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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8ACB it is the complementary color #427534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD8ACB shade: #C28AC6, #D39CD9, #E4AEEC, #F5C0FF and #FFD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD8ACB shade: #BD8ACB, #AC78B8, #9B66A5, #8A5492 and #79427F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD8ACB shade: #BD8ACA, #CA8AC7, #CA8AB6, #CA8AA4 and #CA8A93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD8ACB shade: #BD8ACA, #AB8ACA, #9A8ACA and #8A8ACA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD8ACB shade matches the following richer shades: #BD8ACA, #C47DD8, #CC6FE6 and #D462F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD8ACB shade: #BD8ACA, #B598BD, #ADA6AF, #A5B3A1 and #9EC194

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD8ACB shade: #9A8ACA, #AB8ACA, #BC8ACA, #CA8AC7 and #CA8AB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD8ACB shade: #9C51B1, #AC6EBE, #BD8ACA, #CDA7D7 and #DDC3E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD8ACB shade: #BD8ACB, #CA8A8B and #8ACAA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD8ACB shade: #BD8ACB, #CABC8A and #8ACABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD8ACB shade: #BD8ACB, #CA8A8B, #98CA8A and #8ACAC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD8ACB shade: #BD8ACB, #CA9C8A, #98CA8A and #8AB8CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

Complementary color

CMYK 44 / 0 / 56 / 54

HEX #427534

RGB 66 117 52

HSL 107.08, 0.38%, 0.33%

LAB 44.42, -30.61, 30.28

 

CMYK 2 / 30 / 0 / 22

HEX #C28AC6

RGB 194 138 198

HSL 296, 0.34%, 0.66%

LAB 64.74, 31.38, -22.68

 

CMYK 3 / 28 / 0 / 15

HEX #D39CD9

RGB 211 156 217

HSL 294.1, 0.45%, 0.73%

LAB 71.31, 30.71, -23.04

 

CMYK 3 / 26 / 0 / 7

HEX #E4AEEC

RGB 228 174 236

HSL 292.26, 0.62%, 0.8%

LAB 77.77, 30.08, -23.4

 

CMYK 4 / 25 / 0 / 0

HEX #F5C0FF

RGB 245 192 255

HSL 290.48, 1%, 0.88%

LAB 84.14, 29.49, -23.74

 

CMYK 0 / 18 / 0 / 0

HEX #FFD2FF

RGB 255 210 255

HSL 300, 1%, 0.91%

LAB 89.19, 23.22, -16.01

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

CMYK 7 / 35 / 0 / 28

HEX #AC78B8

RGB 172 120 184

HSL 288.75, 0.31%, 0.6%

LAB 57.72, 31.47, -25.74

 

CMYK 6 / 38 / 0 / 35

HEX #9B66A5

RGB 155 102 165

HSL 290.48, 0.26%, 0.52%

LAB 50.91, 32.23, -25.43

 

CMYK 5 / 42 / 0 / 43

HEX #8A5492

RGB 138 84 146

HSL 292.26, 0.27%, 0.45%

LAB 43.97, 33.03, -25.08

 

CMYK 5 / 48 / 0 / 50

HEX #79427F

RGB 121 66 127

HSL 294.1, 0.32%, 0.38%

LAB 36.92, 33.84, -24.66

 

CMYK 6 / 32 / 0 / 21

HEX #BD8ACA

RGB 189 138 202

HSL 287.81, 0.38%, 0.67%

LAB 64.37, 30.55, -25.53

 

CMYK 0 / 32 / 1 / 21

HEX #CA8AC7

RGB 202 138 199

HSL 302.81, 0.38%, 0.67%

LAB 65.64, 34.18, -21.79

 

CMYK 0 / 32 / 10 / 21

HEX #CA8AB6

RGB 202 138 182

HSL 318.75, 0.38%, 0.67%

LAB 65.05, 31.15, -13.14

 

CMYK 0 / 32 / 19 / 21

HEX #CA8AA4

RGB 202 138 164

HSL 335.63, 0.38%, 0.67%

LAB 64.49, 28.19, -3.8

 

CMYK 0 / 32 / 27 / 21

HEX #CA8A93

RGB 202 138 147

HSL 351.56, 0.38%, 0.67%

LAB 64.03, 25.67, 5.15

 

CMYK 6 / 32 / 0 / 21

HEX #BD8ACA

RGB 189 138 202

HSL 287.81, 0.38%, 0.67%

LAB 64.37, 30.55, -25.53

 

CMYK 15 / 32 / 0 / 21

HEX #AB8ACA

RGB 171 138 202

HSL 270.94, 0.38%, 0.67%

LAB 62.59, 24.82, -28.42

 

CMYK 24 / 32 / 0 / 21

HEX #9A8ACA

RGB 154 138 202

HSL 255, 0.38%, 0.67%

LAB 61.06, 19.55, -30.92

 

CMYK 32 / 32 / 0 / 21

HEX #8A8ACA

RGB 138 138 202

HSL 240, 0.38%, 0.67%

LAB 59.75, 14.8, -33.06

 

CMYK 6 / 32 / 0 / 21

HEX #BD8ACA

RGB 189 138 202

HSL 287.81, 0.38%, 0.67%

LAB 64.37, 30.55, -25.53

 

CMYK 9 / 42 / 0 / 15

HEX #C47DD8

RGB 196 125 216

HSL 286.81, 0.54%, 0.67%

LAB 62.81, 42.62, -35.72

 

CMYK 11 / 52 / 0 / 10

HEX #CC6FE6

RGB 204 111 230

HSL 286.89, 0.7%, 0.67%

LAB 61.58, 54.9, -45.4

 

