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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8A8C it is the complementary color #427573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD8A8C shade: #C28A87, #D39C9A, #E4AEAD, #F5C0C0 and #FFD2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD8A8C shade: #BD8A8C, #AC7879, #9B6666, #8A5453 and #794240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD8A8C shade: #BC898B and #BC8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD8A8C shade: #BC898B, #BC8999, #BC89A7, #BC89B5 and #B689BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD8A8C shade matches the following richer shades: #BC898B, #CB7A7D, #DA6B70, #E95C62 and #F84E54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD8A8C shade: #BC898B, #AE9899, #9FA7A6, #90B6B4 and #81C4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD8A8C shade: #BC89A7, #BC8999, #BC898C, #BC9489 and #BCA289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD8A8C shade: #9C575A, #AE6F71, #BC898B, #CBA3A5 and #DABEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD8A8C shade: #BD8A8C, #B5BC89 and #89A0BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD8A8C shade: #BD8A8C, #8CBC89 and #898CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD8A8C shade: #BD8A8C, #B5BC89, #89BCBA and #9189BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD8A8C shade: #BD8A8C, #A5BC89, #89BCBA and #A089BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

Complementary color

CMYK 44 / 0 / 2 / 54

HEX #427573

RGB 66 117 115

HSL 177.65, 0.28%, 0.36%

LAB 45.8, -17.62, -4.27

 

CMYK 0 / 29 / 30 / 24

HEX #C28A87

RGB 194 138 135

HSL 3.05, 0.33%, 0.65%

LAB 62.84, 20.96, 10.13

 

CMYK 0 / 26 / 27 / 17

HEX #D39C9A

RGB 211 156 154

HSL 2.11, 0.39%, 0.72%

LAB 69.44, 20.22, 9.1

 

CMYK 0 / 24 / 24 / 11

HEX #E4AEAD

RGB 228 174 173

HSL 1.09, 0.5%, 0.79%

LAB 75.94, 19.56, 8.15

 

CMYK 0 / 22 / 22 / 4

HEX #F5C0C0

RGB 245 192 192

HSL 0, 0.73%, 0.86%

LAB 82.33, 18.95, 7.28

 

CMYK 0 / 18 / 17 / 0

HEX #FFD2D3

RGB 255 210 211

HSL 358.67, 1%, 0.91%

LAB 88, 15.92, 5.44

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

CMYK 0 / 30 / 30 / 33

HEX #AC7879

RGB 172 120 121

HSL 358.85, 0.24%, 0.57%

LAB 55.67, 20.5, 7.63

 

CMYK 0 / 34 / 34 / 39

HEX #9B6666

RGB 155 102 102

HSL 0, 0.21%, 0.5%

LAB 48.8, 21.36, 8.78

 

CMYK 0 / 39 / 40 / 46

HEX #8A5453

RGB 138 84 83

HSL 1.09, 0.25%, 0.43%

LAB 41.8, 22.35, 10.11

 

CMYK 0 / 45 / 47 / 53

HEX #794240

RGB 121 66 64

HSL 2.11, 0.31%, 0.36%

LAB 34.66, 23.49, 11.71

 

CMYK 0 / 27 / 26 / 26

HEX #BC898B

RGB 188 137 139

HSL 357.65, 0.28%, 0.64%

LAB 62.04, 19.76, 6.62

 

CMYK 0 / 27 / 27 / 26

HEX #BC8989

RGB 188 137 137

HSL 0, 0.28%, 0.64%

LAB 61.99, 19.47, 7.69

 

CMYK 0 / 27 / 26 / 26

HEX #BC898B

RGB 188 137 139

HSL 357.65, 0.28%, 0.64%

LAB 62.04, 19.76, 6.62

 

CMYK 0 / 27 / 19 / 26

HEX #BC8999

RGB 188 137 153

HSL 341.18, 0.28%, 0.64%

LAB 62.41, 21.89, -0.81

 

CMYK 0 / 27 / 11 / 26

HEX #BC89A7

RGB 188 137 167

HSL 324.71, 0.28%, 0.64%

LAB 62.82, 24.21, -8.15

 

CMYK 0 / 27 / 4 / 26

HEX #BC89B5

RGB 188 137 181

HSL 308.24, 0.28%, 0.64%

LAB 63.28, 26.72, -15.4

 

CMYK 3 / 27 / 0 / 26

HEX #B689BC

RGB 182 137 188

HSL 292.94, 0.28%, 0.64%

LAB 62.9, 26.03, -19.98

 

CMYK 0 / 27 / 26 / 26

HEX #BC898B

RGB 188 137 139

HSL 357.65, 0.28%, 0.64%

LAB 62.04, 19.76, 6.62

 

CMYK 0 / 40 / 38 / 20

HEX #CB7A7D

RGB 203 122 125

HSL 357.78, 0.44%, 0.64%

LAB 59.98, 31.89, 11.94

 

CMYK 0 / 51 / 49 / 15

HEX #DA6B70

RGB 218 107 112

HSL 357.3, 0.6%, 0.64%

LAB 58.59, 43.87, 17.82

 

CMYK 0 / 61 / 58 / 9

HEX #E95C62

RGB 233 92 98

HSL 357.45, 0.76%, 0.64%

LAB 57.9, 55, 25.39

 

