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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB923 it is the complementary color #4246DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB923 shade: #C2B91E, #D3CB31, #E4DD44, #F5EF57 and #FFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB923 shade: #BDB923, #ACA710, #9B9500, #8A8300 and #797100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB923 shade: #BEBA23, #BE9023, #BE6623, #BE3C23 and #BE2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB923 shade: #BEBA23, #98BE23, #6EBE23, #44BE23 and #23BE2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB923 shade matches the following richer shades: #BEBA23 and #D0CB11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB923 shade: #BEBA23, #ABA835, #999747, #878659 and #75756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB923 shade: #BE6623, #BE8F23, #BEB823, #99BE23 and #70BE23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB923 shade: #787516, #9B971C, #BEBA23, #D9D531 and #E0DC53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB923 shade: #BDB923, #23BE3D and #7B23BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB923 shade: #BDB923, #23BEB8 and #B823BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB923 shade: #BDB923, #23BE3D, #2328BE and #BE23A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB923 shade: #BDB923, #23BE6B, #2328BE and #BE2375

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

Complementary color

CMYK 70 / 68 / 0 / 14

HEX #4246DC

RGB 66 70 220

HSL 238.44, 0.69%, 0.56%

LAB 39.08, 46.25, -76.71

 

CMYK 0 / 5 / 85 / 24

HEX #C2B91E

RGB 194 185 30

HSL 56.71, 0.73%, 0.44%

LAB 73.71, -12.53, 70.71

 

CMYK 0 / 4 / 77 / 17

HEX #D3CB31

RGB 211 203 49

HSL 57.04, 0.65%, 0.51%

LAB 80.06, -13.74, 71.64

 

CMYK 0 / 3 / 70 / 11

HEX #E4DD44

RGB 228 221 68

HSL 57.38, 0.75%, 0.58%

LAB 86.32, -14.76, 71.73

 

CMYK 0 / 2 / 64 / 4

HEX #F5EF57

RGB 245 239 87

HSL 57.72, 0.89%, 0.65%

LAB 92.5, -15.62, 71.32

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6A

RGB 255 255 106

HSL 60, 1%, 0.71%

LAB 97.56, -18.18, 69.3

 

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

CMYK 0 / 3 / 91 / 33

HEX #ACA710

RGB 172 167 16

HSL 58.08, 0.83%, 0.37%

LAB 66.86, -13.25, 67.2

 

CMYK 0 / 4 / 100 / 39

HEX #9B9500

RGB 155 149 0

HSL 57.68, 1%, 0.3%

LAB 60.31, -11.71, 63.9

 

CMYK 0 / 5 / 100 / 46

HEX #8A8300

RGB 138 131 0

HSL 56.96, 1%, 0.27%

LAB 53.64, -9.89, 58.37

 

CMYK 0 / 7 / 100 / 53

HEX #797100

RGB 121 113 0

HSL 56.03, 1%, 0.24%

LAB 46.81, -8, 52.71

 

CMYK 0 / 2 / 82 / 25

HEX #BEBA23

RGB 190 186 35

HSL 58.45, 0.69%, 0.44%

LAB 73.67, -14.64, 69.31

 

CMYK 0 / 24 / 82 / 25

HEX #BE9023

RGB 190 144 35

HSL 42.19, 0.69%, 0.44%

LAB 62.52, 7.61, 59.63

 

CMYK 0 / 46 / 82 / 25

HEX #BE6623

RGB 190 102 35

HSL 25.94, 0.69%, 0.44%

LAB 52.48, 30.62, 50.62

 

CMYK 0 / 68 / 82 / 25

HEX #BE3C23

RGB 190 60 35

HSL 9.68, 0.69%, 0.44%

LAB 44.66, 50.81, 43.32

 

CMYK 0 / 82 / 82 / 25

HEX #BE2323

RGB 190 35 35

HSL 0, 0.69%, 0.44%

LAB 41.64, 59.18, 40.41

 

CMYK 0 / 2 / 82 / 25

HEX #BEBA23

RGB 190 186 35

HSL 58.45, 0.69%, 0.44%

LAB 73.67, -14.64, 69.31

 

CMYK 20 / 0 / 82 / 25

HEX #98BE23

RGB 152 190 35

HSL 74.71, 0.69%, 0.44%

LAB 71.98, -32.59, 66.74

 

CMYK 42 / 0 / 82 / 25

HEX #6EBE23

RGB 110 190 35

HSL 90.97, 0.69%, 0.44%

LAB 69.66, -48.22, 63.79

 

CMYK 64 / 0 / 82 / 25

HEX #44BE23

RGB 68 190 35

HSL 107.23, 0.69%, 0.44%

LAB 68.15, -59.97, 61.86

 

CMYK 82 / 0 / 77 / 25

HEX #23BE2B

RGB 35 190 43

HSL 123.1, 0.69%, 0.44%

LAB 67.55, -65, 58.68

 

CMYK 0 / 2 / 82 / 25

HEX #BEBA23

RGB 190 186 35

HSL 58.45, 0.69%, 0.44%

LAB 73.67, -14.64, 69.31

 

CMYK 0 / 2 / 92 / 18

HEX #D0CB11

RGB 208 203 17

HSL 58.43, 0.85%, 0.44%

LAB 79.71, -15.83, 78.31

 

