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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD848C it is the complementary color #427B73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD848C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD848C shade: #C28487, #D3969A, #E4A8AD, #F5BAC0 and #FFCCD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD848C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD848C shade: #BD848C, #AC7279, #9B6066, #8A4E53 and #793C40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD848C shade: #BD848C and #BD8484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD848C shade: #BD848C, #BD849C, #BD84AB, #BD84BA and #B184BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD848C shade matches the following richer shades: #BD848C, #CC7581, #DB6676, #EB576B and #FA4760

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD848C shade: #BD848C, #AE9497, #9EA3A2, #8FB2AD and #80C1B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD848C shade: #BD84AB, #BD849C, #BD848D, #BD8B84 and #BD9A84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD848C shade: #9B545E, #AF6A73, #BD848C, #CB9FA5 and #DABABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD848C shade: #BD848C, #BABD84 and #84A3BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD848C shade: #BD848C, #8DBD84 and #848DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD848C shade: #BD848C, #BABD84, #84BDB4 and #8784BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD848C shade: #BD848C, #A9BD84, #84BDB4 and #9884BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

Complementary color

CMYK 46 / 0 / 7 / 52

HEX #427B73

RGB 66 123 115

HSL 171.58, 0.3%, 0.37%

LAB 47.7, -20.83, -1.46

 

CMYK 0 / 32 / 30 / 24

HEX #C28487

RGB 194 132 135

HSL 357.1, 0.34%, 0.64%

LAB 61.41, 24.27, 8.1

 

CMYK 0 / 29 / 27 / 17

HEX #D3969A

RGB 211 150 154

HSL 356.07, 0.41%, 0.71%

LAB 68.02, 23.48, 7.06

 

CMYK 0 / 26 / 24 / 11

HEX #E4A8AD

RGB 228 168 173

HSL 355, 0.53%, 0.78%

LAB 74.52, 22.77, 6.12

 

CMYK 0 / 24 / 22 / 4

HEX #F5BAC0

RGB 245 186 192

HSL 353.9, 0.75%, 0.85%

LAB 80.93, 22.12, 5.25

 

CMYK 0 / 20 / 17 / 0

HEX #FFCCD3

RGB 255 204 211

HSL 351.76, 1%, 0.9%

LAB 86.58, 19.05, 3.39

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 34 / 30 / 33

HEX #AC7279

RGB 172 114 121

HSL 352.76, 0.26%, 0.56%

LAB 54.22, 23.88, 5.57

 

CMYK 0 / 38 / 34 / 39

HEX #9B6066

RGB 155 96 102

HSL 353.9, 0.24%, 0.49%

LAB 47.36, 24.79, 6.74

 

CMYK 0 / 43 / 40 / 46

HEX #8A4E53

RGB 138 78 83

HSL 355, 0.28%, 0.42%

LAB 40.37, 25.81, 8.11

 

CMYK 0 / 50 / 47 / 53

HEX #793C40

RGB 121 60 64

HSL 356.07, 0.34%, 0.35%

LAB 33.28, 26.94, 9.79

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 30 / 30 / 26

HEX #BD8484

RGB 189 132 132

HSL 0, 0.3%, 0.63%

LAB 60.77, 21.94, 8.82

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 30 / 17 / 26

HEX #BD849C

RGB 189 132 156

HSL 334.74, 0.3%, 0.63%

LAB 61.41, 25.52, -3.96

 

CMYK 0 / 30 / 10 / 26

HEX #BD84AB

RGB 189 132 171

HSL 318.95, 0.3%, 0.63%

LAB 61.88, 28.04, -11.82

 

CMYK 0 / 30 / 2 / 26

HEX #BD84BA

RGB 189 132 186

HSL 303.16, 0.3%, 0.63%

LAB 62.39, 30.76, -19.55

 

CMYK 6 / 30 / 0 / 26

HEX #B184BD

RGB 177 132 189

HSL 287.37, 0.3%, 0.63%

LAB 61.24, 27.37, -23.12

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 43 / 37 / 20

HEX #CC7581

RGB 204 117 129

HSL 351.72, 0.46%, 0.63%

LAB 59.11, 35.41, 8.43

 

CMYK 0 / 53 / 46 / 14

HEX #DB6676

RGB 219 102 118

HSL 351.79, 0.62%, 0.63%

LAB 57.91, 47.26, 13.43

 

CMYK 0 / 63 / 54 / 8

HEX #EB576B

RGB 235 87 107

HSL 351.89, 0.79%, 0.63%

LAB 57.6, 58.47, 19.81

 

CMYK 0 / 72 / 62 / 2

HEX #FA4760

RGB 250 71 96

HSL 351.62, 0.95%, 0.63%

LAB 57.73, 68.38, 26.86

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 15 / 13 / 32

HEX #AE9497

RGB 174 148 151

HSL 353.08, 0.14%, 0.63%

LAB 63.68, 10.19, 2.01

 

