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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD804D it is the complementary color #427FB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD804D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD804D shade: #C28048, #D3925B, #E4A46E, #F5B681 and #FFC894

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD804D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD804D shade: #BD804D, #AC6E3A, #9B5C27, #8A4A14 and #793801

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD804D shade: #BD804C, #BD614C and #BD4C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD804D shade: #BD804C, #BD9E4C, #BDBC4C, #9FBD4C and #81BD4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD804D shade matches the following richer shades: #BD804C, #D17E38, #E57C25 and #F87A11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD804D shade: #BD804C, #A98160, #958374, #818588 and #6E879C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD804D shade: #BD4C56, #BD614C, #BD7F4C, #BD9D4C and #BDBB4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD804D shade: #855831, #A36B3C, #BD804C, #C8956A and #D3AB89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD804D shade: #BD804D, #74BD4C and #524CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD804D shade: #BD804D, #4CBD7F and #7F4CBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD804D shade: #BD804D, #74BD4C, #4C8ABD and #954CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD804D shade: #BD804D, #52BD4C, #4C8ABD and #B74CBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

Complementary color

CMYK 63 / 29 / 0 / 30

HEX #427FB2

RGB 66 127 178

HSL 207.32, 0.46%, 0.48%

LAB 51.33, -3.75, -32.84

 

CMYK 0 / 34 / 63 / 24

HEX #C28048

RGB 194 128 72

HSL 27.54, 0.5%, 0.52%

LAB 59.32, 20.02, 40.31

 

CMYK 0 / 31 / 57 / 17

HEX #D3925B

RGB 211 146 91

HSL 27.5, 0.58%, 0.59%

LAB 65.87, 18.74, 38.73

 

CMYK 0 / 28 / 52 / 11

HEX #E4A46E

RGB 228 164 110

HSL 27.46, 0.69%, 0.66%

LAB 72.34, 17.62, 37.23

 

CMYK 0 / 26 / 47 / 4

HEX #F5B681

RGB 245 182 129

HSL 27.41, 0.85%, 0.73%

LAB 78.73, 16.64, 35.83

 

CMYK 0 / 22 / 42 / 0

HEX #FFC894

RGB 255 200 148

HSL 29.16, 1%, 0.79%

LAB 84.33, 13.05, 33.47

 

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

CMYK 0 / 36 / 66 / 33

HEX #AC6E3A

RGB 172 110 58

HSL 27.37, 0.5%, 0.45%

LAB 52.09, 19.65, 38.54

 

CMYK 0 / 41 / 75 / 39

HEX #9B5C27

RGB 155 92 39

HSL 27.41, 0.6%, 0.38%

LAB 45.32, 21.29, 40.15

 

CMYK 0 / 46 / 86 / 46

HEX #8A4A14

RGB 138 74 20

HSL 27.46, 0.75%, 0.31%

LAB 38.47, 23.22, 41.39

 

CMYK 0 / 54 / 99 / 53

HEX #793801

RGB 121 56 1

HSL 27.5, 0.98%, 0.24%

LAB 31.57, 25.41, 41.99

 

CMYK 0 / 32 / 60 / 26

HEX #BD804C

RGB 189 128 76

HSL 27.61, 0.46%, 0.52%

LAB 58.77, 18.19, 37.42

 

CMYK 0 / 49 / 60 / 26

HEX #BD614C

RGB 189 97 76

HSL 11.15, 0.46%, 0.52%

LAB 51.71, 35.05, 28.74

 

CMYK 0 / 60 / 60 / 26

HEX #BD4C4C

RGB 189 76 76

HSL 0, 0.46%, 0.52%

LAB 47.64, 45.53, 23.53

 

CMYK 0 / 32 / 60 / 26

HEX #BD804C

RGB 189 128 76

HSL 27.61, 0.46%, 0.52%

LAB 58.77, 18.19, 37.42

 

CMYK 0 / 16 / 60 / 26

HEX #BD9E4C

RGB 189 158 76

HSL 43.54, 0.46%, 0.52%

LAB 66.36, 1.72, 46.31

 

CMYK 0 / 1 / 60 / 26

HEX #BDBC4C

RGB 189 188 76

HSL 59.47, 0.46%, 0.52%

LAB 74.39, -14.05, 55.26

 

CMYK 16 / 0 / 60 / 26

HEX #9FBD4C

RGB 159 189 76

HSL 75.93, 0.46%, 0.52%

LAB 72.42, -26.88, 52.46

 

CMYK 32 / 0 / 60 / 26

HEX #81BD4C

RGB 129 189 76

HSL 91.86, 0.46%, 0.52%

LAB 70.58, -38.33, 49.9

 

CMYK 0 / 32 / 60 / 26

HEX #BD804C

RGB 189 128 76

HSL 27.61, 0.46%, 0.52%

LAB 58.77, 18.19, 37.42

 

CMYK 0 / 40 / 73 / 18

HEX #D17E38

RGB 209 126 56

HSL 27.45, 0.62%, 0.52%

LAB 60.57, 26.51, 50.12

 

CMYK 0 / 46 / 84 / 10

HEX #E57C25

RGB 229 124 37

HSL 27.19, 0.79%, 0.52%

LAB 62.68, 35.09, 60.96

 

CMYK 0 / 51 / 93 / 3

HEX #F87A11

RGB 248 122 17

HSL 27.27, 0.94%, 0.52%

LAB 64.9, 43.23, 69.5

 

