LAB 78.74, 11.52, -15.67

 

CMYK 5 / 16 / 0 / 12

HEX #D4BDE0

RGB 212 189 224

HSL 279.43, 0.36%, 0.81%

LAB 79.49, 14.47, -14.47

 

CMYK 1 / 16 / 0 / 12

HEX #DEBDE0

RGB 222 189 224

HSL 296.57, 0.36%, 0.81%

LAB 80.35, 17.8, -13.08

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 16 / 16 / 0 / 12

HEX #BDBDE0

RGB 189 189 224

HSL 240, 0.36%, 0.81%

LAB 77.64, 7, -17.44

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 22 / 19 / 0 / 9

HEX #B5BCE8

RGB 181 188 232

HSL 231.76, 0.53%, 0.81%

LAB 77.05, 6.82, -22.7

 

CMYK 28 / 24 / 0 / 6

HEX #ADB7F0

RGB 173 183 240

HSL 231.04, 0.69%, 0.81%

LAB 75.48, 9.04, -29.47

 

CMYK 33 / 29 / 0 / 3

HEX #A6B1F8

RGB 166 177 248

HSL 231.95, 0.85%, 0.81%

LAB 73.76, 12.36, -36.49

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 9 / 7 / 0 / 15

HEX #C5C8D8

RGB 197 200 216

HSL 230.53, 0.2%, 0.81%

LAB 80.81, 2.05, -8.31

 

CMYK 1 / 1 / 0 / 18

HEX #CDCDD0

RGB 205 205 208

HSL 240, 0.03%, 0.81%

LAB 82.48, 0.56, -1.5

 

CMYK 0 / 1 / 6 / 16

HEX #D5D3C8

RGB 213 211 200

HSL 50.77, 0.13%, 0.81%

LAB 84.43, -1.24, 5.67

 

CMYK 0 / 2 / 12 / 14

HEX #DCD8C1

RGB 220 216 193

HSL 51.11, 0.28%, 0.81%

LAB 86.1, -2.51, 11.83

 

CMYK 16 / 5 / 0 / 12

HEX #BDD5E0

RGB 189 213 224

HSL 198.86, 0.36%, 0.81%

LAB 83.86, -5.74, -8.13

 

CMYK 16 / 9 / 0 / 12

HEX #BDCCE0

RGB 189 204 224

HSL 214.29, 0.36%, 0.81%

LAB 81.5, -1.02, -11.63

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 14 / 16 / 0 / 12

HEX #C1BDE0

RGB 193 189 224

HSL 246.86, 0.36%, 0.81%

LAB 77.94, 8.28, -16.94

 

CMYK 10 / 16 / 0 / 12

HEX #CABDE0

RGB 202 189 224

HSL 262.29, 0.36%, 0.81%

LAB 78.66, 11.19, -15.8

 

CMYK 33 / 28 / 0 / 22

HEX #858EC6

RGB 133 142 198

HSL 231.69, 0.36%, 0.65%

LAB 60.26, 9.98, -30.04

 

CMYK 24 / 20 / 0 / 17

HEX #A1A8D3

RGB 161 168 211

HSL 231.6, 0.36%, 0.73%

LAB 69.67, 6.84, -22.63

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 8 / 7 / 0 / 7

HEX #D9DCED

RGB 217 220 237

HSL 231, 0.36%, 0.89%

LAB 87.99, 2.19, -8.65

 

CMYK 2 / 2 / 0 / 2

HEX #F5F6FA

RGB 245 246 250

HSL 228, 0.33%, 0.97%

LAB 96.91, 0.39, -2.04

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 0 / 16 / 1 / 12

HEX #E0BDDE

RGB 224 189 222

HSL 303.43, 0.36%, 0.81%

LAB 80.47, 18.1, -11.81

 

CMYK 7 / 0 / 16 / 12

HEX #D0E0BD

RGB 208 224 189

HSL 87.43, 0.36%, 0.81%

LAB 87.19, -11.5, 15.35

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 0 / 16 / 13 / 12

HEX #E0BDC2

RGB 224 189 194

HSL 351.43, 0.36%, 0.81%

LAB 79.69, 13.27, 2.13

 

CMYK 13 / 0 / 16 / 12

HEX #C2E0BD

RGB 194 224 189

HSL 111.43, 0.36%, 0.81%

LAB 86.23, -16.35, 13.86

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 0 / 16 / 1 / 12

HEX #E0BDDE

RGB 224 189 222

HSL 303.43, 0.36%, 0.81%

LAB 80.47, 18.1, -11.81

 

CMYK 0 / 2 / 16 / 12

HEX #E0DBBD

RGB 224 219 189

HSL 51.43, 0.36%, 0.81%

LAB 87.09, -3.25, 15.38

 

CMYK 16 / 0 / 15 / 12

HEX #BDE0BF

RGB 189 224 191

HSL 123.43, 0.36%, 0.81%

LAB 85.95, -17.69, 12.37

 

CMYK 16 / 13 / 0 / 12

HEX #BDC2E0

RGB 189 194 224

HSL 231.43, 0.36%, 0.81%

LAB 78.92, 4.31, -15.51

 

CMYK 0 / 16 / 5 / 12

HEX #E0BDD4

RGB 224 189 212

HSL 320.57, 0.36%, 0.81%

LAB 80.18, 16.31, -6.86

 

CMYK 0 / 2 / 16 / 12

HEX #E0DBBD

RGB 224 219 189

HSL 51.43, 0.36%, 0.81%

LAB 87.09, -3.25, 15.38

 

CMYK 16 / 0 / 10 / 12

HEX #BDE0C9

RGB 189 224 201

HSL 140.57, 0.36%, 0.81%

LAB 86.18, -15.88, 7.44

 

Description

Color code: HEX #BDC2E0 | qconv.com Color code: HEX #BDC2E0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 194 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 194 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 13 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 13% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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