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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7C2800 it is the complementary color #4283D700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7C2800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7C2800 shade: #C27C2300, #D38E3600, #E4A04900, #F5B25C00 and #FFC46F00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7C2800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7C2800 shade: #BD7C2800, #AC6A1500, #9B580200, #8A460000 and #79340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7C2800 shade: #BD7C28, #BD5428, #BD2C28 and #BD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7C2800 shade: #BD7C28, #BDA428, #AEBD28, #86BD28 and #5DBD28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7C2800 shade matches the following richer shades: #BD7C28, #D07F16 and #E28103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7C2800 shade: #BD7C28, #AB7A3B, #98784D, #867560 and #737372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7C2800 shade: #BD2B28, #BD5228, #BD7A28, #BDA228 and #B1BD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7C2800 shade: #79501A, #9B6621, #BD7C28, #D5913A and #DCA45C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7C2800 shade: #BD7C28, #4DBD28 and #3F28BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7C2800 shade: #BD7C28, #28BD7A and #7A28BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7C2800 shade: #BD7C28, #4DBD28, #286BBD and #9828BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7C2800 shade: #BD7C28, #28BD30, #286BBD and #BD28B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BD7C2800

RGBA 189 124 40 0

HSLA 33.83, 0.65%, 0.45%, 0

LABA 57.45, 18.36, 53.15, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #4283D700

RGBA 66 131 215 0

HSLA 213.83, 0.65%, 0.55%, 0

LABA 54.34, 6.7, -49.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C27C2300

RGBA 194 124 35 0

HSLA 33.58, 0.69%, 0.45%, 0

LABA 58.04, 20.37, 55.84, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D38E3600

RGBA 211 142 54 0

HSLA 33.63, 0.64%, 0.52%, 0

LABA 64.53, 18.63, 55.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E4A04900

RGBA 228 160 73 0

HSLA 33.68, 0.74%, 0.59%, 0

LABA 70.95, 17.11, 53.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F5B25C00

RGBA 245 178 92 0

HSLA 33.73, 0.88%, 0.66%, 0

LABA 77.3, 15.8, 52.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #FFC46F00

RGBA 255 196 111 0

HSLA 35.42, 1%, 0.72%, 0

LABA 82.85, 11.81, 50.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BD7C2800

RGBA 189 124 40 0

HSLA 33.83, 0.65%, 0.45%, 0

LABA 57.45, 18.36, 53.15, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AC6A1500

RGBA 172 106 21 0

HSLA 33.77, 0.78%, 0.38%, 0

LABA 50.84, 20.28, 53.35, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9B580200

RGBA 155 88 2 0

HSLA 33.73, 0.97%, 0.31%, 0

LABA 44.16, 22.48, 52.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8A460000

RGBA 138 70 0 0

HSLA 30.43, 1%, 0.27%, 0

LABA 37.45, 25.03, 47.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #79340000

RGBA 121 52 0 0

HSLA 25.79, 1%, 0.24%, 0

LABA 30.69, 27.6, 41.78, 0

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 56 / 79 / 26

HEX #BD5428

RGB 189 84 40

HSL 17.72, 0.65%, 0.45%

LAB 48.65, 39.71, 44.67

 

CMYK 0 / 77 / 79 / 26

HEX #BD2C28

RGB 189 44 40

HSL 1.61, 0.65%, 0.45%

LAB 42.42, 56.44, 38.37

 

CMYK 0 / 79 / 79 / 26

HEX #BD2828

RGB 189 40 40

HSL 0, 0.65%, 0.45%

LAB 41.98, 57.66, 37.92

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 13 / 79 / 26

HEX #BDA428

RGB 189 164 40

HSL 49.93, 0.65%, 0.45%

LAB 67.67, -3.47, 62.55

 

CMYK 8 / 0 / 79 / 26

HEX #AEBD28

RGB 174 189 40

HSL 66.04, 0.65%, 0.45%

LAB 73.25, -22.82, 67.08

 

CMYK 29 / 0 / 79 / 26

HEX #86BD28

RGB 134 189 40

HSL 82.15, 0.65%, 0.45%

LAB 70.61, -38.98, 63.7

 

CMYK 51 / 0 / 79 / 26

HEX #5DBD28

RGB 93 189 40

HSL 98.66, 0.65%, 0.45%

LAB 68.66, -52.91, 61.19

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 39 / 89 / 18

HEX #D07F16

RGB 208 127 22

HSL 33.87, 0.81%, 0.45%

LAB 60.47, 24.45, 62.64

 

