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Color name
HEX #BDB121

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB121 it is the complementary color #424EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB121 shade: #C2B11C, #D3C32F, #E4D542, #F5E755 and #FFF968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB121 shade: #BDB121, #AC9F0E, #9B8D00, #8A7B00 and #796900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB121 shade: #BFB322, #BF8822, #BF5E22, #BF3422 and #BF2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB121 shade: #BFB322, #A0BF22, #76BF22, #4CBF22 and #22BF22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB121 shade matches the following richer shades: #BFB322 and #D1C210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB121 shade: #BFB322, #ADA334, #9A9446, #888558 and #76756A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB121 shade: #BF5E22, #BF8822, #BFB222, #A2BF22 and #78BF22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB121 shade: #797115, #9C921B, #BFB322, #DACD2F and #E1D652

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB121 shade: #BDB121, #22BF34 and #7322BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB121 shade: #BDB121, #22BFB2 and #B222BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB121 shade: #BDB121, #22BF34, #222FBF and #BF22AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB121 shade: #BDB121, #22BF63, #222FBF and #BF227D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

Complementary color

CMYK 70 / 65 / 0 / 13

HEX #424EDE

RGB 66 78 222

HSL 235.38, 0.7%, 0.56%

LAB 41.03, 42.16, -74.66

 

CMYK 0 / 9 / 86 / 24

HEX #C2B11C

RGB 194 177 28

HSL 53.86, 0.75%, 0.44%

LAB 71.55, -8.46, 69.39

 

CMYK 0 / 8 / 78 / 17

HEX #D3C32F

RGB 211 195 47

HSL 54.15, 0.65%, 0.51%

LAB 77.92, -9.76, 70.33

 

CMYK 0 / 7 / 71 / 11

HEX #E4D542

RGB 228 213 66

HSL 54.44, 0.75%, 0.58%

LAB 84.21, -10.87, 70.4

 

CMYK 0 / 6 / 65 / 4

HEX #F5E755

RGB 245 231 85

HSL 54.75, 0.89%, 0.65%

LAB 90.42, -11.81, 69.95

 

CMYK 0 / 2 / 59 / 0

HEX #FFF968

RGB 255 249 104

HSL 57.62, 1%, 0.7%

LAB 96, -15.42, 68.42

 

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

CMYK 0 / 8 / 92 / 33

HEX #AC9F0E

RGB 172 159 14

HSL 55.06, 0.85%, 0.36%

LAB 64.64, -9.1, 65.8

 

CMYK 0 / 9 / 100 / 39

HEX #9B8D00

RGB 155 141 0

HSL 54.58, 1%, 0.3%

LAB 58.05, -7.43, 62.28

 

CMYK 0 / 11 / 100 / 46

HEX #8A7B00

RGB 138 123 0

HSL 53.48, 1%, 0.27%

LAB 51.35, -5.49, 56.72

 

CMYK 0 / 13 / 100 / 53

HEX #796900

RGB 121 105 0

HSL 52.07, 1%, 0.24%

LAB 44.47, -3.46, 51.03

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 0 / 29 / 82 / 25

HEX #BF8822

RGB 191 136 34

HSL 38.98, 0.7%, 0.44%

LAB 60.6, 12.41, 58.32

 

CMYK 0 / 51 / 82 / 25

HEX #BF5E22

RGB 191 94 34

HSL 22.93, 0.7%, 0.44%

LAB 50.92, 35.21, 49.67

 

CMYK 0 / 73 / 82 / 25

HEX #BF3422

RGB 191 52 34

HSL 6.88, 0.7%, 0.44%

LAB 43.72, 54.16, 43

 

CMYK 0 / 82 / 82 / 25

HEX #BF2222

RGB 191 34 34

HSL 0, 0.7%, 0.44%

LAB 41.75, 59.7, 41.12

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 16 / 0 / 82 / 25

HEX #A0BF22

RGB 160 191 34

HSL 71.85, 0.7%, 0.44%

LAB 72.79, -29.84, 67.92

 

CMYK 38 / 0 / 82 / 25

HEX #76BF22

RGB 118 191 34

HSL 87.9, 0.7%, 0.44%

LAB 70.34, -45.94, 64.81

 

CMYK 60 / 0 / 82 / 25

HEX #4CBF22

RGB 76 191 34

HSL 103.95, 0.7%, 0.44%

LAB 68.69, -58.51, 62.7

 

CMYK 82 / 0 / 82 / 25

HEX #22BF22

RGB 34 191 34

HSL 120, 0.7%, 0.44%

LAB 67.81, -65.96, 61.58

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 0 / 7 / 92 / 18

HEX #D1C210

RGB 209 194 16

HSL 55.34, 0.86%, 0.44%

LAB 77.39, -10.88, 76.71

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 0 / 6 / 70 / 32

HEX #ADA334

RGB 173 163 52

HSL 55.04, 0.54%, 0.44%

LAB 66, -9.47, 56.12

 

