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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9C16 it is the complementary color #4263E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9C16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9C16 shade: #C29C11, #D3AE24, #E4C037, #F5D24A and #FFE45D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9C16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9C16 shade: #BD9C16, #AC8A03, #9B7800, #8A6600 and #795400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9C16 shade: #BB9A16, #BB6E16, #BB4116 and #BB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9C16 shade: #BB9A16, #AFBB16, #83BB16, #56BB16 and #2ABB16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9C16 shade matches the following richer shades: #BB9A16 and #CCA505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9C16 shade: #BB9A16, #AA9027, #998638, #887C49 and #77725A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9C16 shade: #BB4216, #BB6E16, #BB9A16, #B0BB16 and #84BB16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9C16 shade: #715E0D, #967C12, #BB9A16, #E0B91A and #E8C63C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9C16 shade: #BD9C16, #16BB16 and #5816BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9C16 shade: #BD9C16, #16BB9A and #9A16BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9C16 shade: #BD9C16, #16BB16, #1637BB and #BB16BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9C16 shade: #BD9C16, #16BB48, #1637BB and #BB168A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

Complementary color

CMYK 72 / 58 / 0 / 9

HEX #4263E9

RGB 66 99 233

HSL 228.14, 0.79%, 0.59%

LAB 46.93, 33.01, -71.25

 

CMYK 0 / 20 / 91 / 24

HEX #C29C11

RGB 194 156 17

HSL 47.12, 0.84%, 0.41%

LAB 65.97, 2.44, 67.23

 

CMYK 0 / 18 / 83 / 17

HEX #D3AE24

RGB 211 174 36

HSL 47.31, 0.71%, 0.48%

LAB 72.39, 0.79, 68.71

 

CMYK 0 / 16 / 76 / 11

HEX #E4C037

RGB 228 192 55

HSL 47.51, 0.76%, 0.55%

LAB 78.73, -0.62, 69.04

 

CMYK 0 / 14 / 70 / 4

HEX #F5D24A

RGB 245 210 74

HSL 47.72, 0.9%, 0.63%

LAB 85, -1.84, 68.69

 

CMYK 0 / 11 / 64 / 0

HEX #FFE45D

RGB 255 228 93

HSL 50, 1%, 0.68%

LAB 90.57, -5.76, 67.13

 

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

CMYK 0 / 20 / 98 / 33

HEX #AC8A03

RGB 172 138 3

HSL 47.93, 0.97%, 0.34%

LAB 58.93, 2.08, 63.2

 

CMYK 0 / 23 / 100 / 39

HEX #9B7800

RGB 155 120 0

HSL 46.45, 1%, 0.3%

LAB 52.29, 4.21, 58.21

 

CMYK 0 / 26 / 100 / 46

HEX #8A6600

RGB 138 102 0

HSL 44.35, 1%, 0.27%

LAB 45.51, 6.48, 52.63

 

CMYK 0 / 31 / 100 / 53

HEX #795400

RGB 121 84 0

HSL 41.65, 1%, 0.24%

LAB 38.56, 8.9, 46.93

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 0 / 41 / 88 / 27

HEX #BB6E16

RGB 187 110 22

HSL 32, 0.79%, 0.41%

LAB 53.79, 24.66, 56.25

 

CMYK 0 / 65 / 88 / 27

HEX #BB4116

RGB 187 65 22

HSL 15.64, 0.79%, 0.41%

LAB 44.81, 47.34, 49.14

 

CMYK 0 / 88 / 88 / 27

HEX #BB1616

RGB 187 22 22

HSL 0, 0.79%, 0.41%

LAB 39.91, 60.92, 45.28

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 6 / 0 / 88 / 27

HEX #AFBB16

RGB 175 187 22

HSL 64.36, 0.79%, 0.41%

LAB 72.7, -21.94, 70.9

 

CMYK 30 / 0 / 88 / 27

HEX #83BB16

RGB 131 187 22

HSL 80.36, 0.79%, 0.41%

LAB 69.77, -39.9, 67.29

 

CMYK 54 / 0 / 88 / 27

HEX #56BB16

RGB 86 187 22

HSL 96.73, 0.79%, 0.41%

LAB 67.71, -54.97, 64.72

 

CMYK 78 / 0 / 88 / 27

HEX #2ABB16

RGB 42 187 22

HSL 112.73, 0.79%, 0.41%

LAB 66.59, -64.3, 63.32

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 0 / 19 / 98 / 20

HEX #CCA505

RGB 204 165 5

HSL 48.24, 0.95%, 0.41%

LAB 69.3, 1.92, 71.83

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 0 / 15 / 77 / 33

HEX #AA9027

RGB 170 144 39

HSL 48.09, 0.63%, 0.41%

LAB 60.46, -1.23, 55.6

 

