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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA615CE it is the complementary color #4259EACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA615CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA615CE shade: #C2A610CE, #D3B823CE, #E4CA36CE, #F5DC49CE and #FFEE5CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA615CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA615CE shade: #BDA615CE, #AC9402CE, #9B8200CE, #8A7000CE and #795E00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA615CE shade: #BCA515, #BC7815, #BC4B15, #BC1E15 and #BC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA615CE shade: #BCA515, #A6BC15, #79BC15, #4CBC15 and #1FBC15

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA615CE shade matches the following richer shades: #BCA515 and #CDB204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA615CE shade: #BCA515, #AB9926, #9A8D37, #898048 and #797459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA615CE shade: #BC4A15, #BC7615, #BCA315, #A9BC15 and #7CBC15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA615CE shade: #72640D, #978511, #BCA515, #E1C619 and #E9D13A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA615CE shade: #BDA615, #15BC1D and #6015BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA615CE shade: #BDA615, #15BCA3 and #A315BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA615CE shade: #BDA615, #15BC1D, #152EBC and #BC15B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA615CE shade: #BDA615, #15BC4F, #152EBC and #BC1582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 72 / 21

HEX #BDA615CE

RGBA 189 166 21 0.81

HSLA 51.79, 0.8%, 0.41%, 0.81

LABA 68.13, -5.07, 67.94, 0.81

 

Complementary color

CMYK 58 / 50 / 0 / 7

HEX #4259EACE

RGBA 66 89 234 0.81

HSLA 231.79, 0.8%, 0.59%, 0.81

LABA 44.58, 39.56, -75.65, 0.81

 

CMYK 0 / 12 / 74 / 19

HEX #C2A610CE

RGBA 194 166 16 0.81

HSLA 50.56, 0.85%, 0.41%, 0.81

LABA 68.59, -2.93, 69.41, 0.81

 

CMYK 0 / 10 / 68 / 14

HEX #D3B823CE

RGBA 211 184 35 0.81

HSLA 50.8, 0.72%, 0.48%, 0.81

LABA 74.98, -4.48, 71.16, 0.81

 

CMYK 0 / 9 / 62 / 9

HEX #E4CA36CE

RGBA 228 202 54 0.81

HSLA 51.03, 0.76%, 0.55%, 0.81

LABA 81.29, -5.81, 71.74, 0.81

 

CMYK 0 / 8 / 57 / 3

HEX #F5DC49CE

RGBA 245 220 73 0.81

HSLA 51.28, 0.9%, 0.62%, 0.81

LABA 87.52, -6.95, 71.59, 0.81

 

CMYK 0 / 5 / 52 / 0

HEX #FFEE5CCE

RGBA 255 238 92 0.81

HSLA 53.74, 1%, 0.68%, 0.81

LABA 93.09, -10.78, 70.21, 0.81

 

CMYK 0 / 10 / 72 / 21

HEX #BDA615CE

RGBA 189 166 21 0.81

HSLA 51.79, 0.8%, 0.41%, 0.81

LABA 68.13, -5.07, 67.94, 0.81

 

CMYK 0 / 11 / 80 / 26

HEX #AC9402CE

RGBA 172 148 2 0.81

HSLA 51.53, 0.98%, 0.34%, 0.81

LABA 61.62, -3.39, 65.27, 0.81

 

CMYK 0 / 13 / 81 / 32

HEX #9B8200CE

RGBA 155 130 0 0.81

HSLA 50.32, 1%, 0.3%, 0.81

LABA 55, -1.4, 60.11, 0.81

 

CMYK 0 / 15 / 81 / 37

HEX #8A7000CE

RGBA 138 112 0 0.81

HSLA 48.7, 1%, 0.27%, 0.81

LABA 48.25, 0.71, 54.53, 0.81

 

CMYK 0 / 18 / 81 / 43

HEX #795E00CE

RGBA 121 94 0 0.81

HSLA 46.61, 1%, 0.24%, 0.81

LABA 41.33, 2.95, 48.82, 0.81

 

