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Color name
HEX #BDACDA

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDACDA it is the complementary color #425325. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDACDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDACDA shade: #C2ACD5, #D3BEE8, #E4D0FB, #F5E2FF and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDACDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDACDA shade: #BDACDA, #AC9AC7, #9B88B4, #8A76A1 and #79648E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDACDA shade: #BCABD9, #C8ABD9, #D5ABD9, #D9ABD1 and #D9ABC4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDACDA shade: #BCABD9, #AFABD9 and #ABABD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDACDA shade matches the following richer shades: #BCABD9, #B9A1E3, #B797ED and #B48DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDACDA shade: #BCABD9, #BEB4CF, #C1BEC5, #C3C8BB and #C6D2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDACDA shade: #ABB2D9, #AFABD9, #BCABD9, #C8ABD9 and #D4ABD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDACDA shade: #8E72BF, #A58ECC, #BCABD9, #D2C7E6 and #E9E3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDACDA shade: #BDACDA, #D9ABBF and #ACD9AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDACDA shade: #BDACDA, #D9BCAB and #ABD9BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDACDA shade: #BDACDA, #D9ABBF, #C8D9AB and #ABD9C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDACDA shade: #BDACDA, #D9ABB1, #C8D9AB and #ABD9D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

Complementary color

CMYK 20 / 0 / 55 / 67

HEX #425325

RGB 66 83 37

HSL 82.17, 0.38%, 0.24%

LAB 32.87, -15.24, 24.57

 

CMYK 9 / 19 / 0 / 16

HEX #C2ACD5

RGB 194 172 213

HSL 272.2, 0.33%, 0.75%

LAB 73.4, 15.6, -17.82

 

CMYK 9 / 18 / 0 / 9

HEX #D3BEE8

RGB 211 190 232

HSL 270, 0.48%, 0.83%

LAB 79.9, 15.19, -18.16

 

CMYK 9 / 17 / 0 / 2

HEX #E4D0FB

RGB 228 208 251

HSL 267.91, 0.84%, 0.9%

LAB 86.29, 14.81, -18.5

 

CMYK 4 / 11 / 0 / 0

HEX #F5E2FF

RGB 245 226 255

HSL 279.31, 1%, 0.94%

LAB 92.14, 11.59, -11.69

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

CMYK 14 / 23 / 0 / 22

HEX #AC9AC7

RGB 172 154 199

HSL 264, 0.29%, 0.69%

LAB 66.52, 15.45, -20.71

 

CMYK 14 / 24 / 0 / 29

HEX #9B88B4

RGB 155 136 180

HSL 265.91, 0.23%, 0.62%

LAB 59.77, 15.93, -20.45

 

CMYK 14 / 27 / 0 / 37

HEX #8A76A1

RGB 138 118 161

HSL 267.91, 0.19%, 0.55%

LAB 52.88, 16.46, -20.21

 

CMYK 15 / 30 / 0 / 44

HEX #79648E

RGB 121 100 142

HSL 270, 0.17%, 0.47%

LAB 45.81, 17.05, -20

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 8 / 21 / 0 / 15

HEX #C8ABD9

RGB 200 171 217

HSL 277.83, 0.38%, 0.76%

LAB 73.81, 18.92, -19.33

 

CMYK 2 / 21 / 0 / 15

HEX #D5ABD9

RGB 213 171 217

HSL 294.78, 0.38%, 0.76%

LAB 75, 23.21, -17.42

 

CMYK 0 / 21 / 4 / 15

HEX #D9ABD1

RGB 217 171 209

HSL 310.43, 0.38%, 0.76%

LAB 75.13, 23.07, -12.82

 

CMYK 0 / 21 / 10 / 15

HEX #D9ABC4

RGB 217 171 196

HSL 327.39, 0.38%, 0.76%

LAB 74.74, 20.8, -6.29

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 19 / 21 / 0 / 15

HEX #AFABD9

RGB 175 171 217

HSL 245.22, 0.38%, 0.76%

LAB 71.72, 10.9, -22.7

 

CMYK 21 / 21 / 0 / 15

HEX #ABABD9

RGB 171 171 217

HSL 240, 0.38%, 0.76%

LAB 71.41, 9.66, -23.2

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 19 / 29 / 0 / 11

HEX #B9A1E3

RGB 185 161 227

HSL 261.82, 0.54%, 0.76%

LAB 70.42, 21.81, -30.1

 

CMYK 23 / 36 / 0 / 7

HEX #B797ED

RGB 183 151 237

HSL 262.33, 0.7%, 0.76%

LAB 68.25, 29.07, -38.96

 

CMYK 27 / 43 / 0 / 3

HEX #B48DF7

RGB 180 141 247

HSL 262.08, 0.87%, 0.76%

LAB 66.11, 36.16, -47.82

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 8 / 13 / 0 / 19

HEX #BEB4CF

RGB 190 180 207

HSL 262.22, 0.22%, 0.76%

LAB 74.88, 8.68, -12.34

 