CMYK 0 / 12 / 63 / 40

HEX #998638

RGB 153 134 56

HSL 48.25, 0.46%, 0.41%

LAB 56.2, -2.46, 43.54

 

CMYK 0 / 9 / 46 / 47

HEX #887C49

RGB 136 124 73

HSL 48.57, 0.3%, 0.41%

LAB 51.98, -2.94, 29.42

 

CMYK 0 / 4 / 24 / 53

HEX #77725A

RGB 119 114 90

HSL 49.66, 0.14%, 0.41%

LAB 47.87, -2.32, 14.02

 

CMYK 0 / 65 / 88 / 27

HEX #BB4216

RGB 187 66 22

HSL 16, 0.79%, 0.41%

LAB 44.97, 46.9, 49.27

 

CMYK 0 / 41 / 88 / 27

HEX #BB6E16

RGB 187 110 22

HSL 32, 0.79%, 0.41%

LAB 53.79, 24.66, 56.25

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 6 / 0 / 88 / 27

HEX #B0BB16

RGB 176 187 22

HSL 64, 0.79%, 0.41%

LAB 72.78, -21.51, 71

 

CMYK 29 / 0 / 88 / 27

HEX #84BB16

RGB 132 187 22

HSL 80, 0.79%, 0.41%

LAB 69.83, -39.52, 67.36

 

CMYK 0 / 17 / 88 / 56

HEX #715E0D

RGB 113 94 13

HSL 48.6, 0.79%, 0.25%

LAB 40.48, -0.65, 44.31

 

CMYK 0 / 17 / 88 / 41

HEX #967C12

RGB 150 124 18

HSL 48.18, 0.79%, 0.33%

LAB 52.89, -0.06, 54.78

 

CMYK 0 / 18 / 88 / 27

HEX #BB9A16

RGB 187 154 22

HSL 48, 0.79%, 0.41%

LAB 64.75, 0.47, 64.97

 

CMYK 0 / 17 / 88 / 12

HEX #E0B91A

RGB 224 185 26

HSL 48.18, 0.79%, 0.49%

LAB 76.45, 0.45, 74.92

 

CMYK 0 / 15 / 74 / 9

HEX #E8C63C

RGB 232 198 60

HSL 48.14, 0.79%, 0.57%

LAB 80.67, -1.81, 69.25

 

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

CMYK 88 / 0 / 88 / 27

HEX #16BB16

RGB 22 187 22

HSL 120, 0.79%, 0.41%

LAB 66.34, -66.49, 63.01

 

CMYK 53 / 88 / 0 / 27

HEX #5816BB

RGB 88 22 187

HSL 264, 0.79%, 0.41%

LAB 30, 61.18, -72.39

 

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

CMYK 88 / 0 / 18 / 27

HEX #16BB9A

RGB 22 187 154

HSL 168, 0.79%, 0.41%

LAB 68.05, -46.56, 5.79

 

CMYK 18 / 88 / 0 / 27

HEX #9A16BB

RGB 154 22 187

HSL 288, 0.79%, 0.41%

LAB 39.63, 69.88, -56.24

 

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

CMYK 88 / 0 / 88 / 27

HEX #16BB16

RGB 22 187 22

HSL 120, 0.79%, 0.41%

LAB 66.34, -66.49, 63.01

 

CMYK 88 / 71 / 0 / 27

HEX #1637BB

RGB 22 55 187

HSL 228, 0.79%, 0.41%

LAB 30.62, 40.23, -71.53

 

CMYK 0 / 88 / 0 / 27

HEX #BB16BB

RGB 187 22 187

HSL 300, 0.79%, 0.41%

LAB 45.26, 75.44, -46.9

 

CMYK 0 / 17 / 88 / 26

HEX #BD9C16

RGB 189 156 22

HSL 48.14, 0.79%, 0.41%

LAB 65.48, 0.29, 65.63

 

CMYK 88 / 0 / 61 / 27

HEX #16BB48

RGB 22 187 72

HSL 138.18, 0.79%, 0.41%

LAB 66.66, -62.54, 46.36

 

CMYK 88 / 71 / 0 / 27

HEX #1637BB

RGB 22 55 187

HSL 228, 0.79%, 0.41%

LAB 30.62, 40.23, -71.53

 

CMYK 0 / 88 / 26 / 27

HEX #BB168A

RGB 187 22 138

HSL 317.82, 0.79%, 0.41%

LAB 42.72, 68.8, -21.57

 

Description

Color code: HEX #BD9C16 | qconv.com Color code: HEX #BD9C16 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 156 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 156 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 88 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 88% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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