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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAD3F it is the complementary color #4252C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAD3F shade: #C2AD3A, #D3BF4D, #E4D160, #F5E373 and #FFF586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAD3F shade: #BDAD3F, #AC9B2C, #9B8919, #8A7706 and #796500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAD3F shade: #BBAC3E, #BB8A3E, #BB683E, #BB463E and #BB3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAD3F shade: #BBAC3E, #AABB3E, #88BB3E, #66BB3E and #45BB3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAD3F shade matches the following richer shades: #BBAC3E, #D0BB2A, #E4CA16 and #F8D902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAD3F shade: #BBAC3E, #A79C53, #938D67, #7F7E7B and #6B6F8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAD3F shade: #BB683E, #BB893E, #BBAB3E, #ABBB3E and #89BB3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAD3F shade: #7E732A, #9C8F34, #BBAC3E, #C8BA5B and #D3C77A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAD3F shade: #BDAD3F, #3EBB47 and #793EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAD3F shade: #BDAD3F, #3EBBAB and #AB3EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAD3F shade: #BDAD3F, #3EBB47, #3E4FBB and #BB3EB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAD3F shade: #BDAD3F, #3EBB6C, #3E4FBB and #BB3E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

Complementary color

CMYK 66 / 57 / 0 / 25

HEX #4252C0

RGB 66 82 192

HSL 232.38, 0.5%, 0.51%

LAB 39.58, 29.3, -59.71

 

CMYK 0 / 11 / 70 / 24

HEX #C2AD3A

RGB 194 173 58

HSL 50.74, 0.54%, 0.49%

LAB 70.64, -5.24, 59.01

 

CMYK 0 / 9 / 64 / 17

HEX #D3BF4D

RGB 211 191 77

HSL 51.04, 0.6%, 0.56%

LAB 77.07, -6.24, 58.28

 

CMYK 0 / 8 / 58 / 11

HEX #E4D160

RGB 228 209 96

HSL 51.36, 0.71%, 0.64%

LAB 83.41, -7.08, 57.3

 

CMYK 0 / 7 / 53 / 4

HEX #F5E373

RGB 245 227 115

HSL 51.69, 0.87%, 0.71%

LAB 89.67, -7.79, 56.2

 

CMYK 0 / 4 / 47 / 0

HEX #FFF586

RGB 255 245 134

HSL 55.04, 1%, 0.76%

LAB 95.28, -11.15, 54.24

 

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

CMYK 0 / 10 / 74 / 33

HEX #AC9B2C

RGB 172 155 44

HSL 52.03, 0.59%, 0.42%

LAB 63.67, -6.06, 56.87

 

CMYK 0 / 12 / 84 / 39

HEX #9B8919

RGB 155 137 25

HSL 51.69, 0.72%, 0.35%

LAB 57.01, -4.75, 56.53

 

CMYK 0 / 14 / 96 / 46

HEX #8A7706

RGB 138 119 6

HSL 51.36, 0.92%, 0.28%

LAB 50.23, -3.14, 54.72

 

CMYK 0 / 17 / 100 / 53

HEX #796500

RGB 121 101 0

HSL 50.08, 1%, 0.24%

LAB 43.32, -1.15, 50.22

 

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 0 / 26 / 67 / 27

HEX #BB8A3E

RGB 187 138 62

HSL 36.48, 0.5%, 0.49%

LAB 60.86, 10.84, 46.82

 

CMYK 0 / 44 / 67 / 27

HEX #BB683E

RGB 187 104 62

HSL 20.16, 0.5%, 0.49%

LAB 52.74, 29.56, 37.69

 

CMYK 0 / 63 / 67 / 27

HEX #BB463E

RGB 187 70 62

HSL 3.84, 0.5%, 0.49%

LAB 46.03, 46.67, 29.73

 

CMYK 0 / 67 / 67 / 27

HEX #BB3E3E

RGB 187 62 62

HSL 0, 0.5%, 0.49%

LAB 44.74, 50.15, 28.15

 

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 9 / 0 / 67 / 27

HEX #AABB3E

RGB 170 187 62

HSL 68.16, 0.5%, 0.49%

LAB 72.52, -22.42, 58.69

 

CMYK 27 / 0 / 67 / 27

HEX #88BB3E

RGB 136 187 62

HSL 84.48, 0.5%, 0.49%

LAB 70.26, -36.01, 55.64

 

CMYK 45 / 0 / 67 / 27

HEX #66BB3E

RGB 102 187 62

HSL 100.8, 0.5%, 0.49%

LAB 68.54, -47.86, 53.3

 

CMYK 63 / 0 / 67 / 27

HEX #45BB3E

RGB 69 187 62

HSL 116.64, 0.5%, 0.49%

LAB 67.39, -56.73, 51.73

 

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 0 / 10 / 80 / 18

HEX #D0BB2A

RGB 208 187 42

HSL 52.41, 0.66%, 0.49%

LAB 75.52, -7.13, 69.59

 

CMYK 0 / 11 / 90 / 11

HEX #E4CA16

RGB 228 202 22

HSL 52.43, 0.82%, 0.49%

LAB 81.18, -6.65, 79.47

 

