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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA024 it is the complementary color #425FDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA024. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA024 shade: #C2A01F, #D3B232, #E4C445, #F5D658 and #FFE86B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA024. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA024 shade: #BDA024, #AC8E11, #9B7C00, #8A6A00 and #795800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA024 shade: #BCA024, #BC7624, #BC4D24 and #BC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA024 shade: #BCA024, #B0BC24, #87BC24, #5EBC24 and #35BC24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA024 shade matches the following richer shades: #BCA024 and #CFAB12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA024 shade: #BCA024, #AA9436, #988948, #867E5A and #74726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA024 shade: #BC4D24, #BC7524, #BC9E24, #B2BC24 and #8ABC24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA024 shade: #776517, #9A821D, #BCA024, #D8B832 and #DFC454

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA024 shade: #BDA024, #24BC24 and #6124BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA024 shade: #BDA024, #24BC9E and #9E24BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA024 shade: #BDA024, #24BC24, #2442BC and #BC24BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA024 shade: #BDA024, #24BC52, #2442BC and #BC248F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

Complementary color

CMYK 70 / 57 / 0 / 14

HEX #425FDB

RGB 66 95 219

HSL 228.63, 0.68%, 0.56%

LAB 44.88, 30.57, -66.65

 

CMYK 0 / 18 / 84 / 24

HEX #C2A01F

RGB 194 160 31

HSL 47.48, 0.72%, 0.44%

LAB 67.06, 0.6, 64.9

 

CMYK 0 / 16 / 76 / 17

HEX #D3B232

RGB 211 178 50

HSL 47.7, 0.65%, 0.51%

LAB 73.49, -0.84, 65.3

 

CMYK 0 / 14 / 70 / 11

HEX #E4C445

RGB 228 196 69

HSL 47.92, 0.75%, 0.58%

LAB 79.84, -2.07, 64.94

 

CMYK 0 / 13 / 64 / 4

HEX #F5D658

RGB 245 214 88

HSL 48.15, 0.89%, 0.65%

LAB 86.11, -3.12, 64.19

 

CMYK 0 / 9 / 58 / 0

HEX #FFE86B

RGB 255 232 107

HSL 50.68, 1%, 0.71%

LAB 91.7, -6.85, 62.37

 

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

CMYK 0 / 17 / 90 / 33

HEX #AC8E11

RGB 172 142 17

HSL 48.39, 0.82%, 0.37%

LAB 60.03, 0.1, 61.67

 

CMYK 0 / 20 / 100 / 39

HEX #9B7C00

RGB 155 124 0

HSL 48, 1%, 0.3%

LAB 53.37, 1.95, 58.96

 

CMYK 0 / 23 / 100 / 46

HEX #8A6A00

RGB 138 106 0

HSL 46.09, 1%, 0.27%

LAB 46.59, 4.16, 53.38

 

CMYK 0 / 27 / 100 / 53

HEX #795800

RGB 121 88 0

HSL 43.64, 1%, 0.24%

LAB 39.66, 6.51, 47.67

 

CMYK 0 / 15 / 81 / 26

HEX #BCA024

RGB 188 160 36

HSL 48.95, 0.68%, 0.44%

LAB 66.49, -1.92, 62.73

 

CMYK 0 / 37 / 81 / 26

HEX #BC7624

RGB 188 118 36

HSL 32.37, 0.68%, 0.44%

LAB 55.86, 21.09, 53.21

 

CMYK 0 / 59 / 81 / 26

HEX #BC4D24

RGB 188 77 36

HSL 16.18, 0.68%, 0.44%

LAB 47.14, 42.6, 45.08

 

CMYK 0 / 81 / 81 / 26

HEX #BC2424

RGB 188 36 36

HSL 0, 0.68%, 0.44%

LAB 41.34, 58.37, 39.43

 

CMYK 0 / 15 / 81 / 26

HEX #BCA024

RGB 188 160 36

HSL 48.95, 0.68%, 0.44%

LAB 66.49, -1.92, 62.73

 

CMYK 6 / 0 / 81 / 26

HEX #B0BC24

RGB 176 188 36

HSL 64.74, 0.68%, 0.44%

LAB 73.1, -21.62, 68.12

 

CMYK 28 / 0 / 81 / 26

HEX #87BC24

RGB 135 188 36

HSL 80.92, 0.68%, 0.44%

LAB 70.35, -38.34, 64.63

 

CMYK 50 / 0 / 81 / 26

HEX #5EBC24

RGB 94 188 36

HSL 97.11, 0.68%, 0.44%

LAB 68.37, -52.45, 62.09

 

CMYK 72 / 0 / 81 / 26

HEX #35BC24

RGB 53 188 36

HSL 113.29, 0.68%, 0.44%

LAB 67.16, -62.22, 60.54

 

CMYK 0 / 15 / 81 / 26

HEX #BCA024

RGB 188 160 36

HSL 48.95, 0.68%, 0.44%

LAB 66.49, -1.92, 62.73

 

CMYK 0 / 17 / 91 / 19

HEX #CFAB12

RGB 207 171 18

HSL 48.57, 0.84%, 0.44%

LAB 71.17, 0.22, 71.6

 

