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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA180 it is the complementary color #425E7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA180 shade: #C2A17B, #D3B38E, #E4C5A1, #F5D7B4 and #FFE9C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA180 shade: #BDA180, #AC8F6D, #9B7D5A, #8A6B47 and #795934

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA180 shade: #BDA17F, #BD907F and #BD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA180 shade: #BDA17F, #BDB17F, #B8BD7F, #A7BD7F and #97BD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA180 shade matches the following richer shades: #BDA17F, #CDA26F, #DCA360, #ECA450 and #FCA640

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA180 shade: #BDA17F, #AD9F8F, #9E9E9E, #8E9DAE and #7E9CBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA180 shade: #BD7F7F, #BD907F, #BDA07F, #BDB17F and #B9BD7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA180 shade: #9A784F, #AF8D64, #BDA17F, #CBB59A and #D9C9B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA180 shade: #BDA180, #90BD7F and #877FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA180 shade: #BDA180, #7FBDA0 and #A07FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA180 shade: #BDA180, #90BD7F, #7F9CBD and #AD7FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA180 shade: #BDA180, #7FBD81, #7F9CBD and #BD7FBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

Complementary color

CMYK 48 / 26 / 0 / 50

HEX #425E7F

RGB 66 94 127

HSL 212.46, 0.32%, 0.38%

LAB 39.06, -0.67, -21.73

 

CMYK 0 / 17 / 37 / 24

HEX #C2A17B

RGB 194 161 123

HSL 32.11, 0.37%, 0.62%

LAB 68.31, 6.78, 24.35

 

CMYK 0 / 15 / 33 / 17

HEX #D3B38E

RGB 211 179 142

HSL 32.17, 0.44%, 0.69%

LAB 74.85, 6.2, 23.2

 

CMYK 0 / 14 / 29 / 11

HEX #E4C5A1

RGB 228 197 161

HSL 32.24, 0.55%, 0.76%

LAB 81.29, 5.7, 22.12

 

CMYK 0 / 12 / 27 / 4

HEX #F5D7B4

RGB 245 215 180

HSL 32.31, 0.76%, 0.83%

LAB 87.63, 5.25, 21.11

 

CMYK 0 / 9 / 22 / 0

HEX #FFE9C7

RGB 255 233 199

HSL 36.43, 1%, 0.89%

LAB 93.3, 2.3, 19.25

 

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

CMYK 0 / 17 / 37 / 33

HEX #AC8F6D

RGB 172 143 109

HSL 32.38, 0.28%, 0.55%

LAB 61.24, 5.98, 22.18

 

CMYK 0 / 19 / 42 / 39

HEX #9B7D5A

RGB 155 125 90

HSL 32.31, 0.27%, 0.48%

LAB 54.42, 6.66, 23.45

 

CMYK 0 / 22 / 49 / 46

HEX #8A6B47

RGB 138 107 71

HSL 32.24, 0.32%, 0.41%

LAB 47.46, 7.49, 24.85

 

CMYK 0 / 26 / 57 / 53

HEX #795934

RGB 121 89 52

HSL 32.17, 0.4%, 0.34%

LAB 40.34, 8.52, 26.37

 

CMYK 0 / 15 / 33 / 26

HEX #BDA17F

RGB 189 161 127

HSL 32.9, 0.32%, 0.62%

LAB 67.9, 5.27, 21.54

 

CMYK 0 / 24 / 33 / 26

HEX #BD907F

RGB 189 144 127

HSL 16.45, 0.32%, 0.62%

LAB 63.59, 14.61, 15.61

 

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 15 / 33 / 26

HEX #BDA17F

RGB 189 161 127

HSL 32.9, 0.32%, 0.62%

LAB 67.9, 5.27, 21.54

 

CMYK 0 / 6 / 33 / 26

HEX #BDB17F

RGB 189 177 127

HSL 48.39, 0.32%, 0.62%

LAB 72.09, -3.33, 27.18

 

CMYK 3 / 0 / 33 / 26

HEX #B8BD7F

RGB 184 189 127

HSL 64.84, 0.32%, 0.62%

LAB 74.9, -11.59, 30.82

 

CMYK 12 / 0 / 33 / 26

HEX #A7BD7F

RGB 167 189 127

HSL 81.29, 0.32%, 0.62%

LAB 73.64, -18.14, 28.92

 

CMYK 20 / 0 / 33 / 26

HEX #97BD7F

RGB 151 189 127

HSL 96.77, 0.32%, 0.62%

LAB 72.57, -24.08, 27.3

 

CMYK 0 / 15 / 33 / 26

HEX #BDA17F

RGB 189 161 127

HSL 32.9, 0.32%, 0.62%

LAB 67.9, 5.27, 21.54

 

CMYK 0 / 21 / 46 / 20

HEX #CDA26F

RGB 205 162 111

HSL 32.55, 0.48%, 0.62%

LAB 69.45, 9.38, 32.52

 

CMYK 0 / 26 / 56 / 14

HEX #DCA360

RGB 220 163 96

HSL 32.42, 0.64%, 0.62%

LAB 71.05, 13.7, 42.67

 

CMYK 0 / 31 / 66 / 7

HEX #ECA450

RGB 236 164 80

HSL 32.31, 0.8%, 0.62%

LAB 72.87, 18.73, 53.08

 