CMYK 0 / 12 / 89 / 26

HEX #BCA515

RGB 188 165 21

HSL 51.74, 0.8%, 0.41%

LAB 67.77, -4.98, 67.61

 

CMYK 0 / 36 / 89 / 26

HEX #BC7815

RGB 188 120 21

HSL 35.57, 0.8%, 0.41%

LAB 56.27, 19.57, 58.54

 

CMYK 0 / 60 / 89 / 26

HEX #BC4B15

RGB 188 75 21

HSL 19.4, 0.8%, 0.41%

LAB 46.68, 43.15, 51.06

 

CMYK 0 / 84 / 89 / 26

HEX #BC1E15

RGB 188 30 21

HSL 3.23, 0.8%, 0.41%

LAB 40.69, 59.52, 46.44

 

CMYK 0 / 89 / 89 / 26

HEX #BC1515

RGB 188 21 21

HSL 0, 0.8%, 0.41%

LAB 40.05, 61.35, 45.95

 

CMYK 0 / 12 / 89 / 26

HEX #BCA515

RGB 188 165 21

HSL 51.74, 0.8%, 0.41%

LAB 67.77, -4.98, 67.61

 

CMYK 12 / 0 / 89 / 26

HEX #A6BC15

RGB 166 188 21

HSL 67.9, 0.8%, 0.41%

LAB 72.31, -26.27, 70.49

 

CMYK 36 / 0 / 89 / 26

HEX #79BC15

RGB 121 188 21

HSL 84.07, 0.8%, 0.41%

LAB 69.53, -44.08, 67.06

 

CMYK 60 / 0 / 89 / 26

HEX #4CBC15

RGB 76 188 21

HSL 100.24, 0.8%, 0.41%

LAB 67.69, -58, 64.77

 

CMYK 84 / 0 / 89 / 26

HEX #1FBC15

RGB 31 188 21

HSL 116.41, 0.8%, 0.41%

LAB 66.76, -65.99, 63.59

 

CMYK 0 / 12 / 89 / 26

HEX #BCA515

RGB 188 165 21

HSL 51.74, 0.8%, 0.41%

LAB 67.77, -4.98, 67.61

 

CMYK 0 / 13 / 98 / 20

HEX #CDB204

RGB 205 178 4

HSL 51.94, 0.96%, 0.41%

LAB 72.78, -4.51, 74.5

 

CMYK 0 / 12 / 89 / 26

HEX #BCA515

RGB 188 165 21

HSL 51.74, 0.8%, 0.41%

LAB 67.77, -4.98, 67.61

 

CMYK 0 / 11 / 78 / 33

HEX #AB9926

RGB 171 153 38

HSL 51.88, 0.64%, 0.41%

LAB 62.99, -5.69, 58.33

 

CMYK 0 / 8 / 64 / 40

HEX #9A8D37

RGB 154 141 55

HSL 52.12, 0.47%, 0.41%

LAB 58.22, -5.92, 46.24

 

CMYK 0 / 7 / 47 / 46

HEX #898048

RGB 137 128 72

HSL 51.69, 0.31%, 0.41%

LAB 53.19, -4.85, 31.49

 

CMYK 0 / 4 / 26 / 53

HEX #797459

RGB 121 116 89

HSL 50.63, 0.15%, 0.41%

LAB 48.61, -2.78, 15.65

 

CMYK 0 / 61 / 89 / 26

HEX #BC4A15

RGB 188 74 21

HSL 19.04, 0.8%, 0.41%

LAB 46.5, 43.62, 50.92

 

CMYK 0 / 37 / 89 / 26

HEX #BC7615

RGB 188 118 21

HSL 34.85, 0.8%, 0.41%

LAB 55.79, 20.68, 58.17

 

CMYK 0 / 13 / 89 / 26

HEX #BCA315

RGB 188 163 21

HSL 51.02, 0.8%, 0.41%

LAB 67.23, -3.92, 67.19

 

CMYK 10 / 0 / 89 / 26

HEX #A9BC15

RGB 169 188 21

HSL 66.83, 0.8%, 0.41%

LAB 72.53, -25, 70.76

 