CMYK 13 / 60 / 0 / 5

HEX #D462F3

RGB 212 98 243

HSL 287.17, 0.86%, 0.67%

LAB 60.96, 65.6, -53.55

 

CMYK 6 / 32 / 0 / 21

HEX #BD8ACA

RGB 189 138 202

HSL 287.81, 0.38%, 0.67%

LAB 64.37, 30.55, -25.53

 

CMYK 4 / 20 / 0 / 26

HEX #B598BD

RGB 181 152 189

HSL 287.03, 0.22%, 0.67%

LAB 66.49, 17.49, -15.11

 

CMYK 1 / 5 / 0 / 31

HEX #ADA6AF

RGB 173 166 175

HSL 286.67, 0.05%, 0.67%

LAB 68.93, 4.2, -3.74

 

CMYK 8 / 0 / 10 / 30

HEX #A5B3A1

RGB 165 179 161

HSL 106.67, 0.11%, 0.67%

LAB 71.43, -8.27, 7.53

 

CMYK 18 / 0 / 23 / 24

HEX #9EC194

RGB 158 193 148

HSL 106.67, 0.27%, 0.67%

LAB 74.54, -20.25, 18.88

 

CMYK 24 / 32 / 0 / 21

HEX #9A8ACA

RGB 154 138 202

HSL 255, 0.38%, 0.67%

LAB 61.06, 19.55, -30.92

 

CMYK 15 / 32 / 0 / 21

HEX #AB8ACA

RGB 171 138 202

HSL 270.94, 0.38%, 0.67%

LAB 62.59, 24.82, -28.42

 

CMYK 7 / 32 / 0 / 21

HEX #BC8ACA

RGB 188 138 202

HSL 286.88, 0.38%, 0.67%

LAB 64.27, 30.23, -25.7

 

CMYK 0 / 32 / 1 / 21

HEX #CA8AC7

RGB 202 138 199

HSL 302.81, 0.38%, 0.67%

LAB 65.64, 34.18, -21.79

 

CMYK 0 / 32 / 10 / 21

HEX #CA8AB6

RGB 202 138 182

HSL 318.75, 0.38%, 0.67%

LAB 65.05, 31.15, -13.14

 

CMYK 12 / 54 / 0 / 31

HEX #9C51B1

RGB 156 81 177

HSL 286.88, 0.38%, 0.51%

LAB 47.14, 46.43, -38.34

 

CMYK 9 / 42 / 0 / 25

HEX #AC6EBE

RGB 172 110 190

HSL 286.5, 0.38%, 0.59%

LAB 55.73, 38.25, -32.26

 

CMYK 6 / 32 / 0 / 21

HEX #BD8ACA

RGB 189 138 202

HSL 287.81, 0.38%, 0.67%

LAB 64.37, 30.55, -25.53

 

CMYK 5 / 22 / 0 / 16

HEX #CDA7D7

RGB 205 167 215

HSL 287.5, 0.38%, 0.75%

LAB 73.23, 22.36, -19.07

 

CMYK 3 / 14 / 0 / 11

HEX #DDC3E4

RGB 221 195 228

HSL 287.27, 0.38%, 0.83%

LAB 81.84, 15, -13.01

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

CMYK 0 / 32 / 31 / 21

HEX #CA8A8B

RGB 202 138 139

HSL 359.06, 0.38%, 0.67%

LAB 63.83, 24.57, 9.4

 

CMYK 32 / 0 / 19 / 21

HEX #8ACAA3

RGB 138 202 163

HSL 143.44, 0.38%, 0.67%

LAB 76.25, -28.58, 13.06

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

CMYK 0 / 7 / 32 / 21

HEX #CABC8A

RGB 202 188 138

HSL 46.88, 0.38%, 0.67%

LAB 76.29, -2.61, 27.13

 

CMYK 32 / 0 / 7 / 21

HEX #8ACABC

RGB 138 202 188

HSL 166.88, 0.38%, 0.67%

LAB 76.85, -23.39, 0.48

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

CMYK 0 / 32 / 31 / 21

HEX #CA8A8B

RGB 202 138 139

HSL 359.06, 0.38%, 0.67%

LAB 63.83, 24.57, 9.4

 

CMYK 25 / 0 / 32 / 21

HEX #98CA8A

RGB 152 202 138

HSL 106.88, 0.38%, 0.67%

LAB 76.53, -28.38, 26.83

 

CMYK 32 / 0 / 0 / 21

HEX #8ACAC9

RGB 138 202 201

HSL 179.06, 0.38%, 0.67%

LAB 77.2, -20.44, -6.01

 

CMYK 7 / 32 / 0 / 20

HEX #BD8ACB

RGB 189 138 203

HSL 287.08, 0.38%, 0.67%

LAB 64.41, 30.75, -26.04

 

CMYK 0 / 23 / 32 / 21

HEX #CA9C8A

RGB 202 156 138

HSL 16.88, 0.38%, 0.67%

LAB 68.14, 14.59, 16.01

 

CMYK 25 / 0 / 32 / 21

HEX #98CA8A

RGB 152 202 138

HSL 106.88, 0.38%, 0.67%

LAB 76.53, -28.38, 26.83

 

CMYK 32 / 9 / 0 / 21

HEX #8AB8CA

RGB 138 184 202

HSL 196.88, 0.38%, 0.67%

LAB 72.19, -10.89, -14.02

 

Description

Color code: HEX #BD8ACB | qconv.com Color code: HEX #BD8ACB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 138 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 138 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 32 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 32% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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