CMYK 0 / 34 / 75 / 1

HEX #FCA640

RGB 252 166 64

HSL 32.55, 0.97%, 0.62%

LAB 75.04, 23.51, 62.98

 

CMYK 0 / 15 / 33 / 26

HEX #BDA17F

RGB 189 161 127

HSL 32.9, 0.32%, 0.62%

LAB 67.9, 5.27, 21.54

 

CMYK 0 / 8 / 17 / 32

HEX #AD9F8F

RGB 173 159 143

HSL 32, 0.15%, 0.62%

LAB 66.26, 2.4, 10.19

 

CMYK 18 / 10 / 0 / 32

HEX #8E9DAE

RGB 142 157 174

HSL 211.88, 0.16%, 0.62%

LAB 64.1, -1.62, -10.63

HEX #8E9DAE

CMYK 34 / 18 / 0 / 25

HEX #7E9CBE

RGB 126 156 190

HSL 211.88, 0.33%, 0.62%

LAB 63.29, -2.12, -20.93

HEX #7E9CBE

CMYK 0 / 33 / 33 / 26

HEX #BD7F7F

RGB 189 127 127

HSL 0, 0.32%, 0.62%

LAB 59.46, 24.04, 9.82

 

CMYK 0 / 24 / 33 / 26

HEX #BD907F

RGB 189 144 127

HSL 16.45, 0.32%, 0.62%

LAB 63.59, 14.61, 15.61

 

CMYK 0 / 15 / 33 / 26

HEX #BDA07F

RGB 189 160 127

HSL 31.94, 0.32%, 0.62%

LAB 67.65, 5.81, 21.19

 

CMYK 0 / 6 / 33 / 26

HEX #BDB17F

RGB 189 177 127

HSL 48.39, 0.32%, 0.62%

LAB 72.09, -3.33, 27.18

 

CMYK 2 / 0 / 33 / 26

HEX #B9BD7F

RGB 185 189 127

HSL 63.87, 0.32%, 0.62%

LAB 74.98, -11.2, 30.94

 

CMYK 0 / 22 / 49 / 40

HEX #9A784F

RGB 154 120 79

HSL 32.8, 0.32%, 0.46%

LAB 52.8, 7.87, 27.52

 

CMYK 0 / 19 / 43 / 31

HEX #AF8D64

RGB 175 141 100

HSL 32.8, 0.32%, 0.54%

LAB 60.86, 7.27, 26.72

 

CMYK 0 / 15 / 33 / 26

HEX #BDA17F

RGB 189 161 127

HSL 32.9, 0.32%, 0.62%

LAB 67.9, 5.27, 21.54

 

CMYK 0 / 11 / 24 / 20

HEX #CBB59A

RGB 203 181 154

HSL 33.06, 0.32%, 0.7%

LAB 74.87, 3.65, 16.64

 

CMYK 0 / 7 / 16 / 15

HEX #D9C9B6

RGB 217 201 182

HSL 32.57, 0.32%, 0.78%

LAB 81.79, 2.48, 11.5

 

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

CMYK 24 / 0 / 33 / 26

HEX #90BD7F

RGB 144 189 127

HSL 103.55, 0.32%, 0.62%

LAB 72.13, -26.59, 26.65

 

CMYK 29 / 33 / 0 / 26

HEX #877FBD

RGB 135 127 189

HSL 247.74, 0.32%, 0.62%

LAB 56.09, 16.99, -31.4

 

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

CMYK 33 / 0 / 15 / 26

HEX #7FBDA0

RGB 127 189 160

HSL 151.94, 0.32%, 0.62%

LAB 71.86, -26.22, 8.37

 

CMYK 15 / 33 / 0 / 26

HEX #A07FBD

RGB 160 127 189

HSL 271.94, 0.32%, 0.62%

LAB 58.35, 24.72, -27.72

 

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

CMYK 24 / 0 / 33 / 26

HEX #90BD7F

RGB 144 189 127

HSL 103.55, 0.32%, 0.62%

LAB 72.13, -26.59, 26.65

 

CMYK 33 / 17 / 0 / 26

HEX #7F9CBD

RGB 127 156 189

HSL 211.94, 0.32%, 0.62%

LAB 63.31, -2.09, -20.32

 

CMYK 8 / 33 / 0 / 26

HEX #AD7FBD

RGB 173 127 189

HSL 284.52, 0.32%, 0.62%

LAB 59.65, 28.89, -25.6

 

CMYK 0 / 15 / 32 / 26

HEX #BDA180

RGB 189 161 128

HSL 32.46, 0.32%, 0.62%

LAB 67.92, 5.4, 21.02

 

CMYK 33 / 0 / 32 / 26

HEX #7FBD81

RGB 127 189 129

HSL 121.94, 0.32%, 0.62%

LAB 71.21, -32.05, 24.18

 

CMYK 33 / 17 / 0 / 26

HEX #7F9CBD

RGB 127 156 189

HSL 211.94, 0.32%, 0.62%

LAB 63.31, -2.09, -20.32

 

CMYK 0 / 33 / 1 / 26

HEX #BD7FBB

RGB 189 127 187

HSL 301.94, 0.32%, 0.62%

LAB 61.29, 33.7, -21.8

 

Description

Color code: HEX #BDA180 | qconv.com Color code: HEX #BDA180 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 161 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 161 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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