CMYK 34 / 0 / 89 / 26

HEX #7CBC15

RGB 124 188 21

HSL 82.99, 0.8%, 0.41%

LAB 69.69, -42.98, 67.25

 

CMYK 0 / 12 / 89 / 55

HEX #72640D

RGB 114 100 13

HSL 51.68, 0.8%, 0.25%

LAB 42.34, -3.67, 45.9

 

CMYK 0 / 12 / 89 / 41

HEX #978511

RGB 151 133 17

HSL 51.94, 0.8%, 0.33%

LAB 55.48, -4.62, 57.16

 

CMYK 0 / 12 / 89 / 26

HEX #BCA515

RGB 188 165 21

HSL 51.74, 0.8%, 0.41%

LAB 67.77, -4.98, 67.61

 

CMYK 0 / 12 / 89 / 12

HEX #E1C619

RGB 225 198 25

HSL 51.9, 0.8%, 0.49%

LAB 79.88, -5.85, 77.84

 

CMYK 0 / 10 / 75 / 9

HEX #E9D13A

RGB 233 209 58

HSL 51.77, 0.8%, 0.57%

LAB 83.56, -7.09, 72.69

 

CMYK 0 / 12 / 89 / 26

HEX #BDA615

RGB 189 166 21

HSL 51.79, 0.8%, 0.41%

LAB 68.13, -5.07, 67.94

 

CMYK 89 / 0 / 85 / 26

HEX #15BC1D

RGB 21 188 29

HSL 122.87, 0.8%, 0.41%

LAB 66.68, -66.55, 61.77

 

CMYK 49 / 89 / 0 / 26

HEX #6015BC

RGB 96 21 188

HSL 266.95, 0.8%, 0.41%

LAB 31.01, 62.51, -71.29

 

CMYK 0 / 12 / 89 / 26

HEX #BDA615

RGB 189 166 21

HSL 51.79, 0.8%, 0.41%

LAB 68.13, -5.07, 67.94

 

CMYK 89 / 0 / 13 / 26

HEX #15BCA3

RGB 21 188 163

HSL 171.02, 0.8%, 0.41%

LAB 68.58, -44.64, 1.62

 

CMYK 13 / 89 / 0 / 26

HEX #A315BC

RGB 163 21 188

HSL 291.02, 0.8%, 0.41%

LAB 41.14, 71.69, -54.32

 

CMYK 0 / 12 / 89 / 26

HEX #BDA615

RGB 189 166 21

HSL 51.79, 0.8%, 0.41%

LAB 68.13, -5.07, 67.94

 

CMYK 89 / 0 / 85 / 26

HEX #15BC1D

RGB 21 188 29

HSL 122.87, 0.8%, 0.41%

LAB 66.68, -66.55, 61.77

 

CMYK 89 / 76 / 0 / 26

HEX #152EBC

RGB 21 46 188

HSL 231.02, 0.8%, 0.41%

LAB 28.76, 45.95, -75.19

 

CMYK 0 / 89 / 4 / 26

HEX #BC15B4

RGB 188 21 180

HSL 302.87, 0.8%, 0.41%

LAB 44.97, 74.74, -43.23

 

CMYK 0 / 12 / 89 / 26

HEX #BDA615

RGB 189 166 21

HSL 51.79, 0.8%, 0.41%

LAB 68.13, -5.07, 67.94

 

CMYK 89 / 0 / 58 / 26

HEX #15BC4F

RGB 21 188 79

HSL 140.84, 0.8%, 0.41%

LAB 67.04, -62.03, 43.6

 

CMYK 89 / 76 / 0 / 26

HEX #152EBC

RGB 21 46 188

HSL 231.02, 0.8%, 0.41%

LAB 28.76, 45.95, -75.19

 

CMYK 0 / 89 / 31 / 26

HEX #BC1582

RGB 188 21 130

HSL 320.84, 0.8%, 0.41%

LAB 42.52, 68.27, -16.95

 

Description

Color code: HEX #BDA615CE | qconv.com Color code: HEX #BDA615CE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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