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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9A8F it is the complementary color #426570. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9A8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9A8F shade: #C29A8A, #D3AC9D, #E4BEB0, #F5D0C3 and #FFE2D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9A8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9A8F shade: #BD9A8F, #AC887C, #9B7669, #8A6456 and #795243

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9A8F shade: #BD9A8F and #BD8F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9A8F shade: #BD9A8F, #BDA68F, #BDB38F, #BBBD8F and #AEBD8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9A8F shade matches the following richer shades: #BD9A8F, #CB9280, #DA8B72, #E88363 and #F77C55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9A8F shade: #BD9A8F, #AFA19D, #A0A9AB, #92B0BA and #83B8C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9A8F shade: #BD8F9C, #BD8F90, #BD998F, #BDA68F and #BDB28F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9A8F shade: #9D6C5C, #AE8275, #BD9A8F, #CCB1A9 and #DBC8C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9A8F shade: #BD9A8F, #A9BD8F and #8F96BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9A8F shade: #BD9A8F, #8FBD99 and #998FBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9A8F shade: #BD9A8F, #A9BD8F, #8FB2BD and #A38FBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9A8F shade: #BD9A8F, #9BBD8F, #8FB2BD and #B18FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

Complementary color

CMYK 41 / 10 / 0 / 56

HEX #426570

RGB 66 101 112

HSL 194.35, 0.26%, 0.35%

LAB 40.63, -9.44, -10.18

 

CMYK 0 / 21 / 29 / 24

HEX #C29A8A

RGB 194 154 138

HSL 17.14, 0.31%, 0.65%

LAB 66.84, 12.55, 14.07

 

CMYK 0 / 18 / 26 / 17

HEX #D3AC9D

RGB 211 172 157

HSL 16.67, 0.38%, 0.72%

LAB 73.41, 11.97, 13.07

 

CMYK 0 / 17 / 23 / 11

HEX #E4BEB0

RGB 228 190 176

HSL 16.15, 0.49%, 0.79%

LAB 79.87, 11.45, 12.14

 

CMYK 0 / 15 / 20 / 4

HEX #F5D0C3

RGB 245 208 195

HSL 15.6, 0.71%, 0.86%

LAB 86.24, 10.99, 11.26

 

CMYK 0 / 11 / 16 / 0

HEX #FFE2D6

RGB 255 226 214

HSL 17.56, 1%, 0.92%

LAB 91.91, 8.07, 9.5

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 21 / 28 / 33

HEX #AC887C

RGB 172 136 124

HSL 15, 0.22%, 0.58%

LAB 59.74, 11.9, 11.66

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 28 / 38 / 46

HEX #8A6456

RGB 138 100 86

HSL 16.15, 0.23%, 0.44%

LAB 45.89, 13.37, 13.97

 

CMYK 0 / 32 / 45 / 53

HEX #795243

RGB 121 82 67

HSL 16.67, 0.29%, 0.37%

LAB 38.73, 14.32, 15.37

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 24 / 24 / 26

HEX #BD8F8F

RGB 189 143 143

HSL 0, 0.26%, 0.65%

LAB 63.71, 17.4, 6.77

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 12 / 24 / 26

HEX #BDA68F

RGB 189 166 143

HSL 30, 0.26%, 0.65%

LAB 69.52, 4.75, 14.99

 

CMYK 0 / 5 / 24 / 26

HEX #BDB38F

RGB 189 179 143

HSL 46.96, 0.26%, 0.65%

LAB 72.92, -2.24, 19.7

 

CMYK 1 / 0 / 24 / 26

HEX #BBBD8F

RGB 187 189 143

HSL 62.61, 0.26%, 0.65%

LAB 75.42, -8.28, 23.09

 

CMYK 8 / 0 / 24 / 26

HEX #AEBD8F

RGB 174 189 143

HSL 79.57, 0.26%, 0.65%

LAB 74.43, -13.19, 21.58

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 28 / 37 / 20

HEX #CB9280

RGB 203 146 128

HSL 14.4, 0.42%, 0.65%

LAB 65.6, 19.19, 18.07

 

CMYK 0 / 36 / 48 / 15

HEX #DA8B72

RGB 218 139 114

HSL 14.42, 0.58%, 0.65%

LAB 65.42, 27.38, 25.9

 

CMYK 0 / 44 / 57 / 9

HEX #E88363

RGB 232 131 99

HSL 14.44, 0.74%, 0.65%

LAB 65.19, 35.79, 34.18

 

CMYK 0 / 50 / 66 / 3

HEX #F77C55

RGB 247 124 85

HSL 14.44, 0.91%, 0.65%

LAB 65.63, 44.12, 42.68

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 8 / 10 / 31

HEX #AFA19D

RGB 175 161 157

HSL 13.33, 0.1%, 0.65%

LAB 67.31, 4.39, 3.91

 

