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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAA69 it is the complementary color #425596. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAA69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAA69 shade: #C2AA64, #D3BC77, #E4CE8A, #F5E09D and #FFF2B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAA69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAA69 shade: #BDAA69, #AC9856, #9B8643, #8A7430 and #79621D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAA69 shade: #BEAB6A, #BE946A, #BE7E6A and #BE6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAA69 shade: #BEAB6A, #BABE6A, #A4BE6A, #8DBE6A and #76BE6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAA69 shade matches the following richer shades: #BEAB6A, #CFB459, #E0BE47 and #F2C736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAA69 shade: #BEAB6A, #ACA17B, #9B988D, #8A8E9E and #7885AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAA69 shade: #BE7E6A, #BE946A, #BEAA6A, #BBBE6A and #A5BE6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAA69 shade: #948141, #B19A4E, #BEAB6A, #CABB87 and #D7CBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAA69 shade: #BDAA69, #6DBE6A and #896ABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAA69 shade: #BDAA69, #6ABEAA and #AA6ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAA69 shade: #BDAA69, #6DBE6A, #6A7EBE and #BB6ABE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAA69 shade: #BDAA69, #6ABE80, #6A7EBE and #BE6AA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

Complementary color

CMYK 56 / 43 / 0 / 41

HEX #425596

RGB 66 85 150

HSL 226.43, 0.39%, 0.42%

LAB 37.59, 12.69, -38.01

 

CMYK 0 / 12 / 48 / 24

HEX #C2AA64

RGB 194 170 100

HSL 44.68, 0.44%, 0.58%

LAB 70.27, -0.57, 39.09

 

CMYK 0 / 11 / 44 / 17

HEX #D3BC77

RGB 211 188 119

HSL 45, 0.51%, 0.65%

LAB 76.77, -1.2, 37.83

 

CMYK 0 / 10 / 39 / 11

HEX #E4CE8A

RGB 228 206 138

HSL 45.33, 0.63%, 0.72%

LAB 83.16, -1.74, 36.61

 

CMYK 0 / 9 / 36 / 4

HEX #F5E09D

RGB 245 224 157

HSL 45.68, 0.81%, 0.79%

LAB 89.47, -2.21, 35.45

 

CMYK 0 / 5 / 31 / 0

HEX #FFF2B0

RGB 255 242 176

HSL 50.13, 1%, 0.85%

LAB 95.12, -5.25, 33.49

 

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

CMYK 0 / 12 / 50 / 33

HEX #AC9856

RGB 172 152 86

HSL 46.05, 0.34%, 0.51%

LAB 63.26, -1.5, 37.21

 

CMYK 0 / 14 / 57 / 39

HEX #9B8643

RGB 155 134 67

HSL 45.68, 0.4%, 0.44%

LAB 56.51, -0.71, 38.52

 

CMYK 0 / 16 / 65 / 46

HEX #8A7430

RGB 138 116 48

HSL 45.33, 0.48%, 0.36%

LAB 49.63, 0.27, 39.75

 

CMYK 0 / 19 / 76 / 53

HEX #79621D

RGB 121 98 29

HSL 45, 0.61%, 0.29%

LAB 42.6, 1.53, 40.67

 

CMYK 0 / 10 / 44 / 25

HEX #BEAB6A

RGB 190 171 106

HSL 46.43, 0.39%, 0.58%

LAB 70.26, -2.16, 35.89

 

CMYK 0 / 22 / 44 / 25

HEX #BE946A

RGB 190 148 106

HSL 30, 0.39%, 0.58%

LAB 64.3, 10.31, 28.22

 

CMYK 0 / 34 / 44 / 25

HEX #BE7E6A

RGB 190 126 106

HSL 14.29, 0.39%, 0.58%

LAB 58.89, 22.47, 21.05

 

CMYK 0 / 44 / 44 / 25

HEX #BE6A6A

RGB 190 106 106

HSL 0, 0.39%, 0.58%

LAB 54.34, 33.38, 14.84

 

CMYK 0 / 10 / 44 / 25

HEX #BEAB6A

RGB 190 171 106

HSL 46.43, 0.39%, 0.58%

LAB 70.26, -2.16, 35.89

 

CMYK 2 / 0 / 44 / 25

HEX #BABE6A

RGB 186 190 106

HSL 62.86, 0.39%, 0.58%

LAB 75.02, -13.72, 41.77

 

CMYK 14 / 0 / 44 / 25

HEX #A4BE6A

RGB 164 190 106

HSL 78.57, 0.39%, 0.58%

LAB 73.39, -22.45, 39.39

 

CMYK 26 / 0 / 44 / 25

HEX #8DBE6A

RGB 141 190 106

HSL 95, 0.39%, 0.58%

LAB 71.91, -31.1, 37.22

 

CMYK 38 / 0 / 44 / 25

HEX #76BE6A

RGB 118 190 106

HSL 111.43, 0.39%, 0.58%

LAB 70.68, -39, 35.4

 

CMYK 0 / 10 / 44 / 25

HEX #BEAB6A

RGB 190 171 106

HSL 46.43, 0.39%, 0.58%

LAB 70.26, -2.16, 35.89

 

CMYK 0 / 13 / 57 / 19

HEX #CFB459

RGB 207 180 89

HSL 46.27, 0.55%, 0.58%

LAB 73.95, -1.36, 49.24

 

CMYK 0 / 15 / 68 / 12

HEX #E0BE47

RGB 224 190 71

HSL 46.67, 0.71%, 0.58%

LAB 77.95, -0.55, 62.09

 