CMYK 0 / 2 / 82 / 25

HEX #BEBA23

RGB 190 186 35

HSL 58.45, 0.69%, 0.44%

LAB 73.67, -14.64, 69.31

 

CMYK 0 / 2 / 69 / 33

HEX #ABA835

RGB 171 168 53

HSL 58.47, 0.53%, 0.44%

LAB 67.22, -12.9, 56.88

 

CMYK 0 / 1 / 54 / 40

HEX #999747

RGB 153 151 71

HSL 58.54, 0.37%, 0.44%

LAB 61.1, -10.51, 41.82

 

CMYK 0 / 1 / 34 / 47

HEX #878659

RGB 135 134 89

HSL 58.7, 0.21%, 0.44%

LAB 54.99, -7.03, 24.41

 

CMYK 0 / 0 / 9 / 54

HEX #75756B

RGB 117 117 107

HSL 60, 0.04%, 0.44%

LAB 48.97, -1.94, 5.51

 

CMYK 0 / 46 / 82 / 25

HEX #BE6623

RGB 190 102 35

HSL 25.94, 0.69%, 0.44%

LAB 52.48, 30.62, 50.62

 

CMYK 0 / 25 / 82 / 25

HEX #BE8F23

RGB 190 143 35

HSL 41.81, 0.69%, 0.44%

LAB 62.26, 8.16, 59.41

 

CMYK 0 / 3 / 82 / 25

HEX #BEB823

RGB 190 184 35

HSL 57.68, 0.69%, 0.44%

LAB 73.12, -13.62, 68.84

 

CMYK 19 / 0 / 82 / 25

HEX #99BE23

RGB 153 190 35

HSL 74.32, 0.69%, 0.44%

LAB 72.04, -32.18, 66.82

 

CMYK 41 / 0 / 82 / 25

HEX #70BE23

RGB 112 190 35

HSL 90.19, 0.69%, 0.44%

LAB 69.75, -47.55, 63.91

 

CMYK 0 / 3 / 82 / 53

HEX #787516

RGB 120 117 22

HSL 58.16, 0.69%, 0.28%

LAB 47.97, -10.12, 48.29

 

CMYK 0 / 3 / 82 / 39

HEX #9B971C

RGB 155 151 28

HSL 58.11, 0.69%, 0.36%

LAB 60.95, -12.18, 59.07

 

CMYK 0 / 2 / 82 / 25

HEX #BEBA23

RGB 190 186 35

HSL 58.45, 0.69%, 0.44%

LAB 73.67, -14.64, 69.31

 

CMYK 0 / 2 / 77 / 15

HEX #D9D531

RGB 217 213 49

HSL 58.57, 0.69%, 0.52%

LAB 83.21, -16.19, 74.66

 

CMYK 0 / 2 / 63 / 12

HEX #E0DC53

RGB 224 220 83

HSL 58.3, 0.69%, 0.6%

LAB 85.84, -15.1, 65.42

 

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

CMYK 82 / 0 / 68 / 25

HEX #23BE3D

RGB 35 190 61

HSL 130.06, 0.69%, 0.44%

LAB 67.67, -63.49, 52.23

 

CMYK 35 / 82 / 0 / 25

HEX #7B23BE

RGB 123 35 190

HSL 274.06, 0.69%, 0.44%

LAB 36.23, 62.32, -63.75

 

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

CMYK 82 / 0 / 3 / 25

HEX #23BEB8

RGB 35 190 184

HSL 177.68, 0.69%, 0.44%

LAB 69.93, -38.64, -7.91

 

CMYK 3 / 82 / 0 / 25

HEX #B823BE

RGB 184 35 190

HSL 297.68, 0.69%, 0.44%

LAB 45.78, 72.84, -47.85

 

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

CMYK 82 / 0 / 68 / 25

HEX #23BE3D

RGB 35 190 61

HSL 130.06, 0.69%, 0.44%

LAB 67.67, -63.49, 52.23

 

CMYK 82 / 79 / 0 / 25

HEX #2328BE

RGB 35 40 190

HSL 238.06, 0.69%, 0.44%

LAB 28.36, 50.56, -77.02

 

CMYK 0 / 82 / 14 / 25

HEX #BE23A4

RGB 190 35 164

HSL 310.06, 0.69%, 0.44%

LAB 45.4, 70.15, -33.05

 

CMYK 0 / 2 / 81 / 26

HEX #BDB923

RGB 189 185 35

HSL 58.44, 0.69%, 0.44%

LAB 73.31, -14.56, 68.97

 

CMYK 82 / 0 / 44 / 25

HEX #23BE6B

RGB 35 190 107

HSL 147.87, 0.69%, 0.44%

LAB 68.2, -57.06, 31.21

 

CMYK 82 / 79 / 0 / 25

HEX #2328BE

RGB 35 40 190

HSL 238.06, 0.69%, 0.44%

LAB 28.36, 50.56, -77.02

 

CMYK 0 / 82 / 38 / 25

HEX #BE2375

RGB 190 35 117

HSL 328.26, 0.69%, 0.44%

LAB 43.41, 64.49, -7.54

 

Description

Color code: HEX #BDB923 | qconv.com Color code: HEX #BDB923 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 185 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 185 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 81 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 81% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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