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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA0F94C it is the complementary color #425F064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA0F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA0F94C shade: #C2A0F44C, #D3B2FF4C, #E4C4FF4C, #F5D6FF4C and #FFE8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA0F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA0F94C shade: #BDA0F94C, #AC8EE64C, #9B7CD34C, #8A6AC04C and #7958AD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA0F94C shade: #BC9FF9, #D59FF9, #ED9FF9, #F99FED and #F99FD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA0F94C shade: #BC9FF9, #A49FF9 and #9F9FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA0F94C shade matches the following richer shades: #BC9FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA0F94C shade: #BC9FF9, #BFA7F1, #C2B0E8, #C5B8E0 and #C8C0D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA0F94C shade: #9FB3F9, #A49FF9, #BC9FF9, #D39FF9 and #EB9FF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA0F94C shade: #8652F4, #A178F6, #BC9FF9, #D7C6FB and #F2EDFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA0F94C shade: #BDA0F9, #F99FCB and #A7F99F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA0F94C shade: #BDA0F9, #F9BC9F and #9FF9BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA0F94C shade: #BDA0F9, #F99FCB, #DCF99F and #9FF9CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA0F94C shade: #BDA0F9, #F99FB0, #DCF99F and #9FF9E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 11 / 0 / 1

HEX #BDA0F94C

RGBA 189 160 249 0.3

HSLA 259.55, 0.88%, 0.8%, 0.3

LABA 71.42, 28.58, -40.53, 0.3

 

Complementary color

CMYK 9 / 0 / 28 / 19

HEX #425F064C

RGBA 66 95 6 0.3

HSLA 79.55, 0.88%, 0.2%, 0.3

LABA 36.66, -23.87, 41.38, 0.3

 

CMYK 6 / 10 / 0 / 1

HEX #C2A0F44C

RGBA 194 160 244 0.3

HSLA 264.29, 0.79%, 0.79%, 0.3

LABA 71.65, 28.88, -37.42, 0.3

 

CMYK 5 / 9 / 0 / 0

HEX #D3B2FF4C

RGBA 211 178 255 0.3

HSLA 265.71, 1%, 0.85%, 0.3

LABA 77.82, 26.49, -33.69, 0.3

 

CMYK 3 / 7 / 0 / 0

HEX #E4C4FF4C

RGBA 228 196 255 0.3

HSLA 272.54, 1%, 0.88%, 0.3

LABA 83.54, 22, -24.78, 0.3

 

CMYK 1 / 5 / 0 / 0

HEX #F5D6FF4C

RGBA 245 214 255 0.3

HSLA 285.37, 1%, 0.92%, 0.3

LABA 89.26, 17.87, -16, 0.3

 

CMYK 0 / 3 / 0 / 0

HEX #FFE8FF4C

RGBA 255 232 255 0.3

HSLA 300, 1%, 0.95%, 0.3

LABA 94.39, 11.75, -8.26, 0.3

 

CMYK 7 / 11 / 0 / 1

HEX #BDA0F94C

RGBA 189 160 249 0.3

HSLA 259.55, 0.88%, 0.8%, 0.3

LABA 71.42, 28.58, -40.53, 0.3

 

CMYK 8 / 11 / 0 / 3

HEX #AC8EE64C

RGBA 172 142 230 0.3

HSLA 260.45, 0.64%, 0.73%, 0.3

LABA 64.83, 29.3, -40.54, 0.3

 

CMYK 8 / 12 / 0 / 5

HEX #9B7CD34C

RGBA 155 124 211 0.3

HSLA 261.38, 0.5%, 0.66%, 0.3

LABA 58.12, 30.1, -40.57, 0.3

 

CMYK 8 / 13 / 0 / 7

HEX #8A6AC04C

RGBA 138 106 192 0.3

HSLA 262.33, 0.41%, 0.58%, 0.3

LABA 51.29, 30.97, -40.63, 0.3

 

CMYK 9 / 15 / 0 / 10

HEX #7958AD4C

RGBA 121 88 173 0.3

HSLA 263.29, 0.34%, 0.51%, 0.3

LABA 44.32, 31.93, -40.72, 0.3

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 14 / 36 / 0 / 2

HEX #D59FF9

RGB 213 159 249

HSL 276, 0.88%, 0.8%

LAB 73.4, 36.13, -37.27

 

CMYK 5 / 36 / 0 / 2

HEX #ED9FF9

RGB 237 159 249

HSL 292, 0.88%, 0.8%

LAB 75.85, 43.31, -33.29

 

CMYK 0 / 36 / 5 / 2

HEX #F99FED

RGB 249 159 237

HSL 308, 0.88%, 0.8%

LAB 76.71, 44.83, -25.36

 

CMYK 0 / 36 / 14 / 2

HEX #F99FD5

RGB 249 159 213

HSL 324, 0.88%, 0.8%

LAB 75.91, 40.88, -13.49

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 34 / 36 / 0 / 2

HEX #A49FF9

RGB 164 159 249

HSL 243.33, 0.88%, 0.8%

LAB 69.13, 22.19, -44.26

 

CMYK 36 / 36 / 0 / 2

HEX #9F9FF9

RGB 159 159 249

HSL 240, 0.88%, 0.8%

LAB 68.76, 20.86, -44.87

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 21 / 31 / 0 / 5

HEX #BFA7F1

RGB 191 167 241

HSL 259.46, 0.73%, 0.8%

LAB 72.93, 23.44, -33.82

 