CMYK 0 / 69 / 66 / 3

HEX #F84E54

RGB 248 78 84

HSL 357.88, 0.92%, 0.64%

LAB 58.08, 64.63, 34.16

 

CMYK 0 / 27 / 26 / 26

HEX #BC898B

RGB 188 137 139

HSL 357.65, 0.28%, 0.64%

LAB 62.04, 19.76, 6.62

 

CMYK 0 / 13 / 12 / 32

HEX #AE9899

RGB 174 152 153

HSL 357.27, 0.12%, 0.64%

LAB 64.77, 8.3, 2.46

 

CMYK 5 / 0 / 1 / 35

HEX #9FA7A6

RGB 159 167 166

HSL 172.5, 0.04%, 0.64%

LAB 67.84, -3.02, -0.47

 

CMYK 21 / 0 / 1 / 29

HEX #90B6B4

RGB 144 182 180

HSL 176.84, 0.21%, 0.64%

LAB 71.34, -13.13, -3.2

 

CMYK 34 / 0 / 1 / 23

HEX #81C4C2

RGB 129 196 194

HSL 178.21, 0.36%, 0.64%

LAB 74.85, -21.55, -5.75

 

CMYK 0 / 27 / 11 / 26

HEX #BC89A7

RGB 188 137 167

HSL 324.71, 0.28%, 0.64%

LAB 62.82, 24.21, -8.15

 

CMYK 0 / 27 / 19 / 26

HEX #BC8999

RGB 188 137 153

HSL 341.18, 0.28%, 0.64%

LAB 62.41, 21.89, -0.81

 

CMYK 0 / 27 / 26 / 26

HEX #BC898C

RGB 188 137 140

HSL 356.47, 0.28%, 0.64%

LAB 62.06, 19.91, 6.09

 

CMYK 0 / 21 / 27 / 26

HEX #BC9489

RGB 188 148 137

HSL 12.94, 0.28%, 0.64%

LAB 64.71, 13.37, 11.54

 

CMYK 0 / 14 / 27 / 26

HEX #BCA289

RGB 188 162 137

HSL 29.41, 0.28%, 0.64%

LAB 68.27, 5.68, 16.53

 

CMYK 0 / 44 / 42 / 39

HEX #9C575A

RGB 156 87 90

HSL 357.39, 0.28%, 0.48%

LAB 45.11, 28.75, 10.84

 

CMYK 0 / 36 / 35 / 32

HEX #AE6F71

RGB 174 111 113

HSL 358.1, 0.28%, 0.56%

LAB 53.56, 25.26, 9.34

 

CMYK 0 / 27 / 26 / 26

HEX #BC898B

RGB 188 137 139

HSL 357.65, 0.28%, 0.64%

LAB 62.04, 19.76, 6.62

 

CMYK 0 / 20 / 19 / 20

HEX #CBA3A5

RGB 203 163 165

HSL 357, 0.28%, 0.72%

LAB 70.6, 15.03, 4.56

 

CMYK 0 / 13 / 12 / 15

HEX #DABEBF

RGB 218 190 191

HSL 357.86, 0.27%, 0.8%

LAB 79.32, 10.1, 3.15

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

CMYK 4 / 0 / 27 / 26

HEX #B5BC89

RGB 181 188 137

HSL 68.24, 0.28%, 0.64%

LAB 74.57, -10.9, 25.06

 

CMYK 27 / 15 / 0 / 26

HEX #89A0BC

RGB 137 160 188

HSL 212.94, 0.28%, 0.64%

LAB 65.03, -1.58, -17.09

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

CMYK 26 / 0 / 27 / 26

HEX #8CBC89

RGB 140 188 137

HSL 116.47, 0.28%, 0.64%

LAB 71.79, -25.88, 20.82

 

CMYK 27 / 26 / 0 / 26

HEX #898CBC

RGB 137 140 188

HSL 236.47, 0.28%, 0.64%

LAB 59.62, 9.77, -25.35

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

CMYK 4 / 0 / 27 / 26

HEX #B5BC89

RGB 181 188 137

HSL 68.24, 0.28%, 0.64%

LAB 74.57, -10.9, 25.06

 

CMYK 27 / 0 / 1 / 26

HEX #89BCBA

RGB 137 188 186

HSL 177.65, 0.28%, 0.64%

LAB 72.78, -17.05, -4.4

 

CMYK 23 / 27 / 0 / 26

HEX #9189BC

RGB 145 137 188

HSL 249.41, 0.28%, 0.64%

LAB 59.47, 13.98, -25.53

 

CMYK 0 / 27 / 26 / 26

HEX #BD8A8C

RGB 189 138 140

HSL 357.65, 0.28%, 0.64%

LAB 62.41, 19.74, 6.61

 

CMYK 12 / 0 / 27 / 26

HEX #A5BC89

RGB 165 188 137

HSL 87.06, 0.28%, 0.64%

LAB 73.4, -16.94, 23.28

 

CMYK 27 / 0 / 1 / 26

HEX #89BCBA

RGB 137 188 186

HSL 177.65, 0.28%, 0.64%

LAB 72.78, -17.05, -4.4

 

CMYK 15 / 27 / 0 / 26

HEX #A089BC

RGB 160 137 188

HSL 267.06, 0.28%, 0.64%

LAB 60.78, 18.77, -23.41

 

Description

Color code: HEX #BD8A8C | qconv.com Color code: HEX #BD8A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 138 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 138 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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