CMYK 2 / 4 / 0 / 23

HEX #C1BEC5

RGB 193 190 197

HSL 265.71, 0.06%, 0.76%

LAB 77.4, 2.35, -3.15

 

CMYK 3 / 0 / 7 / 22

HEX #C3C8BB

RGB 195 200 187

HSL 83.08, 0.11%, 0.76%

LAB 79.9, -4.07, 5.89

 

CMYK 6 / 0 / 16 / 18

HEX #C6D2B1

RGB 198 210 177

HSL 81.82, 0.27%, 0.76%

LAB 82.53, -9.87, 15

 

CMYK 21 / 18 / 0 / 15

HEX #ABB2D9

RGB 171 178 217

HSL 230.87, 0.38%, 0.76%

LAB 73.23, 5.8, -20.44

 

CMYK 19 / 21 / 0 / 15

HEX #AFABD9

RGB 175 171 217

HSL 245.22, 0.38%, 0.76%

LAB 71.72, 10.9, -22.7

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 8 / 21 / 0 / 15

HEX #C8ABD9

RGB 200 171 217

HSL 277.83, 0.38%, 0.76%

LAB 73.81, 18.92, -19.33

 

CMYK 2 / 21 / 0 / 15

HEX #D4ABD9

RGB 212 171 217

HSL 293.48, 0.38%, 0.76%

LAB 74.91, 22.88, -17.57

 

CMYK 26 / 40 / 0 / 25

HEX #8E72BF

RGB 142 114 191

HSL 261.82, 0.38%, 0.6%

LAB 53.54, 27.2, -36.48

 

CMYK 19 / 30 / 0 / 20

HEX #A58ECC

RGB 165 142 204

HSL 262.26, 0.38%, 0.68%

LAB 63.1, 21.12, -28.81

 

CMYK 13 / 21 / 0 / 15

HEX #BCABD9

RGB 188 171 217

HSL 262.17, 0.38%, 0.76%

LAB 72.78, 15.03, -21

 

CMYK 9 / 13 / 0 / 10

HEX #D2C7E6

RGB 210 199 230

HSL 261.29, 0.38%, 0.84%

LAB 81.98, 9.63, -13.96

 

CMYK 4 / 7 / 0 / 5

HEX #E9E3F3

RGB 233 227 243

HSL 262.5, 0.4%, 0.92%

LAB 91.11, 4.92, -7.05

 

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

CMYK 0 / 21 / 12 / 15

HEX #D9ABBF

RGB 217 171 191

HSL 333.91, 0.38%, 0.76%

LAB 74.6, 19.96, -3.77

 

CMYK 21 / 0 / 21 / 15

HEX #ACD9AB

RGB 172 217 171

HSL 118.7, 0.38%, 0.76%

LAB 82.56, -23.43, 17.95

 

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

CMYK 0 / 13 / 21 / 15

HEX #D9BCAB

RGB 217 188 171

HSL 22.17, 0.38%, 0.76%

LAB 78.26, 7.68, 12.4

 

CMYK 21 / 0 / 13 / 15

HEX #ABD9BC

RGB 171 217 188

HSL 142.17, 0.38%, 0.76%

LAB 82.87, -20.69, 9.41

 

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

CMYK 0 / 21 / 12 / 15

HEX #D9ABBF

RGB 217 171 191

HSL 333.91, 0.38%, 0.76%

LAB 74.6, 19.96, -3.77

 

CMYK 8 / 0 / 21 / 15

HEX #C8D9AB

RGB 200 217 171

HSL 82.17, 0.38%, 0.76%

LAB 84.4, -13.65, 20.8

 

CMYK 21 / 0 / 9 / 15

HEX #ABD9C5

RGB 171 217 197

HSL 153.91, 0.38%, 0.76%

LAB 83.08, -18.96, 4.94

 

CMYK 13 / 21 / 0 / 15

HEX #BDACDA

RGB 189 172 218

HSL 262.17, 0.38%, 0.76%

LAB 73.15, 15.01, -20.98

 

CMYK 0 / 21 / 18 / 15

HEX #D9ABB1

RGB 217 171 177

HSL 352.17, 0.38%, 0.76%

LAB 74.22, 17.71, 3.36

 

CMYK 8 / 0 / 21 / 15

HEX #C8D9AB

RGB 200 217 171

HSL 82.17, 0.38%, 0.76%

LAB 84.4, -13.65, 20.8

 

CMYK 21 / 0 / 3 / 15

HEX #ABD9D3

RGB 171 217 211

HSL 172.17, 0.38%, 0.76%

LAB 83.44, -16.11, -1.97

 

Description

Color code: HEX #BDACDA | qconv.com Color code: HEX #BDACDA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 172 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 172 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 21 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 21% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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