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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC0EB3F it is the complementary color #423F143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC0EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC0EB3F shade: #C2C0E63F, #D3D2F93F, #E4E4FF3F, #F5F6FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC0EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC0EB3F shade: #BDC0EB3F, #ACAED83F, #9B9CC53F, #8A8AB23F and #79789F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC0EB3F shade: #BDC0EB, #C6BDEB, #D2BDEB, #DFBDEB and #EBBDEA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC0EB3F shade: #BDC0EB and #BDBDEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC0EB3F shade matches the following richer shades: #BDC0EB, #B6BAF2 and #AFB3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC0EB3F shade: #BDC0EB, #C4C6E4, #CBCCDD, #D2D2D6 and #D9D8CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC0EB3F shade: #BDD8EB, #BDCCEB, #BDC0EB, #C6BDEB and #D2BDEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC0EB3F shade: #7E83D7, #9DA2E1, #BDC0EB, #DCDEF4 and #FCFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC0EB3F shade: #BDC0EB, #EBBDE4 and #D2EBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC0EB3F shade: #BDC0EB, #EBBDC0 and #C0EBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC0EB3F shade: #BDC0EB, #EBBDE4, #EBE8BD and #BDEBC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC0EB3F shade: #BDC0EB, #EBBDD7, #EBE8BD and #BDEBD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 5 / 0 / 2

HEX #BDC0EB3F

RGBA 189 192 235 0.25

HSLA 236.09, 0.53%, 0.83%, 0.25

LABA 78.76, 7.77, -21.66, 0.25

 

Complementary color

CMYK 0 / 1 / 17 / 19

HEX #423F143F

RGBA 66 63 20 0.25

HSLA 56.09, 0.53%, 0.17%, 0.25

LABA 26.05, -5.18, 26.07, 0.25

 

CMYK 4 / 4 / 0 / 2

HEX #C2C0E63F

RGBA 194 192 230 0.25

HSLA 243.16, 0.43%, 0.83%, 0.25

LABA 78.97, 8.25, -18.61, 0.25

 

CMYK 4 / 4 / 0 / 1

HEX #D3D2F93F

RGBA 211 210 249 0.25

HSLA 241.54, 0.76%, 0.9%, 0.25

LABA 85.39, 7.97, -18.93, 0.25

 

CMYK 3 / 3 / 0 / 0

HEX #E4E4FF3F

RGBA 228 228 255 0.25

HSLA 240, 1%, 0.95%, 0.25

LABA 91.33, 5.09, -13.05, 0.25

 

CMYK 1 / 1 / 0 / 0

HEX #F5F6FF3F

RGBA 245 246 255 0.25

HSLA 234, 1%, 0.98%, 0.25

LABA 97.04, 1.29, -4.43, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 5 / 5 / 0 / 2

HEX #BDC0EB3F

RGBA 189 192 235 0.25

HSLA 236.09, 0.53%, 0.83%, 0.25

LABA 78.76, 7.77, -21.66, 0.25

 

CMYK 5 / 5 / 0 / 4

HEX #ACAED83F

RGBA 172 174 216 0.25

HSLA 237.27, 0.36%, 0.76%, 0.25

LABA 72.23, 8.08, -21.4, 0.25

 

CMYK 5 / 5 / 0 / 6

HEX #9B9CC53F

RGBA 155 156 197 0.25

HSLA 238.57, 0.27%, 0.69%, 0.25

LABA 65.57, 8.41, -21.17, 0.25

 

CMYK 6 / 6 / 0 / 8

HEX #8A8AB23F

RGBA 138 138 178 0.25

HSLA 240, 0.21%, 0.62%, 0.25

LABA 58.78, 8.78, -20.96, 0.25

 

CMYK 6 / 6 / 0 / 9

HEX #79789F3F

RGBA 121 120 159 0.25

HSLA 241.54, 0.17%, 0.55%, 0.25

LABA 51.84, 9.19, -20.77, 0.25

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 16 / 20 / 0 / 8

HEX #C6BDEB

RGB 198 189 235

HSL 251.74, 0.53%, 0.83%

LAB 78.69, 12.2, -21.7

 

CMYK 11 / 20 / 0 / 8

HEX #D2BDEB

RGB 210 189 235

HSL 267.39, 0.53%, 0.83%

LAB 79.67, 16.01, -20.13

 

CMYK 5 / 20 / 0 / 8

HEX #DFBDEB

RGB 223 189 235

HSL 284.35, 0.53%, 0.83%

LAB 80.78, 20.21, -18.33

 

CMYK 0 / 20 / 0 / 8

HEX #EBBDEA

RGB 235 189 234

HSL 301.3, 0.53%, 0.83%

LAB 81.84, 23.96, -16.1

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 20 / 20 / 0 / 8

HEX #BDBDEB

RGB 189 189 235

HSL 240, 0.53%, 0.83%

LAB 78, 9.4, -22.81

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 25 / 23 / 0 / 5

HEX #B6BAF2

RGB 182 186 242

HSL 236, 0.7%, 0.83%

LAB 76.97, 10.51, -28.21

 