CMYK 0 / 13 / 99 / 3

HEX #F8D902

RGB 248 217 2

HSL 52.44, 0.98%, 0.49%

LAB 86.79, -5.89, 86.58

 

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 0 / 7 / 50 / 35

HEX #A79C53

RGB 167 156 83

HSL 52.14, 0.34%, 0.49%

LAB 63.85, -6.08, 39.37

 

CMYK 0 / 4 / 30 / 42

HEX #938D67

RGB 147 141 103

HSL 51.82, 0.18%, 0.49%

LAB 58.26, -4.02, 21.12

 

CMYK 0 / 1 / 3 / 50

HEX #7F7E7B

RGB 127 126 123

HSL 45, 0.02%, 0.49%

LAB 52.8, -0.21, 1.76

 

CMYK 25 / 22 / 0 / 44

HEX #6B6F8F

RGB 107 111 143

HSL 233.33, 0.14%, 0.49%

LAB 47.6, 5.96, -17.97

 

CMYK 0 / 44 / 67 / 27

HEX #BB683E

RGB 187 104 62

HSL 20.16, 0.5%, 0.49%

LAB 52.74, 29.56, 37.69

 

CMYK 0 / 27 / 67 / 27

HEX #BB893E

RGB 187 137 62

HSL 36, 0.5%, 0.49%

LAB 60.61, 11.39, 46.54

 

CMYK 0 / 9 / 67 / 27

HEX #BBAB3E

RGB 187 171 62

HSL 52.32, 0.5%, 0.49%

LAB 69.5, -7.01, 56.01

 

CMYK 9 / 0 / 67 / 27

HEX #ABBB3E

RGB 171 187 62

HSL 67.68, 0.5%, 0.49%

LAB 72.59, -22, 58.79

 

CMYK 27 / 0 / 67 / 27

HEX #89BB3E

RGB 137 187 62

HSL 84, 0.5%, 0.49%

LAB 70.32, -35.63, 55.72

 

CMYK 0 / 9 / 67 / 51

HEX #7E732A

RGB 126 115 42

HSL 52.14, 0.5%, 0.33%

LAB 48.09, -5.13, 40.6

 

CMYK 0 / 8 / 67 / 39

HEX #9C8F34

RGB 156 143 52

HSL 52.5, 0.5%, 0.41%

LAB 58.94, -6.31, 48.4

 

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 0 / 7 / 55 / 22

HEX #C8BA5B

RGB 200 186 91

HSL 52.29, 0.5%, 0.57%

LAB 74.92, -7.27, 49.25

 

CMYK 0 / 6 / 42 / 17

HEX #D3C77A

RGB 211 199 122

HSL 51.91, 0.5%, 0.65%

LAB 79.67, -6.61, 39.98

 

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

CMYK 67 / 0 / 62 / 27

HEX #3EBB47

RGB 62 187 71

HSL 124.32, 0.5%, 0.49%

LAB 67.29, -57.25, 47.7

 

CMYK 35 / 67 / 0 / 27

HEX #793EBB

RGB 121 62 187

HSL 268.32, 0.5%, 0.49%

LAB 39.75, 49.89, -56.29

 

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

CMYK 67 / 0 / 9 / 27

HEX #3EBBAB

RGB 62 187 171

HSL 172.32, 0.5%, 0.49%

LAB 69.12, -37.76, -1.92

 

CMYK 9 / 67 / 0 / 27

HEX #AB3EBB

RGB 171 62 187

HSL 292.32, 0.5%, 0.49%

LAB 46.57, 60.96, -44.97

 

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

CMYK 67 / 0 / 62 / 27

HEX #3EBB47

RGB 62 187 71

HSL 124.32, 0.5%, 0.49%

LAB 67.29, -57.25, 47.7

 

CMYK 67 / 58 / 0 / 27

HEX #3E4FBB

RGB 62 79 187

HSL 231.84, 0.5%, 0.49%

LAB 38.21, 28.84, -59.03

 

CMYK 0 / 67 / 4 / 27

HEX #BB3EB3

RGB 187 62 179

HSL 303.84, 0.5%, 0.49%

LAB 48.59, 63.35, -36.92

 

CMYK 0 / 8 / 67 / 26

HEX #BDAD3F

RGB 189 173 63

HSL 52.38, 0.5%, 0.49%

LAB 70.22, -7.13, 56.4

 

CMYK 67 / 0 / 42 / 27

HEX #3EBB6C

RGB 62 187 108

HSL 142.08, 0.5%, 0.49%

LAB 67.76, -51.9, 30.21

 

CMYK 67 / 58 / 0 / 27

HEX #3E4FBB

RGB 62 79 187

HSL 231.84, 0.5%, 0.49%

LAB 38.21, 28.84, -59.03

 

CMYK 0 / 67 / 24 / 27

HEX #BB3E8E

RGB 187 62 142

HSL 321.6, 0.5%, 0.49%

LAB 46.93, 57.85, -17.54

 

Description

Color code: HEX #BDAD3F | qconv.com Color code: HEX #BDAD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 173 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 173 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 67 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 67% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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