CMYK 0 / 32 / 60 / 26

HEX #BD804C

RGB 189 128 76

HSL 27.61, 0.46%, 0.52%

LAB 58.77, 18.19, 37.42

 

CMYK 0 / 24 / 43 / 34

HEX #A98160

RGB 169 129 96

HSL 27.12, 0.3%, 0.52%

LAB 57.06, 11.02, 23.82

 

CMYK 0 / 12 / 22 / 42

HEX #958374

RGB 149 131 116

HSL 27.27, 0.13%, 0.52%

LAB 55.97, 4.33, 10.61

 

CMYK 5 / 2 / 0 / 47

HEX #818588

RGB 129 133 136

HSL 205.71, 0.03%, 0.52%

LAB 55.3, -0.86, -2.13

 

CMYK 29 / 13 / 0 / 39

HEX #6E879C

RGB 110 135 156

HSL 207.39, 0.19%, 0.52%

LAB 55.12, -3.81, -14.11

 

CMYK 0 / 60 / 54 / 26

HEX #BD4C56

RGB 189 76 86

HSL 354.69, 0.46%, 0.52%

LAB 47.83, 46.3, 17.79

 

CMYK 0 / 49 / 60 / 26

HEX #BD614C

RGB 189 97 76

HSL 11.15, 0.46%, 0.52%

LAB 51.71, 35.05, 28.74

 

CMYK 0 / 33 / 60 / 26

HEX #BD7F4C

RGB 189 127 76

HSL 27.08, 0.46%, 0.52%

LAB 58.53, 18.74, 37.13

 

CMYK 0 / 17 / 60 / 26

HEX #BD9D4C

RGB 189 157 76

HSL 43.01, 0.46%, 0.52%

LAB 66.1, 2.26, 46.01

 

CMYK 0 / 1 / 60 / 26

HEX #BDBB4C

RGB 189 187 76

HSL 58.94, 0.46%, 0.52%

LAB 74.11, -13.54, 54.97

 

CMYK 0 / 34 / 63 / 48

HEX #855831

RGB 133 88 49

HSL 27.86, 0.46%, 0.36%

LAB 41.51, 14.37, 29.83

 

CMYK 0 / 34 / 63 / 36

HEX #A36B3C

RGB 163 107 60

HSL 27.38, 0.46%, 0.44%

LAB 50.25, 17.56, 35.05

 

CMYK 0 / 32 / 60 / 26

HEX #BD804C

RGB 189 128 76

HSL 27.61, 0.46%, 0.52%

LAB 58.77, 18.19, 37.42

 

CMYK 0 / 26 / 47 / 22

HEX #C8956A

RGB 200 149 106

HSL 27.45, 0.46%, 0.6%

LAB 65.6, 13.89, 30.13

 

CMYK 0 / 19 / 35 / 17

HEX #D3AB89

RGB 211 171 137

HSL 27.57, 0.46%, 0.68%

LAB 72.75, 9.87, 23.03

 

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

CMYK 39 / 0 / 60 / 26

HEX #74BD4C

RGB 116 189 76

HSL 98.76, 0.46%, 0.52%

LAB 69.92, -42.85, 48.97

 

CMYK 57 / 60 / 0 / 26

HEX #524CBD

RGB 82 76 189

HSL 243.19, 0.46%, 0.52%

LAB 38.96, 34.79, -58.91

 

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

CMYK 60 / 0 / 33 / 26

HEX #4CBD7F

RGB 76 189 127

HSL 147.08, 0.46%, 0.52%

LAB 69.09, -46.35, 22.02

 

CMYK 33 / 60 / 0 / 26

HEX #7F4CBD

RGB 127 76 189

HSL 267.08, 0.46%, 0.52%

LAB 43.29, 44.39, -51.7

 

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

CMYK 39 / 0 / 60 / 26

HEX #74BD4C

RGB 116 189 76

HSL 98.76, 0.46%, 0.52%

LAB 69.92, -42.85, 48.97

 

CMYK 60 / 27 / 0 / 26

HEX #4C8ABD

RGB 76 138 189

HSL 207.08, 0.46%, 0.52%

LAB 55.47, -4.57, -32.64

 

CMYK 21 / 60 / 0 / 26

HEX #954CBD

RGB 149 76 189

HSL 278.76, 0.46%, 0.52%

LAB 45.95, 49.72, -47.29

 

CMYK 0 / 32 / 59 / 26

HEX #BD804D

RGB 189 128 77

HSL 27.32, 0.46%, 0.52%

LAB 58.78, 18.27, 36.9

 

CMYK 57 / 0 / 60 / 26

HEX #52BD4C

RGB 82 189 76

HSL 116.81, 0.46%, 0.52%

LAB 68.54, -52.91, 47.03

 

CMYK 60 / 27 / 0 / 26

HEX #4C8ABD

RGB 76 138 189

HSL 207.08, 0.46%, 0.52%

LAB 55.47, -4.57, -32.64

 

CMYK 3 / 60 / 0 / 26

HEX #B74CBD

RGB 183 76 189

HSL 296.81, 0.46%, 0.52%

LAB 50.58, 58.28, -39.65

 

Description

Color code: HEX #BD804D | qconv.com Color code: HEX #BD804D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 128 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 128 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 59 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 59% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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