CMYK 30 / 28 / 0 / 2

HEX #AFB3F9

RGB 175 179 249

HSL 236.76, 0.86%, 0.83%

LAB 74.95, 14.02, -35.13

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 14 / 13 / 0 / 11

HEX #C4C6E4

RGB 196 198 228

HSL 236.25, 0.37%, 0.83%

LAB 80.59, 5.24, -15.09

 

CMYK 8 / 8 / 0 / 13

HEX #CBCCDD

RGB 203 204 221

HSL 236.67, 0.21%, 0.83%

LAB 82.43, 2.89, -8.53

 

CMYK 2 / 2 / 0 / 16

HEX #D2D2D6

RGB 210 210 214

HSL 240, 0.05%, 0.83%

LAB 84.3, 0.74, -1.98

 

CMYK 0 / 0 / 5 / 15

HEX #D9D8CF

RGB 217 216 207

HSL 54, 0.12%, 0.83%

LAB 86.19, -1.24, 4.54

 

CMYK 20 / 8 / 0 / 8

HEX #BDD8EB

RGB 189 216 235

HSL 204.78, 0.53%, 0.83%

LAB 84.96, -4.98, -12.32

 

CMYK 20 / 13 / 0 / 8

HEX #BDCCEB

RGB 189 204 235

HSL 220.43, 0.53%, 0.83%

LAB 81.84, 1.34, -17

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 16 / 20 / 0 / 8

HEX #C6BDEB

RGB 198 189 235

HSL 251.74, 0.53%, 0.83%

LAB 78.69, 12.2, -21.7

 

CMYK 11 / 20 / 0 / 8

HEX #D2BDEB

RGB 210 189 235

HSL 267.39, 0.53%, 0.83%

LAB 79.67, 16.01, -20.13

 

CMYK 41 / 39 / 0 / 16

HEX #7E83D7

RGB 126 131 215

HSL 236.63, 0.53%, 0.67%

LAB 57.63, 19.18, -43.75

 

CMYK 30 / 28 / 0 / 12

HEX #9DA2E1

RGB 157 162 225

HSL 235.59, 0.53%, 0.75%

LAB 68.35, 12.42, -32.39

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 10 / 9 / 0 / 4

HEX #DCDEF4

RGB 220 222 244

HSL 235, 0.52%, 0.91%

LAB 88.92, 3.49, -10.94

 

CMYK 1 / 1 / 0 / 0

HEX #FCFCFE

RGB 252 252 254

HSL 240, 0.5%, 0.99%

LAB 99.01, 0.36, -0.96

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 0 / 20 / 3 / 8

HEX #EBBDE4

RGB 235 189 228

HSL 309.13, 0.53%, 0.83%

LAB 81.65, 22.88, -13.16

 

CMYK 11 / 0 / 20 / 8

HEX #D2EBBD

RGB 210 235 189

HSL 92.61, 0.53%, 0.83%

LAB 90.23, -16.29, 19.62

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 0 / 20 / 18 / 8

HEX #EBBDC0

RGB 235 189 192

HSL 356.09, 0.53%, 0.83%

LAB 80.66, 16.92, 4.75

 

CMYK 18 / 0 / 20 / 8

HEX #C0EBBD

RGB 192 235 189

HSL 116.09, 0.53%, 0.83%

LAB 89.06, -22.44, 17.82

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 0 / 20 / 3 / 8

HEX #EBBDE4

RGB 235 189 228

HSL 309.13, 0.53%, 0.83%

LAB 81.65, 22.88, -13.16

 

CMYK 0 / 1 / 20 / 8

HEX #EBE8BD

RGB 235 232 189

HSL 56.09, 0.53%, 0.83%

LAB 91.26, -5.88, 21.33

 

CMYK 20 / 0 / 17 / 8

HEX #BDEBC3

RGB 189 235 195

HSL 127.83, 0.53%, 0.83%

LAB 89.01, -22.4, 14.6

 

CMYK 20 / 18 / 0 / 8

HEX #BDC0EB

RGB 189 192 235

HSL 236.09, 0.53%, 0.83%

LAB 78.76, 7.77, -21.66

 

CMYK 0 / 20 / 9 / 8

HEX #EBBDD7

RGB 235 189 215

HSL 326.09, 0.53%, 0.83%

LAB 81.27, 20.62, -6.74

 

CMYK 0 / 1 / 20 / 8

HEX #EBE8BD

RGB 235 232 189

HSL 56.09, 0.53%, 0.83%

LAB 91.26, -5.88, 21.33

 

CMYK 20 / 0 / 11 / 8

HEX #BDEBD1

RGB 189 235 209

HSL 146.09, 0.53%, 0.83%

LAB 89.32, -19.85, 7.75

 

Description

Color code: HEX #BDC0EB3F | qconv.com Color code: HEX #BDC0EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 192 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 192 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 5 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 5% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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