CMYK 0 / 4 / 55 / 40

HEX #9A9446

RGB 154 148 70

HSL 55.71, 0.38%, 0.44%

LAB 60.33, -8.56, 41.44

 

CMYK 0 / 2 / 35 / 47

HEX #888558

RGB 136 133 88

HSL 56.25, 0.21%, 0.44%

LAB 54.78, -6.18, 24.7

 

CMYK 0 / 1 / 10 / 54

HEX #76756A

RGB 118 117 106

HSL 55, 0.05%, 0.44%

LAB 49.03, -1.73, 6.2

 

CMYK 0 / 51 / 82 / 25

HEX #BF5E22

RGB 191 94 34

HSL 22.93, 0.7%, 0.44%

LAB 50.92, 35.21, 49.67

 

CMYK 0 / 29 / 82 / 25

HEX #BF8822

RGB 191 136 34

HSL 38.98, 0.7%, 0.44%

LAB 60.6, 12.41, 58.32

 

CMYK 0 / 7 / 82 / 25

HEX #BFB222

RGB 191 178 34

HSL 55.03, 0.7%, 0.44%

LAB 71.58, -10.13, 67.82

 

CMYK 15 / 0 / 82 / 25

HEX #A2BF22

RGB 162 191 34

HSL 71.08, 0.7%, 0.44%

LAB 72.93, -29.01, 68.09

 

CMYK 37 / 0 / 82 / 25

HEX #78BF22

RGB 120 191 34

HSL 87.13, 0.7%, 0.44%

LAB 70.43, -45.24, 64.93

 

CMYK 0 / 7 / 83 / 53

HEX #797115

RGB 121 113 21

HSL 55.2, 0.7%, 0.28%

LAB 46.88, -7.45, 47.68

 

CMYK 0 / 6 / 83 / 39

HEX #9C921B

RGB 156 146 27

HSL 55.35, 0.7%, 0.36%

LAB 59.62, -9.1, 58.24

 

CMYK 0 / 6 / 82 / 25

HEX #BFB322

RGB 191 179 34

HSL 55.41, 0.7%, 0.44%

LAB 71.85, -10.65, 68.05

 

CMYK 0 / 6 / 78 / 15

HEX #DACD2F

RGB 218 205 47

HSL 55.44, 0.7%, 0.52%

LAB 81.17, -11.84, 73.45

 

CMYK 0 / 5 / 64 / 12

HEX #E1D652

RGB 225 214 82

HSL 55.38, 0.7%, 0.6%

LAB 84.33, -11.76, 64.27

 

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

CMYK 82 / 0 / 73 / 25

HEX #22BF34

RGB 34 191 52

HSL 126.88, 0.7%, 0.44%

LAB 67.91, -64.73, 55.95

 

CMYK 40 / 82 / 0 / 25

HEX #7322BF

RGB 115 34 191

HSL 270.96, 0.7%, 0.44%

LAB 35.1, 61.69, -66.23

 

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

CMYK 82 / 0 / 7 / 25

HEX #22BFB2

RGB 34 191 178

HSL 175.03, 0.7%, 0.44%

LAB 70.05, -40.89, -4.45

 

CMYK 7 / 82 / 0 / 25

HEX #B222BF

RGB 178 34 191

HSL 295.03, 0.7%, 0.44%

LAB 44.76, 72.12, -50.13

 

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

CMYK 82 / 0 / 73 / 25

HEX #22BF34

RGB 34 191 52

HSL 126.88, 0.7%, 0.44%

LAB 67.91, -64.73, 55.95

 

CMYK 82 / 75 / 0 / 25

HEX #222FBF

RGB 34 47 191

HSL 235.03, 0.7%, 0.44%

LAB 29.75, 47.06, -75.31

 

CMYK 0 / 82 / 10 / 25

HEX #BF22AC

RGB 191 34 172

HSL 307.26, 0.7%, 0.44%

LAB 45.91, 71.71, -36.99

 

CMYK 0 / 6 / 83 / 26

HEX #BDB121

RGB 189 177 33

HSL 55.38, 0.7%, 0.44%

LAB 71.13, -10.52, 67.63

 

CMYK 82 / 0 / 48 / 25

HEX #22BF63

RGB 34 191 99

HSL 144.84, 0.7%, 0.44%

LAB 68.39, -58.89, 35.53

 

CMYK 82 / 75 / 0 / 25

HEX #222FBF

RGB 34 47 191

HSL 235.03, 0.7%, 0.44%

LAB 29.75, 47.06, -75.31

 

CMYK 0 / 82 / 35 / 25

HEX #BF227D

RGB 191 34 125

HSL 325.22, 0.7%, 0.44%

LAB 43.8, 65.81, -11.87

 

Description

Color code: HEX #BDB121 | qconv.com Color code: HEX #BDB121 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 177 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 177 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 83 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 83% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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