CMYK 0 / 43 / 99 / 11

HEX #E28103

RGB 226 129 3

HSL 33.9, 0.97%, 0.45%

LAB 63.24, 30.72, 69.2

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 29 / 65 / 33

HEX #AB7A3B

RGB 171 122 59

HSL 33.75, 0.49%, 0.45%

LAB 54.96, 12.53, 41.24

 

CMYK 0 / 21 / 49 / 40

HEX #98784D

RGB 152 120 77

HSL 34.4, 0.33%, 0.45%

LAB 52.56, 6.79, 28.27

 

CMYK 0 / 13 / 28 / 47

HEX #867560

RGB 134 117 96

HSL 33.16, 0.17%, 0.45%

LAB 50.26, 3.15, 14.02

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 0 / 77 / 79 / 26

HEX #BD2B28

RGB 189 43 40

HSL 1.21, 0.65%, 0.45%

LAB 42.31, 56.75, 38.26

 

CMYK 0 / 57 / 79 / 26

HEX #BD5228

RGB 189 82 40

HSL 16.91, 0.65%, 0.45%

LAB 48.27, 40.7, 44.3

 

CMYK 0 / 35 / 79 / 26

HEX #BD7A28

RGB 189 122 40

HSL 33.02, 0.65%, 0.45%

LAB 56.97, 19.47, 52.7

 

CMYK 0 / 14 / 79 / 26

HEX #BDA228

RGB 189 162 40

HSL 49.13, 0.65%, 0.45%

LAB 67.14, -2.4, 62.07

 

CMYK 6 / 0 / 79 / 26

HEX #B1BD28

RGB 177 189 40

HSL 64.83, 0.65%, 0.45%

LAB 73.48, -21.55, 67.37

 

CMYK 0 / 34 / 79 / 53

HEX #79501A

RGB 121 80 26

HSL 34.11, 0.65%, 0.29%

LAB 37.62, 12.1, 37.11

 

CMYK 0 / 34 / 79 / 39

HEX #9B6621

RGB 155 102 33

HSL 33.93, 0.65%, 0.37%

LAB 47.73, 15.3, 45.32

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 0 / 32 / 73 / 16

HEX #D5913A

RGB 213 145 58

HSL 33.68, 0.65%, 0.53%

LAB 65.52, 18.04, 54.47

 

CMYK 0 / 25 / 58 / 14

HEX #DCA45C

RGB 220 164 92

HSL 33.75, 0.65%, 0.61%

LAB 71.24, 12.86, 44.92

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 59 / 0 / 79 / 26

HEX #4DBD28

RGB 77 189 40

HSL 105.1, 0.65%, 0.45%

LAB 68.11, -57.24, 60.47

 

CMYK 67 / 79 / 0 / 26

HEX #3F28BD

RGB 63 40 189

HSL 249.26, 0.65%, 0.45%

LAB 30.03, 52.38, -73.61

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 79 / 0 / 35 / 26

HEX #28BD7A

RGB 40 189 122

HSL 153.02, 0.65%, 0.45%

LAB 68.21, -53.26, 23.36

 

CMYK 35 / 79 / 0 / 26

HEX #7A28BD

RGB 122 40 189

HSL 273.02, 0.65%, 0.45%

LAB 36.61, 60.2, -62.55

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 59 / 0 / 79 / 26

HEX #4DBD28

RGB 77 189 40

HSL 105.1, 0.65%, 0.45%

LAB 68.11, -57.24, 60.47

 

CMYK 79 / 43 / 0 / 26

HEX #286BBD

RGB 40 107 189

HSL 213.02, 0.65%, 0.45%

LAB 45.14, 8.57, -49.06

 

CMYK 20 / 79 / 0 / 26

HEX #9828BD

RGB 152 40 189

HSL 285.1, 0.65%, 0.45%

LAB 41, 65.39, -55.22

 

CMYK 0 / 34 / 79 / 26

HEX #BD7C28

RGB 189 124 40

HSL 33.83, 0.65%, 0.45%

LAB 57.45, 18.36, 53.15

 

CMYK 79 / 0 / 75 / 26

HEX #28BD30

RGB 40 189 48

HSL 123.22, 0.65%, 0.45%

LAB 67.32, -63.72, 56.81

 

CMYK 79 / 43 / 0 / 26

HEX #286BBD

RGB 40 107 189

HSL 213.02, 0.65%, 0.45%

LAB 45.14, 8.57, -49.06

 

CMYK 0 / 79 / 4 / 26

HEX #BD28B6

RGB 189 40 182

HSL 302.82, 0.65%, 0.45%

LAB 46.6, 71.33, -41.82

 

Description

Color code: HEX #BD7C2800 | qconv.com Color code: HEX #BD7C2800 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 124 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 124 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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