CMYK 0 / 18 / 78 / 5

HEX #F2C736

RGB 242 199 54

HSL 46.28, 0.88%, 0.58%

LAB 81.83, 1.69, 72.71

 

CMYK 0 / 10 / 44 / 25

HEX #BEAB6A

RGB 190 171 106

HSL 46.43, 0.39%, 0.58%

LAB 70.26, -2.16, 35.89

 

CMYK 0 / 6 / 28 / 33

HEX #ACA17B

RGB 172 161 123

HSL 46.53, 0.23%, 0.58%

LAB 66.28, -2.07, 21.27

 

CMYK 0 / 2 / 9 / 39

HEX #9B988D

RGB 155 152 141

HSL 47.14, 0.07%, 0.58%

LAB 62.8, -0.92, 6.17

 

CMYK 13 / 10 / 0 / 38

HEX #8A8E9E

RGB 138 142 158

HSL 228, 0.09%, 0.58%

LAB 59.18, 1.89, -8.96

 

CMYK 31 / 24 / 0 / 31

HEX #7885AF

RGB 120 133 175

HSL 225.82, 0.26%, 0.58%

LAB 55.95, 5.33, -23.7

 

CMYK 0 / 34 / 44 / 25

HEX #BE7E6A

RGB 190 126 106

HSL 14.29, 0.39%, 0.58%

LAB 58.89, 22.47, 21.05

 

CMYK 0 / 22 / 44 / 25

HEX #BE946A

RGB 190 148 106

HSL 30, 0.39%, 0.58%

LAB 64.3, 10.31, 28.22

 

CMYK 0 / 11 / 44 / 25

HEX #BEAA6A

RGB 190 170 106

HSL 45.71, 0.39%, 0.58%

LAB 69.99, -1.63, 35.56

 

CMYK 2 / 0 / 44 / 25

HEX #BBBE6A

RGB 187 190 106

HSL 62.14, 0.39%, 0.58%

LAB 75.1, -13.31, 41.88

 

CMYK 13 / 0 / 44 / 25

HEX #A5BE6A

RGB 165 190 106

HSL 77.86, 0.39%, 0.58%

LAB 73.46, -22.06, 39.49

 

CMYK 0 / 13 / 56 / 42

HEX #948141

RGB 148 129 65

HSL 46.27, 0.39%, 0.42%

LAB 54.43, -1.21, 36.92

 

CMYK 0 / 13 / 56 / 31

HEX #B19A4E

RGB 177 154 78

HSL 46.06, 0.39%, 0.5%

LAB 64.17, -1.15, 42.49

 

CMYK 0 / 10 / 44 / 25

HEX #BEAB6A

RGB 190 171 106

HSL 46.43, 0.39%, 0.58%

LAB 70.26, -2.16, 35.89

 

CMYK 0 / 7 / 33 / 21

HEX #CABB87

RGB 202 187 135

HSL 46.57, 0.39%, 0.66%

LAB 75.97, -2.46, 28.3

 

CMYK 0 / 6 / 24 / 16

HEX #D7CBA3

RGB 215 203 163

HSL 46.15, 0.39%, 0.74%

LAB 81.73, -2.11, 21.49

 

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

CMYK 43 / 0 / 44 / 25

HEX #6DBE6A

RGB 109 190 106

HSL 117.86, 0.39%, 0.58%

LAB 70.26, -41.82, 34.78

 

CMYK 28 / 44 / 0 / 25

HEX #896ABE

RGB 137 106 190

HSL 262.14, 0.39%, 0.58%

LAB 51.09, 30.18, -39.8

 

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

CMYK 44 / 0 / 11 / 25

HEX #6ABEAA

RGB 106 190 170

HSL 165.71, 0.39%, 0.58%

LAB 71.41, -30.36, 2.16

 

CMYK 11 / 44 / 0 / 25

HEX #AA6ABE

RGB 170 106 190

HSL 285.71, 0.39%, 0.58%

LAB 54.63, 39.84, -33.99

 

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

CMYK 43 / 0 / 44 / 25

HEX #6DBE6A

RGB 109 190 106

HSL 117.86, 0.39%, 0.58%

LAB 70.26, -41.82, 34.78

 

CMYK 44 / 34 / 0 / 25

HEX #6A7EBE

RGB 106 126 190

HSL 225.71, 0.39%, 0.58%

LAB 53.71, 9.73, -35.85

 

CMYK 2 / 44 / 0 / 25

HEX #BB6ABE

RGB 187 106 190

HSL 297.86, 0.39%, 0.58%

LAB 56.67, 44.93, -30.65

 

CMYK 0 / 10 / 44 / 26

HEX #BDAA69

RGB 189 170 105

HSL 46.43, 0.39%, 0.58%

LAB 69.89, -2.15, 35.93

 

CMYK 44 / 0 / 33 / 25

HEX #6ABE80

RGB 106 190 128

HSL 135.71, 0.39%, 0.58%

LAB 70.49, -39.11, 23.57

 

CMYK 44 / 34 / 0 / 25

HEX #6A7EBE

RGB 106 126 190

HSL 225.71, 0.39%, 0.58%

LAB 53.71, 9.73, -35.85

 

CMYK 0 / 44 / 12 / 25

HEX #BE6AA7

RGB 190 106 167

HSL 316.43, 0.39%, 0.58%

LAB 56.13, 41.79, -18.2

 

Description

Color code: HEX #BDAA69 | qconv.com Color code: HEX #BDAA69 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 170 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 170 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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