CMYK 6 / 1 / 0 / 33

HEX #A0A9AB

RGB 160 169 171

HSL 190.91, 0.06%, 0.65%

LAB 68.6, -2.77, -2.13

 

CMYK 22 / 5 / 0 / 27

HEX #92B0BA

RGB 146 176 186

HSL 195, 0.22%, 0.65%

LAB 69.97, -7.99, -8.51

 

CMYK 35 / 8 / 0 / 22

HEX #83B8C8

RGB 131 184 200

HSL 193.91, 0.39%, 0.65%

LAB 71.74, -13.36, -13.64

 

CMYK 0 / 24 / 17 / 26

HEX #BD8F9C

RGB 189 143 156

HSL 343.04, 0.26%, 0.65%

LAB 64.05, 19.41, -0.09

 

CMYK 0 / 24 / 24 / 26

HEX #BD8F90

RGB 189 143 144

HSL 358.7, 0.26%, 0.65%

LAB 63.74, 17.55, 6.24

 

CMYK 0 / 19 / 24 / 26

HEX #BD998F

RGB 189 153 143

HSL 13.04, 0.26%, 0.65%

LAB 66.2, 11.87, 10.31

 

CMYK 0 / 12 / 24 / 26

HEX #BDA68F

RGB 189 166 143

HSL 30, 0.26%, 0.65%

LAB 69.52, 4.75, 14.99

 

CMYK 0 / 6 / 24 / 26

HEX #BDB28F

RGB 189 178 143

HSL 45.65, 0.26%, 0.65%

LAB 72.66, -1.71, 19.34

 

CMYK 0 / 31 / 41 / 38

HEX #9D6C5C

RGB 157 108 92

HSL 14.77, 0.26%, 0.49%

LAB 50.29, 17.47, 16.81

 

CMYK 0 / 25 / 33 / 32

HEX #AE8275

RGB 174 130 117

HSL 13.68, 0.26%, 0.57%

LAB 58.27, 15.11, 13.64

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 0 / 13 / 17 / 20

HEX #CCB1A9

RGB 204 177 169

HSL 13.71, 0.26%, 0.73%

LAB 74.28, 8.43, 7.67

 

CMYK 0 / 9 / 11 / 14

HEX #DBC8C3

RGB 219 200 195

HSL 12.5, 0.25%, 0.81%

LAB 82.01, 5.81, 4.89

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 11 / 0 / 24 / 26

HEX #A9BD8F

RGB 169 189 143

HSL 86.09, 0.26%, 0.65%

LAB 74.07, -15.05, 21.03

 

CMYK 24 / 21 / 0 / 26

HEX #8F96BD

RGB 143 150 189

HSL 230.87, 0.26%, 0.65%

LAB 62.78, 6.14, -21.03

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 24 / 0 / 19 / 26

HEX #8FBD99

RGB 143 189 153

HSL 133.04, 0.26%, 0.65%

LAB 72.58, -22.51, 13.33

 

CMYK 19 / 24 / 0 / 26

HEX #998FBD

RGB 153 143 189

HSL 253.04, 0.26%, 0.65%

LAB 61.73, 13.3, -22.57

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 11 / 0 / 24 / 26

HEX #A9BD8F

RGB 169 189 143

HSL 86.09, 0.26%, 0.65%

LAB 74.07, -15.05, 21.03

 

CMYK 24 / 6 / 0 / 26

HEX #8FB2BD

RGB 143 178 189

HSL 194.35, 0.26%, 0.65%

LAB 70.42, -9.31, -9.5

 

CMYK 14 / 24 / 0 / 26

HEX #A38FBD

RGB 163 143 189

HSL 266.09, 0.26%, 0.65%

LAB 62.6, 16.55, -21.17

 

CMYK 0 / 19 / 24 / 26

HEX #BD9A8F

RGB 189 154 143

HSL 14.35, 0.26%, 0.65%

LAB 66.45, 11.32, 10.67

 

CMYK 18 / 0 / 24 / 26

HEX #9BBD8F

RGB 155 189 143

HSL 104.35, 0.26%, 0.65%

LAB 73.12, -20.13, 19.57

 

CMYK 24 / 6 / 0 / 26

HEX #8FB2BD

RGB 143 178 189

HSL 194.35, 0.26%, 0.65%

LAB 70.42, -9.31, -9.5

 

CMYK 6 / 24 / 0 / 26

HEX #B18FBD

RGB 177 143 189

HSL 284.35, 0.26%, 0.65%

LAB 63.89, 21.19, -19.08

 

Description

Color code: HEX #BD9A8F | qconv.com Color code: HEX #BD9A8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 154 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 154 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 24 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 24% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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