CMYK 16 / 24 / 0 / 9

HEX #C2B0E8

RGB 194 176 232

HSL 259.29, 0.55%, 0.8%

LAB 75.04, 17.4, -25.67

 

CMYK 12 / 18 / 0 / 12

HEX #C5B8E0

RGB 197 184 224

HSL 259.5, 0.39%, 0.8%

LAB 77, 12.28, -18.33

 

CMYK 7 / 11 / 0 / 15

HEX #C8C0D8

RGB 200 192 216

HSL 260, 0.24%, 0.8%

LAB 79, 7.31, -10.98

 

CMYK 36 / 28 / 0 / 2

HEX #9FB3F9

RGB 159 179 249

HSL 226.67, 0.88%, 0.8%

LAB 73.84, 9.6, -36.94

 

CMYK 34 / 36 / 0 / 2

HEX #A49FF9

RGB 164 159 249

HSL 243.33, 0.88%, 0.8%

LAB 69.13, 22.19, -44.26

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 15 / 36 / 0 / 2

HEX #D39FF9

RGB 211 159 249

HSL 274.67, 0.88%, 0.8%

LAB 73.21, 35.54, -37.59

 

CMYK 6 / 36 / 0 / 2

HEX #EB9FF9

RGB 235 159 249

HSL 290.67, 0.88%, 0.8%

LAB 75.64, 42.71, -33.64

 

CMYK 45 / 66 / 0 / 4

HEX #8652F4

RGB 134 82 244

HSL 259.26, 0.88%, 0.64%

LAB 49.05, 56.91, -73.76

 

CMYK 35 / 51 / 0 / 4

HEX #A178F6

RGB 161 120 246

HSL 259.52, 0.88%, 0.72%

LAB 59.58, 42.71, -57.74

 

CMYK 24 / 36 / 0 / 2

HEX #BC9FF9

RGB 188 159 249

HSL 259.33, 0.88%, 0.8%

LAB 71.1, 28.85, -41.04

 

CMYK 14 / 21 / 0 / 2

HEX #D7C6FB

RGB 215 198 251

HSL 259.25, 0.87%, 0.88%

LAB 82.81, 16.04, -23.88

 

CMYK 5 / 7 / 0 / 0

HEX #F2EDFE

RGB 242 237 254

HSL 257.65, 0.89%, 0.96%

LAB 94.57, 4.74, -7.59

 

CMYK 24 / 36 / 0 / 2

HEX #BDA0F9

RGB 189 160 249

HSL 259.55, 0.88%, 0.8%

LAB 71.42, 28.58, -40.53

 

CMYK 0 / 36 / 18 / 2

HEX #F99FCB

RGB 249 159 203

HSL 330.67, 0.88%, 0.8%

LAB 75.61, 39.35, -8.47

 

CMYK 33 / 0 / 36 / 2

HEX #A7F99F

RGB 167 249 159

HSL 114.67, 0.88%, 0.8%

LAB 90.99, -41.84, 35.51

 

CMYK 24 / 36 / 0 / 2

HEX #BDA0F9

RGB 189 160 249

HSL 259.55, 0.88%, 0.8%

LAB 71.42, 28.58, -40.53

 

CMYK 0 / 24 / 36 / 2

HEX #F9BC9F

RGB 249 188 159

HSL 19.33, 0.88%, 0.8%

LAB 81.08, 18.23, 23.21

 

CMYK 36 / 0 / 24 / 2

HEX #9FF9BC

RGB 159 249 188

HSL 139.33, 0.88%, 0.8%

LAB 91.12, -39.47, 20.94

 

CMYK 24 / 36 / 0 / 2

HEX #BDA0F9

RGB 189 160 249

HSL 259.55, 0.88%, 0.8%

LAB 71.42, 28.58, -40.53

 

CMYK 0 / 36 / 18 / 2

HEX #F99FCB

RGB 249 159 203

HSL 330.67, 0.88%, 0.8%

LAB 75.61, 39.35, -8.47

 

CMYK 12 / 0 / 36 / 2

HEX #DCF99F

RGB 220 249 159

HSL 79.33, 0.88%, 0.8%

LAB 94.09, -23.73, 40.14

 

CMYK 36 / 0 / 18 / 2

HEX #9FF9CD

RGB 159 249 205

HSL 150.67, 0.88%, 0.8%

LAB 91.47, -36.26, 12.69

 

CMYK 24 / 36 / 0 / 2

HEX #BDA0F9

RGB 189 160 249

HSL 259.55, 0.88%, 0.8%

LAB 71.42, 28.58, -40.53

 

CMYK 0 / 36 / 29 / 2

HEX #F99FB0

RGB 249 159 176

HSL 348.67, 0.88%, 0.8%

LAB 74.87, 35.57, 5.28

 

CMYK 12 / 0 / 36 / 2

HEX #DCF99F

RGB 220 249 159

HSL 79.33, 0.88%, 0.8%

LAB 94.09, -23.73, 40.14

 

CMYK 36 / 0 / 7 / 2

HEX #9FF9E8

RGB 159 249 232

HSL 168.67, 0.88%, 0.8%

LAB 92.11, -30.64, -0.37

 

Description

Color code: HEX #BDA0F94C | qconv.com Color code: HEX #BDA0F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 160 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 160 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 11 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 11% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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