CMYK 3 / 0 / 1 / 36

HEX #9EA3A2

RGB 158 163 162

HSL 168, 0.03%, 0.63%

LAB 66.57, -1.97, -0.11

 

CMYK 20 / 0 / 3 / 30

HEX #8FB2AD

RGB 143 178 173

HSL 171.43, 0.19%, 0.63%

LAB 69.96, -12.87, -1.37

 

CMYK 34 / 0 / 5 / 24

HEX #80C1B8

RGB 128 193 184

HSL 171.69, 0.34%, 0.63%

LAB 73.67, -22.66, -2.06

 

CMYK 0 / 30 / 10 / 26

HEX #BD84AB

RGB 189 132 171

HSL 318.95, 0.3%, 0.63%

LAB 61.88, 28.04, -11.82

 

CMYK 0 / 30 / 17 / 26

HEX #BD849C

RGB 189 132 156

HSL 334.74, 0.3%, 0.63%

LAB 61.41, 25.52, -3.96

 

CMYK 0 / 30 / 25 / 26

HEX #BD848D

RGB 189 132 141

HSL 350.53, 0.3%, 0.63%

LAB 61, 23.21, 4

 

CMYK 0 / 26 / 30 / 26

HEX #BD8B84

RGB 189 139 132

HSL 7.37, 0.3%, 0.63%

LAB 62.47, 18.05, 11.22

 

CMYK 0 / 19 / 30 / 26

HEX #BD9A84

RGB 189 154 132

HSL 23.16, 0.3%, 0.63%

LAB 66.21, 9.76, 16.46

 

CMYK 0 / 46 / 39 / 39

HEX #9B545E

RGB 155 84 94

HSL 351.55, 0.3%, 0.47%

LAB 44.4, 30.5, 7.38

 

CMYK 0 / 39 / 34 / 31

HEX #AF6A73

RGB 175 106 115

HSL 352.17, 0.3%, 0.55%

LAB 52.58, 28.69, 6.78

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 0 / 22 / 19 / 20

HEX #CB9FA5

RGB 203 159 165

HSL 351.82, 0.3%, 0.71%

LAB 69.62, 17.21, 3.14

 

CMYK 0 / 15 / 13 / 15

HEX #DABABE

RGB 218 186 190

HSL 352.5, 0.3%, 0.79%

LAB 78.31, 12.07, 2.22

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 2 / 0 / 30 / 26

HEX #BABD84

RGB 186 189 132

HSL 63.16, 0.3%, 0.63%

LAB 75.14, -10.16, 28.54

 

CMYK 30 / 14 / 0 / 26

HEX #84A3BD

RGB 132 163 189

HSL 207.37, 0.3%, 0.63%

LAB 65.57, -4.5, -16.86

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 25 / 0 / 30 / 26

HEX #8DBD84

RGB 141 189 132

HSL 110.53, 0.3%, 0.63%

LAB 72.04, -26.85, 23.85

 

CMYK 30 / 25 / 0 / 26

HEX #848DBD

RGB 132 141 189

HSL 230.53, 0.3%, 0.63%

LAB 59.55, 7.93, -26.06

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 2 / 0 / 30 / 26

HEX #BABD84

RGB 186 189 132

HSL 63.16, 0.3%, 0.63%

LAB 75.14, -10.16, 28.54

 

CMYK 30 / 0 / 5 / 26

HEX #84BDB4

RGB 132 189 180

HSL 170.53, 0.3%, 0.63%

LAB 72.63, -20.4, -1.39

 

CMYK 29 / 30 / 0 / 26

HEX #8784BD

RGB 135 132 189

HSL 243.16, 0.3%, 0.63%

LAB 57.39, 14.06, -29.38

 

CMYK 0 / 30 / 26 / 26

HEX #BD848C

RGB 189 132 140

HSL 351.58, 0.3%, 0.63%

LAB 60.97, 23.07, 4.53

 

CMYK 11 / 0 / 30 / 26

HEX #A9BD84

RGB 169 189 132

HSL 81.05, 0.3%, 0.63%

LAB 73.87, -16.69, 26.61

 

CMYK 30 / 0 / 5 / 26

HEX #84BDB4

RGB 132 189 180

HSL 170.53, 0.3%, 0.63%

LAB 72.63, -20.4, -1.39

 

CMYK 20 / 30 / 0 / 26

HEX #9884BD

RGB 152 132 189

HSL 261.05, 0.3%, 0.63%

LAB 58.84, 19.31, -27.03

 

Description

Color code: HEX #BD848C | qconv.com Color code: HEX #BD848C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 132 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 132 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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