CMYK 0 / 15 / 81 / 26

HEX #BCA024

RGB 188 160 36

HSL 48.95, 0.68%, 0.44%

LAB 66.49, -1.92, 62.73

 

CMYK 0 / 13 / 68 / 33

HEX #AA9436

RGB 170 148 54

HSL 48.62, 0.52%, 0.44%

LAB 61.65, -2.66, 50.77

 

CMYK 0 / 10 / 53 / 40

HEX #988948

RGB 152 137 72

HSL 48.75, 0.36%, 0.44%

LAB 57.11, -3.26, 36.58

 

CMYK 0 / 6 / 33 / 47

HEX #867E5A

RGB 134 126 90

HSL 49.09, 0.2%, 0.44%

LAB 52.65, -2.85, 20.73

 

CMYK 0 / 2 / 6 / 55

HEX #74726D

RGB 116 114 109

HSL 42.86, 0.03%, 0.44%

LAB 48.07, -0.21, 3.03

 

CMYK 0 / 59 / 81 / 26

HEX #BC4D24

RGB 188 77 36

HSL 16.18, 0.68%, 0.44%

LAB 47.14, 42.6, 45.08

 

CMYK 0 / 38 / 81 / 26

HEX #BC7524

RGB 188 117 36

HSL 31.97, 0.68%, 0.44%

LAB 55.63, 21.64, 53

 

CMYK 0 / 16 / 81 / 26

HEX #BC9E24

RGB 188 158 36

HSL 48.16, 0.68%, 0.44%

LAB 65.96, -0.85, 62.26

 

CMYK 5 / 0 / 81 / 26

HEX #B2BC24

RGB 178 188 36

HSL 63.95, 0.68%, 0.44%

LAB 73.26, -20.77, 68.31

 

CMYK 27 / 0 / 81 / 26

HEX #8ABC24

RGB 138 188 36

HSL 79.74, 0.68%, 0.44%

LAB 70.52, -37.18, 64.85

 

CMYK 0 / 15 / 81 / 53

HEX #776517

RGB 119 101 23

HSL 48.75, 0.68%, 0.28%

LAB 43.2, -1.47, 43.59

 

CMYK 0 / 16 / 81 / 40

HEX #9A821D

RGB 154 130 29

HSL 48.48, 0.68%, 0.36%

LAB 54.99, -1.21, 53.5

 

CMYK 0 / 15 / 81 / 26

HEX #BCA024

RGB 188 160 36

HSL 48.95, 0.68%, 0.44%

LAB 66.49, -1.92, 62.73

 

CMYK 0 / 15 / 77 / 15

HEX #D8B832

RGB 216 184 50

HSL 48.43, 0.68%, 0.52%

LAB 75.52, -1.82, 67.35

 

CMYK 0 / 12 / 62 / 13

HEX #DFC454

RGB 223 196 84

HSL 48.35, 0.68%, 0.6%

LAB 79.5, -3.32, 58.18

 

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

CMYK 81 / 0 / 81 / 26

HEX #24BC24

RGB 36 188 36

HSL 120, 0.68%, 0.44%

LAB 66.88, -64.72, 60.17

 

CMYK 48 / 81 / 0 / 26

HEX #6124BC

RGB 97 36 188

HSL 264.08, 0.68%, 0.44%

LAB 32.78, 57.77, -68.37

 

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

CMYK 81 / 0 / 16 / 26

HEX #24BC9E

RGB 36 188 158

HSL 168.16, 0.68%, 0.44%

LAB 68.61, -44.86, 4.43

 

CMYK 16 / 81 / 0 / 26

HEX #9E24BC

RGB 158 36 188

HSL 288.16, 0.68%, 0.44%

LAB 41.47, 67.46, -53.83

 

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

CMYK 81 / 0 / 81 / 26

HEX #24BC24

RGB 36 188 36

HSL 120, 0.68%, 0.44%

LAB 66.88, -64.72, 60.17

 

CMYK 81 / 65 / 0 / 26

HEX #2442BC

RGB 36 66 188

HSL 228.16, 0.68%, 0.44%

LAB 33.78, 34.54, -66.9

 

CMYK 0 / 81 / 0 / 26

HEX #BC24BC

RGB 188 36 188

HSL 300, 0.68%, 0.44%

LAB 46.42, 73.05, -45.62

 

CMYK 0 / 15 / 81 / 26

HEX #BDA024

RGB 189 160 36

HSL 48.63, 0.68%, 0.44%

LAB 66.59, -1.48, 62.85

 

CMYK 81 / 0 / 56 / 26

HEX #24BC52

RGB 36 188 82

HSL 138.16, 0.68%, 0.44%

LAB 67.24, -60.24, 42.46

 

CMYK 81 / 65 / 0 / 26

HEX #2442BC

RGB 36 66 188

HSL 228.16, 0.68%, 0.44%

LAB 33.78, 34.54, -66.9

 

CMYK 0 / 81 / 24 / 26

HEX #BC248F

RGB 188 36 143

HSL 317.76, 0.68%, 0.44%

LAB 44.14, 66.7, -22.41

 

Description

Color code: HEX #BDA024 | qconv.com Color code: HEX #BDA024 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 160 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 160 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 81 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 81% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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